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Image from 'Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]', 000194807
Author: BARBER, John Warner and HOWE (Henry)
Page: 376
Year: 1845
Place: New York
Publisher: The Authors
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Image from 'Tracts and other papers, relating principally to the origin, settlement, and progress of the Colonies in North America, from the discovery of the country to the year 1776. Vol. 1-4', 001267232
Author: FORCE, Peter.
Volume: 03
Page: 203
Year: 1836
Place: Washington
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Image from 'Holroyd's Collectanea: Papers relating to the history of Bradford and the towns ... in the neighbourhood, etc', 001718116
Author: HOLROYD, Abraham.
Page: 7
Year: 1865
Place: Bradford
Publisher: A. Holroyd
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Open the page in the British Library's itemViewer (page: 000007)
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Image from 'Historical Collections of the State of New York ... relating to its history and antiquities, with geographical descriptions of every township in the State', 000194809
Author: BARBER, John Warner and HOWE (Henry)
Page: 614
Year: 1846
Place: New-York
Publisher: S. Tuttle
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Minke Whales spotted in the Irish Sea between Bangor, Northern Ireland and the Isle of Man sound.
From Wikipedia, the free encyclopedia
The minke whales are the second smallest baleen whale; only the pygmy right whale is smaller. Upon reaching sexual maturity (6–8 years of age), males measure an average of 6.9 m (23 ft) and females 8 m (26 ft) in length, respectively. Reported maximum lengths vary from 9.1 to 10.7 m (30 to 35 ft) for females and 8.8 to 9.8 m (29 to 32 ft) for males. Both sexes typically weigh 4–5 t (3.9–4.9 long tons; 4.4–5.5 short tons) at sexual maturity, and the maximum weight may be as much as 10 t (9.8 long tons; 11 short tons).
The minke whale is a black/gray/purple color.[clarification needed] Common minke whales (Northern Hemisphere variety) are distinguished from other whales by a white band on each flipper. The body is usually black or dark-gray above and white underneath. Minke whales have between 240 and 360 baleen plates on each side of their mouths. Most of the length of the back, including dorsal fin and blowholes, appears at once when the whale surfaces to breathe.
Minke whales typically live for 30–50 years; in some cases they may live for up to 60 years.
The brains of minke whales have around 12.8 billion neocortical neurons and 98.2 billion neocortical glia.[10]
Behavior
Multimedia relating to the minke whale
Note that whale calls have been sped up to 10x their original speed.
An Atlantic minke whale
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The whale breathes three to five times at short intervals before 'deep-diving' for two to 20 minutes. Deep dives are preceded by a pronounced arching of the back. The maximum swimming speed of minkes has been estimated at 38 km/h (24 mph)
Image from '[Authorized American edition, with supplement relating chiefly to American topics, and a copious biographical Index, by G. P. Putnam.]', 001625020
Author: HAYDN, Joseph of Carey Street, Lincoln's Inn
Page: 879
Year: 1868
Place: London
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Image from 'Historical Collections of the State of New York ... relating to its history and antiquities, with geographical descriptions of every township in the State', 000194809
Author: BARBER, John Warner and HOWE (Henry)
Page: 406
Year: 1846
Place: New-York
Publisher: S. Tuttle
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
The title relates to the late sixteenth or early seventeenth-century song of lost love, ‘Willow Song’, by an anonymous composer and used, with alterations, by Shakespeare in Othello. Dr Warwick Edwards of Glasgow University has commented on the passage of music at the bottom as follows:
'The source... is probably W. Chappell, Popular Music of the Olden Time, 1855– 9, i, 207–8 (or Woolridge's revision of this, 1893). The extract begins at the upbeat to bar 11 and the words are from the 2nd. stanza. The text has been modified. (“she” for “he”) and “improved” (e.g. “my garland must be” for “must be my garland”).
‘Chappell's source is BM Add MS 15117, f.18 (before 1616), a setting for voice and lute of the famous Willow Song beginning “The poor soul sat sighing”. He has transposed the melody, modified it, and supplied a 19th century harmonization.
