Breton
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This is installment number 2 of the Billy Joel collection. It's amazing how Billy captured every day scenarios that anyone can relate to.
This song is dedicated to everyone that is being told what is best for them or that they are doing something wrong.
It's important to have strong convictions and stay true to yourself. While it's great to receive advice from others, ultimately it's up to you to make your own decisions in order to achieve true happiness. Failure to do so can lead to feelings of regret, which can be a burden to bear on your own. It's crucial to follow your dreams and pursue your passions in life, as this is the surest way to live a fulfilling and satisfying life.
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Lyrics
Got a call from an old friend we used to be real close
Said he couldn't go on the American way
Closed the shop, sold a house, bought a ticket to the west coast
Now he gives them a stand-up routine in L.A.
I don't need you to worry for me 'cause I'm alright
I don't want you to tell me it's time to come home
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
I never said you had to offer me a second chance
(I never said you had to)
I never said I was a victim of circumstance
(I never said)
I still belong (still belong)
Don't get me wrong (don't get me wrong)
You can speak your mind but not on my time
They will tell you you can't sleep alone in a strange place
Then they'll tell you you can't sleep with somebody else
Oh, but sooner or later you sleep in your own space
Either way it's okay, you wake up with yourself
I don't need you to worry for me 'cause I'm alright
I don't want you to tell me it's time to come home
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
I never said you had to offer me a second chance
(I never said you had to)
I never said I was a victim of circumstance
(Gf circumstance)
I still belong (still belong)
Don't get me wrong (don't get me wrong)
You can speak your mind but not on my time
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
Wikipedia: The raccoon (Procyon lotor), sometimes called the common raccoon to distinguish it from other species, is a mammal native to North America. It is the largest of the procyonid family, having a body length of 40 to 70 cm (16 to 28 in), and a body weight of 5 to 26 kg (11 to 57 lb). Its grayish coat mostly consists of dense underfur, which insulates it against cold weather. Three of the raccoon's most distinctive features are its extremely dexterous front paws, its facial mask, and its ringed tail, which are themes in the mythologies of the indigenous peoples of the Americas relating to the animal. The raccoon is noted for its intelligence, as studies show that it is able to remember the solution to tasks for at least three years. It is usually nocturnal and omnivorous, eating about 40% invertebrates, 33% plants, and 27% vertebrates.
Conservation status: Least Concern
A poorly named morph - uncommon though - of the locally migratory Grey-Bellied cuckoo. Hepatic meaning relating to the liver (like Hepatitis), but here it is used to denote the liver-red color of the bird!
This is a brood parasitic cuckoo that appears during the rainy season and early winters. The bird is quite easily heard due its distinctive call. It lays its eggs in other birds nests like those of Bulbuls and Tailorbirds.
Y'day we witnessed a very interesting feeding frenzy of over 15-20 species of birds in a small 25 sq meter area in the countryside. It was at an intersection of 3 roads - single lane - on a forest road. 100's of moths were coming out of the ground and all the birds were in a frenzy to grab them for breakfast! We were too close (in fact in the middle of it by accident) and hence couldn't get many shots!. This shot was taken during the hunt when this bird landed close to us and grabbed a mouthful of moths before flying away.
Thanks in advance for your views and feedback Much appreciated.
Ambience and ambiance are different spellings of the same word, referring to the special atmosphere or mood of a particular environment. While some dictionaries list ambiance as the standard spelling, ambience is far more common in all main 21st-century varieties of English. It’s worth noting, though, that ambiance tends to take precedence in contexts relating to art and design, but this is by no means a rule, and exceptions abound.
This open-air museum spans the Torre peninsula, Punta Herminia, O Acoroado and Cabal de Pradeira, over 47 ha, that is, occupying part of the limits of the area around the Tower (core zone). The sculptures are distributed in the green space that surrounds the Tower, in a very suggestive game of perspectives and in permanent dialogue with the monument itself. The theme chosen by the artists can be arranged around several thematic tracks:
The mythological stories that link the foundation of the Tower with Hercules himself or with the Celtic leader Breogán, whom 19th century historiography relates to the origin of the monument itself.
References to the world of the sea, navigation and routes, which tell us about that seafaring vocation that appears intrinsically linked to the past of the Galician people since the beginning of its history.
