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TKS tankette, used by the Polish during WWII. Armed with a 7.92mm MG, or a 20mm cannon. You can attach a rod where the MG is to replicate the 20mm. For the contest in a WWI/II vehicles group.

Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.

 

The 3D-files: www.thingiverse.com/thing:267394

Instructions: bit.ly/1eaYi3p

The 3D-printer: bit.ly/1ehTaKU

 

Left: 1 hour, .27 layer height.

Right: 4 hours, .12 layer height.

Replicating a corporate logo on a Georgian shopfront in Bloomsbury.

Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998

After successfully replicating a LUT that I liked from another image processing program, I realized it might work well on some photos I took last May around the Perigord Noir region of France.

 

From a message shared with a friend here on Flickr -

 

RawTherapee is free - rawtherapee.com/

 

You'll need to add Pat David's HaldCLUT film emulation collection - rawpedia.rawtherapee.com/Film_Simulation

 

Relatedly, if you already use the Gimp (see: www.gimp.org/ ) their most recent versions include 32bit floating-point color-space precision settings. I've been waiting 18 years for this (which is why I went with RawTherapee some years back as it was built to have a large color space to work in).

 

To get film emulation and some other interesting LUTs into the Gimp, check out G'Mic - patdavid.net/2013/08/film-emulation-presets-in-gmic-gimp/

 

G'Mic site - gmic.eu/

 

Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998

Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.

 

The 3D-files: www.thingiverse.com/thing:267394

Instructions: bit.ly/1eaYi3p

The 3D-printer: bit.ly/1ehTaKU

 

Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.

 

The 3D-files: www.thingiverse.com/thing:267394

Instructions: bit.ly/1eaYi3p

The 3D-printer: bit.ly/1ehTaKU

 

www.goalfinder.com/product.asp?productid=151

Watch various movie clips related to Virus Replication. These are 1) Virus Attachment 2) Virus Penetration 3) Virus Uncoating 4) Virus synthesis 5) Virus Assembly Maturation 6) Virus Release 7) Virus Complete Reproductive cycle (replication)

World's first movies on bird flu - This is the first part of bird flu the virus - This animated, 45 minute, movie arms you with detailed information on virus, it answers those questions that had been bothering you but did not know whom to ask?, like how can a "bird virus" infect human beings, How can the virus jump from chicken to humans? If this H5N1 virus has been present since 1997, why is there no medicine or vaccine available even today to fight it?

 

www.goalfinder.com/product.asp?productid=151

Watch various movie clips related to Virus Replication. These are 1) Virus Attachment 2) Virus Penetration 3) Virus Uncoating 4) Virus synthesis 5) Virus Assembly Maturation 6) Virus Release 7) Virus Complete Reproductive cycle (replication)

World's first movies on bird flu - This is the first part of bird flu the virus - This animated, 45 minute, movie arms you with detailed information on virus, it answers those questions that had been bothering you but did not know whom to ask?, like how can a "bird virus" infect human beings, How can the virus jump from chicken to humans? If this H5N1 virus has been present since 1997, why is there no medicine or vaccine available even today to fight it?

This display at the Festival of Trees at the Indiana Historical Society in Indianapolis replicates the Parker family living room of the 1983 film A Christmas Story. The film was set in December 1940 in the mythical Holman, Indiana, which doubled for the hometown of Jean Shepherd whose stories form the basis for the film. Shepherd grew up in Hammond, Indiana, and Holman refers to a major street in town.

 

Many of the movie's exterior scene were filmed in Cleveland, including the Parker home located in the Tremont neighborhood. On the right side of the fireplace is a box for the Red Ryder air rifle that Ralphie Parker wanted for Christmas. The film references a Cleveland Street which is the street on which Shepherd lived in Hammond.

ENGLISH

These images show the unboxing and setup of the MakerBot Replicator 2 personal 3D printer.

 

makerbot.creativetools.se

 

SVENSKA

Dessa bilder visar uppackningen och igångsättning av MakerBot Replicator 3D-skrivare.

