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St Mary stands on a hill overlooking what was once the sea and sand spit of land that Sandwich still sits. The sea has receded, but St Mary is still there, its wooden cupola topped tower visible for those who look for it, or notice these things in the 21st Century.
This was my third visit to the Blessed Mary, first time I found it locked, second time wardens were preparing it for the Nativity service.
It was open, and even had a welcoming sign hanging near to the gate to the churchyard, always welcome.
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The tower makes this church one of the easiest in Kent to identify. It is capped by a little cupola and wooden balustrade of eighteenth-century date that replaced a medieval spire. During the Middle Ages the church was owned by Leeds Priory which invested heavily in the structure, and was no doubt responsible for the excellent sedilia built in about 1350. The canopy is supported by a quadripartite vault in turn supported by angry little heads. Above the sedilia is the cut-off end of a prickett beam. The east window, of Decorated style stonework, has a thirteenth-century hangover in the form of a shafted rere-arch. There are two excellent modern stained glass windows designed by F.W Cole, which show the Creation (1980) and St Francis (1992). The good altar rails are of Queen Anne's reign, as are the splendid Royal Arms.
www.kentchurches.info/church.asp?p=Woodnesborough
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WOODNESBOROUGH,
¶OR Winsborough, as it is usually called, lies the next parish northward from Eastry, being written in the survey of Domesday, Wanesberge. It took its name according to Verstegan, from the Saxon idol Woden, (and it is spelt by some Wodensborough) whose place of worship was in it; however that may be, the termination of the word berge, or borough, shews it to be of high antiquity.
art of this parish, over which the manor of Boxley claims, is within the jurisdiction of the justices of the town and port of Sandwich, and liberty of the cinque ports; and the residue is in the hundred of Eastry, and jurisdiction of the county of Kent.
There are three boroughs in this parish, viz. Cold Friday, Hamwold, and Marshborough; the borsholders of which are chosen at the petty sessions of the justices, acting at Wingham, for the east division of the lath of St. Augustine.
THIS PARISH is large, being two miles and an half one way, and upwards of a mile and an half the other. The church stands nearly in the centre of it, on high ground. At a small distance from the church is Woodnesborough hill, both of which are sea marks. This hill is a very high mount, seemingly thrown up by art, and consisting of a sandy earth, it has been thought by some to have been the place on which the idol Woden from whom this place is supposed to have taken its name) was worshipped in the time of the Saxons; by others to be the burial place of Vortimer, the Saxon king, who died in 457, whilst others suppose this mount was raised over those who fell in the battle fought between Ceoldred, king of Mercia, and Ina, king of the West Saxons, in the year 715, at Woodnesbeorb, according to the Saxon chronicle, which name Dr. Plot supposes to be Woodnesborough. Vortimer, as our historians tell us, at his death, desired to be buried near the place where the Saxons used to land, being persuaded that his bones would deter them from any attempt in future. Though authors differ much on the place of his burial, yet this mount at Woodnesborough is as probable, or more so, perhaps, than any other, for it was near to, and was cast up so high as to be plainly seen from the Portus Rutupinus, which at that time was the general landing place of the Saxon fleets. Some years ago there were found upon the top of it sundry sepulchral remains, viz. a glass vessel (engraved by the Rev. Mr. Douglas, in his Nænia;) a fibula, (engraved by Mr. Eoys, in his collections for Sandwich;) the head of a spear, and some fragments of Roman vessels. Much of the earth of sand has been lately removed round the sides of it, but nothing further has been found.
At a small distance northward from hence, at the bottom of a short steep hill, lies the village called Woodnesborough-street, and sometimes Cold Fridaystreet, containing thirty four houses. The vicaragehouse is situated in the middle of it, being a new handsome building; almost contiguous to it is a handsome sashed house, belonging to the Jull family, now made use of as a poor-house; through this street the road leads to Sandwich. West ward of the street stands the parsonage-house, late the seat of Oliver Stephens, esq. deceased, and now of his window, as will be further noticed hereafter. Besides the manors and estates in this parish, particularly described, in the western parts of it there are several hamlets, as Somerfield, Barnsole, Coombe, with New-street, Great and Little Flemings, Ringlemere, and the farm of Christians Court.
In the north east part of the parish, the road from Eastry, by the parsonage of Woodnesborough northwestward, divides; one road, which in antient deeds is called Lovekys-street, going towards Ash-street; the other through the hamlet of Marshborough, formerly called Marshborough, alias Stipins, to Each End and Sandwich, the two windmills close to the entrance of which are with in the bounds of this parish. Each, Upper Each, called antiently Upriche, and Each End, antiently called Netheriche, were both formerly accounted manors, and are mentioned as such in the marriage settlement of Henry Whyte, esq. in the beginning of queen Elizabeth's reign. After the Whytes, these manors passed in like manner as Grove, in this parish, to the James's. Upper Each, or Upriche, has for many years belonged to the family of Abbot, of Ramsgate, and is now the property of John Abbot, esq. of Canterbury. Each End, or Netheriche, belongs, one moiety to the heirs or devisees of the late earl of Strafford, and the other moiety to John Matson, esq. of Sandwich.
¶It cannot but occur to the reader how much this parish abounds with Saxon names, besides the name of Wodens borough, the street of Cold Friday, mentioned before, is certainly derived from the Saxon words, Cola, and Friga, which latter was the name of a goddess, worshipped by the Saxons, and her day Frige-deag, from whence our day of Friday is derived; other places in this parish, mentioned before likewise, claim, surely, their original from the same language.
This parish contains about 3000 acres, the whole rents of it being about 3373l. yearly value. It is very bare of coppice wood; the Old Wood, so called, in Ringleton, being the only one in it. The soil of this parish is very rich and fertile, equal to those the most so in this neighbourhood, particularly as to the plantations of hops, which have much increased within these few years past. The middle of the parish is high ground, and is in general a flat open country of arable common fields. West and south-westward the lands are more inclosed with hedges. North and north-westward of the parsonage, towards Sandwich, they are low and wet, consisting of a large level of marsh land, the nearness of which makes the other parts of this parish rather unhealthy, which is not otherwise very pleasant in any part of it. There was a fair held here yearly, on Holy Thursday, but it has been for some time disused.
In Ringleton field, in this parish, there was found about the year 1514, a fine gold coin, weighing about twelve shillings, with a loop of the same metal to hang it by; on one side was the figure of a young man in armour, a helmet on his head, and a spear over his right shoulder; on the reverse, the figure of Victory, with a sword in her hand, the point downwards.
The church, which is dedicated to St. Mary, consists of a nave, and two isles, having a square tower steeple at the west end, with a modern wooden turret and vane at the top of it, in which are five bells, made in 1676. It had a high spire on the tower, which was taken down some years ago. At the east end of the chancel is a marble tablet for John Cason, esq. of this place, justice of the peace, obt. 1718; John Cason, esq. his son, obt. 1755; arms,Argent, a chevron, sable, between three wolves heads, erased, gules, on an escutcheon of pretence, sable, a chevron, between three fleurs de lis, of the field; another for Thomas Blechenden, of the antient family of that name, of Aldington, in Kent, obt. 1661; arms, Azure, a fess nebulee, argent, between three lions heads erased, or, attired, gules, impalingBoys. On the south side, an antient altar monument with gothic pillars and arches, having had shields and arms, now obliterated. Against the wall, under the canopy, two brass plates, which have been removed to this place, from two grave-stones in the chancel; the first for Sir John Parcar, late vicar of this church, who died the v.day of May, a°o dni m° v° xiij° on the second are Latin verses to the memory of Nichs Spencer, esq. obt. 1593. In the middle of the chancel, a gravestone for William Docksey, esq. of Snellston, in Derbyshire, a justice of the peace, obt. 1760; Sarah his wife, youngest daughter of John Cason, esq. obt. 1774; arms,Or, a lion rampant, azure, surmounted of a bend, argent. On a gravestone on the north side of the chancel, on a brass plate, On a chevron, three quatersoils, between three annulets, quartering other coats, now obliterated, for Master Myghell Heyre, sumtyme vicar of this churche, who dyed the xxii day of July, m° v° xxviii. In the north isle are several memorials for the family of Gillow, arms, A lion rampant, in chief, three fleurs de lis. At the entrance into the chancel, on a grave-stone, on a brass plate, John Hill, gent. of the parish of Nassall, in Staffordshire, obt. 1605. A mural monument for William Gibbs, of this parish, obt. 1777; arms,Argent, three battle axes, in fess, sable. In the church-yard are altar tombs to the memory of the Julls, and for Sladden; one for John Verall, gent. sometime mayor of Sandwich, obt. 1610; and another for John Benchkin, of Pouton, obt. 1639.
There were formerly painted in the windows of this church,Or, a chief indented, azure, for John de Sandwich. Several coats of arms, among which were those of Valence and St. Leger,Argent, three leaves in sinster bend, their points downward, proper.— On a canton, azure, three crescents, or, for Grove.— Argent, three escallops in chief, or, in base a crescent, gules, for Helpestone, usually called Hilpurton, bailiff of Sandwich, in 1299. A shield, being Helpeston's badge, another On a fess engrailed, three cinquefoils, between three garbs, for John Hill, of Nasall, in Staffordshire, who lies buried in this church. —A fess engrailed, three lions rampant, in chief, on the fess, a crescent for difference, for Spencer, customer, of Sandwich. — Quarterly, four coats; first, On a chevron, three quaterfoils; second, Per pale, ermine and argent; third, A cross, between four pomegranates, slipped; sourth,Three bars, wavy, for Michael Heyre, vicar here in 1520.
The church of Woodnesborough was given, in the reign of king Henry I. by a religious woman, one Ascelina de Wodensberg, to the priory of Ledes, soon after the foundation of it; to which deed was witness Robert de Crevequer, founder of the priory, Elias his son, and others; which gift was confirmed by the said Robert, who by his charter, released to the priory all his right and title to it. It was likewise confirmed by archbishop Theobald, and several of his successors, and by king Henry III. by his charter of inspeximus in his 41st year.
Archbishop William Corboil, who came to the see of Canterbury, three years after the foundation of Ledes priory, at the instance and petition of Ascelina above mentioned, who resigned this church into his hands for this purpose, appropriated it to the prior and convent, for the finding of necessary cloaths, for the canons there; and a vicarage was accordingly endowed in it.
