View allAll Photos Tagged relatable
I used to be a smoker, so I can totally relate. These two make it look so easy...(and what's up with that teddy bear dog?).
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between the 1890s and the 20th Century.
The slide shows a photograph taken from a hill overlooking a bay. Ten boats are visible on the water.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235798|PH-1984-1-LS78-2-69
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033415
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), dated 5 April 1905.
The slide shows photograph of an image of mountain tops appearing through clouds or fog. An orange sun [?] is in the sky. Hand coloured.
Inscription Details: Handwritten in blue ink on recto above image, "Ideal. Evening in Venus." Handwritten in blue ink on recto on right side of image, "CLW [Signature], rep? Aug '22 Handwritten in blue ink on recto bottom left corner "G97".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235834|PH-1984-1-LS78-3-10|G97
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033379
Image from 'Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]', 000194807
Author: BARBER, John Warner and HOWE (Henry)
Page: 376
Year: 1845
Place: New York
Publisher: The Authors
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Image from 'Tracts and other papers, relating principally to the origin, settlement, and progress of the Colonies in North America, from the discovery of the country to the year 1776. Vol. 1-4', 001267232
Author: FORCE, Peter.
Volume: 03
Page: 203
Year: 1836
Place: Washington
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Image from 'Holroyd's Collectanea: Papers relating to the history of Bradford and the towns ... in the neighbourhood, etc', 001718116
Author: HOLROYD, Abraham.
Page: 7
Year: 1865
Place: Bradford
Publisher: A. Holroyd
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Open the page in the British Library's itemViewer (page: 000007)
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Go to Page with image in the Internet Archive
Title: Hospital plans : five essays relating to the construction, organization & management of hospitals
Creator: Johns Hopkins Hospital
Creator: Billings, John S. (John Shaw), 1838-1913
Creator: Folsom, Norton, 1842-1903
Creator: Jones, Joseph, 1833-1896
Creator: Morris, Caspar, 1805-1884
Creator: Smith, Stephen, 1823-1922
Publisher: New York : William Wood
Sponsor: Wellcome Library
Contributor: Wellcome Library
Date: 1875
Language: eng
Essays with the general title: Hospital construction and organization, by J. S. Billings, N. Folsom, J. Jones, C. Morris, and S. Smith
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
Image from 'Historical Collections of the State of New York ... relating to its history and antiquities, with geographical descriptions of every township in the State', 000194809
Author: BARBER, John Warner and HOWE (Henry)
Page: 614
Year: 1846
Place: New-York
Publisher: S. Tuttle
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
This photo relates to The Remembrancer, an artists' book I produced several years ago, with the assistance of Richard Asplin, who salvaged these photos, (along with the invitation to the Lord Mayor's Banquet, 1933) from the trash.
Image from '[Authorized American edition, with supplement relating chiefly to American topics, and a copious biographical Index, by G. P. Putnam.]', 001625020
Author: HAYDN, Joseph of Carey Street, Lincoln's Inn
Page: 879
Year: 1868
Place: London
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Image from 'Historical Collections of the State of New York ... relating to its history and antiquities, with geographical descriptions of every township in the State', 000194809
Author: BARBER, John Warner and HOWE (Henry)
Page: 406
Year: 1846
Place: New-York
Publisher: S. Tuttle
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
The title relates to the late sixteenth or early seventeenth-century song of lost love, ‘Willow Song’, by an anonymous composer and used, with alterations, by Shakespeare in Othello. Dr Warwick Edwards of Glasgow University has commented on the passage of music at the bottom as follows:
'The source... is probably W. Chappell, Popular Music of the Olden Time, 1855– 9, i, 207–8 (or Woolridge's revision of this, 1893). The extract begins at the upbeat to bar 11 and the words are from the 2nd. stanza. The text has been modified. (“she” for “he”) and “improved” (e.g. “my garland must be” for “must be my garland”).
‘Chappell's source is BM Add MS 15117, f.18 (before 1616), a setting for voice and lute of the famous Willow Song beginning “The poor soul sat sighing”. He has transposed the melody, modified it, and supplied a 19th century harmonization.
