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“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
The right hand side and middle are my lines. The left hand side is the original pinstriping, which I had to copy over to the right, as well as the lettering.
The famous Replicator avatar of Grendel's Children. I did not use one in its entirety but assembled the elements of several of them around Alpha; since in their original state these avatars diverge too far from the human and would probably fall outside the Uncanny Valley's threshold.
I have replaced the "Drow" skin with the "Forge" skin designed by Vry Offcourse. This is not really a "nude" skin in that it covers the entire body with metal plates... I think this skin does actually bring Alpha closer into the threshold range.
Small self-replicating bits of nucleic acid are a simple and essential intermediate in the origin of life, but calling them "viruses" is a stretch. The distinction is that so far as I know, every modern virus known to man is a) incapable of making protein and b) requires protein to function. This is no small distinction, because the entire elaborate structure of the ribosome and its associated factors and metabolic machinery are required for usual methods of protein synthesis. (There are some clever alternatives used for making antibiotics - see Nonribosomal peptide - but I'm not aware of any virus making a capsid, etc. using such tricks) I cannot swear to you that no primordial snippet of catalytic RNA could have survived from the beginning of the world until this day without ever having been part of a normal cycle of cell replication, but if it did, it has somewhere along the line developed a great need for ribosomes it doesn't have, and has borrowed enough sequences from ribosome-containing cells to make all the protein-coding genes we identify in it today.
Of course, you could postulate that self-replicating RNAs developed protein synthesis before the proper cell membrane, and then some never became part of cells. The problem is that it is hard to picture a complete protein biochemistry, at least one of the usual ribosome-oriented type with loose aminoacyl-tRNAs and the wizard's stew of biochemical precursors to amino acids, existing free or within a typical tight-packed viral capsid. One would think that the such a protein synthesis machinery open to the environment would have special adaptations to keep components from escaping, and probably would have use some more rudimentary genetic code than the completed cell. Yet none of these primitive features show up in viruses either.
The bottom line is that viruses by their nature could have picked up snippets of code anywhere, but they are not primordial organisms from the first days of life. Wnt (talk) 15:32, 8 August 2008 (UTC)
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Following up on the exploration of Alan Jaras, David Hull and John Swierzbin I used my modified brain wave camera to examine the area around BL86/DS51/R15. It seems John's worst fears regarding gamma ray energy are confirmed. These high energy sources are somehow combining to form light or energy entities. They seem able to replicate. Is this a new lifeform. If so it seems more like a virus using whole planets and stars as a host in order to multiply. The edge of the galaxy is now littered with lifeless dead planets
Single long macro exposure
Replicating a move by the Pennsylvania Reading Seashore Lines from years ago where trains from Camden would come to Tuckahoe, and then split up depending on which shore point they were headed to. In this case, the RDC was headed south on the Cape May Branch - November 2006
Here's a view of Aaron Delehanty’s desk in the Replications Lab. He is testing resin samples with different surface treatments and colors. Replicating objects with the degree of accuracy required for exhibitions involves a deep understanding of your materials. The work demands diligence, curiosity, continued practice, and ongoing experimentation with materials. Replications artists are a bit like chemists perfecting a formula.
(c) The Field Museum, photo by Emily Krakoff
FORT IRWIN, Calif. - U.S. Army Soldiers from 11th Armored Cavalry Regiment replicate the Afghan National Army conducting a raid during Security Force Assistance Team Rotation 14-05 at the National Training Center here, March 23, 2014. The 11th ACR forces are receiving training and support during the exercise from the 3rd Cavalry Regiment from Fort Hood Texas. (U.S. Army photo by Spc. George Denno, Operations Group, National Training Center)
A C41 test with the CineStill 400D, I have replicated, different days different lighting these scenes before and linked in the comments to the M8 in some cases and M2 for film with the Harman new C41 "experimental" fil for which there are two or three in some cases different scans. these are commercial scans as jpeg with straightening and tint tweaks only in Capture One.
Another film with a definitive "look" I will post more later that show the halation being a nuisance in some shots where it really wasn't wanted, sometimes it contributes positively. I should add box speed @400 with no "issues" like the Harman and my usual "sunny sixteen" approach.
Replicating the Geek to Freak chapter from the 4 Hour Body. It is the Science of Building Lean Muscle FAST!!!
