View allAll Photos Tagged replicator
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
The idea of replicating one of these posters came to my mind a few days ago and today I remembered and went for it.
For those who don't know: The guy on this photo is me. ;)
I think it came out pretty cool.
What do you think of it?
Have a nice sunday.
Strobist info: 1x 560II front, 45° down, shoot-thru umbrella, triggered with 602's
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Please NOTE and RESPECT the copyright.
© 2013 FL|photography - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
Additional Disclaimer:
"Game Of Thrones", The "GoT" Logo and the "HBO" logo are property copyrighted by their respective owners - This is just a fan artwork with no intention to sell or make money in any form.
Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
This large representation of a strand of microscopically small DNA will be transformed by the growth of a climbing plant during the spring and summer.
Part of the Barcode Sculpture Exhibition by Sculpture Cymru at the National Botanic Garden of Wales.
At the National Botanic Garden of Wales we have DNA barcoded of all Wales’ flowering plants and conifers – we’re the first country in the world to do this.
Nine artists from Sculpture Cymru (sculpturecymru.org.uk) have created a response to this research. Their outdoor exhibition runs from January to September 2015 throughout the Garden.
A catalogue will be available in March 2015 and a Sculpture Weekend will be held on June 6-7 2015.
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
DNA replication is one of several central genetic processes that demand an association between proteins and DNA. With images such as this, the scanning transmission electron microscope (STEM) has revealed many of the details of DNA replication in the tumor virus SV40. Twelve subunits of a protein known as T antigen assemble themselves in two ringlike hexamers around the DNA, precisely at the origin of replication.
For more information or additional images, please contact 202-586-5251.
Zulu Boys Traditional Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Zulu Boys Traditional Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
ENGLISH
These images show the unboxing and setup of the MakerBot Replicator 2 personal 3D printer.
SVENSKA
Dessa bilder visar uppackningen och igångsättning av MakerBot Replicator 3D-skrivare.
Okayama Castle (岡山城 Okayama-jō) is a castle in the city of Okayama in Okayama Prefecture in Japan. The main tower was completed in 1597, destroyed in 1945 and replicated in concrete in 1966. Two of the watch towers survived the bombing of 1945 and are now listed by the national Agency for Cultural Affairs as Important Cultural Properties.
In stark contrast to the white "Egret Castle" of neighboring Himeji, Okayama Castle has a black exterior, earning it the nickname Crow Castle (烏城 U-jō) or "castle of the black bird". (The black castle of Matsumoto in Nagano is also known as "Crow Castle", but it is karasu-jō in Japanese.)
Today, only a few parts of Okayama Castle's roof (including the fish-shaped-gargoyles) are gilded, but prior to the Battle of Sekigahara the main keep also featured gilded roof tiles, earning it the nickname Golden Crow Castle (金烏城 Kin U-jō).
Construction of Okayama Castle was started in 1573 by Ukita Naoie and completed by his son Hideie in 1597. Three years later, Hideie sided with the ill-fated Toyotomi Clan at the Battle of Sekigahara, was captured by the Tokugawa Clan and exiled to the island prison of Hachijo. The castle and surrounding fiefdoms were given to Kobayakawa Hideaki as spoils of war. Kobayakawa died just two years later without leaving an heir, and the castle (and fiefdom) was given to the Ikeda Clan, who later added Kōraku-en as a private garden.
In 1869 the castle became the property of the Meiji government's Hyōbu-shō (Ministry of War), who saw the 'samurai' era castles as archaic and unnecessary. Like many other castles throughout Japan, the outer moats were filled in and the old castle walls gradually disappeared underneath the city. On June 29, 1945, allied bombers burnt the castle to the ground. Reconstruction work began in 1964 and was completed in 1966. In 1996 the rooftop gargoyles were gilded as part of the 400th anniversary celebrations.
The reconstructed castle is a concrete building complete with air-conditioning, lifts and numerous displays documenting the castle's history (with a heavy focus on the Ikeda era.) Little information is available in English. Access to the inner sanctuary is free.
Source: Wikipedia
I replicated this wagon design from an image I saw on CopperGifts.com, the cookie creator's name is Vicki Taylor of Sweet Tweets.
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
just replicating a shot i took a while ago, when i had no idea, and anyone that saw the old one, will know this is a huge improvement!
i really like how this turned out!
View large on black
*do NOT blog without my permission*
Finzz@hotmail.co.uk
Nikon D50
Nikkor 18-55mm
a studio light at about 1/8th of the power shot with barn doors pointing directly at the subject about 1-2 feet to the left. triggered by cactus V4s.
Replicated from the Raphael rooms in the Vatican, per Catherine II.
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The prototype for the Loggias that the architect Giacomo Quarenghi created for Catherine II in the 1780s was the celebrated gallery in the Vatican Palace in Rome that was frescoed from sketches by Raphael. The copies of the frescoes were made in the tempera technique by a group of artists led by Christoph Unterberger. The vaults of the gallery contain a cycle of paintings on subjects from the Holy Scriptures, that are collectively known as "Raphael's Bible". The walls are decorated with grotesque ornament, the motifs of which appeared in Raphael's painting under the influence of murals in the "grottos" - the ruins of the Golden House (the 1st-century palace of Emperor Nero).
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DSCN8026
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Two cups, dishes and a stirrer all shaped as the Adobe Creative Cloud logo. 3D printed using a MakerBot Replicator 2 and PLA plastic filament. Original 3D data from Photoshop file.
3D-printed on a MakerBot Replicator 3D printer.
For more information creative-tools.com
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
An attempt to replicate John Slezer's engraving entitled The Prospect of the Abbey & Town of Paisley, from the 1693 edition of Theatrum Scotiae, standing near the spot where the artist would have created his work, at the summit of Saucel Hill.
3rd January, 2008.
John Slezer's Theatrum Scotiae is an important record of Scottish towns, castles and palaces in the 17th century. For most of these places, including Paisley, it contains some of the earliest views that survive.
Together with historical maps and geographical descriptions, the book provides key evidence of the built landscape of the period.
In all there were seven editions of Theatrum Scotiae. The original edition of 1693 contained 57 plates while more were added in later editions.
Compare this view with the 1693 engraving:-