Alexander Ballard has suggested (letter to the compiler of 10 July 1975) that the face of the young man is that of Norman Wilkinson ‘of Four Oaks’ (1882–1937), the painter and stage designer, who studied at the Birmingham College of Art from 1900–1902 where he met Maxwell Armfield, with whom he went to Paris in 1902 where they shared a studio. Armfield and Wilkinson were particularly close friends until about 1910. Armfield painted a portrait of Wilkinson in watercolours in Paris in 1904 .
Source: Tate
www.tate.org.uk/art/artworks/armfield-oh-willo-willo-will...
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Brasília 28/03/2017 Relator da reforma política na câmara, Vicente Cândido, durante entrevista para agência PT.
Foto: Lula Marques/Agência PT
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
4me4you recently had the pleasure of visiting Pontone Gallery, where the renowned Scottish artist Iain Faulkner presented his latest exhibition, “A Man Alone…”.
Known internationally for his evocative and introspective works, Faulkner's art invites viewers into the private world of solitude, reflection, and quiet beauty.
A graduate of the Glasgow School of Art, Faulkner has spent years developing a distinctive style that merges traditional realism with a contemporary sensibility. His paintings capture moments of stillness and introspection, where the presence of solitary figures in expansive landscapes creates a poignant sense of quiet resilience.
In this latest series, Faulkner transports the viewer to the serene shores of Alpine Italy, where the idyllic vistas of Lake Como and Lago di Braies form the backdrop for his solitary figures. These peaceful, almost mystical settings invite deep reflection, mirroring the emotional landscapes of the figures within them. The artist’s work is not merely about isolation, but about the profound beauty and peace found in moments of solitude.
What sets Faulkner's work apart is the recurring figure that inhabits his paintings: himself. However, these are not traditional self-portraits. Far from the ego-driven portrayals often seen in art, Faulkner’s self-representation is humble and restrained. Dressed in a simple, unassuming white shirt, black trousers, braces, and sturdy shoes, the artist offers himself as an ‘everyman’, a figure that is relatable and grounded. Notably, Faulkner chooses not to reveal his face, leaving his identity to be inferred by his presence alone. This absence invites the viewer to step into his place, to become part of the scene and share in the experience of quiet reflection and awe.
Through these understated yet powerful works, Faulkner encourages us to pause, to stand alongside him, and to see the world through his eyes. By eschewing self-aggrandisement and choosing a plain, unremarkable appearance, Faulkner invites us to appreciate the world’s beauty not through a lens of distinction, but through the simplicity of shared wonder. His paintings become a quiet call to slow down and experience life’s profound beauty in a way that is intimate, humble, and deeply personal.
The first accounts relating to Meleto date back to the eleventh century, at which time it was a property of the Benedictine monks. Subsequently it became the property of a certain “Guardellotto”, a member of a local feudal family, whom Frederick I Barbarossa dispossessed of his properties, giving them to the Ricasoli-Firidolfi family.
The family branch of Firidolfi da Meleto originated here. The name “Meleto in Chianti” was first included in the “Libro degli Estimi” (Book of surveying) of the Florentine Guelphs as property of Firidolfi family in 1256.
Its location, set between the Republics of Siena and Florence, ensured that the Castle was the background of many wars between the Guelphs and the Ghibellines, one of which was the second Aragonese invasion of Chianti in 1478 when it was occupied by enemy troops, and during the Medici War, in 1529, when it was besieged by the Senesi militia. For more information, see: www.castellomeleto.it/eng/castle/historical-background.php
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Relates to a super secret wedding mission with my Mum.... Avert your eyes Geoff!
Saturday, 19 March 2011.
Exploring the condractitory relationship between led (processed) and hesian (natural).
The led is heavy, strong, masculine but soft. He is passive and is a push over. He is dominated by the feminine, natural and flexible hesian, who is scratchy, violent and dominant.
The hesian is a violent girlfriend.
The interaction between these two leaves the led beaten and bruised.
When the led rolls over from side to side and makes contact with the hesian he is left with surface damage of varying degrees. In the photo on the left the led is pictured ontop of hesian, but still the hesian is stronger and more dominant.