In this sculptural space, a series of pre-existing elements have been integrated, which are explained within their historical context by means of informative panels that spread the value they have within this place. Among them we can highlight: Monte dos Bicos, the Moro Cemetery and the beacons that help navigation. (Source: www.torredeherculesacoruna.com)
Este museo al aire libre se extiende por la península de la Torre, Punta Herminia, O Acoroado y el Cabal de Pradeira, a lo largo de 47 ha, es decir, ocupando parte de los límites de la zona del entorno de la Torre (core zone). Las esculturas se distribuyen en el espacio verde que rodea la Torre, en un juego de perspectivas muy sugerente y en diálogo permanente con el propio monumento. La temática elegida por los artistas puede ordenarse en torno a varias vías temáticas:
Los relatos mitológicos que vinculan la fundación de la Torre con el propio Hércules o con el caudillo celta Breogán, al que la historiografía del siglo XIX relaciona con el origen del propio monumento.
Las referencias al mundo del mar, a la navegación y a las rutas, que nos hablan de esa vocación marinera que aparece intrínsecamente unida al pasado del pueblo gallego desde los inicios de su historia.
En este espacio escultórico se han integrado una serie de elementos preexistentes que se explican dentro de su contexto histórico por medio de paneles informativos que difunden el valor que tienen dentro de este paraje. Entre ellos podemos destacar: el Monte dos Bicos, el Cementerio Moro y las balizas que ayudan a la navegación.( Fuente : www.torredeherculesacoruna.com)
Details Here: danaori.blogspot.com/2019/10/cant-relate.html
Instagram: www.instagram.com/p/B34VJUvpjcv/
Hair: Doux - Tislianna
Outfit: Blueberry - Can't Relate (full outfit)
Photo taken at Friendship Gardens.
maps.secondlife.com/secondlife/Strugatsky/36/236/53
Oh, why can't I be what you need?
A new improved version of me
But I'm nothing so good, no, I'm nothing...
Just bones, a lonely ghost burning down songs
Of violence, of love, and of sorrow
I beg for just one more tomorrow!
Where you hold me down, fold me in
Deep deep deep in the heart of your sins
I'd break in two over you
I'd break in two and each piece of me dies
And only you can give the breath of life!
But you don't see me, you don't
Here I'm pinned between darkness and light
Bleached and blinded by these nights
Where I'm tossing and tortured till dawn
By you, visions of you, then you're gone
The shock bleeds the red from my face
When I hear someone's taken my place
How could love be so thoughtless, so cruel?
When all, all that I did was for you...
I'd break in two over you
I'd break in two and each piece of me dies
And only you can give the breath of life!
But you don't see me, you don't
I'd break in two over you
I'd break in two and each piece of me dies
And only you can give the breath of life!
But you don't see me, you don't
I'd break in two over you
I'd break in two over you
Over you
I'd break in two
I would break in two for you
Now you see me
Now you don't
Now you need me
Now you don't
My Name is...
This does not relate to the DANA above. The weirdest thing of all is the fact that I do not like my name in upper case or even a Capitol at the beginning of my name and have signed my name in lower case since 1972 (dana marostega). emails were made for me.
Smile on Saturday
Top : @Blueberry - Can't relate
Cardigan : @Blueberry - Can't relate
Jeans - @Blueberry - Elias
Boots - @Blueberry - Elias
Handbag : @DDL - Listen Red
Hairs : @Truth - Delirium
Pose : @Foxcity - Fixated Pose
Backdrop : @MINIMAL - Bakery Backdrop
Meet the "Great Golden Digger Wasp".
No, judging by it's name it is not a wasp that seeks out middle-aged men with a good salary and a hefty 401 K (RRSP) account, the name relates to it's colouration .... the head and thorax are covered in a layer of golden hairs ... and how it lays and provides for it's eggs.
These non-aggressive wasps feed mainly on plant nectar but as the name implies "dig" tunnels into areas of soft soil. The females will dig multiple tunnels and when out on their forays the females will capture insects and sting them which will paralyze the insect, not kill it. She will then take the paralyzed insect back to a tunnel, drag it inside and lay an egg on the still live but immobile insect. She will exit the tunnel and conceal the entrance. The egg will hatch and the larvae will have a source of food to develope over the fall and winter until it emerges next spring. Males emerge to breed with the females, females emerge and construct the tunnels for it's nesting activities, so the cycle can continue.
While capturing insects for her egg laying efforts, these wasps are often chased and stripped of their prey by birds, so the female is often searching for prey to use for her egg laying chores.