There was a controversy between the prior and convent, and Adam, vicar of this church, in 1627, anno 14 Henry II. concerning the great tithes arising from the crofts and curtilages within this parish, which was referred to the prior of Rochester, who was the pope's delegate for this purpose, who determined that the prior and convent of Ledes, as rectors of this church, should receive, without any exception, all the great tithes of wheat, barley, oats, beans, peas, and of every fort of corn arising, or to arise from all lands, crofts, curtilages, or other places whatever, situated within the bounds, of this parish; and that the prior and convent should yearly pay to the said vicar, and his successors, half a seam of barley, and half a seam of beans, at the nativity of our Lord. (fn. 10)
¶After which, this parsonage appropriate,(which appears to have been esteemed as a manor) together with the advowson of the vicarage, remained with the prior and convent of Ledes, till its dissolution in the 31st year of king Henry VIII. when it was, with all its lands and possessions, surrendered into the king's hands, who by his dotation charter, in his 33d year, settled both parsonage and advowson on his new-founded dean and chapter of Rochester, with whom they remain at this time. On the dissolution of deans and chapters, after the death of king Charles I. this parsonage was surveyed in 1649, when is appeared that the manor or parsonage of Woodnesborough, with the scite thereof, and all manner of tithes belonging to it, with a garden and orchard of one acre, was valued all together at 300l. that the lessee was to repair the premises, and the chancel of the church; that the vicarage was worth fifty pounds per annum. The then incumbent was under sequestration, and there was none to serve the cure; and that the church was then quite ruinated, and in great decay. (fn. 11)
You can see the 5 tabs at the bottom of this pic (note pic is actually upside down) and the two tabs on the top
The F-101 Voodoo began its turbulent development as a jet escort fighter designed to replace the P-51 Mustang, designated the XF-88 Voodoo. McDonnell had won the competition in 1947, but when the first XF-88 flew in October 1948, top speed was disappointing, though the range was adequate to escort B-29 Superfortresses into the Soviet Union. Attempts to increase the top speed by installing afterburners shortened the range significantly; faced with this paradox, the USAF cancelled the XF-88 in 1950.
The service rapidly changed its mind during the Korean War, when MiG-15 intercepts of B-29s revealed the need for dedicated long-range escorts, and McDonnell was hurriedly ordered to resume work on an advanced version of the XF-88, called the F-109. Since this designation was out of sequence, it was changed to F-101, making the Voodoo the second of the Century Series.
Though the F-101 shared the same general planform as the XF-88, it was radically different. It was larger, with more powerful engines, allowing it to have both supersonic performance and the range required for the escort mission. It was found that a T-tail was more aerodynamic than the conventional tail of the XF-88, giving the Voodoo a unique appearance. Since most of the flight testing had already been completed in the XF-88 program, the F-101 went immediately to full production—and much to McDonnell’s chagrin, the first Voodoo had barely rolled off the production line when Strategic Air Command made the decision that its fast B-47 and B-52 bombers did not need escort, and cancelled their F-101As.
If SAC was not interested, however, Tactical Air Command was, seeing in the F-101A a good low-level penetration nuclear bomber. Converting a cannon-armed escort fighter to a nuclear attack aircraft was not as difficult as it was thought: the bomb could be carried on the centerline, while the F-101’s fire control system had already proven as adept at air-to-ground operations as air-to-air. While Voodoo pilots adopted a fatalistic view towards the mission—it was doubtful if the F-101 would survive a low-level nuclear explosion, and if so, probably would not have the fuel to return home—it entered service in 1957. The aircraft was reported as generally trouble-free, except for a tendency to pitch up into an uncontrolled stall in any radical flight maneuver; McDonnell was never able to completely cure this problem throughout the Voodoo’s entire career.
With the delays in the F-102/F-106 “Ultimate Interceptor” program, the USAF needed an interim aircraft to supplement the troubled Convair deltas. With the F-101 already in service, McDonnell proposed an interceptor that could enter production quickly and easily. The F-101B replaced the forward fuselage of the F-101A with a larger and more rounded version, containing a two-seat cockpit, the MG-13 fire control system of the F-102, and its weaponry: the four 20mm cannon of the F-101A were deleted in favor of a rotary weapons bay that could carry either four AIM-4 Falcons or two AIR-2 Genie nuclear-tipped rockets. The engines were upgraded, but were longer than those carried by other Voodoo variants; to avoid having to rebuild the rear fuselage as well, the engine casing and afterburners simply were allowed to stick eight feet out of the aircraft. The inflight refueling probe was removed in favor of an infrared sight. The F-101B was superior to any interceptor then in USAF service, including the F-102 it was supposed to only supplement, and quickly replaced earlier interceptors such as the F-89 Scorpion and F-94 Starfire.
As the 1980s approached, the Voodoo was clearly showing its age. Active duty units had retired their F-101Bs by 1972, but the type would continue with the Air National Guard until 1982, when it was finally withdrawn. Of 807 F-101s built, about 44 survive today in museums and as gate guards, not counting an extensive number of CF-101s preserved in Canada.
F-101B 58-0271 joined the USAF's 75th Fighter-Interceptor Squadron at Dow AFB, Maine in 1959, and would remain with the squadron until 1969, by which time the squadron had transferred to Wurtsmith AFB, Michigan. After the 75th deactivated, 58-0271 briefly flew with the 4756th Air Defense Wing at Tyndall AFB, Florida, where it performed mainly in test duties. It was transferred to the 119th FIG (North Dakota ANG, the famous "Happy Hooligans") at Fargo, and finished out its career there. It was then sent to Lowry AFB, Colorado, where it was used as a battle damage repair aircraft; when Lowry closed, it became part of the Wings Over the Rockies museum collection.
58-0271 was restored in the colors of the 4756th ADW (though I would've gone with the Happy Hooligans of the 119th--personal bias). This picture doesn't do the aircraft justice. Due to coronavirus and the need to restrict the movement of museum patrons, the Wings collection has been crammed together. This made a picture of the entire aircraft impossible--and I tried from every angle possible, including lying on the floor! The weapons bay is displayed open, with two AIM-4 Falcon IR missiles; the cart beneath the right wing is loaded with two AIR-2A Genie nuclear-tipped rockets.
thts like the 6th toilet roll replaced. dont know why but when my room mate came over during the 1st 3 days.. she used TWO and a half rolls of toilet paper. and they were bought by me! it was premium toilet ppr ok! and i realized it only when i went home on the 4th day. haha! OH, see the brush on the floor? i got it at the one dollar store! :D
Replacing the 626 in Mazda's lineup, the first generation of the 6 was produced between 2002 and 2008 and was offered in three versions: a saloon, a 5-door hatchback, and the estate pictured here.
The car seen here is the sportier '6s' version equipped with a 3.0-litre V6 engine. Sales were not strong in North America, and the 6 Estate was dropped in these markets after this generation.
Sao Caetano do Sul/SP - 21.06.2009
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[ Foto por Tyello - www.flickr.com/photos/tyello ]
Built in 1923, this Renaissance Revival-style twenty-story skyscraper was designed by George B. Post and Sons to house the Buffalo Statler Hotel, part of the Statler Hotel chain that was headquartered in Buffalo. The second permanent hotel that the Statler family built in Buffalo, the building replaced an earlier hotel that stood on the site, housed in the former Millard Fillmore mansion, known as the Castle Inn, and an earlier flagship Statler Hotel, which was built in 1907, and located at the southeast corner of Swan Street and Washington Street in a building that was heavily influenced by the nearby Guaranty Building. Ellsworth Milton Statler, whom owned the business, had started in the hospitality industry with a restaurant in the basement of the Ellicott Square building in 1896, expanding with a 2,000-room temporary hotel at the 1901 Pan-American Exposition in Buffalo, and a 2,200 room hotel at the 1904 Louisiana Purchase Exposition in St. Louis, which were so successful that Statler, a former bellhop, decided to re-enter the Hotel business permanently. The present building was the flagship hotel for the chain, which was based in Buffalo, but had hotels all around the United States, which featured amenities that are commonly expected today, including private bathrooms, telephones in each room, and free stationery and newspapers, and were priced at a moderate cost for more average travelers, rather than being targeted at wealthy clientele. Statler also wanted to attract the city’s elite to his establishment, and thus bought the nearby Iroquois Hotel, a longstanding center of social life for Buffalo’s elite and business class, in 1923, and closed it a day after his new hotel opened. Arguably, the original Hotel Statler was more architecturally significant, as it was one of the largest ever Art Nouveau buildings constructed in the United States, and featured a far more unique and distinctive interior and exterior, as well as being the first hotel to have all the innovative features that Statler became known for. Like the similarly significant Larkin Building, however, the original Statler Hotel Buffalo was demolished in 1968 to make way for a “shovel-ready” development site, with no regard for the non-monetary value of the building. Private development never materialized on the site, and it sat as a barren parking lot until a baseball stadium and plaza were built on the site in the late 20th Century.
The building features a tripartite composition, with a four-story base, which extends to the rear (east) of the tower along Genesee Street and Mohawk Street to Franklin Street, which contains many of the hotel’s major public spaces, including meeting rooms, ballrooms, lobbies, and retail spaces. Above the base rises a tower, twenty stories tall and E-shaped, with two light wells on the western side of the building that extend deep into the block to the east, with a largely unadorned red brick-clad section between the sill line of the windows on the sixth floor to the sill line of the windows on the eighteenth floor, forming the “shaft” of the composition. At the top is a more richly detailed three-story section of the building, forming the “capital” of the composition, drawing the eye upwards and emphasizing the verticality of the building. The first floor is clad in stone with rustication, with the second and third floors sharing large window bays with decorative surrounds, which include decorative keystones, broken pediments with cartouches, triple arched window openings flanked by doric pilasters and recessed niches on the western facade, paired arched windows facing Niagara Square, separated by doric pilasters, and smaller windows at the east end of the building along Franklin Street and Mohawk Street. Above the arched window bays are low-slope roofs enclosed by decorative balustrades, with smaller window openings on the fourth floor featuring decorative stone trim, with the window bays around the perimeter of the base of the tower portion of the building being flanked by doric pilasters, with an architrave with triglyphs and decorative reliefs above the pilasters, and a cornice featuring modillions running around the sill line of the fifth floor windows, marking the base of the transition from the base to the shaft. The fifth floor features windows with decorative surrounds and keystones with busts, and is topped with a cornice, which is the last strong horizontal datum before the building becomes an unadorned brick shaft for the next twelve floors. The building features double-hung and fixed windows, some of which are original, and others of which are replacements, with two-over-two windows being predominant between the sixth and eighteenth floors. On the eighteenth floor, the sill line of the windows is a line of stone belt coursing, with decorative window trim at the window openings, and a cornice with dentils above the windows, originally extending further out from the facade, but having been chiseled away due to structural issues in the late 20th Century. The nineteenth and twentieth floors feature decorative trim once again, with the outermost bays of the individual north and south facades, as well as the west facade, featuring single windows flanked by doric pilasters with decorative window trim, including busts on the keystones, and the middle bays being recessed, flanked by ionic pilasters, with copper spandrel panels. The top of the twentieth floor windows is a line of belt coursing, above which are a few courses of brick, with decorative reliefs above the doric pilasters on the east and west facades, which sits below the building’s cornice, which features brackets, and runs around the base of the brick parapet that encloses the building’s low-slope roof. Atop the parapet above the doric pilasters are decorative urns. The rear of the building also features a large circulation tower, housing the building’s main stairways and elevators, which features a largely unadorned facade with four oxeye openings with stone trim at the top, with this being the least detailed section of the building’s exterior.