A few more furnitures and accessory for my Rolleiflex 3.5F (see below for details relate d to the camera) with a couple of old-fashioned carbon-zinc 22.5V batteries from China to test the Rolleiflash and a close-up accessory Rolleinar 1 (1 diopter) in the correct bayonet dimension (RII) suitable for the Rolleiflex 3.5F with Zeiss Planar lens or Schneider-Kreuznach Xenotar 1:3.5 f=75mm.
There are 3 different filter bayonet sizes on the Rolleiflex (RI, RII, and RIII) and one should check that both optical pieces are of the correct same dimension before buying. The Rolleinar 1 permit the focusing of the Rolleiflex between 1m and 0.47m instead of the normal minimum focusing distance of 0.9m. The parallax for Heidosmat viewing lens is corrected with an integrated prism that should correctly positioned with a red dot directed up. The Rolleinar came with its original Rollei Francke & Heidecke branded leather case.
The Rolleiflash type-2 is the original one that came with the camera. It mounts to the viewing lens bayonet and is also of the correct type RII. Rolleiflashes exist also in other bayonet dimension. At now, I just tested the circuity continuation with the battery in place and also with a flash bulb mounted. When pressing the test button a small light flashes on the control window. Next step will to fire a bulb...
March 28, 2025
69004 Lyon
France
About the camera :
I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in an exceptional state of conservation.
The Rolleiflex 3.5F is the model-3, or "K4F",that Rollei-Werke Franke & Heidecke produced in 50.000 units in Germany from Nov.1960 to Dec. 1964. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.
This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.
The Rolleiflex 3,5 F model 3 is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication.
Serial number with ‘3,5F’ prefix on of top name shield.
I detailed the camera and accessories and studied carefully the user manual and the book to before familiar this beauty before waiting for a quiet moment to prepare for a test film. I will not trust the old leather original neck strap to carry this precious machine on the field to avoid the real risk to drop the camera. I ordered a new one from a manufacturer in China.
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
i relate it like i say to my week and things that happen though i dont have a crystal ball i have the album so i got it and opened to the page it was on and grabbed tashie
this is my song RIGHT NOW it speaks volumes to me never a more truer song about me this week than this and i have played keane to the death yet again
so -
"Keane - Crystal Ball"
Who is the man I see
Where I'm supposed to be?
I lost my heart, I buried it too deep
Under the iron sea
Oh, crystal ball, crystal ball
Save us all, tell me life is beautiful
Mirror, mirror on the wall
Lines ever more unclear
Not sure I'm even here
The more I look the more I think that I'm
Starting to disappear
Oh, crystal ball, crystal ball
Save us all, tell me life is beautiful
Mirror, mirror on the wall
Oh, crystal ball, hear my song
I'm fading out, everything I know is wrong
So put me where I belong
I don't know where I am
And I don't really care
I look myself in the eye
There's no-one there
I fall upon the earth
I call upon the air
But all I get is the same old vacant stare
Oh, crystal ball, crystal ball
Save us all, tell me life is beautiful
Mirror, mirror on the wall
Oh, crystal ball, hear my song
I'm fading out, everything I know is wrong
So put me where I belong
Image from 'Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]', 000194807
Author: BARBER, John Warner and HOWE (Henry)
Page: 145
Year: 1845
Place: New York
Publisher: The Authors
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Relator do Orçamento 2025, senador Angelo Coronel (PSD-BA), concede entrevista.
Foto: Edilson Rodrigues/Agência Senado
I don't like perms. #InspirationalQuotes #GirlQuotes #Quotes #TeenageLife #KeepFighting #LifeQuotes #BeautifulQuotes #RelationshipQuotes #SuccessQuotes #DontGiveUp #QuotesForTeens #PositiveQuotes #TeenQuotes #WomenQuotes #Follow4follow #Apology #imsorry #Love #Forever #LDR #LongDistanceRelationship #S4S #Relateable #Allgirls #Repost #TagMe #followme - _relate.quotess
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Credit: Elvin Pilar Ortiz
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
indigo can relate to fanaticism and addiction. Its addiction encompasses everything from a need for recognized qualifications to a need for illegal drugs, from the workaholic to the religious fanatic.