More details are found here: www.countingmychickens.com/great-golden-digger-wasp-the-h...
I wanted to work with this donut in the snow one more time, but from a different angle. This has the forest across Trout Lake in the background with the reflections touching the frosted area instead of the snow.
As well, the rock and log within the donut are much more prominent making them more crucial to the success of the photo. And finally, although it is a winter shot, there is warmth to be found in the colors of the forest such as the subtle reds.
•Outfit: Blueberry - Can't Relate Set
•Jewellery Set: Fortuna - Elsa
•Candy: [: Kawaii Couture :] Dream Bar RARE (Gacha)
@ Gachaland
•Falling Sakuras: kisetsu - Seasons Particle Emitter - Sakura White (Gacha) @ Gachaland
•Skin and Eyes: MILA Chelcie Skin
•Head: GENUS Project - Classic Face
•Hair: DOUX - Lisa
It was hard to decide whether to laugh or feel sad for this fish while capturing this shot... poor guy's world was flipped upside down- literally and figuratively...
Can you relate? Tell me how?
#PhotoOfTheDay #ospreyphotography #BirdWatching #BirdsOfPrey #BestPhotos #Discoverwildlife #animal #earthfocus #earth #birdingphotography #birdpics #bird_captures #osprey #animalphotography #natgeo #nature #wildlife #Discovery #naturelovers #photography #rspb #best_birds_planet #BBCWildlifePOTD #unitedkingdom #uk #ukwildlifeimages #uk_wildlife_images
cos·mic
/ˈkäzmik/
adjective
relating to the universe or cosmos, especially as distinct from the earth.
Cosmic Women of SL group x [high v.] tee collaboration.
cosmic woman tee.
Maitreya | Hourglass | Physique | Standard| Isis | Freya
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For Looking close on Friday!
Theme : Red on White Background ».
La symbolique de ces couleurs communément admise est que le rouge est la « couleur liturgique qui évoque le sang ou le feu » et « le blanc évoque la pureté, mais plus encore la gloire divine et l’éclat de tout ce qui touche à Dieu. C’est la couleur de la résurrection. »
The commonly accepted symbolism of these colors is that red is the "liturgical color that evokes blood or fire" and "white evokes purity, but even more so divine glory and the brilliance of everything that relates to God. It is the color of the resurrection."
Un grand merci pour vos favoris, commentaires et encouragements toujours très appréciés.
Many thanks for your much appreciated favorites and comments.
This piece of national architecture of 19th Century relates to south of Polavshchyna and that as of nowadays has disappeared. It was built in 70th of 19th Century.
The house from Revasivka village has never been reconstructed since it had been built. Its window frames were re-made in the mid-50th of 20th Century. The walls are decorated with clay of different color; inside there is a carved cupboard, painted trunk and national pictures in interior.
The house from Revazivka village was discovered in 1976 by an architect Lukianchuk V.D. and restored in the Museum in 1977-1978.
Few words about Revazivka village, as it were never mentioned in modern sources. In the middle of 19th Century, this village was called Novakivka and belonged to Ploshchanska volost of Poltava povit in Poltava hubernia.
It was a village of a proprietor, with 179 souls in 18 yards. Officially, Revazivka is called sloboda. There were 219 inhabitants in 44 homesteads.
Nowadays, the village of Revazivka has joined to Grekopavlivka village. It now relates to Stovbynska village council in Novosanzharskyi district of Poltavska Region.
The house is of two rooms (a home, a mudroom), of combined structure. A two-room house could be met only in poor villages belonging to proprietors. A three-room house was more traditional for Poltava area.
The house is built on piles. Above the windows, piles are covered with shingles. A longitudinal ceiling beam and upper parts of piles have tips on sidewall adjacent to the stove, so forming reasonable overlap of the roof. A lumber lay on tips to support auxiliary beams of the roof. Ceiling comprises ceiling beam and slyzhni. The slyzhni are surfaced by caber, and then covered with clay.
The four-slope roof of the house is low, supported by rafters and covered with cane sheaves, as there were a lot of cane in the waterlog river valley near Revazivka.
Combines, log and framework structure of a national dwelling on south Poltavshchyna was typical of this region, poor in building wood.
Especially interesting was filling of this house’s framework walls: there were twiggen with mullein. This grass grew high near Revazivka, and had strong stems. The local say: “Even shipworms never eat mullein”.