Inside, the building features many original semi-public spaces that have been partially preserved from the original period of construction and function as a hotel. These include the “palm room”, the main lobby that is themed after a tropical garden, which sits just outside the hotel’s main dining room, a two-story space with a vaulted ceiling, decorative archways, paired arched second-story openings with balustrades and columns, arched windows above the dining room entrance, an entrance portico at the dining room with ionic columns, a decorative cornice, a broken pediment with a cartouche, and a decorative balustrade atop the portico, and a fountain surrounded by greco-roman statues. There is also the Terrace Room, which features a decorative beam ceiling, ionic columns, and a section of the ceiling that is vaulted, the golden ballroom, formerly the hotel’s main dining room, which features a cantilevered second-story balcony with ionic columns featuring capitals and accents clad in gold leaf, decorative trim and panels clad in gold leaf, a wooden parquet floor, and a vaulted ceiling, and a room in the mezzanine with well-preserved carved wood paneling and black marble fireplace surrounds. Other spaces, including the lounge, tea room, cafeteria, swimming pool, and turkish baths, have not been preserved in as intact of a condition.
The hotel began to see a decline in occupancy with the onset of the Great Depression, with several of its 1,100 rooms regularly sitting vacant. As a result, it began to see portions of its interior converted into office space, which accelerated after the opening of the WBEN TV studio in the building. The Statler hotel chain was bought out by Hilton in 1954, which continued to use the Statler brand on hotels that the chain had already built, but eventually phased it out. The hotel finally shuttered in 1984, with the building being renamed the Statler Towers. The building became largely vacant, with only the lower floors being occupied, with the highest occupancy being in the street-facing retail spaces. In the 2000s, the building was slated for conversion into a hotel and condominium, but this proved unsuccessful when the entity that owned the building went bankrupt, leading to a foreclosure and the building being threatened with demolition. Preservationists worked hard to save the building, leading to it being auctioned to a developer in 2010, whom started to stabilize the structure and address its deferred maintenance, reopening the event spaces on the lower floors in 2011, with plans to eventually renovate the rest of the building with an incremental, multi-phased approach. After that developer died, the building was sold to another developer, whom has announced plans to convert the base into a combination of parking, meeting and event space, amenity space, and retail space, with 600 apartments on the upper levels, with work being well underway in 2022.
St Mary stands on a hill overlooking what was once the sea and sand spit of land that Sandwich still sits. The sea has receded, but St Mary is still there, its wooden cupola topped tower visible for those who look for it, or notice these things in the 21st Century.
This was my third visit to the Blessed Mary, first time I found it locked, second time wardens were preparing it for the Nativity service.
It was open, and even had a welcoming sign hanging near to the gate to the churchyard, always welcome.
Amazing how much I missed the first time; brasses, medieval tiles, good glass. Always worth returning.
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The tower makes this church one of the easiest in Kent to identify. It is capped by a little cupola and wooden balustrade of eighteenth-century date that replaced a medieval spire. During the Middle Ages the church was owned by Leeds Priory which invested heavily in the structure, and was no doubt responsible for the excellent sedilia built in about 1350. The canopy is supported by a quadripartite vault in turn supported by angry little heads. Above the sedilia is the cut-off end of a prickett beam. The east window, of Decorated style stonework, has a thirteenth-century hangover in the form of a shafted rere-arch. There are two excellent modern stained glass windows designed by F.W Cole, which show the Creation (1980) and St Francis (1992). The good altar rails are of Queen Anne's reign, as are the splendid Royal Arms.
www.kentchurches.info/church.asp?p=Woodnesborough
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WOODNESBOROUGH,
¶OR Winsborough, as it is usually called, lies the next parish northward from Eastry, being written in the survey of Domesday, Wanesberge. It took its name according to Verstegan, from the Saxon idol Woden, (and it is spelt by some Wodensborough) whose place of worship was in it; however that may be, the termination of the word berge, or borough, shews it to be of high antiquity.
art of this parish, over which the manor of Boxley claims, is within the jurisdiction of the justices of the town and port of Sandwich, and liberty of the cinque ports; and the residue is in the hundred of Eastry, and jurisdiction of the county of Kent.
There are three boroughs in this parish, viz. Cold Friday, Hamwold, and Marshborough; the borsholders of which are chosen at the petty sessions of the justices, acting at Wingham, for the east division of the lath of St. Augustine.
THIS PARISH is large, being two miles and an half one way, and upwards of a mile and an half the other. The church stands nearly in the centre of it, on high ground. At a small distance from the church is Woodnesborough hill, both of which are sea marks. This hill is a very high mount, seemingly thrown up by art, and consisting of a sandy earth, it has been thought by some to have been the place on which the idol Woden from whom this place is supposed to have taken its name) was worshipped in the time of the Saxons; by others to be the burial place of Vortimer, the Saxon king, who died in 457, whilst others suppose this mount was raised over those who fell in the battle fought between Ceoldred, king of Mercia, and Ina, king of the West Saxons, in the year 715, at Woodnesbeorb, according to the Saxon chronicle, which name Dr. Plot supposes to be Woodnesborough. Vortimer, as our historians tell us, at his death, desired to be buried near the place where the Saxons used to land, being persuaded that his bones would deter them from any attempt in future. Though authors differ much on the place of his burial, yet this mount at Woodnesborough is as probable, or more so, perhaps, than any other, for it was near to, and was cast up so high as to be plainly seen from the Portus Rutupinus, which at that time was the general landing place of the Saxon fleets. Some years ago there were found upon the top of it sundry sepulchral remains, viz. a glass vessel (engraved by the Rev. Mr. Douglas, in his Nænia;) a fibula, (engraved by Mr. Eoys, in his collections for Sandwich;) the head of a spear, and some fragments of Roman vessels. Much of the earth of sand has been lately removed round the sides of it, but nothing further has been found.
At a small distance northward from hence, at the bottom of a short steep hill, lies the village called Woodnesborough-street, and sometimes Cold Fridaystreet, containing thirty four houses. The vicaragehouse is situated in the middle of it, being a new handsome building; almost contiguous to it is a handsome sashed house, belonging to the Jull family, now made use of as a poor-house; through this street the road leads to Sandwich. West ward of the street stands the parsonage-house, late the seat of Oliver Stephens, esq. deceased, and now of his window, as will be further noticed hereafter. Besides the manors and estates in this parish, particularly described, in the western parts of it there are several hamlets, as Somerfield, Barnsole, Coombe, with New-street, Great and Little Flemings, Ringlemere, and the farm of Christians Court.
In the north east part of the parish, the road from Eastry, by the parsonage of Woodnesborough northwestward, divides; one road, which in antient deeds is called Lovekys-street, going towards Ash-street; the other through the hamlet of Marshborough, formerly called Marshborough, alias Stipins, to Each End and Sandwich, the two windmills close to the entrance of which are with in the bounds of this parish. Each, Upper Each, called antiently Upriche, and Each End, antiently called Netheriche, were both formerly accounted manors, and are mentioned as such in the marriage settlement of Henry Whyte, esq. in the beginning of queen Elizabeth's reign. After the Whytes, these manors passed in like manner as Grove, in this parish, to the James's. Upper Each, or Upriche, has for many years belonged to the family of Abbot, of Ramsgate, and is now the property of John Abbot, esq. of Canterbury. Each End, or Netheriche, belongs, one moiety to the heirs or devisees of the late earl of Strafford, and the other moiety to John Matson, esq. of Sandwich.
¶It cannot but occur to the reader how much this parish abounds with Saxon names, besides the name of Wodens borough, the street of Cold Friday, mentioned before, is certainly derived from the Saxon words, Cola, and Friga, which latter was the name of a goddess, worshipped by the Saxons, and her day Frige-deag, from whence our day of Friday is derived; other places in this parish, mentioned before likewise, claim, surely, their original from the same language.
This parish contains about 3000 acres, the whole rents of it being about 3373l. yearly value. It is very bare of coppice wood; the Old Wood, so called, in Ringleton, being the only one in it. The soil of this parish is very rich and fertile, equal to those the most so in this neighbourhood, particularly as to the plantations of hops, which have much increased within these few years past. The middle of the parish is high ground, and is in general a flat open country of arable common fields. West and south-westward the lands are more inclosed with hedges. North and north-westward of the parsonage, towards Sandwich, they are low and wet, consisting of a large level of marsh land, the nearness of which makes the other parts of this parish rather unhealthy, which is not otherwise very pleasant in any part of it. There was a fair held here yearly, on Holy Thursday, but it has been for some time disused.
In Ringleton field, in this parish, there was found about the year 1514, a fine gold coin, weighing about twelve shillings, with a loop of the same metal to hang it by; on one side was the figure of a young man in armour, a helmet on his head, and a spear over his right shoulder; on the reverse, the figure of Victory, with a sword in her hand, the point downwards.
The church, which is dedicated to St. Mary, consists of a nave, and two isles, having a square tower steeple at the west end, with a modern wooden turret and vane at the top of it, in which are five bells, made in 1676. It had a high spire on the tower, which was taken down some years ago. At the east end of the chancel is a marble tablet for John Cason, esq. of this place, justice of the peace, obt. 1718; John Cason, esq. his son, obt. 1755; arms,Argent, a chevron, sable, between three wolves heads, erased, gules, on an escutcheon of pretence, sable, a chevron, between three fleurs de lis, of the field; another for Thomas Blechenden, of the antient family of that name, of Aldington, in Kent, obt. 1661; arms, Azure, a fess nebulee, argent, between three lions heads erased, or, attired, gules, impalingBoys. On the south side, an antient altar monument with gothic pillars and arches, having had shields and arms, now obliterated. Against the wall, under the canopy, two brass plates, which have been removed to this place, from two grave-stones in the chancel; the first for Sir John Parcar, late vicar of this church, who died the v.day of May, a°o dni m° v° xiij° on the second are Latin verses to the memory of Nichs Spencer, esq. obt. 1593. In the middle of the chancel, a gravestone for William Docksey, esq. of Snellston, in Derbyshire, a justice of the peace, obt. 1760; Sarah his wife, youngest daughter of John Cason, esq. obt. 1774; arms,Or, a lion rampant, azure, surmounted of a bend, argent. On a gravestone on the north side of the chancel, on a brass plate, On a chevron, three quatersoils, between three annulets, quartering other coats, now obliterated, for Master Myghell Heyre, sumtyme vicar of this churche, who dyed the xxii day of July, m° v° xxviii. In the north isle are several memorials for the family of Gillow, arms, A lion rampant, in chief, three fleurs de lis. At the entrance into the chancel, on a grave-stone, on a brass plate, John Hill, gent. of the parish of Nassall, in Staffordshire, obt. 1605. A mural monument for William Gibbs, of this parish, obt. 1777; arms,Argent, three battle axes, in fess, sable. In the church-yard are altar tombs to the memory of the Julls, and for Sladden; one for John Verall, gent. sometime mayor of Sandwich, obt. 1610; and another for John Benchkin, of Pouton, obt. 1639.
