View allAll Photos Tagged replicator
This is an image of Joe at work at Moraine State Park on the South Shore getting what he said the last good day of foliage color before the cold spell predicted for the next week.
Putting on paper how he sees it.
Through the eyes of an Artist.
Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
The soda fountain was an attempt to replicate mineral waters that bubbled up from the Earth. Many civilizations believed that drinking and/or bathing in these mineral waters cured diseases, and large industries often sprang up around hot springs, such as Bath in England or the many onsen of Japan. Early scientists tried to create effervescent waters with curative powers, including Robert Boyle, Friedrich Hoffmann, Jean Baptiste van Helmont, William Brownrigg, Antoine Laurent Lavoisier, and David Macbride. In the early 1770s, Swedish chemist Torbern Bergman and English scientist Joseph Priestley invented equipment for saturating water with carbon dioxide. In 1774 John Mervin Nooth demonstrated an apparatus that improved upon Priestley's design. In 1807 Henry Thompson received the first British patent for a method of impregnating water with carbon dioxide. This was commonly called soda water, although it contained no soda.
The soda fountain began in Europe, but achieved its greatest success in the U.S. Benjamin Silliman, a Yale chemistry professor, was among the first to introduce soda water to America. In 1806 Silliman purchased a Nooth apparatus and began selling mineral waters in New Haven, Connecticut. Sales were brisk, so he built a bigger apparatus, opened a pump room, and took in three partners. This partnership opened soda fountains in New York City and Baltimore, Maryland. At roughly the same time, other businessmen opened fountains in NYC and Philadelphia. Although Silliman's business eventually failed, he played an important role in popularizing soda water.
In 1832, John Matthews of NYC and John Lippincott of Philadelphia began manufacturing soda fountains. Both added innovations that improved soda-fountain equipment, and the industry expanded as retail outlets installed newer, better fountains. Other pioneering manufacturers were Alvin Puffer, Andrew Morse, Gustavus Dows, and James Tufts. In 1891 the four largest manufacturers—Tufts, Puffer, Lippincott, and Matthews—formed the American Soda Fountain Company, which was a trust designed to monopolize the industry. The four manufacturers continued to produce and market fountains under their company names. The trust controlled prices and forced some smaller manufacturers out of business.
Before mechanical refrigeration, soda fountains used ice to cool drinks and ice cream. Ice harvesters cut ice from frozen lakes and ponds in the winter and stored the blocks for use in the summer. In the early 20th century, new companies entered the soda fountain business, marketing "iceless" fountains that used brine.-wiki
DNA replication is one of several central genetic processes that demand an association between proteins and DNA. With images such as this, the scanning transmission electron microscope (STEM) has revealed many of the details of DNA replication in the tumor virus SV40. Twelve subunits of a protein known as T antigen assemble themselves in two ringlike hexamers around the DNA, precisely at the origin of replication.
For more information or additional images, please contact 202-586-5251.
Makerbot 5th Gen Replicator + mainboard Rev-G.
Not many changes from the previous version. Mostly a minor layout change in the stepper driver subsystem. The J8 header is for the Z axis safety limit switch. Curious what other limit switch signals might be present in that connector??
It is a replicator device I constructed to copy 35mm films to digital camera.
It consists of parts of two enlargers set on the same optical bench. on the right side is a filmholder, condenser and 100W lamp to illuminate the negative. on the left there is a macroadapter, Industar 100 110/4 objective and canon 350D body.
There is no glass between the film and objective, however the glass on the other side of the film sometimes creates Newton rings.
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
This fondant covered tiered cake was airbrush, painted and piped to replicate a photo the bride brought in of a very nature inspired stained glass window. This cake topped a cupcake tower.
A cup and dish shaped in the Adobe Creative Cloud logo and 3D printed using a MakerBot Replicator 2. Original 3D data from Photoshop file.
3D-printed on a MakerBot Replicator 3D printer.
For more information creative-tools.com
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
We were trying to replicate a salad we've had a few times at City House. I think we did a pretty decent job!
Ingredients (so we remember next time):
Cauliflower (sliced)
Red onion (thinly sliced)
Cooked wheatberries
Almonds, chopped coarsely and toasted
Vinaigrette made with shallot, garlic, lemon juice, grated lemon rind, white wine vinegar, sugar, salt, pepper, and olive oil
Aaron Friedman, M.D., vice president for health sciences and dean of the University of Minnesota Medical School, left, discusses a new method to replicate regulatory T cells for bone marrow transplant patients with Bruce Blazar, M.D., who leads the Clinical and Translational Science Institute at the university. Blazer is Regent's professor of pediatrics in the Division of Blood and Marrow Transplantation, and a pioneer in the discovery and use of T cells to boost success for transplant patients.
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
The MakerBot Filament Case for safe and clean storage of MakerBot XXL or XL filament spools. Fits perfectly with the MakerBot Replicator Z18 Filament Cart.
http:\\makerbot.creativetools.se
Me & my Lego Doppelgänger. I decided to replicate a Lego minifig I put together while playing with Syd one day. I took the shot of the minifig & Amanda took the shot of me. Amanda would like to point out that we have another minifig head that she thought better represented my face but I did not consult her during the build nor the the shooting of the minifig. Sorry!