Alexander Ballard has suggested (letter to the compiler of 10 July 1975) that the face of the young man is that of Norman Wilkinson ‘of Four Oaks’ (1882–1937), the painter and stage designer, who studied at the Birmingham College of Art from 1900–1902 where he met Maxwell Armfield, with whom he went to Paris in 1902 where they shared a studio. Armfield and Wilkinson were particularly close friends until about 1910. Armfield painted a portrait of Wilkinson in watercolours in Paris in 1904 .
Source: Tate
www.tate.org.uk/art/artworks/armfield-oh-willo-willo-will...
Brasília 28/03/2017 Relator da reforma política na câmara, Vicente Cândido, durante entrevista para agência PT.
Foto: Lula Marques/Agência PT
20th March 2024
Read the report and its recommendations in full here.
The Committee recommends that the Government introduces legislation allowing for assisted dying, in certain restricted circumstances as set out in the recommendations in this report.
The remit of the Joint Committee on Assisted Dying was to consider and make recommendations for legislative and policy change relating to a legal right to assist a person to end their life and a legal right to receive such assistance.
The Committee also agreed that it could recommend that no legislative or policy changes be made. It has looked at the topic of assisted dying in general, rather than at draft legislation.
The Committee was established in early 2023 to consider and make recommendations for legislative and policy change related to a statutory right to assist a person to end their life and a statutory right to receive such assistance.
The Committee Members did not agree on any one form of wording on the topic, so the terms of assisted suicide and euthanasia are also used. The Committee recognises that the use of certain terms is contested.
Speaking on the launch of the report, Committee Cathaoirleach Deputy Michael Healy Rae said; “This report is the result of the work of the Committee over the past nine months. I was privileged to be Cathaoirleach for the Committee. I would like to thank the Committee Members who devoted their time and attention to this very complex issue. We did not always agree with each other, but all views were listened to and respected.
“The Committee has agreed that it could recommend that no legislative or policy changes be made and that the issues raised in this report be the subject of a debate in both Houses of the Oireachtas.”
“We worked cooperatively and collegially in order to give this important topic the attention it merits. The Committee Secretariat was extremely diligent in its work and the Office of the Parliamentary Legal Adviser provided us with clear and detailed background information. We are very grateful to the national and international experts and other witnesses who engaged with the Committee to examine end-of-life care, dying and assisted dying in detail.”
“This included experts in law, ethics, medicine, disability, palliative care, and psychiatry. A special thanks must go to the other witnesses who shared very moving personal stories about their experiences of end-of-life care. These heartfelt stories were difficult to tell and difficult to hear but they helped to inform the Committee Members and deepened our understanding of this sensitive topic.”
The report makes 38 recommendations, some of which are outlined below:
The Committee recommends that the Government introduces legislation allowing for assisted dying, in certain restricted circumstances as set out in the recommendations in this report.
The Committee recommends that the Optional Protocol to the United Nations Convention on the Rights of Persons with Disabilities should be ratified as a precondition of the commencement of assisted dying legislation.
The Committee recommends that the right to conscientious objection of all doctors and health workers directly involved in the provision of assisted dying should be protected in law.
The Committee recommends that any potential legislation on assisted dying uses clear and unambiguous terms and definitions, to avoid scope for uncertainty.
The Committee recommends that a person inquiring about assisted dying, following a terminal diagnosis, should be informed of, and assisted in, accessing all end-of-life care options, including palliative care.
The Committee recommends that palliative care and the operation of assisted
dying should operate completely separately and independently of each other.
The Committee recommends that resources and funding for, and information about, palliative care services should be substantially increased, to ensure consistent and accessible services of the highest quality are provided throughout the country.
The Committee recommends that funding for assisted dying and palliative care be separate and distinct from one another, provided for in separate votes in the Department of Health budget.
The Committee recommends that research be carried out on the relationship between economic disadvantage and health inequalities, and the question of people feeling a burden.
This Committee recommends that where any person has failed to adhere to relevant statutory requirements governing assisted dying, he or she will have committed a criminal offence.
The Committee recommends that any potential legislation on assisted dying provides that where a person has been proven guilty of coercion, they will have committed an offence under the Act.
The Committee recommends that doctors and healthcare workers involved in the provision of assisted dying be trained to the highest level possible to identify coercion when assessing or treating a patient.
The Committee recommends that if a medical professional has been proven to have acted outside of the permitted regulations or has attempted to coerce an individual, they will have committed an offence under the potential legislation and may be held liable.