There were formerly painted in the windows of this church,Or, a chief indented, azure, for John de Sandwich. Several coats of arms, among which were those of Valence and St. Leger,Argent, three leaves in sinster bend, their points downward, proper.— On a canton, azure, three crescents, or, for Grove.— Argent, three escallops in chief, or, in base a crescent, gules, for Helpestone, usually called Hilpurton, bailiff of Sandwich, in 1299. A shield, being Helpeston's badge, another On a fess engrailed, three cinquefoils, between three garbs, for John Hill, of Nasall, in Staffordshire, who lies buried in this church. —A fess engrailed, three lions rampant, in chief, on the fess, a crescent for difference, for Spencer, customer, of Sandwich. — Quarterly, four coats; first, On a chevron, three quaterfoils; second, Per pale, ermine and argent; third, A cross, between four pomegranates, slipped; sourth,Three bars, wavy, for Michael Heyre, vicar here in 1520.
The church of Woodnesborough was given, in the reign of king Henry I. by a religious woman, one Ascelina de Wodensberg, to the priory of Ledes, soon after the foundation of it; to which deed was witness Robert de Crevequer, founder of the priory, Elias his son, and others; which gift was confirmed by the said Robert, who by his charter, released to the priory all his right and title to it. It was likewise confirmed by archbishop Theobald, and several of his successors, and by king Henry III. by his charter of inspeximus in his 41st year.
Archbishop William Corboil, who came to the see of Canterbury, three years after the foundation of Ledes priory, at the instance and petition of Ascelina above mentioned, who resigned this church into his hands for this purpose, appropriated it to the prior and convent, for the finding of necessary cloaths, for the canons there; and a vicarage was accordingly endowed in it.
There was a controversy between the prior and convent, and Adam, vicar of this church, in 1627, anno 14 Henry II. concerning the great tithes arising from the crofts and curtilages within this parish, which was referred to the prior of Rochester, who was the pope's delegate for this purpose, who determined that the prior and convent of Ledes, as rectors of this church, should receive, without any exception, all the great tithes of wheat, barley, oats, beans, peas, and of every fort of corn arising, or to arise from all lands, crofts, curtilages, or other places whatever, situated within the bounds, of this parish; and that the prior and convent should yearly pay to the said vicar, and his successors, half a seam of barley, and half a seam of beans, at the nativity of our Lord. (fn. 10)
¶After which, this parsonage appropriate,(which appears to have been esteemed as a manor) together with the advowson of the vicarage, remained with the prior and convent of Ledes, till its dissolution in the 31st year of king Henry VIII. when it was, with all its lands and possessions, surrendered into the king's hands, who by his dotation charter, in his 33d year, settled both parsonage and advowson on his new-founded dean and chapter of Rochester, with whom they remain at this time. On the dissolution of deans and chapters, after the death of king Charles I. this parsonage was surveyed in 1649, when is appeared that the manor or parsonage of Woodnesborough, with the scite thereof, and all manner of tithes belonging to it, with a garden and orchard of one acre, was valued all together at 300l. that the lessee was to repair the premises, and the chancel of the church; that the vicarage was worth fifty pounds per annum. The then incumbent was under sequestration, and there was none to serve the cure; and that the church was then quite ruinated, and in great decay. (fn. 11)
Un toit temporaire est installé à la gare Union afin de protéger les utilisateurs contre les intempéries pendant le remplacement du quai couvert dans le cadre des travaux de modernisation.
We had a weekend in Borrowdale recently, a Christmas present that we tagged a day on to. After calling at work on Saturday morning to open for business we headed up the motorway to Penrith. The road through the central lakes was washed away in the recent floods and it is going to be a long job replacing it. This made the diverted journey around 145 miles but we had a good run up there. We wanted to get walking ASAP so we pulled in at Threlkeld with a view to heading up Clough Head, and subject to conditions, head over the Dodds and back by the Old Coach Road. We had left appalling weather at home, wind, rain, fog and sleet on the tops. Thankfully it was better further north. There was laying snow on the summits, it was fairly calm low down and some summits were cloud free.
We left the car at 11.10 in our winter gear, straight up through the quarries and the steep scree slope (another Red Screes), by now we were into the snow line. The cloud was down, the wind gale force and the summit frozen hard – a different world up here. South next to Calfhow Pike, the wind made it difficult to talk and it was around -4 so the there was a fair wind-chill factor. It was tough going to our next top – Great Dodd, part of the Helvellyn massif – It was to icy to walk in places which meant deviating from the path, and losing our bearings, visibility was around ten yards with spindrift creating a whiteout at times. We battled on to the top and found the summit cairn. Great Dodd isn’t the easiest top to find your way off in low visibility, we would have gone further but in these conditions it was pointless so we retraced our steps to Calfhow and clear conditions. From here we followed Mosedale beck to Mariel Bridge, which is on the Old Coach Road, this gave us a circular route back to our start. The Old Coach Road has been wrecked by the floods and the 4x4 off roaders are making it a lot worse. 9.25 miles in 3 ¼ hours and we were in Brysons Tearooms in Keswick for Coffee and cake by 3.45pm. We carried on to Borrowdale and checked in at our hotel, not a bad day really.
After a poor night in a poor bed we were breakfasted and out for 8.30. We drove the few miles up to Seatoller and we were kitted up and away at 9.10. A bitterly cold and icy morning, there was some sun but not as much as promised. We could see the summit of Great End covered in cloud, we were heading up there on to the Sca Fell massif. We followed the valley to the east of Seathwaite Fell, a new path for us. Once in the snow the going was very icy with the path ice covered in places. The snow was dry and powdery and in places it had blown over the underlying ice. At this point I might add, we do own crampons. After a winter of splashing around soaked we didn’t expect to need them and they were at home – very clever! This was our first real winters day this winter, other than an hour on Sca Fell Pike on Christmas Day, we haven’t seen winter conditions this winter. By the time we got to Esk Hause it was difficult to stay upright and on our way to Great End we had to pick our way very carefully around the worst of the ice. The spindrift made it difficult to see the ground at times, spinning around our feet in a mist. Once on the summit the cloud was thick and the wind speed high. We had been here fairly recently so I knew the layout of the summit and we had little difficulty finding the summit cairn. We were cursing our lack of crampons and the cloud. Instead of heading into the cloud along the Sca Fell Pike path we decided to get under the cloud, back to Esk Hause and head over Allen Crags and Glaramara. At this point we both took some heavy falls, as did others up there, a lot turned around and headed back down, it was deadly. The cloud had thickened, there wasn’t a ray of sun to soften things. Our chosen route was one of the hardest afternoons we had ever had. Everywhere was frozen solid, we had to kick toe or heel holes to move on slopes that we wouldn’t have broken stride on normally. Minor rock scrambles down steep crags had become life threatening in places and we proceeded with extreme care. The knees were creaking on the long descent to Seathwaite. 10.3 miles in six hours, almost half the speed of yesterday. We made it Keswick for afternoon tea – and bought some Micro Spikes for unfinished business to deal with tomorrow. A beautiful day was forecast so fingers crossed we headed back for a soak in the tub.
Day three, a gorgeous icy, sunny winters day. Things looked promising. We left along yesterday’s route at the same start time – with walking poles and Micro Spikes! At the top of the valley we met a guy who had set off before us, two guys known to him were picking their way through the crags, tiny specks on the 800 foot rocky crag. Some appeared to have tried to climb the snow filled chimney that runs to the summit but we heard later that conditions weren’t suitable. Even though it was minus four the sun had softened the snow just enough to get a grip and it was easier to avoid the worst of the ice, unlike yesterday. The summit of Great End was incredible with never ending vistas. We could see a steady stream of walkers on every path by now. Word had got out that we were in for a rare treat today, plus it was school half term so a lot of people were off work. I visited every possible viewpoint as we went to the summit of Ill Crag , Broad Crag and finally Sca Fell Pike. It was 1.00 PM by now and a steady stream of elated walkers were arriving on England’s highest point. It was bitter but beautiful. We had around five miles back to the car along the Corridor Route to Styhead, Stockley Bridge and Seathwaite. Part of this route we had covered recently on Christmas Day and despite the snow and ice we powered along. We would have been back in two hours but! A mile from the car, following the manmade path down Taylorgill Force to Stockley Bridge Jayne Stumbled. It’s not often she walks in front. I normally lead and relay instructions and warnings back to her. She hit the rock path with her head and face really hard, stunned, she rolled off the path over a drop. She was vertical, resting on a rock on her knees and clinging on to the edge of the path with her fingertips. I grabbed her rucksack and held her whilst I checked her injuries. She had a bad bump on her temple, another on her forehead, split the bridge or her nose, her glasses had gone flying but would straighten. Being left handed she had stuck her left hand out and it had been bent back, it was swelling and discolouring pretty fast. When I had established that nothing was serious enough to stop her moving I got her back on to the path to see to her injuries. The pain initially made her think that she was in a worse state than ( I thought) she really was. She could move her fingers and wrist, albeit with some pain but not enough for it to be broken. The wound to the bridge of her nose although very painful wasn’t going to be a problem. The bumps on her head were turning into eggs by now. I gave her Ibuprofen and Paracetemol and she sat and composed herself for the final mile. We made it to the café in Keswick and got a slightly later afternoon break, our first of the day again. 11.3 miles today in 6 ¼ hours and fairly tough going. It was nothing more than a careless, tired perhaps, stumble on one of the horrible ( our own opinion, I might add) manmade paths made out of irregular stones which are laid at odd angles and are a nightmare to descend when wet on tired legs. A few days later and Jayne is sat on reception at the doctors looking like she’s been boxing, with a purple eye and nose, her left hand swollen and purple – otherwise she’s OK. I came down with mild food poisoning during the night and had to drive 145 miles home at 8.00 the morning after feeling extremely ill. I was due to start fasting for a Colonoscopy in three days. I ended up eating six slices of toast over a four day period – Monday evening to Thursday evening- Having had over 40 stomach endoscopies in twenty years the colonoscopy was nothing more than uncomfortable and , subject to biopsy results, everything looked OK. The trapped wind was another matter – for two days! All in all a very traumatic week. Needless to say we didn’t use the Micro Spikes.