Photos by Amanda & Daniel.
The 3D-printed trophy for The Master Plan robot contest. Because this contest is small compared to the big things our teams will do in their careers, our trophy is small too.
For more info see: www.ucs.louisiana.edu/~jev9637/MCHE470.html
I used a solar panel and audacity to capture the bitstream from the original dvd player's remote control.
Then I started with some code from the arduino forum and managed to replicate the pulses.
Thanks to falconphysics and instructables: www.instructables.com/id/Cheap,-Easy-Light-Probe/
Thanks to PlastBox on the arduino forum: www.arduino.cc/cgi-bin/yabb2/YaBB.pl?num=1219758914/4
Stepper subsystem (left side) remains the same basic design as before (minor layout changes but same ICs).
The famous Replicator avatar of Grendel's Children. I did not use one in its entirety but assembled the elements of several of them around Alpha; since in their original state these avatars diverge too far from the human and would probably fall outside the Uncanny Valley's threshold.
I have replaced the "Drow" skin with the "Forge" skin designed by Vry Offcourse. This is not really a "nude" skin in that it covers the entire body with metal plates... I think this skin does actually bring Alpha closer into the threshold range.
An artificial sculpture replicating the thick branches of a tree, on both sides of a short bridge over the water. It even resembles the tree rings and the radial cuts.
A fingerboard is a working replica of a skateboard that a person "rides" by replicating skateboarding maneuvers with their hand. The device itself is a scaled-down skateboard complete with moving wheels, graphics and trucks. The founder of finger boards was Cam Fox Bryant. Others that have been given credit to the improvements of the common fingerboard are Andrew Lenert Maffson, Cody Fegger as well as Timothy Puffet. A fingerboard is 96 millimeters long or longer, and can have a variety of widths like 26mm (regular), 28mm (wide), and 29mm and up (extra wide). There are the 57mm minis and the 96mm regular and the cruiser boards. Skateboarding tricks may be performed using fingers instead of feet. Most tricks done on a fingerboard are the same as people do on skateboards. Lance Mountain helped develop fingerboarding as a hobby in the late 1970s and wrote an article on how to make fingerboards in TransWorld's SKATEboarding magazine in 1985.
Although fingerboarding was a novelty for years, they became a collectible toy as skateboard manufacturers realized the potential for product branding and profit starting in the 1990s. Fingerboards are now available as inexpensive novelty toys as well as high-end collectibles, complete with accessories one would find in use with standard-size skateboards.Fingerboards are also used by skateboarders as 3-D model visual aids to understand potential tricks and maneuvers; many users make videos to document their efforts.
In this picture of Dalkeith’s newly refurbished Corn Exchange, I am replicating a fantastic old sketch of the Corn Exchange used as a cover of J. C. Carrick’s book ‘Around Dalkeith and Camp Meg’. Originally opened in 1854, the building is of major historic importance in the town and it is just great to see it looking so beautifully restored. It is even better that part of the building is being devoted to the Dalkeith History Society Museum.
I’ve now managed to have a good look at the work that has been done and it is really impressive. In keeping with the use of that original illustration on Carrick's book, the building quite literally stands for history in Dalkeith! It is another feature for Dalkeith to be proud.
John Charles Carrick, MA. BD, is one of the famous names who has interested me in the last few years and so I was really pleased to discover that he was one of the very first to respond positively to Andrew Hope’s letters written in May 1895, seeking subscriptions for the Dalkeith Memorial Fountain to Robert Burns. He was also one of the speakers at the Dalkeith Burns Club’s supper at the Cross Keys in 1896 – the centenary year of the Bard’s death.
Rev. Carrick was the Minister of Newbattle Church from 1885, having earlier served as Assistant at both Newbattle and St Giles, Edinburgh. Born in Glasgow in 1860, he was educated at both Glasgow and Edinburgh Universities and became a prolific author on theological, historical and literary topics. He also edited the Scots Magazine from 1883-1900. He resigned from Newbattle through ill health in 1912 and moved to Liberton.
One hundred and three years ago this month (April 1913), Rev. Carrick was involved in a proposal by Ayr Burns Club to have a bust of Burns in St Giles Cathedral, Edinburgh. Following a suggestion made by Sherriff Guy when proposing the Immortal Memory at the Ayr Club and as an outcome of correspondence between Rev. Carrick, a special meeting of the Club was held on 3 April 1913 at the King’s Arms Hotel, Ayr – Mr J. T. Gouldie, the club president was chair. As with the Dalkeith Burns Monument, it was proposed that subscriptions should be invited from kindred clubs and admirers of the poet with a view to the erection of a suitable bust and that an appeal should be made. Rev Carrick was described to be devoting the proceeds of a new book to the bust fund. The title of the book was ‘Ayr Fort. The Tower of S. John the Baptist at Ayr’.
I have yet to find out what happened to the idea of a bust of Burns at St. Giles but I did visit St Giles a few years ago to photograph the magnificent memorial window dedicated to the Bard and have written separately on the Dalkeith Burns Monument page about it.
Rev. J. C. Carrick was just 54 years old when he died in March 1914 at Liberton.
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