The Committee recommends the inclusion in any legislation on assisted dying of mandatory reporting to An Garda Síochána of any information or evidence concerning the issue of possible coercion in relation to assisted dying.
The Committee recommends that where capacity is in doubt, a functional test for decision-making capacity should be part of the assessment for eligibility for assisted dying.
The Committee recommends that any doctor involved in determining eligibility for assisted dying must have professional training in assessing capacity and voluntariness.
The Committee recommends that following an initial successful assessment for assisted dying that finds a patient eligible, if the patient temporarily loses decision-making capacity, then that eligibility is suspended for the duration of their incapacity.
The Committee does not recommend that advanced healthcare directives allow for individuals to make requests for assisted dying. However, consideration of the issue may be included in any review of assisted dying legislation.
The Committee recommends that the updated palliative care strategy should be published by the Department of Health without delay and that palliative care and the operation of assisted dying should operate completely separately and independently of each other.
The Committee recommends that if assisted dying is introduced, an assessment by a qualified psychiatrist should be required in circumstances where the patient is deemed eligible but there are concerns about whether the person is competent to make an informed decision.
The Committee recommends that eligibility for assisted dying should be limited to Irish citizens or those ordinarily resident in the State for a period of not less than twelve months.
The Committee recommends that assisted dying should be limited to people aged 18 or over.
The Committee recommends that only a person diagnosed with a disease, illness or medical condition that is: a) both incurable and irreversible; b) advanced, progressive and will cause death;
c) expected to cause death within six months (or, in the case of a person with a neurodegenerative disease, illness or condition, within 12 months); and d) causing suffering to the person that cannot be relieved in a manner that the person finds tolerable, is eligible to be assessed for assisted dying.
The Committee recommends that two formal requests for assisted dying must be made, with a set specified interval between. At least one of these requests must be recorded in writing, and before two independent witnesses.
The Committee recommends that any potential legislation for assisted dying should establish a national body with sole responsibility for assisted dying services and related supports.
The Committee recommends that all assisted dying applications and related processes should be overseen and governed by the independent national body.
The Committee recommends that family members, carers, guardians or holders of an enduring power of attorney cannot request assisted dying in the interest of another person.
The Committee recommends that any potential legislation for assisted dying should provide a means of access to treatment for individuals who require assistance during the administration.
The Committee recommends that if assisted dying is legislated for, a doctor or nurse practitioner must be present for the duration of the assisted dying process and must remain until after the patient’s death and must account to the responsible authority for any remaining substances.
The Committee recommends that any assisted dying legislation include a provision for a formal review after three years of the operation of the legislation.
The Committee recommends that any assisted dying legislation must include definitions for terms used, including, but not limited to, medical descriptions of the methods permitted under the Act.
ENDS
The first accounts relating to Meleto date back to the eleventh century, at which time it was a property of the Benedictine monks. Subsequently it became the property of a certain “Guardellotto”, a member of a local feudal family, whom Frederick I Barbarossa dispossessed of his properties, giving them to the Ricasoli-Firidolfi family.
The family branch of Firidolfi da Meleto originated here. The name “Meleto in Chianti” was first included in the “Libro degli Estimi” (Book of surveying) of the Florentine Guelphs as property of Firidolfi family in 1256.
Its location, set between the Republics of Siena and Florence, ensured that the Castle was the background of many wars between the Guelphs and the Ghibellines, one of which was the second Aragonese invasion of Chianti in 1478 when it was occupied by enemy troops, and during the Medici War, in 1529, when it was besieged by the Senesi militia. For more information, see: www.castellomeleto.it/eng/castle/historical-background.php
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), date unknown.
The slide shows a photograph of an illustration of Hobart, Tasmania with Mount Wellington in the background.
Inscription Details: Handwritten on image, "Mount Wellington". Handwritten in blue ink on recto, bottom left corner, "O35". Handwritten in blue ink on recto, bottom of plate, "Reb' 12-7-'22".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235854|PH-1984-1-LS78-3-83|O35
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033359
www.athensjournals.gr/architecture/2018-2529-AJA-ARC-Madd...
Di Lorenzo Palace, Gibellina, Italy.
