BLENDER RENDERS
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Evening sun on a lily pond taken with 7 stop nd filter and 2 stop polariser. The effect is to render the colours quite blue, I have assumed it alters the light balance . The shot is virtually untouched on light room.
My wax on the left and on the right is some I bought from a farmers market. My wax cake is a beautiful deep yellow and the other wax is pale brown in color. This is do to having hives in different locations. My little beeswax only weighs 1.5 oz and the other one weighs 4 ozs.
The second rendering stage really cleaned my beeswax, look at the spoon and you can see all garbage that was still in the wax after the first rendering.
The little wax I have rendered will be made into a beard balm. Purchasing beard balm on Amazon costs me $22. If I have a little bit of wax left I will recoat a frame or two.
Whatever the mode – from the snapshot to the decisive moment to multi-media montage – the intent and purpose of photography is to render in visual terms feelings and experiences that often elude the ability of words to describe. In any case, the eyes have it, and the imagination will always soar farther than was expected :-)
Ralph Gibson
HPPT! Peace Now!
hybrid camellia, 'Rose of Autumn', j c raulston arboretum, ncsu, raleigh, north carolina
Check the 3D model built by actioncharles on Mecabricks here! 😂
#mecabricks #blender #render #3d
© 2016 - Gabriele Zannotti - zanna
Credits to NASA for providing PBR and HDRI textures for 3D artists for non-commercial creations.
Several images are used to create this Blend, among others a diffuse texture (basically a picture of the earth without clouds, relief or illumination), a normal texture (to create the relief), an illumination image (for the lights at night), a cloud image (to create a cloud layer) etc. It also requires setting up a few transparency masks so that you can prevent the illumination texture from showing up in the part of the earth covered by sunlight.
I had to keep an eye on the temperature of my Graphics card for this one. With low res images it is feasible but if you want to create more detailed relief, you need hi res images, and then my GPU temperature shot up. So I ended up making the thing in low res first, then in solid view I replaced the textures with higher resolution ones, and then briefly changed to rendered mode and quickly took a screen shot instead of rendering it out.
Recommended tutorial and credits:
Rendering Mesh is made of flexible fibreglass, in various colours, and comes in sheet form on cardboard rolls and is used in the building & construction trades. It is embedded into the base-coat of wet render (sand & cement mix) and then covered over with the top-coat to prevent possible cracks developing in external wall coatings on houses and other buildings.
In this photo I used a small square of bright pink and a small square of white render mesh placed together, formed into a cone shape and put the camera lens into the cone to take the shot. Lighting; LED spotlights. Contrast enhanced slightly. Taken Macro 1:1
Dedicated to RHC (ILYWAMHASAM)
Canon PowerShot SX430 IS
f/5
1/20 sec
10 mm
ISO 400
Format: Macro 1:1
Lighting: LED spots
Been on a Terragen kick, this was created with Terragen Classic...I DL'd the free version of T3, but those renders take longer!!
"Chapada dos Veadeiros" National Park, Alto Paraiso de Goiás, Goiás, Brasil.
Voigtländer Bessamatic, Color Skopar 50mm, Kodak Portra 400.
Negative scanned by an Epson Perfection V550 and digitally rendered with DxO Optics Pro 11.
I know its a cheesy title and I am not sorry :).
Like my last several posts this image was created and rendered in Dazstudio and was not taken in Second Life. Enjoy!
The Ocean City Fishing Pier really appears like a computer rendering here under this mix of lighting from the early morning sky and the lights from the pier and parking lot there in the Inlet Area. The WB is set to florescent for a nice mix between the lighting that was there ... and is pretty close to what I remember seeing with my eyes as "corrected" by my brain at the time.
Ocean City, Maryland
The rendering of your emotional highway has no barriers?
what do your deepest fears cross and encounter?
is there cherishment upon the way that feeds your heart?
picking moments with which the Soul is eaten, in part
is it the deliverer, the healer, the persecutor impart
smoothly surfaced into the light of day passing
a room, destiny, space, in time, rivers flowing
still in mind, awakening the emotive checklist of strife
recording movements and controlling daily schedules
watching every living matter, is this what you call life??
bear in mind what you simply cannot bear to face
with eyes closed, the entitled apparition becomes real
a chest note unspoken, which designs a noted bas-relief
filled with emotional spirit and natural purulency
go beyond the norm, look further afield, inherit more belief
taking your hand, reinvigorating this life shared
second to none and afraid no more, seize the willowed moment!
behold the veranda of opportunity and purest veracity
entering such a thalamus of hidden and untold dreams
here we feel the world in our hands within plentiful capacity
there is no wrong in a oneness of love, a oneness of spirit
where Nature is present, life abounds in surviving heartbeats
theurgic possibilities astride hermetic touches advancing
where breaths become deeper and silently longing
forever becomes the present of predestined-eternity's glancing
we are the insight of ourselves when open to heavenly calling
into our destiny we strive purely, future surrendered today
as the past catches up with the forgiveness of time itself
we're bold enough to go where our resistance never dared step
a shell of time, and only time will tell where we may tread ourself
are we to remain in fate's shadow, or shall we reflect glory -
on our own offering of light and illumination unto our present?
leaving a prosaic society aside, let your spirit touch it's potential
realise and embrace it, share and reach the four corners of your soul
such propensity of jubilant goodness within every heart existential.
by anglia24
13h35: 20/02/2008
©2008anglia24
I hope you won't get tired of this big Merc. I still love it though.
And the guys at Mecabricks love it too. So much that Maxao2000 (of who I don't know if he uses Flickr/similar) rendered an image of the 6x6. And it's beautiful!
NOTE: I don't own this render, it's made by Maxao. I thought I'd share it because it's really good and it's my model. But I won't take credit for the render.
Thanks to Maxao, and Mecabricks of course!
A lovely morning breakfast of waffles topped with butter and berries drizzled with delicious maple syrup. (and a glass of milk)
Taken with the Leitz Hektor f:2.5 / 120mm projection lens.
Generally the bokeh of this lens is quite nice. But in this case the background is extremely difficult to render smoothly
An unreleased render I did of the Reactor Tower. You can see in the photo that the snow and some of the metals werent textured yet.
You can get the finished version here - marketplace.secondlife.com/p/fn-Reactor-Tower-Parts/23115759
Structure Synth / Sunflow
This image was inspired by Kevin Beason's 'Distance Field Attempts'.
www.kevinbeason.com/worklog/2009/06/03/distance-field-exp...
Digital render of Fred Flintstone's car from this Prehistoric MOC
Go the link above for building instructions
Built in 1854 by local architect Thomas C Hine, "only the parapet motifs recognisable beneath mid-C20 render" (Elain Harwood in Pevsner's Nottingham). I thought it looked rather lovely in the late summer sun...
1-5 Lister Gate, Nottingham City
credits:
vagrant & Entwined. Jackie @ Shiny Shabby
-SU!- Leviathan Cross Set /Choker @ Eclipse Event
ROZOREGALIA_RUDA*CHOKER