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Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
I think this is the biggest problem sometimes. As much fun as she has while she was bowling, it is a temporary distraction. and in the end, not good enough. I cant help it, but when i look at this photo, i see how sad she is.
or maybe its just me.
Fortune CEO Initiative
Washington, D.C.
Tuesday, November 16, 2021
2.30–3.30 PM CEO LEADERSHIP ROUNDTABLES: REIMAGINING CUSTOMER EXPERIENCES THROUGH CRISIS, CREATIVITY, AND COMPASSION
Some of the pandemic’s hardest-hit sectors were forced into a long and unprecedented hiatus, providing a chance for many businesses to revamp the way they relate to their client base, as well as reflect on how to use technology to surprise and entice their customers. What are some of the new offerings corporations are bringing to the consumer as they pivot in the face of crisis? And how can business leaders across the industries most impacted by Covid seize this opportunity to lead with creativity and empathy, to elevate and transform the customer experience?
Host: Matt Heimer, FORTUNE
Discussion Leaders:
Ron Coughlin, Chairman and CEO, Petco
Stephanie Linnartz, President, Marriott International
Dr. Matthew Putman, Cofounder and CEO, Nanotronics
Ann Mukherjee, Chairman and CEO, Pernod Ricard North America
Rebecca Greenfield for Fortune Magazine
Photo of the Preparatory Committee of the Diplomatic Conference to Conclude an International Legal Instrument Relating to Intellectual Property, Genetic Resources and Traditional Knowledge Associated with Genetic Resources which took place in Geneva, Switzerland on September 11-13, 2023, and December 13, 2023, in hybrid form – with delegates and observers attending physically in Geneva, Switzerland, and via remote participation from around the world.
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Shushilan is introducing floating garden and crab fattening technology to reduce extreme poverty in climatically vulnerable areas @ jessore, Saatkhira, Barguna
On October 16 and 17, 2024 the weather was very degraded on the Lyon city and the region with very heavy rains, a phenomenon common at this season called here a "Mediterranean episode". Warm and humid air that came from South condensed on a cold air zone that came from North-West of France.
I decided then to take my Nikon Nikonos V year 1990 (see below) fitted with the Nikkor lens for the Nikonos 1:2.5 f=35mm. This camera could resist to the worse tropical typhoon and reassured me to take no risks for any other beloved camera of my collection, necessary less weather resistant.
In addition, I returned to the Lugdunum Gallo-Roman museum of Lyon, especially to visit the new temporary exhibition relating the cosmopolitan population of Lyon at the Gallo-Roman period. Most of my pictures were taken inside the underground museum that could not be better protected from the outer elements ...
I loaded the Nikonos V with a never-tried film the Kikipan 320 for 36 black-and-white exposures. I exposed th film for the given 320 ISO using either the camera TTL metering or my external Minolta Autometer III lightmeter in the incident or reflected mode. For timing below 1/30s, I left the Auto mode of the Nikonos operating, finding some good stabilizing points without the use of a tripod. Operating at wide aperture indoor (full f/2.5 or f/3.5) focusing distances were determined using a laser meter and reporting the value to the focusing system of the Nikonos.
Lugdunum Gallo-Roman Museum, October 17, 2024
69005 Lyon
France
After completion of the film outside, it was developed using 300 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 9min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version of Adobe Lightroom Classic 13 and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.
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About the Gallo-Roman Lugdunum Museum of Lyon, France : (from lugdunum.grandlyon.com/en/a-museum-of-sites/museum) The museum and the theaters are located on the slopes of Fourvière Hill, on the very site where the Roman city of Lugdunum was founded in 43 B.C..
The idea of creating a museum to house objects related to the Roman city of Lyon was first discussed in the thirties. But it wasn't until the sixties that the project took shape and was entrusted to the architect Bernard Zehrfuss.
Zehrfuss was responsible for the idea of burying the building so that it would fit smoothly into the exceptional setting around it and would not "offend the professionalism of my Roman colleagues". Construction began in 1972. The museum was inaugurated on November 15, 1975.
Nearly invisible from the outside, the museum blends into the landscape of a unique archaeological site composed of two major monuments of the city of Lugdunum: a theater and an odeon, both of which are part of a UNESCO World Heritage site. (Photo building / site) The concrete structure disappears under the vegetation, and two large windows channeling light make the theaters part of the exhibition.
One of the remarkable characteristics of the building is the aesthetic quality of the reinforced concrete, both inside and outside. Providing a very simple background, the architecture highlights the works. The customary arrangement of rooms has been replaced by open spaces following a large spiral ramp.
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About the camera Nikonos-V :
I bought this Nikonos V camera brand new from the Bic Camera store located in Shinjuku 3-chome, Tokyo, Japan, in December 1990. It dove a couple of times about ten years ago in Cassis, France, Latter on, I used several a underwater photographic systems in particular based on Sony A7 bodies coupled to the Nikonos lenses (15, 20, 35 and 80mm) in a special housing Nauticam coupling the Sony A7 to the Nikonos lenses.
The ladies from the women's ministry wanted to band together to attend the Relate Church's Womens Conference. This project is to repurpose existing conference info into a flyer for the this retreat. 100 copies of the flyer was printed. March 2015
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Brasília 28/03/2017 Relator da reforma política na câmara, Vicente Cândido, durante entrevista para agência PT.
Foto: Lula Marques/Agência PT
A few more furnitures and accessory for my Rolleiflex 3.5F (see below for details relate d to the camera) with a couple of old-fashioned carbon-zinc 22.5V batteries from China to test the Rolleiflash and a close-up accessory Rolleinar 1 (1 diopter) in the correct bayonet dimension (RII) suitable for the Rolleiflex 3.5F with Zeiss Planar lens or Schneider-Kreuznach Xenotar 1:3.5 f=75mm.
There are 3 different filter bayonet sizes on the Rolleiflex (RI, RII, and RIII) and one should check that both optical pieces are of the correct same dimension before buying. The Rolleinar 1 permit the focusing of the Rolleiflex between 1m and 0.47m instead of the normal minimum focusing distance of 0.9m. The parallax for Heidosmat viewing lens is corrected with an integrated prism that should correctly positioned with a red dot directed up. The Rolleinar came with its original Rollei Francke & Heidecke branded leather case.
The Rolleiflash type-2 is the original one that came with the camera. It mounts to the viewing lens bayonet and is also of the correct type RII. Rolleiflashes exist also in other bayonet dimension. At now, I just tested the circuity continuation with the battery in place and also with a flash bulb mounted. When pressing the test button a small light flashes on the control window. Next step will to fire a bulb...
March 28, 2025
69004 Lyon
France
About the camera :
I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in an exceptional state of conservation.
The Rolleiflex 3.5F is the model-3, or "K4F",that Rollei-Werke Franke & Heidecke produced in 50.000 units in Germany from Nov.1960 to Dec. 1964. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.
This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.
The Rolleiflex 3,5 F model 3 is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication.
Serial number with ‘3,5F’ prefix on of top name shield.
I detailed the camera and accessories and studied carefully the user manual and the book to before familiar this beauty before waiting for a quiet moment to prepare for a test film. I will not trust the old leather original neck strap to carry this precious machine on the field to avoid the real risk to drop the camera. I ordered a new one from a manufacturer in China.
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
The ladies from the women's ministry wanted to band together to attend the Relate Church's Womens Conference. This project is to repurpose existing conference info into a flyer for the this retreat. 100 copies of the flyer was printed. March 2015
You must have heard of this phrase; men are from Mars and women are from Venus. They belong to a different world. No doubt, they both are kings and queens of their worlds. However, there are some struggles only a woman will relate to.