 

makerbot.creativetools.se

Unrooted phylogenetic tree of the φX174 F-like major capsid proteins.

The evolutionary history was inferred by using the Maximum Likelihood method based on the Whelan and Goldman model [58]. The bootstrap consensus tree was inferred from 1000 replicates. Branches corresponding to partitions reproduced in less than 50% bootstrap replicates are collapsed. The scale bar represents the number of substitutions per site. The analysis involved 35 amino acid sequences. All positions containing gaps and missing data were eliminated. There were a total of 356 positions in the final dataset. φX174-like virus group includes φX174 (GI:9626381), WA10 (GI:71843040), S13 (GI:11095662), NC11 (GI:71842956), ID1 (GI:71842872). α3-like virus group includes α3 (GI:9625363), φK (GI:2493329), st-1 (GI:242346750). G4-like virus group includes G4 (GI:9626346), WA6 (GI:71843160), ID12 (GI:71843172). CPAR39-like virus group includes. Chp2-like virus group includes Chp2 (GI:9634949), Chp3 (GI:47566141), Chp4 (GI:77020115), CPAR39 (GI:9791178), φCPG1 (GI:17402851). SARssφ1 (GI:313766927) and SARssφ2 (GI:313766923) are uncultured microviruses the genomes of which were assembled by Tucker et al [9]. GOS sequences are microvirus-like major capsid proteins obtained during the Sorcerer II Global Ocean Sampling (GOS) Expedition [44]: GOS_10590 (GI:142008996), GOS_10391 (GI:142009231), GOS_11182 (GI:142008205), GOS_11146 (GI:142008257), GOS_10803 (GI:142008696).

Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.

 

The 3D-files: www.thingiverse.com/thing:267394

Instructions: bit.ly/1eaYi3p

The 3D-printer: bit.ly/1ehTaKU

 

A Miniland-scale build of one of my absolute favourite builders - Karwik, from Poland - the Ursus C-360 is a canopy-roofed version of his beautiful minifig-scale tractors.

 

Ursus tractors have been manufactured in Poland for decades - the model shown here, the Ursus C-360, from 1976 to 1992.

 

One challenge presented during the Cold-war ear was a lack of trade with Western-block countries, though this manifest itself with ingenuity and thrift. The Ursus tractor here exhibiting both attributes.

 

Like all Karwik's work, his Ursus tractors shown a wonderful period palette, along with a focus on fine details, many of which I was able to incorporate into this larger miniland model. Karwik also uses 'stickers' in a subtle and effective way. Now that I have worked out how to get povray to include such custom stickers, I can attempt to replicate the style.

 

Previously in LUGNuts there was a challenge titled 'I Wanna be Like You' - this is my 2nd Karwik model after a replication of one of his Zubr truck a number of months ago.

 

Karwik's work can be found here on Flickr:

 

 

Check it out!

  

This Lego miniland-scale Ursus C-360 Tractor (Poland 1976 - 1992) - has been created for Flickr LUGNuts' 105th Build Challenge, titled - 'The Great Outdoors!' - a challenge for any vehicle designed for outdoor adventuring.

We were commissioned by BAE Systems, the original manufacturer of the 155mm Lightweight Towed Howitzer M777, to fabricate a large scale Display / Trade Show model of its latest version - M777A2. We were required to develop and produce the model in 1:10 scale which was too large to use our digital tooling developed for 1:50 scale replica, and even twice larger 1:25 scale version. We had to redesign our 3D digital model completely in order to match it to the level of detailing and accuracy appropriate for a large scale.

The resulting model consists of almost 70 parts, highly detailed and complex. Masters of the parts were rapid prototyped by high resolution SLA. Most of the parts could be molded and replicated by resin casting. Some of the components, however, are so complex that can be only rapid prototyped in case additional copies will be needed.

The model is mounted on the mahogany finished base with custom nameplate and accompanied by clear protective cover and heavy duty transit case, both also custom made.

 

1:10 model became the largest, the most detailed, complex and spectacular in the series of M777A2 replicas.

Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998

The MakerBot Replicator Z18 3D printer.

