View allAll Photos Tagged replicator
I often wonder about the paths we cross with people, the kind of paths separated by time. A couple weeks ago I took my 10 year-old son, Jimmy, to see silent movie star Buster Keaton in "The General." While we sat there, we figured a 4th great grandparent of his could have sat in the same seats 90 years ago. Case in point, last winter I was sorting through family photos and happened across the photo of a young lady sketching along the St. Mary's River. Though not a 100% positive, it may be my great grandmother's sister who passed away in 1951. If that is the case, she is sitting next to 10 year-old Jimmy, her 3rd great-nephew.
Fort Wayne, Indiana
6.19.2019
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
I come from a family of artists, and art has always been a big part of my
identity. I also really love the beauty, simplicity, and perfection of math.
Although math and art are different in their application, they both deal
with similar themes of structure and pattern, and are both ways of
making sense of the world. This series of paintings is an exploration of the
relationship between math and art.
I have always approached art as a very visual exercise. I would look at
something and replicate it as best I could on paper or canvas. My goal for
these paintings was to discover what I could make when I did not simply
replicate an image. I wanted to do something I had never done before: to
create art without knowing what the end result would look like.
I used math as a subject and a starting point for my artistic path. The
geometric shapes you see in these paintings are the Platonic Solids—five
regular, convex polygons—shapes that I find perfectly represent the
beauty and perfection I see in math. Starting with these shapes, I worked
from my imagination to see what I could come up with. Not knowing my
end result also meant that I did not have a predetermined set of steps
laid out to take me there. This process proved frustrating, but I made
something that I never expected, which was my goal.
Silas Blunk
Inverness, California
OS27
Final research paper: www.oxbowschool.org/gallery/pub/OS27papers/blunk.pdf
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
just replicating a shot i took a while ago, when i had no idea, and anyone that saw the old one, will know this is a huge improvement!
i really like how this turned out!
View large on black
*do NOT blog without my permission*
Finzz@hotmail.co.uk
Nikon D50
Nikkor 18-55mm
a studio light at about 1/8th of the power shot with barn doors pointing directly at the subject about 1-2 feet to the left. triggered by cactus V4s.
LUGNuts' founder Lino Martins has graciously given me permission to replicate his series of automotive illustrations based on various mixed alcoholic drinks.
The first in this series is a Lego -model replication of 'Count Chocula' - Cadillac Coupe DeVille.
In Lino's own words.
"My second installment of a holy trinity of cars is a ‘73 Cadillac DeVille customized as a show car. Brown is an excellent color for 70’s era cars so I figured Count Chocula would be best suited for this one and also fits into the role as “The Father”. A gasser style fuel tank is installed in the grille and massive exhaust pipes adorn the sides all the way to the rear tires. Large flashy chrome rims and a deep chocolate paint scheme with a subtle gold flake adds bling to this ride. A chopped roof and a lowered stance exaggerates the DeVille’s already elongated features. Tan leather adorns the interior while the hood boasts plenty of real estate for full Count Chocula graphics. What do you think? Stay tuned for the final installment soon."
Three replicated Japanese Zeroes fly in formation over south Oklahoma City, along with four others (not pictured), piloted by the world-famous "Tora Tora Tora" pilots Friday, May 23, 2008. The group offered preview rides for the performance they are set to perform this weekend at the annual Star Spangled Salute Air Show at Tinker Air Force Base. (AP Photo/ The Journal Record, Jennifer Pitts)
Replication of The Adventures of Dr. McNinja cover with Minimates. And here's my Dr. McNinja custom by the way.
Replicated from the Raphael rooms in the Vatican, per Catherine II.
▐ ▌ ▐ ▐▌▐ ▐ ▌ ▐ ▐▌▐ ▐ ▌ ▐ ▐▌▐ ▐ ▌ ▐ ▐▌▐ ▐ ▌ ▐ ▐▌▐ ▐ ▌ ▐ ▐▌▐
The prototype for the Loggias that the architect Giacomo Quarenghi created for Catherine II in the 1780s was the celebrated gallery in the Vatican Palace in Rome that was frescoed from sketches by Raphael. The copies of the frescoes were made in the tempera technique by a group of artists led by Christoph Unterberger. The vaults of the gallery contain a cycle of paintings on subjects from the Holy Scriptures, that are collectively known as "Raphael's Bible". The walls are decorated with grotesque ornament, the motifs of which appeared in Raphael's painting under the influence of murals in the "grottos" - the ruins of the Golden House (the 1st-century palace of Emperor Nero).