Reproduced 35mm slide
Photo shot by my Dad, Jay Thomson
In July 1981 the L&N replaced the old bridge over the Clinch River at Elza, TN (near Oak Ridge). Dad's bridge gang was part of the crew that worked on this major project. The new bridge was taken down from an abandoned L&N line and floated up the Tennessee River from West Tennessee.
Replacing an earlier scanned photo with a better version, plus DeNoise AI 25-Jan-23.
This aircraft was line No: 446 and the last DC-10, built in Dec-88. It was originally ordered as a freighter by FedEx (N318FE not used) but the order was cancelled before completion.
It was changed to a passenger aircraft was was due for delivery to Nigerian Airways as 5N-AUI. However, the order was taken over by the Japan Leasing Corporation and it was leased to Nigerian Airways as N3024W in Jul-89.
It was repossessed by the lessor in Dec-93 and sold to Equator Leasing Inc the following day. It was repainted all white at Amsterdam, Netherlands in Dec-93 and stored at Amsterdam until May-94 when it was ferried to Zurich, Switzerland for further storage.
The aircraft was leased to World Airways in Apr-95. It was wet-leased to Malaysia Airlines for a Haj Pilgrimage operation in early May-95 and returned to World Airways at the end of Jun-95. It was re-registered N117WA in Sep-95.
In Mar-96 the aircraft was wet-leased to Garuda Indonesia Airlines for another Haj Pilgrimage and returned to World Airways in May-96. It was returned to the lessor as N117GB in Oct-01 and stored at Manchester, UK. It ferried to Tel Aviv, Israel in Jan-02 (above) for further storage.
The aircraft was leased to World Airways again as N353WL in Nov-02 and returned to the lessor in Oct-04. It was sold Omni DC-10 Leasing LLC and leased to Omni Air International in Nov-04.
It was re-registered N270AX in Feb-05 and continued in service until it was permanently retired at Tulsa, OK, USA in Aug-11. It was broken up there in Apr-12.
Ocean Beach hospital's decision to replace a deteriorated residence in Ilwaco, Washington, with a modern facility underscores the tension between preservation and progress.
The structure is beyond repair and scheduled for removal, but before demolition the Health District held a public estate sale, offering community members the chance to purchase doors, fixtures, and other pieces of the house.
In this way, fragments of its history can live on in new contexts. A door like this, once the threshold of a family home, can be reclaimed by someone who sees its value—not only as a physical object, but as a token of cultural continuity.
This Queen Anne–style screen door, long since converted into a storm door with glass panes, embodies the layered afterlife of architectural ornament. At first glance it seems a remnant of the late 19th century, when even a screen door was treated as an opportunity for elegance. Its turned spindles and scroll-cut panels are classic markers of the Queen Anne taste for ornamentation and domestic flourish.
But its presence here tells a more complicated story. The residence about to be demolished was never a Victorian house, and it would not have been built with such a door. Instead, the door itself was already architectural salvage when it arrived—likely reclaimed from a much older structure and retrofitted in the late 20th century.
In that sense, it represents not just one but two cycles of reuse: first when it was transplanted from its original home, and again now as it reappears in a public sale before the Express Care project breaks ground.
That layering of histories is part of the richness of salvage culture. Even when whole buildings cannot be preserved, their details can travel forward—sometimes across decades and multiple addresses—carrying with them a trace of the original craftsman’s hand and the aspirations of the era that produced them.
This text is a collaboration with Chat GPT.
The door would be mine now but for the fact I doubt it fits any of our doorways and I have no other place where I could display it. I could also say I would have had no way to transport it, but around here it is very likely someone could have found someone with a pickup to deliver it for me.
The church San Sebastian de La Rochette replaced in the 1180s building a robust eleventh century. His plan is simple: a single nave, transept crossing a fake and a semicircular apse.
The facade has a central portal to three naked arches and two side arches each containing a small carved tympanum. North tympanum (left has a equestrian figure stomping a little character. Latter holds a scholarship. So it can be a representation of the victory of virtue over greed, vice. Unless not necessary to see here a figure of Constantine, the first Christian emperor, symbolizing the triumph of the church over paganism.
To the south, presented under the guise of a bearded man squatting edge at full speed vice symbolized by a character riding a fantastic animal.
Some interpretations have this man as Samson the lion.
Above the portal, consoles indicate the past presence of a built in 1632 to enlarge the church and now defunct porch. A series of ornate corbels and confined by two columns window occupy the upper part of the facade.
Capitals in replacement were placed high up the corners of the front and side walls. These are punctuated by massive buttresses. Animals, plants and various characters adorn the corbels supporting the ledge to the north and south.
The apse is supported by two flat and shows no ornamentation foothills. A bell tower overcomes the false transept crossing. Its floor is drilled in 1905 recovered five openings: two kinds of loopholes in the west and a rectangular bay on each other faces.
Coverage of the building, recently restored (1980), consists of limestone slate.
Inside, the nave is covered with a broken and divided into three bays by arches falling on half-columns with carved cradle. Three bays are drilled north and south. Those in the north had been walled up in the early sixteenth century.
The full cradle vaulted arch above the apse false square topped by a cul-de-four and lit by an opening window in the south.
We also find this side of a swimming pool and two niches of cabinets.
The interior of San Sebastian offers fine examples of Romanesque sculpture. In addition to the palms and animal heads, we see, at the entrance of false square, a lion, one of the hind legs is devoured by a head. Its tail ends itself in the form of head. Cinch corner and scrolls adorn the capitals framing the entrance to the sanctuary.
The capitals of the nave have, among other characters grappling with ducks, lions devouring the arms of a man or an unfortunate armed with a spear and defending against a monster that already eats up a knee.
As the eardrums of the facade, most of these storied capitals involved a pervasive iconography in the decor of our medieval churches intended to illustrate the ongoing struggle between good and evil.
Earth Designs Garden Design and Build were asked to created a landscape and propose garden design in Acton, London*. Here are the details of the project
Brief: The plot for this design was a mid-size family garden, which had recently benefited from the addition of a large sunroom on the back of the property. It was a fairly blank canvas, with nothing of note to be retained in the re-design. The garden had side access and worn boundary fences which required replacing. There was no clear brief other than that the design include a seating area and some lawn, and that the transition from sunroom to garden be fairly seamless.
Solution: The focus of this design was to create an exterior space that serves as an extension to the interior, featuring several distinct and versatile areas that can be adapted to a variety of uses.
The garden's boundaries were replaced with new fencing to provide a uniform and attractive backdrop to the transformation within, while the long sideway down the right of the house was renovated with the addition of attractive 'bamboo' slate tile flooring in a random lay pattern.
The first section of the space comprises a large area of Western Red Cedar decking adjoining the house, and offers ample room for entertaining, with a long L-shaped fixed-bench seat stretching width-ways across the space from the left-hand side to the centre. This was backed with a rendered block raised bed, planted with fragrant lavender and capped with 'bamboo' slate tile, to provide a sense of enclosure and separation from the rest of the garden.
A decked walkway running down the right hand side of the space provides access to a 'spa' area, featuring a large square hot tub housed upon a reinforced paved hard-standing and nestled between existing and additional trees, shrubs and foliage to provide a secluded and intimate area for bathing throughout the seasons. Hidden behind mature and new planting in the bottom left corner, a large shed provides ample storage for the client's garden accessories. The middle of the space has been given over to a large lawn edges with slate.
A purple and yellow planting scheme of soft, cottage-style evergreen shrubs and flowering perennials will help to bring year round lightness and subtle colouring to the space.
After-dark hot tub bathing is enhanced by several strings of pea-lights woven through the existing shrubbery. Deck lights demark the main area of decking and guide one's journey along the decked walkway. Finally, spot lights in the beds highlight certain area while providing a gentle wash throughout the space.
Testimonial: "After months of planning and a full year of having builders everywhere, we had finally got the house into good shape but the garden was a nightmare. It had been somewhat overgrown before the builders moved in, but after a year of being used as a builders yard, it needed shock treatment.
We needed help fast so we searched the web. We were looking for garden designers with creative ideas for smaller London gardens. We didn't want anything too traditional but at the same time, nothing too extreme.
Earth Designs fitted the bill and after a design session with Katrina, we engaged them for the project. They had offered us a design service only, but as we only had a 4 week window in which to complete the job, we gave them the whole project.
We had built a new extension with wide glass doors that opened out into the garden, so the brief to Earth Designs was to "bring the outside, inside" and create a strong link between the new room and the garden beyond. The actual garden space was not large so we wanted to use the space as an extension of the living space - to be an "outside room".
Monday 18th April and three very charming men arrived on our doorstep at 8.0am sharp. Arlo was the project manager, ably aided and abetted by Paul and Phillip. They worked brilliantly as a team and always hit all the deadlines. In particular they did a great job in working with our neighbours to ensure the whole project ran smoothly.
The first week involved clearing the site - no mean feat with 30-year-old ivy stems that looked more like tree trunks.
The second week involved levelling the garden, putting up new fencing, building the corner seating base and planters, plus marking out the garden shape. It was good to be able to make minor changes to the design on the ground at this stage. The hot tub arrived too and was winched into place for connection later.
Week 3 saw the decking and seating built.
Then in week four the turf arrived, the lawn went down and on the last day, Katrina arrived with a truckload of wonderful specimens (and Matt) and we had a wonderful time planting. Ground Force Mk II - a complete garden from start to finish in just 4 weeks!
There were a few things that needed to be sorted out after the main work was complete. Earth Designs were great about coming back until all was complete and finished.
Our thanks to Katrina, Matt, Arlo, Paul and Phillip for a great job, completed on time and on budget with a great looking result."
If you dig this and would like to find out more about this or any of other of our designs, please stop by our web-site and have a look at our work.
Earth Designs is a bespoke London Garden Design and build company specialising in classic, funky and urban contemporary garden design.
Our Landscape and Garden build teams cover London, Essex and parts of South East England, while garden designs are available nationwide.
Please visit www.earthdesigns.co.uk to see our full portfolio. If you would like a garden designer in London or have an idea of what you want and are looking for a landscaper London to come and visit your garden, please get in touch.
Follow our Bespoke Garden Design and Build and Blog to see what we get up to week by week, our free design clinic as well as tips and products we recommend for your garden projects www.earthdesigns.co.uk/blog/.
Earth Designs is located in East London, but has built gardens in Essex , gardens in Hertfordshire Hertfordshire and all over the South East. Earth Designs was formed by Katrina Wells in Spring 2003 and has since gone from strength to strength to develop a considerable portfolio of garden projects. Katrina, who is our Senior Garden Designer, has travelled all over the UK designing gardens. However we can design worldwide either through our postal garden design service or by consultation with our senior garden designer. Recent worldwide projects have included garden designs in Romania. Katrina’s husband. Matt, heads up the build side of the company, creating a unique service for all our clients.
