View allAll Photos Tagged replicator

An artificial sculpture replicating the thick branches of a tree, on both sides of a short bridge over the water. It even resembles the tree rings and the radial cuts.

Watson & Crick put forward a radically different structure for the salt of deoxyribose nucleic acid. One remarkable thing about the DNA molecule is that it can build an exact copy of itself. A standard biology textbook states; the process of duplicating itself is known as replication. During replication, enzymes break the weak hydrogen bonds the bases of the nucleotides. DNA separates into two halves, and this separation exposes the nucleotide bases to its complementary base- Adenine to Thymine, Guanine to Cytosine. This painting celebrates the marvel discovery of these two scientists and depicts the beauty of their discovery.

11th grade

Victorville

acrylic on canvas board

 

"I recall the day that I told my teacher Manny that I was going to replicate a self-portrait in the style of Roberto Ferri's work. I didn't.

 

At the time prior and partially up to working on the piece, I struggled trying to find my artistic identity out to the maze of choices and directions possible in life and art. I struggled with imposter syndrome for the longest time, always beings highly critical of my work for not reaching "perfection" or being up at the caliber of those I admired. I resented not being an art prodigy and starting what I believed was too late and for not practicing hard enough. In my school art was discarded as something looked down on by some of my peers and I felt alone and disconnected from everyone else because of me being an artist.

 

I felt fearful that other people would notice that I'm not "good" and that I was a failure that I resorted to forcing myself to draw in a realistic style and mimic others styles to please everyone's cravings. I tore myself apart doing this, plunging me into despair as I scrambled to achieve some grasp of skill.

 

I became repulsed, stressed, and consumed in being someone else and not producing my own work. It sucked the joy from art from me to the point that I began to partially regret pursuing it. It became dull. Luckily, life took a course for the better. Near my final weeks in my last Semester in Ryman Arts, I reinvented myself. The presence of my good loving friends who drew in the class and the excellent teaching from Manny reinvigorated the joy from art. By the end of the semester, I gained a bold confidence and felt a sense of maturity and hope as I looked forward to the wondrous future after the program in the arts. In the piece I rebelled against my past self in being someone else and pleasing others and just let myself be me. The piece shows my exploration of the right colors and strokes that resonated with me even if it wasn't perfect. It displays my thoughts, confusion, and emotions that I had experienced up to finishing it. It captures all my artistic journey, one that won't gladly come to an end but be one that is filled with hope and success."

M.C. Escher’s “Metamorphosis III (detail)” @2010 The M.C. Escher Company-Holland. All rights reserved. www.mcescher.com

In this picture of Dalkeith’s newly refurbished Corn Exchange, I am replicating a fantastic old sketch of the Corn Exchange used as a cover of J. C. Carrick’s book ‘Around Dalkeith and Camp Meg’. Originally opened in 1854, the building is of major historic importance in the town and it is just great to see it looking so beautifully restored. It is even better that part of the building is being devoted to the Dalkeith History Society Museum.

 

I’ve now managed to have a good look at the work that has been done and it is really impressive. In keeping with the use of that original illustration on Carrick's book, the building quite literally stands for history in Dalkeith! It is another feature for Dalkeith to be proud.

 

John Charles Carrick, MA. BD, is one of the famous names who has interested me in the last few years and so I was really pleased to discover that he was one of the very first to respond positively to Andrew Hope’s letters written in May 1895, seeking subscriptions for the Dalkeith Memorial Fountain to Robert Burns. He was also one of the speakers at the Dalkeith Burns Club’s supper at the Cross Keys in 1896 – the centenary year of the Bard’s death.

 

Rev. Carrick was the Minister of Newbattle Church from 1885, having earlier served as Assistant at both Newbattle and St Giles, Edinburgh. Born in Glasgow in 1860, he was educated at both Glasgow and Edinburgh Universities and became a prolific author on theological, historical and literary topics. He also edited the Scots Magazine from 1883-1900. He resigned from Newbattle through ill health in 1912 and moved to Liberton.

 

One hundred and three years ago this month (April 1913), Rev. Carrick was involved in a proposal by Ayr Burns Club to have a bust of Burns in St Giles Cathedral, Edinburgh. Following a suggestion made by Sherriff Guy when proposing the Immortal Memory at the Ayr Club and as an outcome of correspondence between Rev. Carrick, a special meeting of the Club was held on 3 April 1913 at the King’s Arms Hotel, Ayr – Mr J. T. Gouldie, the club president was chair. As with the Dalkeith Burns Monument, it was proposed that subscriptions should be invited from kindred clubs and admirers of the poet with a view to the erection of a suitable bust and that an appeal should be made. Rev Carrick was described to be devoting the proceeds of a new book to the bust fund. The title of the book was ‘Ayr Fort. The Tower of S. John the Baptist at Ayr’.

 

I have yet to find out what happened to the idea of a bust of Burns at St. Giles but I did visit St Giles a few years ago to photograph the magnificent memorial window dedicated to the Bard and have written separately on the Dalkeith Burns Monument page about it.

 

Rev. J. C. Carrick was just 54 years old when he died in March 1914 at Liberton.

 

*******************************************************************************

 

IF YOU ARE INTERESTED IN DALKEITH'S RICH HISTORY PLEASE COME AND JOIN OUR FACEBOOK PAGE. HERE IS THE LINK

www.facebook.com/groups/398465947021162/

  

IF YOU ARE INTERESTED IN DALKEITH'S BURNS MONUMENT, HERE IS THE LINK TO THE CAMPAIGN PAGE:

 

www.facebook.com/PoeticJusticeForBurnsInDalkeith/?fref=ts

 

Replication of Mann's use of colour, texture and serenity

The compact MakerBot Replicator Mini Desktop 3D Printer in a 360° turntable view. Loopable, no audio.