▐ ▌ ▐ ▐▌▐ ▐ ▌ ▐ ▐▌▐ ▐ ▌ ▐ ▐▌▐ ▐ ▌ ▐ ▐▌▐ ▐ ▌ ▐ ▐▌▐ ▐ ▌ ▐ ▐▌▐
DSCN8026
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
They say that they followed the original design as much as possible. They even used as much of the original wood as could be recovered.
We've got a Makerbot Replicator and we want to show it off! Demos of the 3D printer will begin Saturday, May 31 at the Innovation Expo at the central Pratt Library.
Innovation Expo: calendar.prattlibrary.org/event/innovation_expo_create_an...
More about 3D printing and demos:
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
The seemingly laughable title somewhat obscures what is now thought of as one of the better sci-fi films of the late 1950s, and a worthy variation on "Invasion of the Body Snatchers," with its theme of aliens replicating the appearance of humans.
Starring Tom Tryon, Gloria Talbott, Chuck Wassil, Maxie Rosenbloom, Ty Hardin, Peter Baldwin, Steve London, and Valerie Allen. Directed by Gene Fowler, Jr.
synopsis
It has now become a film-review clich to preface a write-up for I Married a Monster From Outer Space with the cautionary "Don't be misled by the title." The fact remains, however, that this one of the better and more intelligent horror outings of the late 1950s. The "I" of the title is Marge Farrell (Gloria Talbott), who can't help noticing that her husband Bill (Tom Tryon) has been acting very strangely since their dark-and-stormy wedding night. For one thing, the formerly demonstrative Bill behaves listlessly, as though possessing no emotions whatsoever; for another, though he spends much of his free time at Grady's Bar, Bill never takes a drink (now that is weird!) It isn't long before Marge discovers that Bill, along with several of his male friends, have been taken over by aliens from the Andromeda Nebula, who have arrived on earth to replenish their species. There's only one flaw to this plan: the aliens are unable to procreate! Once the authorities are alerted, a posse of non-possessed men attack the alien spaceship, paving the way for the not-altogether-predictable finale.
review
This smart, tidy little sci-fi effort is deserving of its cult reputation. I Married A Monster From Outer Space works primarily because it never tries to outdo the outrageous hard-sell of its title. Instead, Louis Vitte's screenplay builds the story up in a subtle manner, allowing the troubled marriage of its two leads to drive the story and building its alien-invasion plot around the edges of that main narrative hook. This approach also allows the filmmakers to offer some interesting thematic commentary: the film could be seen as a metaphor for how marriage can "change" a relationship. The film also benefits from strong, adult performances by a pair of leads who take the offbeat story seriously and play it straight: Tom Tryon never overplays the alien mannerisms of his character and withholds emotion to show the character's disconnection while Gloria Talbott makes a strong, resourceful heroine who is easy to root for. Finally, Gene Fowler's artful direction seals the film's appeal: he doles out shock effects where need be (mainly during the finale) but mostly concentrates on creating an atmosphere of paranoia through subtle performances and shadowy photography. All in all, I Married A Monster From Outer Space is a fine addition to the canon of 1950's sci-fi and well worth the time for cult film fans interested in this genre.
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Nobody ever accomplishes everything they expect to do in a day. The only way to do it all is to have yourself cloned. Well that's exactly what I'm having done. In a secret lab on the 100th sub-level of a facility in Palo Alto, California a new Me is growing in a test tube -- grown from my own DNA. Only this isn't an exact duplicate. This Perry has all my flaws removed. It will be the ultimate Perry!
.
Strobist:
AB800 @ 1/4 power aimed straight up near floor.
White foam board positioned overhead to reflect light back down.
Triggered by Yonguo RF 602.
i replicated (as best i could) the marinated hanger steak ssäm that i had at momofuku ssäm bar in NYC a few weeks ago. a couple of friends came over for dinner on the porch, and it was delicious.
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU