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A quick test on how to create laser effects with. Stud.io and Photoshop (using my Lego version of EC-Henrys Imperial Nebulon-B)
Architecture - Olesya Fetisova (GoArchviz) ________________________________________________
Soft: 3ds Max 2015, V-Ray 3, Zbrush 4R8, Adobe Photoshop CS 6 (plug-ins: Magic Bullet PhotoLooks).
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PC: Core i7-6700, 32 Gb RAM, NVIDIA GTX 1080
Render time: 6 h.
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My social links:
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Messengers:
skype: silver913214
WhatsApp: +79613182752
Telegram: +79613182753 or t.me/silver3d
3d render / composite
Since so many liked the original I did a remix... Winter has arrived in Otherworld... =)
Architecture - Olesya Fetisova (our team - GoArchviz) ________________________________________________
Soft: 3ds Max 2015, VRay, Adobe Photoshop CC 2017
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PC: Core i7-6700, 32 Gb RAM, NVIDIA GTX 1080
Render time: 11 h.
_______________________________________________
My social links:
_______________________________________________
Messengers:
skype: silver913214
WhatsApp: +79613182752
Telegram: +79613182753 or t.me/silver3d
© Michael Jasper (www.mocpages.com/moc.php/103385)
#mecabricks #blender #3d #render
@ 2015 - Gabriele Zannotti - zanna
The first of 2 custom figs arriving this Spring, this custom figure will feature high quality pad printing on the front head, front torso, front legs, side legs, and back torso. It will also feature a red cape with a dark red print on it from MMCB Capes and dual molded red and blue legs.
What do you guys think?
This is a birthday gift to my good friend Corvin, his OC Commodore Ayiwah from BZPRPG. Happy birthday Corv!
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If you like what I do and you want to see me create your OC, a favorite Bionicle Character, or something else, feel free to look up my Commission Info! I also now have a Patreon page, so please consider supporting!
A render I did a while ago. I wasn´t lazy the last years and learned a lot of things about working with Blender.
"You're my friends, and this is my home. If those things are not worth fighting and dying for, what is?"
— Piruk to Garan, Island of Doom
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If you like what I do and you want to see me create your OC, a favorite Bionicle Character, or something else, feel free to look up my Commission Info! I also now have a Patreon page, so please consider supporting!
When the world comes clear,
changeless in its changing,
and everywhere revealed,
this sun might be lighting
a rendered wall inscribed
by winter tree's shadow;
when the world comes clear
light might seem to shift
to show a morning free of any other time;
when the world comes clear
something pulling tight within
your mind might fall away
to leave a formless space,
a fathomless space in which
eternal life cannot be granted
or even offered,
but only recognised, so simply,
as what you are.
---Andrew Colliver
"Wherever you journey, they will adapt to your surroundings. No terrain, no climate, no wind or wave will ever be your master."
— Artakha to the Toa Nuva, Downfall
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If you like what I do and you want to see me create your OC, a favorite Bionicle Character, or something else, feel free to look up my Commission Info! I also now have a Patreon page, so please consider supporting!
“He is extremely ambitious and has more than once ignored his mission objectives in the interests of his own profit. The last time this happened, I had Vezok show him how easily armor can be shattered when you know how.”
— The Shadowed One, Dark Hunters
This is Kraata-Kal, a prodigal son to the very Makuta Teridax. Once upon a time Makuta decided to experiment with mysterious mutagen known as Kal and dipped a Kraata of his own making into it. The resulting creature proved to be too intelligent, and with ambitions worth of his heritage, so soon after Kraata-Kal received himself a heavily modified Rahkshi-like exo-skeleton, he left the home shores of Destral towards the new beginning as the Dark Hunter.
This model is made in the likeness of Demitsorou‘s depiction of Kraata-Kal.
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If you like what I do and you want to see me create your OC, a favorite Bionicle Character, or something else, feel free to look up my Commission Info! I also now have a Patreon page, so please consider supporting!
A proper render for the car, with both sides. Also more detailed rims (that are cheating but hey, senator chinchilla gets to 3d print his) and working pop ups.
My first render to be posted online.
Created using:
-MakeHuman
-Blender
-NIK collection
Thank you for watching :-)
(This was rendered by Brickman from the Lego Gallery, and not by me. Give him the glory for this gorgeous image, and the design of the 'fig.)