 

makerbot.creativetools.se

Where possible, I've tried to catch a moment in the 2012 photo that replicates something from the original. Here there is a security-type Transit van taking the same route as his horse-drawn cart predecessor!

 

Please feel free to view the other pictures in the set, if at all interested!

 

I found a lot of old photographs of Liverpool, partly by going through very old postcards and partly from a couple of websites of archive photos. I am always fascinated to see the way things have changed for better or for worse (or even stayed the same!) and I think Liverpool is a great city for historic architecture and remnants of a bygone era.

 

To compare many parts of town as seen in the period 1890-1960 with Liverpool in 2012, I thoroughly enjoyed spending a few lunch hours going to the location of the old shot and trying to replicate it as closely as I could with my new camera.

 

Sometimes it was pretty straightforward. Other times it was difficult to work out where something 'used to be' if the changes to the area have been wholesale!

 

I also sometimes struggled to get the perspective right, sometimes because you can no longer get to the right position because of new buildings, and sometimes, well, I just couldn't get it right! Maybe there's a difference in the way early 20th century equipment delivered an image, or maybe I just stood too close/far away!

 

Anyway, I enjoyed it as a project, and have many more to take when I next get the chance. Please feel free to view the other photos in the set, if at all interested!

 

Speedlight Duplication emphasizes to generate best quality CD Replication Services in Los Angeles, Hollywood and Santa Monica. The improved version of duplication you’re talking, we’ll provide you here at a favourable price.

 

www.speedlightduplication.com/pages/cd-replication

Experimenting with some of my old photos

Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.

The original black and white photograph is called "Whyalla - Main Street of Town Centre" (GN15223). The image is from the History Trust of South Australia, South Australian Government Photographic Collection (c. 1890 - 1957). I have edited and colourised the picture, and the unedited black and white photograph can be accessed using the link below:

 

collections.history.sa.gov.au/nodes/view/54

 

The following is an extract of the 'Story of Whyalla' from the Whyalla Visitor Centre, "The city itself started as a tiny work camp on the shore at the foot of Hummock Hill, in 1901. The camp was set ups as a service base for the iron ore jetty constructed by Broken Hill Proprietary Company Limited (BHP). The settlement then known as 'Hummock Hill', gradually expanded until 1914 when Whyalla was proclaimed a town. BHP Co. Ltd. extended its industrial activities in Whyalla by building shipyards and a blast furnace in 1940. The booming town was proclaimed a city in 1961. The steelworks started production in 1965. After construction of 66 ships, the Whyalla shipyards closed in 1978. On October 28, 2000, the steelworks became an independent company: OneSteel Whyalla Steelworks, in 2012 the company name changed to Arrium Ltd."

 

Sources: History Trust of South Australia and Whyalla Visitor Centre

  

PLEASE NOTE: The colours on my modified photographs are not meant to be an absolute representation of what existed when the original pictures were taken. I try my best to replicate colours, but I ask that you please view the colourised photographs as digital art.

 

If you share or use this photograph, please reference History Trust of South Australia and A Colourful History.

Attempting to replicate a shot of Childish Gambino in one shot.

 

Setup:

1 light blue gelled speedlight above center

1 pink gelled speedlight Camera left

1 Dark Blue gelled speedlight behind me and pointed forward

1 Green gelled speedlight lower camera right

1 snooted speedlight camera right eye level

Camera NIkon D800E with 85mm f1.4G

A very realistic cake designed to replicate a pineapple!

 

www.fineartofcakes.com

M.C. Escher’s “Metamorphosis III (detail)” @2010 The M.C. Escher Company-Holland. All rights reserved. www.mcescher.com

A student is trying to replicate my Besta - 22 door.

For who don't know what the term "port replicator" means there is, as usual, a Wikipedia page.

I made this photo with her Nikon D40 (a toy camera, compared with the D300 she is using).

 

Una studentessa sta cercando di replicare la mia porta Besta - 22.

Per chi non sapesse cosa significa il termine "port replicator" c'è, come al solito, una pagina su Wikipedia.

Ho fatto questa foto con la sua Nikon D40 (un giocattolino, confrontata con la D300 che sta usando).

Replication of the cargo ship Amistad

Teens watch the Makerbot Replicator 2 build a box

He's comin' for YOU!

 

A hardsuit thing I made.

 

I was trying to replicate the basic AT-ST shape.

taro replicates the internet meme of the ORLY owls. part of the taro goes pop! series.

 

learn more about taro the shiba and the owls here: tar0shiba.tumblr.com's ORLY owls

  

you can read more about taro the shiba on his blog: tar0shiba.tumblr.com/

 

or follow taro on twitter: twitter.com/_tar0_

 

with a PLA printed building. I wonder how long this took? 20 hours? 30?

This shot was taken for the "Our Daily Challenge" topic of "Attempt to replicate something that has been on ODC Explore."

 

This is my attempt to replicate "The Pearl" by gloworm09

 

I think I like the lighting of the original better.

Raspberry Pi Case

www.thingiverse.com/thing:24721

 

Printed in translucent PLA on MakerBot Replicator.

 

HBP set to 60C with painter's tape surface.

Raspberry Pi Case

www.thingiverse.com/thing:24721

 

Printed in translucent PLA on MakerBot Replicator.

 

HBP set to 60C with painter's tape surface.

1 2 ••• 25 26 28 30 31 ••• 79 80