If you a not a UK resident, but would like an Earth Designs garden, Earth Designs has a worldwide design service through our Garden Design Postal Design Vouchers. If you are looking for an unique birthday present or original anniversary present and would like to buy one of our Garden Design Gift Vouchers for yourself or as a present please our sister site www.gardenpresents.co.uk. We do also design outside of the UK, please contact us for details.
Istobal Flex5 in Silver with black and green pinstripped carlite brushes installed in 2020. Replaced a Istobal M12+
Video - youtu.be/C_5saaV1eLA
• Operator •
MFG (Motor Fuel Group)
• Supplier •
Istobal UK
• Address •
Morrisons Petrol Station
Black Fan Road
Welwyn Garden City
AL7 2LU
England
Car Wash replaced in 2026 with a brand new Istobal M’Wash3 Pro - flic.kr/p/2rYGZ6T
Replacing an earlier scanned photo with a better version 20-Jan-22 (DeNoise AI).
This aircraft was delivered to ILFC International Lease Finance Corporation as N151LF in early Dec-95. It was leased to Transaero Airlines (Russia) as EI-CLV the following day. The aircraft was re-registered N651LF in Mar-98. It was wet-leased to Royal Nepal Airlines in Dec-98 and returned to Transaero in Feb-99.
The aircraft was returned to ILFC in maid Mar-99 and leased to Flying Colours Airlines as G-FCLI two days later. Flying Colours merged with Caledonian Airways (the ex British Airways version, not to be confused with the earlier version that became Caledonian // BUA and later British Caledonian) to form 'jmc AIR' at the end of Mar-00.
The aircraft was wet-leased to North American Airlines (USA) for the winter season between Dec-00/Apr-01. 'jmc AIR' was renamed Thomas Cook Airlines UK in Apr-03. Short-tern, between Mar/Apr-13 it was leased to Thomas Cook Airlines Scandinavia.
In Dec-14 the aircraft was wet-leased to WestJet Canada and operated on behalf of Thomas Cook Canada. It returned to Thomas Cook Airlines UK in Apr-15. The aircraft was returned to AerCap in Jan-16 and stored at St. Athan, Wales, UK.
It was sold to DHL Air Ltd at the end of Mar-16 and ferried to Greensboro, NC, USA for further storage. The aircraft was re-registered G-DHKH in Jun-16 before being converted to freighter configuration with a main deck cargo door in Jan-17.
It entered service with DHL at East Midlands, UK, in May-17. The aircraft was transferred to DHL Air - Austria & re-registered OE-LNC in Jan-22. Current, updated 23-Jan-24..
Note: JMC Airlines, known as ‘jmc AIR', was formed by the merger of Flying Colours Airlines and the British Airways version of Caledonian Airways in Mar-2000. The name was derived from the initials of Thomas Cook’s son, John Mason Cook. Who knew! Well, no one really! It was an Ad Man’s dream and everyone else’s nightmare. Even those of us ‘in the business’ had no clue. The travelling public had no idea either and booked their holidays with names they recognised. ‘jmc’ lasted three years before they were renamed Thomas Cook Airlines in Mar-2003.
British Army barracks, built in the 1960s, replacing some 1940s structures [ whole area was a maze of British army barracks, forts, batteries & PoW camps built between 1875 – 1899 ]. Dedicated to officers with families. British Army left in 1979 and site was handed over to the Maltese government.
The place is now falling apart, and used for motorcross, paintballing, laser tag, picnicking, graffiti and possibly home to some homeless people. Some quotes I've found online . . . .
“The accommodation was of high quality in a mix of 4 bedroom houses and 3 bedroom flats. All of them were provided with central heating, telephone and garage.“
“From 1973 to 1975 I lived in one of the 4 bedroom bungalows. They were very spacious and comfortable with fantastic views. Not a bad place to spend a couple of years, school in the mornings and then swimming in the afternoons. It’s a shame to see the state they’re in now.”
“In October/November 1978 I was one of the last UK MoD residents at St Patrick’s. The whole married quarter’s complex was handed over to the Malta Government, complete and in excellent working order. The houses and flats still had their furniture and fittings and could have been occupied immediately by Maltese families as either social (Government) housing or sold to private and individual owners.
In 1984 the whole complex was being marketed as a holiday resort – “The White Rocks Resort”. . . . . . . . By 1992 the resort was no more and the former housing was turning into an unauthorised tip, the houses stripped of fixtures and fittings.”
“I spent several excellent holidays at White Rocks and I am very sorry to see the state it is in. We stayed in a spacious two bedroom ”bungalow” with sitting room and kitchen plus a shared patio area and we just loved the place. The bulk of guests at the times we stayed there were kids from Europe sent to improve their English. They were off the premesis in class by 9 o’clock and we had the pool to ourselves until they returned at 1 o’clock; by which time we were nicely toasted and ready to go out exploring . . . . “
“I spent two summers at the White Rocks with friends from Rome and Sicily in -best guess- 1985 and 1987 or 1988. It was cheap enough for us college students back then. So many memories. . . . “
Tendring’s parish church is dedicated to King Edmund who was martyred in Framlingham in 869. The earliest parts of the present church are Norman, with walls built from septaria, a mudstone found in the cliffs at Wrabness and also used in the construction of Colchester Castle.
On entering the church the 14th century entrance porch still contains some original richly carved timbers, a decorative wooden casing can be seen around the arched doorway opposite, with a similar one surrounding the entrance door. These wooden arches are probably unique and were formed to support a large beam that once supported a 14th century bell-cot. In 1876 a new tower and steeple were built to replace the unstable bell-cot. The large beam was then modified by the removal of its centre portion, giving it the appearance of a hammerbeam.
Extensive restoration was carried out in the mid to late 19th century. In addition to the new tower and steeple, the south aisle was built, the east wall and window were rebuilt, the chancel arch constructed and the interior was fitted out.
A walk up the aisle shows two windows in the north wall of the nave. The first is in memory of Lieutenant Gerald Arthur Hervey who died in the Battle of Ypres aged 36 years. Although he lived with his wife in Surrey, his parents lived at Church House, Tendring. The window was the work of Horace Wilkinson. The second window, near the pulpit, contains a piece of medieval glass (red).
The 13th century chancel, with its later barrel-vaulted roof, contains several memorial tablets to former rectors, including Maurice Percy McCready, Rector 1933-1945, who was Honorary Chaplain to King George V. The western-most chancel window is in memory of members of the Hervey family who lived in Church House.
The east widow is in memory of John Chapman, Rector 1838-1878. During Revd Chapman’s incumbency, an Ecclesiastical Census of 1851 recorded church attendance at 160 in the morning and 219 in the afternoon. The seating capacity in the church was held to be 407; today it is about 150. The value of the living at this time was very high. Mr Chapman received £989 from his glebe, tithes and fees.
To the right of the altar is an alabaster kneeling figure, a memorial to Edmund Saunder who died 5th November 1615. His eldest daughter Ann was married to Sir John Drury of Bretts Hall, Tendring. The figure is wearing civilian dress of Shakespeare’s time.
The building of the organ was started in 1913 but not completed until 1958 because of the outbreak of the First World War. An organ recital by Dr Harold Darke who wrote ‘In the bleak mid-winter’ marked the culmination of the build.
A walk to the back of the church, shows the 16th century font. As previously mentioned, the tower and spire were built in 1876 by John Cardinall, Lord of the Manor. The west window, at the base of the tower, is in memory of his sisters Sarah and Elizabeth and contains the Cardinall family crest. Four early 17th century bells from the bell cot were re-hung in the new tower and rung from the ground floor. These rather light bells were then melted down and replaced in 1907 with a new peal of six heavier bells; inscriptions are recorded on the brass plaque behind the font. These bells were re-hung on new bearings in 1999.
BCD member Michael Foster has been collecting Wentworth jigsaw catalogues from their earliest times. The Whimsy newsletter now consisted of 6-side A4 fold out leaflet, with a shaped top edge on the first page.
Whimsy 11 (Oct 2000) the introduction of two 500pc jigsaws (also 500pc personal puzzles) planned to replace the 425pc size. The mailing included flyers for the 800pc series in velour book-format packaging or circular embossed & polished wooden box. Other mailings were the Christmas Issue (Paula Nightingale’s Christmas Enthusiasm) and Malcolm Root’s Classic Steam Train Series. Members were asked if The Jaberwock by Osterweil should be the start of an Alice in Wonderland Series – and were implored not to visit the factory in the busy Christmas season.
Whimsy Issue no11 2000
10% off if 3x 250pc jigsaws bought (Club selection only 1100-1109W) - or buy 4 at £19.99 each and get a free copy of Tom Tyler's book, British Jigsaw Puzzles of the 20thC (RRP £16).
Jigsaws offered: All 250pc, £19.99:
1100W Ploughing in Autumn by Spencer Coleman
1101W The Welsh Show by A Williams
1102W Jumping the Gun By N Thelwell
1103W Octopus's Garden by J Spytkowska
1104W Lake Boats - Kerry by R Sipos
1105W Venice - The Grand Canal by M Prendergast
1106W Hartman Mountain Zebra by M Titterton
1107W The Jaberwock by M Osterweil (Alice in Wonderland Series)
1108W Sunset - St Pancras by J O'Connor
1109W Sunglow by R Sipos
New 500pc Puzzles £39.99:
1110W The Elusive Trout by C Madgwick
1111W The Fisherman's Dream by R McPhail
MILLENIUM SERIES 1112U4 a 1000pc compilation of No1-4 (Forging Nations in Conflict, Industry & Trade, Exploring the World, and Expanding Transport by Malcolm Root £74.99
VINTAGE Transport Series No5 1113W Fordson Tractor by M Root
CHRISTMAS SPECIAL 1114W Christmas Night by P Nightingale
DISCONTINUED LINE 1115W Crickley Hill by P Harding £14.99
PERSONAL PUZZLES - New 500pc size added
Pers-T 500pc £49.99; Pers-V 425pc £39.99; Pers-W 250pc £24.99; Pers-X 140pc £14.99.
Key Wentworth Company timeline
1991 Dormant company registered 30.12.1991, two names before Wentworth.
1991-2 Founding date according to 30th anniversary claims (initial idea)
1994 Name changed to Wentworth Wooden Jigsaw Company Ltd.
1994 28Sept First jigsaw produced by laser cutting (presumably start of commercial production).
1994-5 Earliest known brochure supplied to MF, hand dated by company staff – 40pc, 75pc, 140pc, 250pc, 425pc (clueless), 63 thumbnails of designs 001A – 063D included (“a selection from our autumn range”).