A conscious design presupposes the control of the sensorial effect that the building will cause on the body of those who will inhabit it, who will look at it and who will cover its space. The body, through the senses, measures our relationship with space. Space organizes our life experience on earth, relating to time in its duration.
Several experiences concerning the project demonstrated this constant dialogue with a design that consciously involves our senses: from the reconstruction of Palazzo di Lorenzo (1984) to the redevelopment of the spaces of the "Secret Gardens" in Gibellina. The earthquake as a sort of reward, it offered to numerous architects, including Venezia, Quaroni and Burri, an opportunity to
improve their abilities.
Gibellina's works show how much the relationship that architecture has with
reality is quite never passive, and rarely puts itself in relation to the place. Venezia
himself says: "It is often the result of deep conflicts, wounds, lacerations. I become
suspicious when reality appears as a careful listening and interpretation of a site.
Architecture goes in hard and the site does not desire to be occupied by architecture - the sites are as good as they are." And how does a site feel when it lives the wound of an earthquake that suddenly interrupted the relationship of an entire community with a territory? How could we intervene after a physical, architectural, social moment of mourning? Would the site choose everything to stay suspended in time, like ruins do for example?
From that moment on, it begins the construction of a concrete relationship
between architecture and the place. This imposition is violently refused by the site
at first. But architecture, when it is architecture and not a hedonistic soliloquy of an egocentric personality, when everything is finished, gives the possibility to offer an image of that place, unimaginable without the presence of that
intervention, "assuming intervention could express this capacity to interpret this
action of contrast. Reconciliation, that is revealed to things done, is never preliminary, it is a result. It is a result that tells us that our action has been successful."
In the case of Gibellina projects, the architecture of Venezia returns to have a
sediment, a link with the ground that most of the contemporary architecture does
not seem to have. In many of today's architectures the gesture of founding is put
aside starting from the first steps of conception: it is not based on a conceptual
sediment, it seems not to struggle anymore, it gives up by renouncing to live dramatically the drama to unload its importance.
His architecture represents a critique to a contemporary production that is increasingly concerned with proposing novelty, through a collection of objects that are much more similar to design objects, rather than objects of architecture:
"Objects similar to corks floating on water and not taking any action against things. They do not oppose anything, they simply exist, they run before our eyes like in a big fashion show and in the course of a few years they will leave the catwalk. (...) There are architects who dream of buildings similar to clouds, so they
can float up in the air without dumping their thousands of tons on the ground with
all the consequences that this action entails. We are witnessing the flowering of objects that, not by chance, lend themselves to being an advertising scene. (...) thus fulfilling the fatal conjunction of two fleeting realities.
In Lorenzo's palace project, space seems to dominate the form. It does not give occasions to the image to be charming, but it is organized to restore a significant and temporal "collocation" to the objects that overcame to the traumatic event. The "dispositio" is not always the same as the original space
but continues to allow the integration between the designed material and the environment. And not only matter and materials belong to that environment, but also echoes of distant cultural influences. We perceive them in the secret areas of the Gardens of Gibellina, without recognizing the existing Arab, Norman and Sicilian structures. In a project of a house (not yet realized) in Palazzolo Acreide, it
is introduced a theme on which Venezia will reflect on several occasions: the coexistence of two worlds, of the double.
Moreover, his relationship with Naples, by origin and training, obliges him immediately to dialogue with an inferior reality (the thousand cavities in the subsoil of Naples) and a superior reality (the city in the sunlight). In the design of this small house, the section shows a small cave, and shows a character of domesticity suggested by the reduced size of everything. But the coexistence of these two realities, as he describes speaking of the project, is
well highlighted through a vertical axis that connects and both physically and
symbolically unites the inferior world, the underground (the cave) and a superior
world, the loggia. An axis also transformed into a possibility to ventilate the house,
is a ventilation shaft, and an interior garden.
Exploring the condractitory relationship between led (processed) and hesian (natural).
The led is heavy, strong, masculine but soft. He is passive and is a push over. He is dominated by the feminine, natural and flexible hesian, who is scratchy, violent and dominant.
The hesian is a violent girlfriend.
The interaction between these two leaves the led beaten and bruised.
When the led rolls over from side to side and makes contact with the hesian he is left with surface damage of varying degrees. In the photo on the left the led is pictured ontop of hesian, but still the hesian is stronger and more dominant.