 

More information at: bit.ly/1peA3I3

Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.

 

The 3D-files: www.thingiverse.com/thing:267394

Instructions: bit.ly/1eaYi3p

The 3D-printer: bit.ly/1ehTaKU

 

Makerbot Replicator: 3D printer with two materials

The idea of replicating one of these posters came to my mind a few days ago and today I remembered and went for it.

 

For those who don't know: The guy on this photo is me. ;)

 

I think it came out pretty cool.

What do you think of it?

 

Have a nice sunday.

 

Strobist info: 1x 560II front, 45° down, shoot-thru umbrella, triggered with 602's

 

Press "L" to view this photo large.

Press "F" if you like this photo.

 

Feel free to leave a comment and add this photo to your favorites.

 

Official Facebook | Follow me on Twitter

 

Please NOTE and RESPECT the copyright.

© 2013 FL|photography - All rights reserved.

 

This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.

 

Additional Disclaimer:

 

"Game Of Thrones", The "GoT" Logo and the "HBO" logo are property copyrighted by their respective owners - This is just a fan artwork with no intention to sell or make money in any form.

Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998

Images from a sunrise at Shellharbours Bass Point

Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.

 

The 3D-files: www.thingiverse.com/thing:267394

Instructions: bit.ly/1eaYi3p

The 3D-printer: bit.ly/1ehTaKU

 

Replication of the Apollo 11 lunar landing. Evergreen Aviation & Space Museum, McMinnville, Oregon.

This large representation of a strand of microscopically small DNA will be transformed by the growth of a climbing plant during the spring and summer.

 

Part of the Barcode Sculpture Exhibition by Sculpture Cymru at the National Botanic Garden of Wales.

 

At the National Botanic Garden of Wales we have DNA barcoded of all Wales’ flowering plants and conifers – we’re the first country in the world to do this.

 

Nine artists from Sculpture Cymru (sculpturecymru.org.uk) have created a response to this research. Their outdoor exhibition runs from January to September 2015 throughout the Garden.

A catalogue will be available in March 2015 and a Sculpture Weekend will be held on June 6-7 2015.

Masquerade Contoured Wall Base features an advanced imaging process that can replicate any pattern, any print, any anything. Within Masquerade, wood and stone patterns come in a wide range of looks, from cool and contemporary to elegant and exotic in commercial flooring.

Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.

 

The 3D-files: www.thingiverse.com/thing:267394

Instructions: bit.ly/1eaYi3p

The 3D-printer: bit.ly/1ehTaKU

 

The Army acquired the core of Mynydd Epynt as a military training area and artillery range in 1939, moving out the Welsh-speaking rural communities from several thousand acres of land for what is now known as the Sennybridge Training Area (SENTA). An unusual sight on this vast range, and a relic of the Cold War era, is a mock village built in German style which was built to help replicate the sort of street battles that might take place if the Warsaw Pact invaded West Germany.

Zulu Boys Traditional Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998

Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998

Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.

 

The 3D-files: www.thingiverse.com/thing:267394

Instructions: bit.ly/1eaYi3p

The 3D-printer: bit.ly/1ehTaKU

 

Replicating the design

Rajarani Temple is an 11th-century Hindu temple located in Bhubaneswar, the capital city of Odisha (Orissa previously), India. The temple is believed to have been known originally as Indreswara. It is locally known as a "love temple" because of the erotic carvings of women and couples in the temple. Rajarani Temple is built in the pnahcratha style on a raised platform with two structures: a central shrine called the vimana (sanctum) with a bada (curvilinear spire) over its roof rising to a height of 18 m, and a viewing hall called jagamohana with a pyramidal roof. The temple was constructed of dull red and yellow sandstone locally called "Rajarani". There are no images inside the sanctum, and hence it is not associated with a specific sect of Hinduism but broadly classified as Saivite based on the niches.