1995 Founding date from 10th anniversary claims in Xmas 2005 Whimsy Magazine
1996 Nominated for Toy of the Year award, highly commended.
1996/7 Personnel: Kevin Preston Managing Director, John Snoxall Technical Manager, John Phillips Marketing Manager. Address The Dairy Farm, Pinkney Park, Malmesbury, Wilts, SN16 0NX.
Personal Puzzles from a photo (Mega 426pc £34.99, Maxi 250pc £24.99, Midi 140pc £14.99).
1997 five puzzle sizes (40 - 425pc) – personal puzzles also available, orders by 24-hour phoneline & fax. Personnel: Kevin Preston (the founder), John Snowall & David Rossant.
Undated Contract Marketing leaflet with nine themed whimsy cuts (Animal, Artist, Church, Equestrian, Garden, General, Heritage, Marine, Music)
1998 May First Whimsy leaflet. Club with exclusive selections & exclusive series, periodic limited editions, personal puzzles (140pc £14.99, 250pc £24.99, 425pc £39.99 all incl pp). Prize £25 for best personal puzzle.
1998 May Wentworth Club formed.
1998 Sept. Wentworth Wooden Jigsaw Club Whimsy Newsletter 2. Order 3x250pc jigsaws save 10% (excluding Thorburn series). 5 exclusive jigsaws.
1998 Nov Christmas Wentworth Wooden Jigsaw Club Whimsy Newsletter 3.
1999 March Wentworth Whimsy Issue no4, 7 jigsaws offered, price drop 250pc at £19.99.
1999 May First Anniversary of Wentworth Club.
1999 June Whimsy Issue no5, 8 jigsaws offered, 10% off if 3x 250pc jigsaws bought (excluding Thorburn series).
1999 Aug Whimsy Issue no6, 18 jigsaws offered. Last of first Thorburn series, Malcolm Root Millennium series (4x250pc) & first 800pc series launch.
1999 Nov Millennium Christmas Issue no7. Vintage Car series starts.
2000 April, Bunny Money promotion. Coloured tokens introduced into boxes, face value redeemable against future purchases/
(Wentworth Wooden Jigsaw Club address now Pinkney, Malmesbury, Wilts. SN16 0NX – Editor Michael Graham.)
This is a photograph from the 3rd Annual Meath Spring Half Marathon and 10KM Road Races hosted by Bohermeen AC on the 2nd March 2014 at 12:00 at Bohermeen, Ardbraccan, Navan, Co. Meath, Ireland. This year's event included a 10KM race which replaced the 5KM event held on the previous years. This event has grown quickly in popularity over the past few years with this year's entry of 700 beating the previous race numbers of 680. This half marathon event is perfectly placed in the Irish running calendar as it provides runners of all levels and abilities an opportunity to test the half marathon distance in preparation for a Spring Marathon or as the first serious running goal of the New Year. Bohermeen AC is steeped in Irish athletics history since 1927 and it is this experience and exceptional community spirit and volunteering which has made this event today so successful. The very heavy rain that fell on the 10KM race and the begining of the Half Marathon did nothing to dampen the spirits of the participants. In fact, despite a head wind at certain parts of the course, this was a perfect day for road racing.
Our full set of photographs from today's event are available on Flickr at the following link http://www.flickr.com/photos/peterm7/sets/72157641717197563/. This set of photographs is mostly of the Half Marathon race but there are some from the 10KM event.
Don't forget to scroll down to see more information about the race and these photographs!
Event Management was provided by Irish Company PRECISION TIMING who provided electronic timing for both events. The results from today's events can be found on Precision Timing's website at this URL [www.precisiontiming.net/result/racetimer?v=%252Fen%252Fra...]
The Satellite Navigation Coordinates to Bohermeen are [53.650882,-6.77989] and is accessible using the M3, N2 and N52
The routing for the 2014 event has changed slightly from previous year. In 2014 the race starts about 100m away from the Bohermeen Club Race HQ [See Google StreetView in the direction of the imagery goo.gl/maps/rtj1X] and the race proceeds down the road towards Navan. Just before the 1st mile the race takes a right turn [see Google Streetview goo.gl/maps/iGrR0] which brings runners on the route of the famous Patrick Bell 5KM Road Race route held at Bohermeen every summer. Then the route turns slightly eastwards and this brings the race along a beautiful stretch of rural countryside road. This connects runners with the main loop [see Google StreetView goo.gl/maps/gLI1l] where the race follows the N51 towards Navan. The race must now complete this loop (which passes through the start area and past the finish) and then a full loop again before finishing in the Athletics track. The only hills to speak of in this course are on the the stretch where the race route crosses the M3 motorway (see Google Streetview - as of March 2014 their imagery is a little out of date for the M3 goo.gl/maps/tcdJX). The only major climb on the course must be tackled twice as the road rises up over the M3 Motorway. This comes at about the 5M and 11.5 Mile mark in the race.
Some useful links to other web-resources related to this race
Bohermeen AC Facebook Page: www.facebook.com/bohermeen.ac?fref=ts
2014 Spring Half Marathon Route: www.runningmap.com/?id=641747
2014 Spring Half Marathon 10KM Race Option Route: www.runningmap.com/?id=641752
Google Streetview of the Race Start: goo.gl/maps/rtj1X
Google Streetview of the Race Finish and Race Headquarters: goo.gl/maps/qVttR
Internet Homepage for the Spring Half Marathon [www.meathspringhalfmarathon.com/]
Results from 2013 from Precision Timing: www.precisiontiming.net/result/racetimer?v=%252Fen%252Fra...
Results from 2012 from Precision Timing: www.precisiontiming.net/result/racetimer?v=%252Fen%252Fra...
The Boards.ie Athletics Forum Thread For 2013 Race [www.boards.ie/vbulletin/showthread.php?t=2056785036&p...]
The Boards.ie Athletics Forum Thread For 2014 Race [www.boards.ie/vbulletin/showthread.php?t=2057078579]
Photographs from previous events
Our Flickr Photograph set from the 2nd Spring Marathon 2013: www.flickr.com/photos/peterm7/sets/72157632906920970/
Our Flickr set from the 1st Spring Marathon (2012) www.flickr.com/photos/peterm7/sets/72157629146137284/with...
Photographs from the 2013 event from our friend Paul Reilly [pjrphotography.zenfolio.com/p670974697]
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
How can I get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
This is a photograph from the 3rd Annual Meath Spring Half Marathon and 10KM Road Races hosted by Bohermeen AC on the 2nd March 2014 at 12:00 at Bohermeen, Ardbraccan, Navan, Co. Meath, Ireland. This year's event included a 10KM race which replaced the 5KM event held on the previous years. This event has grown quickly in popularity over the past few years with this year's entry of 700 beating the previous race numbers of 680. This half marathon event is perfectly placed in the Irish running calendar as it provides runners of all levels and abilities an opportunity to test the half marathon distance in preparation for a Spring Marathon or as the first serious running goal of the New Year. Bohermeen AC is steeped in Irish athletics history since 1927 and it is this experience and exceptional community spirit and volunteering which has made this event today so successful. The very heavy rain that fell on the 10KM race and the begining of the Half Marathon did nothing to dampen the spirits of the participants. In fact, despite a head wind at certain parts of the course, this was a perfect day for road racing.
Our full set of photographs from today's event are available on Flickr at the following link http://www.flickr.com/photos/peterm7/sets/72157641717197563/. This set of photographs is mostly of the Half Marathon race but there are some from the 10KM event.
Don't forget to scroll down to see more information about the race and these photographs!
Event Management was provided by Irish Company PRECISION TIMING who provided electronic timing for both events. The results from today's events can be found on Precision Timing's website at this URL [www.precisiontiming.net/result/racetimer?v=%252Fen%252Fra...]
The Satellite Navigation Coordinates to Bohermeen are [53.650882,-6.77989] and is accessible using the M3, N2 and N52
The routing for the 2014 event has changed slightly from previous year. In 2014 the race starts about 100m away from the Bohermeen Club Race HQ [See Google StreetView in the direction of the imagery goo.gl/maps/rtj1X] and the race proceeds down the road towards Navan. Just before the 1st mile the race takes a right turn [see Google Streetview goo.gl/maps/iGrR0] which brings runners on the route of the famous Patrick Bell 5KM Road Race route held at Bohermeen every summer. Then the route turns slightly eastwards and this brings the race along a beautiful stretch of rural countryside road. This connects runners with the main loop [see Google StreetView goo.gl/maps/gLI1l] where the race follows the N51 towards Navan. The race must now complete this loop (which passes through the start area and past the finish) and then a full loop again before finishing in the Athletics track. The only hills to speak of in this course are on the the stretch where the race route crosses the M3 motorway (see Google Streetview - as of March 2014 their imagery is a little out of date for the M3 goo.gl/maps/tcdJX). The only major climb on the course must be tackled twice as the road rises up over the M3 Motorway. This comes at about the 5M and 11.5 Mile mark in the race.
Some useful links to other web-resources related to this race
Bohermeen AC Facebook Page: www.facebook.com/bohermeen.ac?fref=ts
2014 Spring Half Marathon Route: www.runningmap.com/?id=641747
2014 Spring Half Marathon 10KM Race Option Route: www.runningmap.com/?id=641752
Google Streetview of the Race Start: goo.gl/maps/rtj1X
Google Streetview of the Race Finish and Race Headquarters: goo.gl/maps/qVttR
Internet Homepage for the Spring Half Marathon [www.meathspringhalfmarathon.com/]
Results from 2013 from Precision Timing: www.precisiontiming.net/result/racetimer?v=%252Fen%252Fra...
Results from 2012 from Precision Timing: www.precisiontiming.net/result/racetimer?v=%252Fen%252Fra...
The Boards.ie Athletics Forum Thread For 2013 Race [www.boards.ie/vbulletin/showthread.php?t=2056785036&p...]
The Boards.ie Athletics Forum Thread For 2014 Race [www.boards.ie/vbulletin/showthread.php?t=2057078579]
Photographs from previous events
Our Flickr Photograph set from the 2nd Spring Marathon 2013: www.flickr.com/photos/peterm7/sets/72157632906920970/
Our Flickr set from the 1st Spring Marathon (2012) www.flickr.com/photos/peterm7/sets/72157629146137284/with...
Photographs from the 2013 event from our friend Paul Reilly [pjrphotography.zenfolio.com/p670974697]
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
How can I get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Replacing an earlier scanned photo with a better version 09-Sep-21 (DeNoise AI).
Taken from YVR South Terminal.
First flown with the Airbus test registration F-WWJZ, this aircraft was delivered to Singapore Airlines as 9V-SJC in Jun-96. Singapore Airlines A340-300 fleet was traded in to Boeing between 2001/2003 in part-exchange for new Boeing 777-300ER's.
