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Carretera vieja Caracas La Guaira, en uno de sus últimos viaductos Bajando y el primero subiendo. Circa. 1955-1956.
Nota: la imagen acá presentada, ha sido llevada a colores por La Guaira en Retrospectiva.
"Situated on London's breathtaking riverside and on the doorstep of Richmond, Chiswick and Strand on the Green, this is a collection of exclusive 1, 2 & 3 bedroom apartments and penthouses by St George. Set around a European style public piazza and overlooking the Thames, Kew Bridge will provide a new public realm and a stunning riverside landmark."
tareas realizadas: modelado, renderizado y postproducción
autores: Darío Rosciano, Nicolás Bertola y Gustavo Baranovsky
cliente-propietario: Ardis3D.com
This is the final render for the Rayman: Raving Rabbids scene where the Rabbids are going crazy on someone. Quite comical...
RENDER: Opening Reception
For more information visit: www.cmp.ucr.edu/
Render explores the moving image as a physical and phenomenological processes in contemporary art. It examines the intermingling of the materiality of video and technology in which artists use pixels and particle units from film to produce a new layer of mediated work. Commonly used in computer editing programs, “rendering” is a required process to generate and solidify special effects and transitions. Consequently, the works in the exhibition apply artistic uses of translating visual data from analog to the digital, and vice versa. The exhibition will be presented on the main floor of UCR/California Museum of Photography and on the Culver Center of the Art’s Digital Mural screens on the building’s façade that faces the pedestrian mall.
Rendered scene of "Narva" construction project by "Optimum House". 2 floors, 196 square meters. Find out more at optimumhouse.ru/narva/
Render da Guarda Nacional Republicana no palácio de Belém, residência oficial do Presidente da República. Lisboa, Portugal
RENDER: Opening Reception
For more information visit: www.cmp.ucr.edu/
Render explores the moving image as a physical and phenomenological processes in contemporary art. It examines the intermingling of the materiality of video and technology in which artists use pixels and particle units from film to produce a new layer of mediated work. Commonly used in computer editing programs, “rendering” is a required process to generate and solidify special effects and transitions. Consequently, the works in the exhibition apply artistic uses of translating visual data from analog to the digital, and vice versa. The exhibition will be presented on the main floor of UCR/California Museum of Photography and on the Culver Center of the Art’s Digital Mural screens on the building’s façade that faces the pedestrian mall.