 

Various historians place the original construction date between the 11th and 12th centuries, and have placed it roughly belonging to the same period as the Jagannath Temple at Puri. The architecture of other temples in central India is believed to have originated with this temple, the notable ones being the Khajuraho temples and Totesvara Mahadeo temple in Kadawa. There are various sculptures in the walls around the temple, and the vimana, depicting scenes of the marriage of Shiva, Nataraja, Parvati, and include tall, slender, sophisticated nayikas in various roles and moods such as turning her head from an emaciated ascetic, fondling her child, holding a branch of tree, attending to her toilet, looking into a mirror, taking off her anklet, caressing her pet bird and playing a musical instrument. Rajarani Temple is maintained by the Archaeological Survey of India (ASI) as a ticketed monument.

 

HISTORY

Based on the sculptural architectural style, the temple is dated to the mid-11th century. Brown groups the temple along with Anant Vasudev Temple and places it around the 11th–12th centuries. Another survey of Orissa temples carried out by S. K. Saraswati in 1953 yielded a similar date. Panigrahi, who did a comprehensive analysis of Orissan temples, gives an unspecified date between Lingaraj Temple and Mukteswara Temple. Fergusson believes construction of the temple was begun by around 1105. George Michell believes the temple was built during the same time as Lingaraja Temple. Rajarani Temple roughly belongs to the same period as the Jagannath Temple at Puri. The architecture of other temples in central India originated from the temple. The notable ones in the category are the Khajuraho temples and Totesvara Mahadeo temple in Kadawa. Scholars believe based on the style that the temple might have been built by Somavamsi kings who migrated from Central Indis to Orissa during the period. Rajarani temple is maintained by the Archaeological Survey of India (ASI) as a ticketed monument.

 

ARCHITECTURE

The Orissan temples have two parts namely the sanctum (deul or vimana) and the other is place from where pilgrims view the sanctum (called jagamohana). The initial deul temples were without the jagamohana as seen in some of the older temples in Bhubaneswar while the later temples had two additional structures namely nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). The vimana is square in plan, and the walls are variegated by ressaults[clarification needed] (called rathas or pagas). Amalaka (also called mastaka), a stone disk with ridges on the rim, is placed over the bada (tower) of the temple. Rajarani Temple stands on a raised platform. The temple was constructed of dull red and yellow sandstone locally called "Rajarani".

 

VIMANA

It is pancharatha in plan with a curvilinear superstructure (rekha shikhara) 18m tall. The vimana (tower) is surrounded by a cluster of miniature towers with double crowning elements and appears round, unlike other temples in Bhubaneswar but like the towers of Khajuraho temples. The temple stands on a plinth with three mouldings. The bada consists of five divisions instead of the three divisions usually found in other temples. The vimana rises to a height of 17.98 metres from the basement. The vimana (sanctum) measures 3.12x3.12 m from the inside, 9.4x8.8 m from the outside. Its spire is decorated with clusters of turrets (replication of the spire itself) emerging from the rib of the spire. The temple has panchanga bada, or five divisions, namely, pabhaga, talajangha, bandhana, uparajangha and baranda. The lowermost division, called the pabhaga, has five decorative mouldings, namely, khura, kumbha, patta, kani and basanta. The superstructure (gandi) of the temple has a number of miniature turrets (angashikharas). The superstructure is crowned with a fluted disc-shaped architectural piece called an amalaka, and a vase (kalasa) surmounts it as the crowning finial.

 

JAGAMOHANA

The jagamohana (porch), though demonstrating a pyramidal structure, is yet to take on the status of a complete structure on its own. It bears signs of the repair done in 1903 when it collapsed into ruins. The jagamohana measures 5.43x5.43 m from the inside and 11x11 m from the outside. The tiered (pidha) jagamohana and the interior are plain, possibly left incomplete. The plan of the jagamohana is square compared to the rectangular ones present in earlier temples.