This one was registered to the Boeing Aircraft Holding Company in Dec-01 and immediately leased to Cathay Pacific Airways as B-HXO. It was sold to a lessor in Mar-02 while the lease to Cathay Pacific continued.
The aircraft was withdrawn from service and stored at Victorville, CA, USA in Sep-09. It was returned to the lessor in Feb-12 and leased to Aerolineas Argentinas as LV-CSF later the same month. It was returned to the lessor and permanently retired at San Bernadino, CA, USA in Mar-18. It was sold to Unical Aviation as N128XX in May-18 for parting out.
Replacing an earlier scanned photo with a (slightly) better version 06-Apr-17, plus Topaz DeNoise AI 20-May-24.
Leased from/op by TransAer.
With a history this long, you can tell this aircraft has had a busy life!! First flown with the Airbus test registration F-WWBR, this aircraft was delivered to Orix Leasing and leased to Translift Airways (Ireland) as EI-TLF in Jun-94.
Translift was a major ACMI operator (see below) and operated on behalf of many airlines including Leisure Air (Nov-94/May-95), SunExpress Airlines (Turkey) (Jun/Aug-95), All Leisure Airways (Aug/Oct-95), TransMeridian Airways (USA) (Oct-95/May-96), Turkish Airlines (May/Oct-96), and America West Airlines (Nov-96/Apr-97).
Translift Airways was renamed TransAer International Airlines in May-97. ACMI wet-leases continued with Airworld (UK) (May/Oct-97, TransMeridian Airways (USA) (Nov-97/Apr-98), Britannia Airways (UK) (Apr/Nov-98), TransMeridian Airways (Nov-98/Apr-99) and Britannia Airways (Apr/Nov-99).
The aircraft was returned to Orix Leasing in Jan-00 and re-registered N168GB the following month. It was leased to Airtours Group German subsidiary FlyFTI (Frosch Touristic International) as D-AUKT in Mar-00. It was returned to Orix in Nov-01 and leased to Skyservice Airlines (Canada) as C-GTDL in Dec-01.
The aircraft was wet-leased to MyTravel Airways (UK) between May/Oct-02, Apr/Nov-03, Jun/Nov-04. Between Apr/Nov-05 the aircraft was dry-leased to MyTravel Airways as G-GTDL, returning to Skyservice as C-GTDL between Nov-05/May-06. It was dry-leased to MyTavel again as G-GTDL in May-06 and stayed until Nov-07 when it returned to Skyservice as C-GTDL.
At the end of Mar-08, MyTravel Airways was Merged into Thomas Cook Airlines UK. The aircraft was leased to Thomas Cook Airlines UK as G-GTDL in Apr-08 and this time was repainted in full Thomas Cook livery. It was still sub-leased to Thomas Cook when Skyservice ceased operations at the end of Mar-10.
The aircraft should have returned to Skyservice but stayed at Manchester, UK as a back-up aircraft for the summer season and was stored at Manchester in Nov-10. It was returned to the lessor in Sep-11 and was re-registered N476PB the following month.
It was leased to Skywings Asia Airlines (Cambodia) as XU-ZAB in Nov-11. It was wet-leased to Aviatrans K between May/Sep-13 and wet-leased to Apsara International Air in Oct-13. Skywings Asia was renamed Sky Angkor Airlines in Nov-14 and the aircraft was returned to them in Feb-15.
The aircraft was returned to the lessor in Nov-16 and was sold(?) to Zagros Air (Iran) as EP-ZAR in Dec-16. It was transferred to Iran Aseman Airlines in Mar-17 and re-registered EP-API in Apr-17. After 26 years in service the aircraft was withdrawn and stored at Tehran in Mar-20. Updated 03-Jun-22.
former home of one of my husband's childhood friends, has traded owners many times and now stands vacant and awaiting the right developer to come knock it down.
I was immediately drawn to the beautiful lilies and overgrown plant-life around it......then started thinking about how strange it is that this street full of homes built in the 1920s to 1950s will soon be nothing but brand-new soulless McMansions, all looking the same, all semi-huge
.......but all boring and generic.
taken on Independence Day,
+2 in comments.
Opened December 9, 1993 to replace twenty-year old location down the street. Probably one of the latest Winn-Dixies to open with the mid-70s exterior. Closed June 2017, now sits as automotive parts storage.
West side of the royal palace. The scaffolding is for a project to replace the flagpole at the top of the clock tower. (September 2, 2017)
Replaced a pole with glass kimbles.. There was a Ton of Xcel and Permier bucket trucks down this road! and Xcel seems to be using these newer kind of polymer suspension insulators, It turns out that the newer version has more skirts than the ones w/ 4 skirts on it also the skirts on the end is much larger than the ones in the middle
1957 Chevy - Van
Body Work/Fabrication: Shaved Body Lines, Replaced All Flat Sheet Metal, Reshaped Front And Rear Wheel Wells,Front And Rear Roll Pan,, One Off Billet Snow Flake Grille, Tribar Halogen Headlights, Billet Specialities Tail Lights And Front Turn Signals,1932 Ford Door Handles,Custom Service Doors For Snow Cone Vending
Engine/Transmission: 400 Horse GM Crate Engine, 700R4, 3000 Stall Converter
Suspension/Chassis: Stock Solid Axle Front Suspension Replaced With R&B Obsolete Front Chassis Clip That Accepts S-10 Front Suspension Components. BYC 1 1/4 Narrowed Tubular Control Arms, Drop Spindles, 2600 LB Bags With Custom Cups. Rear Suspension AirRide Technologies 4 Link On An S-10 Axle with 9000 series bags, One Off Front Wheel Tubs, Engine Cover And Floor, Rear Tubs Raised 9 Inches With Step Notch.
Paint: White With White And Blue Flames, Stenciled Pearl Snow Flakes
Interior: Two Tone Leather Bucket Seats *Completed By Southtowne Upolstery*, Custom Smoothed Dash With 1932 Ford Oval Dakota Digital Guage Cluster, Billet Specialities Leather Wrap Steering Wheel On Top Of An IDIDIT Tilt Column,Gennie Floor Shifter, rear Of Vehicle Equipped For Snow Cone Vending.
Wheels & Tires: Billet Specialities 2005 3D Series Rail, 22x10's All Around.
To book the Snow Sled for your next event contact Saint Louis Snow Cone at (314)-968-8377
Find and like Saint Louis Snow Cone on Facebook at www.facebook.com/STLSnowCone?ref=hl
For all of your custom and restoration needs give us a call or click at (314)-968-8377 or www.cleancutcreations.com
Find and like us on Facebook at www.facebook.com/CCCSTL
The tower is constructed in the early decorated style (1300 - 1370), with the copper spire put up in the 1954 to replace the original lead-on-timber spire erected in 1483.
The spire is surmounted by a guilted weather-cock, once the highest point in Lowestoft(now surpassed only by the sails of Gulliver, the giant turbine). Being the highest point in the most easterly town in the British Isles, the weather-cock is one of the first things touched by the light of the sun each morning.
The belfry arch appears far too small when compared with the height of the nave. This is because the present nave replaces a somewhat earlier and shorter nave, although of the same length.
The tower houses a fine ring of eight bells cast by Taylor's of Loughborough in 1920.
The crypt is contemporary with the tower, dating from the mid to late 14th Century. there are two crypts like this in Lowestoft, the other being in the High Street. there is a rumour that the two crypts are linked by a secret tunnel. There is no evidence to support this.
To the right of the belfry arch is a banner stave locker, one of only two in existence, the other is in Barnby Parish Church (and still has it's original door). This locker would have once been used for storage of processional banners and crosses.
to the right of the banner stave locker is a larger wooden panel listing the incumbents of St Margarets since 1308. The entry for 1478 is Thomas Epis Dromorensis, thought to have become a bishop. his grave is at the chancel step.
Also surrounding the belfry there are six churchwardens' leads. Five of these date from the 18th Century when various repaires were made to the church roof. the leads were from surplus roofing lead. The sixth lead is modern, and dedicated to Norman Hudd.
At the west end of the centre aisle stands the very fine 15th Century font. It's cover was designed by Sir Ninnian Comper in 1940.
Effective 15 June 2022, Julián Fernández replaced Keld Mosgaard Christensen as Managing Director of APM Terminals Poti, Georgia and joined APM Terminals’ European Regional Leadership Team.
Julian Fernández - MD of APM Terminals PotiMr. Fernández became a member of APM Terminals Poti team in February 2020 in the role of Chief Financial Officer / Deputy MD and therefore has a detailed understanding of the terminal’s business, client base, and the stakeholder landscape.
“I am confident that the experience gained in my previous role, as a member of the APM Terminals Poti senior management team, will be of enormous benefit in driving further growth for the company,” says Mr. Fernández. “Ensuring the sustainable development of the company, empowering and leading people, engaging with stakeholders, as well as driving new investments and expansion plans in Poti, the region and beyond are high on my agenda,” he adds.
Mr. Fernández joined A.P. Moller - Maersk starting in 2001 as a graduate trainee. He holds an MSc in Economics and an MBA with a focus on Investments Appraisals and Valuation. After having worked in both Maersk and Damco in several countries in Europe and Latin America, in December 2011 he moved to APM Terminals Corporate Development, based in Panama. In this role his primary focus was identifying and securing new port and terminal investments in Latin America. From 2014, he became part of the Latin America regional leadership team heading up the Corporate Development activities throughout that region.
In his statement Igor Van Den Essen, Head of Terminals Europe, expressed his gratitude towards Keld Mosgaard Christensen, highlighting his exceptional leadership when the customer became the number one priority at APM Terminals Poti and this was reflected by the significant increase of the terminals NPS score – a measure of customer satisfaction. In addition, under his leadership, the APM Terminals Poti delivered numerous effective CSR projects, all of which are a testament to the company’s commitment to the communities it operates in.
Replacing an earlier digital photo with a better version 08-Dec-24.
This aircraft was delivered to ILFC International Lease Finance Corporation and leased to Jet-x as TF-JXE in Full Primera Airlines livery in May-07. It was wet-leased to Primera Air two days later. At this time Primera was a Tour Operator.
It was re-registered in Denmark as OY-PSB to Primera Air Scandinavia May-09 and transferred to Primera Air Nordic, Latvia as YL-PSB in Apr-15. The aircraft was transferred back to Primera Air Scandinavia as OY-PSB in Sep-18.
The following month, Oct-18, Primera Air ceased operations and the aircraft was returned to the lessor and stored at Billund, Denmark
In Dec-18 the aircraft was sold to The Dart Group PLC as G-DRTT and leased to Jet2,com the same day. It's operated in Jet2 Holidays livery. Current, updated 21-Aug-25.