A few more furnitures and accessory for my Rolleiflex 3.5F (see below for details relate d to the camera) with a couple of old-fashioned carbon-zinc 22.5V batteries from China to test the Rolleiflash and a close-up accessory Rolleinar 1 (1 diopter) in the correct bayonet dimension (RII) suitable for the Rolleiflex 3.5F with Zeiss Planar lens or Schneider-Kreuznach Xenotar 1:3.5 f=75mm.
There are 3 different filter bayonet sizes on the Rolleiflex (RI, RII, and RIII) and one should check that both optical pieces are of the correct same dimension before buying. The Rolleinar 1 permit the focusing of the Rolleiflex between 1m and 0.47m instead of the normal minimum focusing distance of 0.9m. The parallax for Heidosmat viewing lens is corrected with an integrated prism that should correctly positioned with a red dot directed up. The Rolleinar came with its original Rollei Francke & Heidecke branded leather case.
The Rolleiflash type-2 is the original one that came with the camera. It mounts to the viewing lens bayonet and is also of the correct type RII. Rolleiflashes exist also in other bayonet dimension. At now, I just tested the circuity continuation with the battery in place and also with a flash bulb mounted. When pressing the test button a small light flashes on the control window. Next step will to fire a bulb...
March 28, 2025
69004 Lyon
France
About the camera :
I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in an exceptional state of conservation.
The Rolleiflex 3.5F is the model-3, or "K4F",that Rollei-Werke Franke & Heidecke produced in 50.000 units in Germany from Nov.1960 to Dec. 1964. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.
This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.
The Rolleiflex 3,5 F model 3 is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication.
Serial number with ‘3,5F’ prefix on of top name shield.
I detailed the camera and accessories and studied carefully the user manual and the book to before familiar this beauty before waiting for a quiet moment to prepare for a test film. I will not trust the old leather original neck strap to carry this precious machine on the field to avoid the real risk to drop the camera. I ordered a new one from a manufacturer in China.
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
i relate it like i say to my week and things that happen though i dont have a crystal ball i have the album so i got it and opened to the page it was on and grabbed tashie
this is my song RIGHT NOW it speaks volumes to me never a more truer song about me this week than this and i have played keane to the death yet again
so -
"Keane - Crystal Ball"
Who is the man I see
Where I'm supposed to be?
I lost my heart, I buried it too deep
Under the iron sea
Oh, crystal ball, crystal ball
Save us all, tell me life is beautiful
Mirror, mirror on the wall
Lines ever more unclear
Not sure I'm even here
The more I look the more I think that I'm
Starting to disappear
Oh, crystal ball, crystal ball
Save us all, tell me life is beautiful
Mirror, mirror on the wall
Oh, crystal ball, hear my song
I'm fading out, everything I know is wrong
So put me where I belong
I don't know where I am
And I don't really care
I look myself in the eye
There's no-one there
I fall upon the earth
I call upon the air
But all I get is the same old vacant stare
Oh, crystal ball, crystal ball
Save us all, tell me life is beautiful
Mirror, mirror on the wall
Oh, crystal ball, hear my song
I'm fading out, everything I know is wrong
So put me where I belong
Image from 'Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]', 000194807
Author: BARBER, John Warner and HOWE (Henry)
Page: 145
Year: 1845
Place: New York
Publisher: The Authors
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Relator do Orçamento 2025, senador Angelo Coronel (PSD-BA), concede entrevista.
Foto: Edilson Rodrigues/Agência Senado
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), circa 1900.
Inscription Details: Handwritten text on slide reads: 'The Prescription for preventing and also stopping incipient cancer and goitre, curing boils &c, is published in Mr. Wragge's Booklet, "The Endless Universe" obtainable at this Hall, Price 2/=.'.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235813|PH-1984-1-LS78-2-84
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033400
I don't like perms. #InspirationalQuotes #GirlQuotes #Quotes #TeenageLife #KeepFighting #LifeQuotes #BeautifulQuotes #RelationshipQuotes #SuccessQuotes #DontGiveUp #QuotesForTeens #PositiveQuotes #TeenQuotes #WomenQuotes #Follow4follow #Apology #imsorry #Love #Forever #LDR #LongDistanceRelationship #S4S #Relateable #Allgirls #Repost #TagMe #followme - _relate.quotess
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...