 

SCULPTURES

The sculptures have a depth that was lacking in the Mukteswara Temple sculptures.[ The slightly projecting entrance is flanked by round thick columns entwined by naga on the left. Guardians of the eight directions project from the base of the temple in the eight directions, starting from the gateway in a clockwise direction around the porch and the deul, ending at the torana (entrance). The other noted sculptures are naga-nagi sthambha, saiva dwarapalas on the entrance doorjambs, and lakulisa on the lintel of entrance, above which is the architrave of Navagrahas. The best-preserved sculptures of the temple are the standing astadikpalas on the central façade of kanika, appearing on the jangha portion of the bada clad in diaphanous drapery. The image of Varuna is intact and notable for its body ornamentation, coiffure and facial expression. Scenes of the marriage of Shiva, Nataraja, and Parvati are the cult images present in the temple. There are tall, slender, sophisticated nayikas gracing the walls of the sanctum depicted in various roles and moods in amorous dalliance with actions such as turning her head from an emaciated ascetic, fondling her child, holding a branch of tree, attending to her toilet, looking into mirror, taking off her anklet, caressing her pet bird and playing instrument. There are also erotic (mithuna) figures carved in high relief on the projecting portions of the uparajangha. The other decorative motifs are carved in the shape of vyala, jagrata and gajakranta. The scroll motifs are of foliage, creepers and vines (vanalata), each containing lush foliage independent of any stalk or vine.

 

RELIGIOUS SIGNIFICANCE

The historian M. M. Ganguly examined the Khuraprista (upper plinth), which is carved like a lotus with its petals, and described the temple as possibly dedicated to Vishnu. The names of most Shiva temples in Bhubaneswar end with "Iswara" like Parasurameswara, Brahmesvara and Mitresvara. But Rajarani Temple bears a peculiar name[clarification needed] and contains no images of any deity inside the sanctum. There are certain features of the temple which indicates a Saivite origin such as the presence of Saiva doorkeepers: Prachanda and Chanda, Dvarapla[clarification needed] with jatamukha, and a garland of skulls reaching up to [clarification needed]and a snake. K. C. Panigrahi believes that, based on the Ekamra Purana, the temple was originally called Indrevara and that it was positioned to the east of Siddheswara Temple. The image of Lakulisha, the founder of the Pasupatha sect of Saivisim, in a seated posture with yogamuthra along with his disciples, is found in the lintel of the jagamohana. Images of eight bearded ascetics are arranged on both sides of the images of Lakulisha. There are three panels on the facade of the main temple showing images of Shiva dancing with his consort Parvathi in the company of attendants playing musical instruments. A carving depicting the marriage of Shiva and Parvathi is on the western side[clarification needed] below the central niche. The presence of Naga and Nagini at the entrance led to a local belief that it is the king (Raja) and queen (Rani) who are associated with the temple, leading to the name Rajarani, but this belief is not accepted by historians.

 

FESTIVALS

The Department of Tourism of the Government of Odisha organises a Rajarani music festival at the temple every year from January 18 to 20. The temple focuses on classical music, and all three styles of classical music – Hindustani, Carnatic and Odissi – are given equal importance. Musicians from different parts of the country perform during the three-day festival. The festival was started in 2003 with the help of the Bhubaneswar Music Circle (BMC).

 

WIKIPEDIA

Zulu Boys Traditional Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998

ENGLISH

These images show the unboxing and setup of the MakerBot Replicator 2 personal 3D printer.

 

makerbot.creativetools.se

 

SVENSKA

Dessa bilder visar uppackningen och igångsättning av MakerBot Replicator 3D-skrivare.

 

makerbot.creativetools.se

ENGLISH

Casing for MakerBot Replicator 1 3d printer.

Keeps you 3d prints in a controlled temperature environment.

As a kit.

Easily assembled in 10min.

 

Make your own?

Download the files from: www.thingiverse.com/thing:38187

 

Get one made?

www.creativetools.se/casing-for-makerbot-replicator-1-3d-...

  

SVENSKA

Huv för MakerBoot Replicator 1 3d-skrivare.

Håller dina 3d utskrifter i

en kontrollerad varm miljö.

Leveras som en byggsats som enkeklt kan monteras på 10 minuter.

 

Gör en själv?

Ladda hem filerna från: www.thingiverse.com/thing:38187

 

Skaffa en färdig?

www.creativetools.se/plexiglashuv-for-makerbot-replicator...

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