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The MakerBot Filament Case for safe and clean storage of MakerBot XXL or XL filament spools. Fits perfectly with the MakerBot Replicator Z18 Filament Cart.
http:\\makerbot.creativetools.se
Really loving this day time shooting and the vibrant blues contrasted with white sand and green.
If summer pulls itself together this is the plan for the next couple of months.
8 image stitch on the 5D MkII run through PtGui, edited in CS5.
Main site: www.mattlauder.com.au
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All images are © Matt Lauder Photography, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my written consent.
Since I have so much sewing to do for the upcoming Patchwork Show in Santa Ana on May 24th, I'm teaching Sibigiri how to replicate herself!
A cup and dish shaped in the Adobe Creative Cloud logo and 3D printed using a MakerBot Replicator 2. Original 3D data from Photoshop file.
3D-printed on a MakerBot Replicator 3D printer.
For more information creative-tools.com
The famous Replicator avatar of Grendel's Children. I did not use one in its entirety but assembled the elements of several of them around Alpha; since in their original state these avatars diverge too far from the human and would probably fall outside the Uncanny Valley's threshold.
I have replaced the "Drow" skin with the "Forge" skin designed by Vry Offcourse. This is not really a "nude" skin in that it covers the entire body with metal plates... I think this skin does actually bring Alpha closer into the threshold range.
Small self-replicating bits of nucleic acid are a simple and essential intermediate in the origin of life, but calling them "viruses" is a stretch. The distinction is that so far as I know, every modern virus known to man is a) incapable of making protein and b) requires protein to function. This is no small distinction, because the entire elaborate structure of the ribosome and its associated factors and metabolic machinery are required for usual methods of protein synthesis. (There are some clever alternatives used for making antibiotics - see Nonribosomal peptide - but I'm not aware of any virus making a capsid, etc. using such tricks) I cannot swear to you that no primordial snippet of catalytic RNA could have survived from the beginning of the world until this day without ever having been part of a normal cycle of cell replication, but if it did, it has somewhere along the line developed a great need for ribosomes it doesn't have, and has borrowed enough sequences from ribosome-containing cells to make all the protein-coding genes we identify in it today.
Of course, you could postulate that self-replicating RNAs developed protein synthesis before the proper cell membrane, and then some never became part of cells. The problem is that it is hard to picture a complete protein biochemistry, at least one of the usual ribosome-oriented type with loose aminoacyl-tRNAs and the wizard's stew of biochemical precursors to amino acids, existing free or within a typical tight-packed viral capsid. One would think that the such a protein synthesis machinery open to the environment would have special adaptations to keep components from escaping, and probably would have use some more rudimentary genetic code than the completed cell. Yet none of these primitive features show up in viruses either.
The bottom line is that viruses by their nature could have picked up snippets of code anywhere, but they are not primordial organisms from the first days of life. Wnt (talk) 15:32, 8 August 2008 (UTC)
The 3D-printed trophy for The Master Plan robot contest. Because this contest is small compared to the big things our teams will do in their careers, our trophy is small too.
For more info see: www.ucs.louisiana.edu/~jev9637/MCHE470.html
I used a solar panel and audacity to capture the bitstream from the original dvd player's remote control.
Then I started with some code from the arduino forum and managed to replicate the pulses.
Thanks to falconphysics and instructables: www.instructables.com/id/Cheap,-Easy-Light-Probe/
Thanks to PlastBox on the arduino forum: www.arduino.cc/cgi-bin/yabb2/YaBB.pl?num=1219758914/4
An artificial sculpture replicating the thick branches of a tree, on both sides of a short bridge over the water. It even resembles the tree rings and the radial cuts.
In this picture of Dalkeith’s newly refurbished Corn Exchange, I am replicating a fantastic old sketch of the Corn Exchange used as a cover of J. C. Carrick’s book ‘Around Dalkeith and Camp Meg’. Originally opened in 1854, the building is of major historic importance in the town and it is just great to see it looking so beautifully restored. It is even better that part of the building is being devoted to the Dalkeith History Society Museum.
I’ve now managed to have a good look at the work that has been done and it is really impressive. In keeping with the use of that original illustration on Carrick's book, the building quite literally stands for history in Dalkeith! It is another feature for Dalkeith to be proud.