See my progress on with the routine on geektoFREAK.net
Follow on twitter @geektoFREAK
Replication of original etched window bug for corner of glass on a rare Ferrari. It's a tiny, tiny, detail.
Veterans Memorial Park, Cape Coral, Florida. This memorial park was a very moving experience for me and I was compelled to take a moment for a silent prayer and to salute the flag as a former member of the US Navy.
St Mary, Worstead, Norfolk
Worstead is always a good place to start a Norfolk church-exploring bike ride. The little station sits a mile or so to the west of the village, which is large enough to feel as if it might have intended to have become a town once, but didn't. One this warm day at the end of August 2019 there was nobody about, just a fat cat lazily rolling in the village square. The sun was cutting the haze, the sky wide and blue. It was like being in France.
Worstead church is absolutely enormous, and hemmed in by the walls of a tight little graveyard. Like the church at Salle, and at Southwold in Suffolk, St Mary was all built in one go, pretty much. This happened in the late 14th century. As at Salle, it is reflective of a large number of bequests from different people over a short period rather than anyone fabulously rich doing it on their own, and the money, of course, came from wool. Worstead is still recognised as the name of a fabric today.
I said it was pretty much built at one go, but there was still plenty of money about in the 15th century to raise the clerestory and install a hammerbeam roof. This seems to have been such an ambitious project that flying buttresses had to be installed on top of the aisles to hold the top of the nave up, an expedient measure that has left the building both interesting and beautiful. It was my third visit of the summer, and once again I stepped out of the sunlight into the slight chill of a vast open space.
Even if you don't easily warm to big churches and prefer the little ones, St Mary is so pretty inside that it is hard not to love it. This is partly helped by the removal of all pews and benches from the aisles. Those that remain in the body of the church are lovely 18th century box pews, quite out of keeping with the medieval nature of the rest of the building, but quirky and oddly delightful. The great tower arch is elegant, and is thrown into relief by the towering font cover. The ringing gallery under the tower is dated 1501, and is reminiscent of the one not so very far off at Cawston. The 19th Century tower screen below it is a perfect foil for the medieval details to the east. The paintings in the dado depict Christian virtues and are apparently copies of windows by Sir Joshua Reynolds at New College, Oxford.
Worstead is famous for its roodscreen, but perhaps this is more because of its height, elegance and completeness than its historicity. The figures on the dado have been repainted sumptuously, but not always with an eye to authenticity. Most, though not all, depict disciples, and yet several are replicated on the unrepainted aisle screens, suggesting that they may once have been different figures to the ones we see now. From north to south they appear to be a dreadfully repainted Christ the Man of Sorrows, a similarly poor St Paul, St James the Less, St Philip, St Simon, St Jude, St Matthew, St John, St Andrew, St Peter, St James, St Thomas, St Bartholomew, a figure labelled St Jerome who looks very much as if he was originally St Matthias, and then the two oddest figures, St William of Norwich holding three nails and then a figure crucified, arms tied to the spans. This is be the infamous St Uncumber, also known as St Wilgefortis, the bearded lady of early medieval mythology. Later, she was crucified, probably upside down. Across the top rail, a dedicatory inscription winds, mysterious and beautiful.
The aisles extend either side of the chancel. Each has its own small screen with just four figures. The four figures at the entrance to the north side are St Peter, St Paul, St John the Baptist and St John the Evangelist. Three of these are also on the rood screen, suggesting that either the images there are wholly Victorian, or these aisle screens came originally from elsewhere. The south aisle chapel is simpler. The screen features another St Bartholomew, another St Philip, St Lawrence and a bishop, probably St Thomas of Canterbury.
But this church is in any case a building to wander around in, a place to enjoy for its great beauty as much as to interrogate for its medieval authenticity. As you turn corners, vistas open up. The view from the font to the south door, for example, or that back to the west from the chancel. All perfect, all stunning.
Aoshima Mitsubishi Delica Space Gear D-Up Wagon. Build it box stock. Custom mix Tamiya Acrylic paint to get Metallic Green/Light Gun Metal Grey Combo. Interior is finished in various grey except in seating are. Sky (XF-21) dry brushed with Flat Blue to replicate original pattern seat fabric.