This is the Kingsfield Trotter, a lightweight reconnaissance walker used on the outskirts of the Highborn Empire, primarily in the Wide Wastes and deserts of Pzjim. Though usually disdained by the Imperial Forces for its lack of heavy armament, the local militias and mercenaries of the Wastes make great use of the Trotter in their patrols, its twin anti-infantry gatling cannons being perfectly suited to dealing with the disorganized outcasts, bandits, and monsters of that region.
Lego TIE fighter /
#mecabricks #render #3D #LEGO #blender
Model by CCruz123: www.mecabricks.com/it/models/beDa5yydazg
© 2015 - Gabriele Zannotti - zanna
#mecabricks #render #3D #LEGO #blender
© Chris McVeigh
The instant camera is a type of camera which uses self-developing film to create a chemically developed print shortly after taking the picture. Polaroid Corporation pioneered (and patented) consumer friendly instant cameras and film, and were followed by various other manufacturers.
• if you want to build it: chrismcveigh.com/lego_kit_guides_2015/mini_camera_instant...
• if you want to buy it: powerpig.storenvy.com/products/1447111-mini-camera-instant
© 2015 - Gabriele Zannotti - zanna
Lego Star Wars renders are back! :D
Model by dinankou here.
#mecabricks #render #blender #3d
© 2015 - Gabriele Zannotti - zanna
Justus Suttermans (Antwerp 1597 - Florence 1681) - Portrait of Galileo Galilei (1635) Oil on canvas size 56 x 48 cm - Pitti Palace, Florence
Il ritratto di Galileo Galilei (1564-1642) è uno dei più celebri di Suttermans. Lo aveva commissionato Elia Diodati (1576- 1661), un giurista di origini lucchesi vissuto tra Ginevra e Parigi, caro amico dello scienziato, impegnato fin dagli anni ’20 a diffondere i suoi scritti in Europa e a progettare dopo la sua morte la pubblicazione della sua opera omnia.
Il taglio della figura a mezzo busto concentra l’attenzione sul volto pallido del protagonista e sullo sguardo diretto fuori campo, ispirato e visionario al tempo stesso. All’altezza cronologica del dipinto, Galileo aveva circa 70 anni e viveva costretto all’esilio nella campagna appena fuori Firenze, sulla collina di Arcetri. L’indagine acuta dei dettagli, dalle trasparenze dell’incarnato alla consistenza lanosa della barba e agli effetti serici del colletto, candido sulla toga dottorale, vengono resi in una materia pittorica densa e ricca, che riflette l’impressione della pittura veneta cinquecentesca.
La storia dell’acquisizione del dipinto nelle raccolte medicee viene tramandata da Filippo Baldinucci in una intensa pagina della biografia dedicata a Suttermans, dove si narra come dopo la morte di Galileo, avvenuta nel 1642, il suo discepolo Vincenzo Villani avesse domandato al Diodati notizie del ritratto del maestro e questi avesse risposto di averlo tra le sue cose più care, ma di essere disposto a farne dono a Ferdinando II qualora non avesse esemplari della sua effigie. “Tutto questo il Viviani palesò al Granduca che benignamente gradì l’offerta; onde non andò molto, che il quadro fu mandato a Firenze al Viviani, il quale prontamente al Serenissimo lo presentò: ed è quel maraviglioso ritratto, che oggi si vede nella Real Galleria”. Cosimo III ne ordinò poi l’esposizione nella Tribuna, dove rimase per tutto il XVIII secolo.
The cropping of the half-length figure focuses attention on the protagonist's pale face and direct off-screen gaze, at once inspired and visionary. At the chronological height of the painting, Galileo was about 70 years old and living forced into exile in the countryside just outside Florence, on the hill of Arcetri. The acute investigation of details, from the transparencies of the complexion to the woolly texture of the beard and the silky effects of the collar, candid on the doctoral robe, are rendered in a dense and rich pictorial material that reflects the impression of 16th-century Venetian painting.
The story of the acquisition of the painting in the Medici collections is handed down by Filippo Baldinucci in an intense page of the biography devoted to Suttermans, where he relates how after Galileo's death in 1642, his disciple Vincenzo Villani had asked Diodati for news of the master's portrait, and the latter replied that he had it among his most cherished possessions, but that he was willing to make a gift of it to Ferdinand II if he had no specimens of his effigy. "All this Viviani manifested to the Grand Duke, who graciously appreciated the offer; whereupon it was not long before the picture was sent to Florence to Viviani, who promptly presented it to the Most Serene Serene: and it is that marvelous portrait, which can be seen today in the Royal Gallery." Cosimo III then ordered its exhibition in the Tribuna, where it remained throughout the 18th century.