John Charles Carrick, MA. BD, is one of the famous names who has interested me in the last few years and so I was really pleased to discover that he was one of the very first to respond positively to Andrew Hope’s letters written in May 1895, seeking subscriptions for the Dalkeith Memorial Fountain to Robert Burns. He was also one of the speakers at the Dalkeith Burns Club’s supper at the Cross Keys in 1896 – the centenary year of the Bard’s death.
Rev. Carrick was the Minister of Newbattle Church from 1885, having earlier served as Assistant at both Newbattle and St Giles, Edinburgh. Born in Glasgow in 1860, he was educated at both Glasgow and Edinburgh Universities and became a prolific author on theological, historical and literary topics. He also edited the Scots Magazine from 1883-1900. He resigned from Newbattle through ill health in 1912 and moved to Liberton.
One hundred and three years ago this month (April 1913), Rev. Carrick was involved in a proposal by Ayr Burns Club to have a bust of Burns in St Giles Cathedral, Edinburgh. Following a suggestion made by Sherriff Guy when proposing the Immortal Memory at the Ayr Club and as an outcome of correspondence between Rev. Carrick, a special meeting of the Club was held on 3 April 1913 at the King’s Arms Hotel, Ayr – Mr J. T. Gouldie, the club president was chair. As with the Dalkeith Burns Monument, it was proposed that subscriptions should be invited from kindred clubs and admirers of the poet with a view to the erection of a suitable bust and that an appeal should be made. Rev Carrick was described to be devoting the proceeds of a new book to the bust fund. The title of the book was ‘Ayr Fort. The Tower of S. John the Baptist at Ayr’.
I have yet to find out what happened to the idea of a bust of Burns at St. Giles but I did visit St Giles a few years ago to photograph the magnificent memorial window dedicated to the Bard and have written separately on the Dalkeith Burns Monument page about it.
Rev. J. C. Carrick was just 54 years old when he died in March 1914 at Liberton.
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IF YOU ARE INTERESTED IN DALKEITH'S RICH HISTORY PLEASE COME AND JOIN OUR FACEBOOK PAGE. HERE IS THE LINK
www.facebook.com/groups/398465947021162/
IF YOU ARE INTERESTED IN DALKEITH'S BURNS MONUMENT, HERE IS THE LINK TO THE CAMPAIGN PAGE:
The compact MakerBot Replicator Mini Desktop 3D Printer in a 360° turntable view. Loopable, no audio.
P1170176 - Study of Biserica Ortodoxa Sf. Constantin si Elena church in Sibiu Romania I can see this church from the office I work in, just peaking over the roof tops.
It is a modern church made from concrete blown or otherwise. It is quite interesting to see a building of this statue made in this format as in the UK we would expect other materials to be used. I think the architect done a great job replicating this style of church in this material.
It has a mixture of architectural religious features, but is a practical and would seem fit for its purpose, the design creates a building of standing without being ostentatious.
Reasons for the study; Romania is a very Christian country, I was blessed during the week as a priest visited the offices and these shots were taken on St John's day. So on that basis there is an interconnectiveness somewhere.
The set is www.flickr.com/photos/rustymarvin/sets/72157625796259378/... or from the tabs Biserica Ortodoxa Sf. Constantin si Elena www.flickr.com/photos/rustymarvin/tags/bisericaortodoxasf...
objective- replicate a master photographer
subject- sandy
approach- semi worms eye point of view. strong lighting from behind her to help highlight her fire like hair color. have half of her face covered and had her head resting against her hand.
This print is 14 cm in radius at the base and will be about 10 cm high. Estimated build time: 16 hours.
Speedlight Duplication emphasizes to generate best quality CD Replication Services in Los Angeles, Hollywood and Santa Monica. The improved version of duplication you’re talking, we’ll provide you here at a favourable price.
Created for the LEGO Ideas “Replicate Your Heroic Minifigures in Battle!” building competition, where it was selected as a grand prize winner.
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Its almost as if i have cut and pasted the same buiding several times!
If you would like to purchase this photo please contact me on Arsh.k.singh@gmail.com
Attempting to replicate a shot of Childish Gambino in one shot.