Mold building a bit tonight. It can be a complicated process no matter how large or small the piece is you're wanting to replicate. Worth the effort if you don't like wasting money and want to get it right the FIRST time. #moldmaking #investment
In a scene replicated across the country a day of national celebration is held on 6 July. Under the command of General Currie, a procession including returned servicemen, Parish Council, special constables, local firemen and other local volunteer organisations make their way from Squerryes Court to St Mary's Church.
Courtesy - Dave Bateman.
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Kangna's Fashion Secrets.....
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Panchi
Do you have an inherent sense of style? I always loved dressing up, even as
a child. Back in Manali, people often considered my dress sense unique,
sometimes outrageous. I think, true style is all about knowing yourself. One
should never get carried away by a brand name. Instead, they should focus on
understanding what works for them, what mood they are in, what the occasion
is, what suits them physically and so on.(Text courtesy: The Indian Express)
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Panchi
Do you find yourself browsing through fashion magazines very often? I do
look them up for hairstyles, make-up trends et al. It's part of an actor's
job to look fashionable and be in style. But I don't get things I see in
magazines replicated though I did do that sometimes as a teenager.
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Panchi
How did you manage to feed your passion when you were in your hometown? I
used to shop a lot, even in those days. My grandfather really spoilt me. My
great grandfather is 105 years old. He was a minister for 15 years and a
freedom fighter before that. So he had a relatively big pension, and I was
his absolute favourite. I'd get that as pocket money and shop with it.
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Panchi
What do you find yourself most comfortable in? I don't think fashion is
about comfort. You have to choose between fashion and comfort. As an actor,
it is my job to look stylish, be it with short dresses or high heels. But in
my personal space, I love wearing dresses since I find them comfortable.
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Panchi
What do you spend most on? Handbags. Seriously, one bag can be so expensive.
But then a bag also goes with you all the time.
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Panchi
Where do you usually shop? I shop abroad mostly, when I holiday or when I am
on an outdoor shooting schedule. The prices of international brands vary so
much depending on the location. For instance, the same brand may cost you
more in London or Milan than in Dubai or the USA. I even shop off the
streets in the US and Bangkok.
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Panchi
Who is your fashion icon and which designers do you admire? Victoria Beckham
and Rihanna are very cool they have an inherent sense of style. I also
admire Angelina Jolie's casual chic. In India, Rita Dhodhy dresses really
well. Among designers, I love Chanel, DandG and Moschino. Sabyasachi
Mukherji's work is very admirable too.
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Panchi
Are you a shopaholic? Yes, but I keep my expenditure within my budget,
usually.
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Panchi
What all is on your fashion must-haves list? In the summers, I'd say linen
pants, dresses and skirts. Everyone should have a nice white linen dress in
their closet.
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Panchi
What's the most priceless posession in your wardrobe? On my birthday, my
mother gave me a Pashmina shawl, which is worth lakhs. It's made of a
special fur and is from Manali it's something I'll never find anywhere else
in the world.
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Panchi
What's your take on saris as a fashion garment? I don't really have a taste
for saris. I'm from the mountains and nobody wears saris there since they
are difficult to carry. Even my mother rarely wore a sari. But I do have
some occasion-wear.
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Panchi
Do you mix and match your outfits or keeping to the reputation of a diva,
you would not repeat? I wear whatever I want. But it's unfair of the media
to pressurise actors on that front. I mean, why should anyone not repeat
their clothes?
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Luv / Panchi.....
DNA single-strand repair protein, Parp-1 (green dots), also helps with doublestrand breaks, according to Sugimura et al. At replicating regions of the genome (red and bue dots) Parp-1 slows the replication fork to allow double-strand repair enzymes to work. (JCB 183(7) TOC1)
This image is available to the public to copy, distribute, or display under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported license.
Reference: Sugimura et al. (2008) J. Cell Biol. 183:1203-1212.
Published on: December 22, 2008.
Doi: 10.1083/jcb.
Read the full article at:
Denna video visar uppackningen och demonstration av en MakerBot Replicator personliga FDM 3D-skrivare.
Vi är svenska återförsäljare av personliga 3D-skrivare. Kontakta info@creativetools.se eller 035-77 77 880 för mer information.
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This video shows the unboxing, setup and a short demonstration of the MakerBot Replicator personal 3D printer.
We are Swedish resellers of MakerBot. (info@creativetools.se / +46 35-77 77 880)