Setup:
1 light blue gelled speedlight above center
1 pink gelled speedlight Camera left
1 Dark Blue gelled speedlight behind me and pointed forward
1 Green gelled speedlight lower camera right
1 snooted speedlight camera right eye level
Camera NIkon D800E with 85mm f1.4G
This is a shot of the replicated Brown's Race in the Brown's Race Historical District which links shops and restaurants. Now a bit of history: Brown's Race was a power canal which was constructed in 1815. The brothers Matthew and Francis Brown invested $3,872 to build a power canal. The plan was to divert water from above the High Falls and channel it along the raceway from which spillways would funnel water from the race into waiting mills. The raceway diverted water from a point 500 feet south of the High Falls. It was 1,221 feet long, ( later extended ), 30-feet wide and five-and-a-half-feet deep, all hand dug. Workers were paid 62 cents per day, plus lunch. Even before the race was completed, a cotton mill was constructed at the location which was once called Brown's Island (north side of Commercial Street and east of the remaining raceway). Mill lots between the race and the gorge had the right to a certain amount of water from the race. All the buildings on the east side of the race were reached via foot bridges; overhead shafts transmitted power to the west side of the race and the buildings which fronted on Mill Street. As many as 17 mills would use water from the Brown's race, grinding enough wheat that Rochester would become the flour capital of America. Eventually the race was covered by a wooden plank roadway. In 1991-92 portions of the original Brown's Race were uncovered; concrete planks delineate the original width of the raceway. They do have water filling this raceway but none was in there yet at the time we stopped by. Today a street called Brown's Race follows the old raceway. Located on Browns Race Street in Rochester, NY.
Tomica replicates this stunning 2+2 coupé with its low muscular stance and race-bred lines pretty well. For the real deal the sales speak states that the RC F is engineered to provoke a potent physical response in drivers who insist on uncompromising high-performance and unreserved refinement. I guess the starting price of £63,000 plus assists in this statement. Meanwhile I am more that happy with Tomica’s model and saving a good few quid.
Takara Tomy
Tomica Lexus RC F Performance package
Number 84
Colour White with black bonnet and roof sections
New issue in 2020
Features - suspension
Made in Vietnam
Scale 1:64th as quoted by manufacturer
Feeling a bit lost with my digital work lately and film keeps screaming at me, not for the film look or use but in the fact of seeing a good print, (which despite much cost isn't happening with digital!)
That's when your damn camera works. I carefully exposed 36 exposures of HP5 in my old Praktica over the last couple of days and you can imagine my lacklustre response at developing a blank film today. Nope, not a processing error, (the manufacturer marks were still present in the film rebate), but turns out my old camera has given up the ghost. Film wound OK and even the mirror made it's usual clatter but the old metal shutter blades are firmly stuck closed - bummer!
So I took a break this afternoon, dug out my DIY modified Vivitars and had a play with the dSLR. This is so easy to do with digital, (for those of you that have done some darkroom printing you'll know what a pig low key work can be and out come those good old 'spot one' tints!!), but try and get a good digital print of this and it just aint happening.
So I might just dig out the old Mamiya, (whose shutter I know works as I serviced it a few months back!), and replicate this on film. Then curse the dust that accumulates around fresh negatives like teenaged boys clammering around a teenaged girl and half as willing to p*ss off.
Time to start licking that old spotting brush ;-)
Vivitar 550FD modified with 45 Joule tube plus silvered reflector at rear right and high, (my rear right in the photo you crazy fool!) Modified Vivitar 550FD with diffuser front left and low at full power, (half of rear). Did have a third high and left to pull out the silhouette but didn't like it so took it out, but then that's my perogative :-)
A student is trying to replicate my Besta - 22 door.
For who don't know what the term "port replicator" means there is, as usual, a Wikipedia page.
I made this photo with her Nikon D40 (a toy camera, compared with the D300 she is using).
Una studentessa sta cercando di replicare la mia porta Besta - 22.
Per chi non sapesse cosa significa il termine "port replicator" c'è, come al solito, una pagina su Wikipedia.
Ho fatto questa foto con la sua Nikon D40 (un giocattolino, confrontata con la D300 che sta usando).