This is a house of two rooms (a home and a mudroom) with framework and log walls. Under the windows, walls are framework: horizontal hlytsi are nailed to vertical piles, with osier between them. Above the windows, planks of three parts are fixed to piles. A longitudinal ceiling beam is fixed thereto and two transverse ones (one in the home, another – in the mudroom). The longitudinal beam and tops of planks have overlaps on sidewall, adjacent to the stove, so forming reasonable overlap of the roof. Inside and outside, the house is clayed and whitewashed, except for back wall, only clayed. The house stays now on concrete basement.
Area – 53.92 square meters (5.15 x 10.47).
Хата з с. Ревазівка, Новосанжарського р-ну, Полтавської обл.
Пам′ятка традиційного народного будівництва XIX століття в південній Полтавщині, яких на даний момент в регіоні не існує. Побудована в 70 – ті роки ХІХ століття.
Хата з с. Ревазівка від її існування не перебудовувалася. У середині 50-х років ХХ століття перероблені віконні рами. Підводка стін кольоровими глинами, різьблений мисник, мальована скриня, народний живопис в інтер’єрі.
Хата с. Ревазівка виявлена в 1976 році архітектором Лук′янчуком В.Д. і реставрована в Музеї у 1977 – 1978 роках.
Коротко про село Ревазівку, оскільки в сучасних джерелах воно не згадується. Поселення Ревазівка в середині XIX століття називалося Новаківка і належало до Площанської волості Полтавського повіту Полтавської губернії.
Було воно поміщицьким селом і проживало там 179 душ у 18 дворах. Старожили розповідають, що Ревазівкою володів пан Ревазов. У 1926 році Ревазівка офіційно зветься слободою, з числом мешканців – 219, які проживали у 44 господарствах.
Зараз село Ревазівка з’єднане з селом Грекопавлівкою і належить до Стовбинської сільради Новосанжарського району Полтавської обл..
Хата дводільна /хата, сіни/, комбінованої конструкції. Дводільні хати траплялися тут тільки в бідних поміщицьких селах. Традиційно на Полтавщині було тридільне житло.
Хата збудована на сохах. На сохи, вище вікон покладено ощіп. Подовжній сволок та верхні вівнця ощіпу мають з покутнього причілку випуски, утворюючи значний винос даху. На випуски укладено брус, на який спираються наріжники даху. Основу хатньої стелі утворюють сволок і слижні. По слижнях укладено щільно жердини, а зверху шар м’ятої глини.
Чотирисхилий дах хати невисокий, на кроквах. Покриття з очерету, техніка – «парки». Очерету біля Ревазівки росло багато на заболоченій річковій долині.
Комбінована зрубно – каркасна конструкція народного житла південної Полтавщини була характерною для цього регіону, бідного на будівельний ліс.
Особливо цікавим було заповнення каркасу стін даної хати с. Ревазівка: стіни були заплетені коров’яком. Коров′як поблизу Ревазівки ріс високий, з міцним стеблом. «Коров′яка і шашель не бере».
Дводільне житло (хата, сіни). Стіни каркасно – зрубні. До вікон стіни каркасні: до вертикальних сох прибито горизонтальні глиці, між якими всторч заплетена лоза. На сохи, вище вікон, покладео ощіп з трьох вінців. В ощіп врубано подовжній сволок та два поперечні (один у хаті і один у сінях). Подовжній сволок та верхні вінця ощіпу мають випуски з покутнього причілку, утворюючи значний винос даху. Хата ззовні і всередині обмащена і побілена крім задньої, порудованої стіни. Хата встановлена на бетонний фундамент.
Площа - 53,92 м2 (5.15 х 10.47).
www.londonchicinsl.com/post/they-can-t-relate
Hair: TO0418 - Wings [Anthem event - May round]
Bodysuit/ Skirt: Ami - Four23 [Tres chic event - May round]
Heels: Winx heels (Yellow) - Doua [2Much event - May round]
Backdrop: Escape - Foxcity
that relate to my experiences :-)
Alan Siegel
HMM! Climate Change Matters! Resist the Ignorant Orange Clown and his Cabinet of Stooges and Buffoons!!
prunus persica, flowering peach, 'Bonfire', j c raulston arboretum, ncsu, raleigh, north carolina
The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.
The house is built of smereka and poplar wood, its area equals to 58.8 square meters.
Хата із села Коритне Вижницького району Чернівецької області
Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».
Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.
Площа споруди – 58,8 кв.м.
Blueberry Totally Relatable Set (top;shorts and flip flops with waifu option) TSS maps.secondlife.com/secondlife/Lenox%20and%20Blueberry/25...
(From my personal digital photo archive, 2013)
The hermitage of San Bartolomé (Saint Bartholomew) is a temple in the Spanish province of Soria. It is located inside the natural park of the Cañón del Río Lobos, province of Soria, Spain.
It was built in the first quarter of the 13th century, when the Romanesque style gave way to the Gothic, a transition that was reflected in that architectural work.
It was part of a monastery of which only the chapel remains.
It has a plan in the shape of a Latin cross, with three chapels. The two rose windows deserve to be highlighted, one on each gable end of the transept, oriented to the southeast and northwest, whose lattices evoke Muslim influences in the form of the interlacing that makes up a lobed five-pointed star. They have three archivolts of which only the external one is decorated.
Some authors relate its existence to the possibility that for a time it belonged to the Order of the Templars, although there is no documentation that can be verified.
It is possible that it is confused with the Hermitage of San Juan de Otero, of which only the foundations and little else remain.
Although the dedication of the hermitage to Saint Bartholomew, one of the twelve apostles of Jesus who, according to the tradition of the Armenian church, was crucified upside down, skinned alive and beheaded, could be related to the Knights Templar who worshiped various saints who died after being beheaded. Let's not forget the supposed Templar's cult of Baphomet. (Source: Wikipedia)
ERMITA DE SAN BARTOLOME, SORIA, ESPAÑA, 2013
(De mi archivo personal de fotos digitales, 2013)
La ermita de San Bartolomé es un templo de la provincia española de Soria. Se ubica en el interior del parque natural del Cañón del Río Lobos, privincia de Soria, España.
Fue construida en el primer cuarto del siglo XIII, cuando el estilo románico daba paso al gótico, transición que quedó plasmada en esa obra arquitectónica.
Formaba parte de un cenobio del que sólo se conserva la capilla.
Tiene planta en forma de cruz latina, con tres capillas. Merecen ser resaltados los dos rosetones, uno en cada hastial del transepto, orientados al sureste y al noroeste, cuyas celosías evocan influencias musulmanas en la forma del entrelazado que compone una estrella lobulada de cinco puntas. Poseen tres arquivoltas de las que sólo la externa está decorada.
Algunos autores relacionan su existencia con la posibilidad de que durante un tiempo perteneció a la Orden de los Templarios, aunque no existe documentación que se pueda contrastar.
Es posible que se confunda con la cercana Ermita de San Juan de Otero, de la que sólo se conservan los cimientos y poco más.
Si bien la advocación de la ermita a San Bartolomé, uno de los doces apóstoles de Jesús que, según la tradición de la iglesia armenia fue crucificado boca abajo, desollado vivo y decapitado, podría relacionarse con los caballeros templarios que rendían culto a varios santos que murieron decapitados. No olvidemos el supuesto culto templario al Baphomet. (Fuente: Wikipedia)
CODE: KAAP_MG_1837
Indian Customer please,
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PS:
Shot @ Subway in Palakkarai , Trichy , Tamil Nadu , India.
Shot in natural light.
I tried to relate the bicycle in the mural / wall art on the left to the bicycle on the right.
Also a boy in the mural looking at the stairs , to the stairs which is on the right.
A photographer is always the second person in the picture. :)
Talking can help you think differently about diabetes. Relating to other people with diabetes could bring positive changes and help you work through daily challenges, like diet and exercising.
If you have pre-diabetes or diabetes, self-testing your blood sugar (blood glucose) can be an important tool in managing your diabetes and preventing complications. I had pre-diabetes last year; talking and asking helped me a lot. For those that never saw a lancet before, here a little info about them.
"Lancets are small needle-like medical supplies. With a lancet, you can make a tiny prick in your skin to obtain a few drops of blood for testing in a diabetic monitor. Lancing devices are used with lancets. Most have a spring action that allows the lancet to move quickly enough to pierce the skin."
Macro Mondays "Medical"
Thank you very much for your kind comments and visit, much appreciated! 💕
The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.
The house is built of smereka and poplar wood, its area equals to 58.8 square meters.
Хата із села Коритне Вижницького району Чернівецької області
Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».
Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.
Площа споруди – 58,8 кв.м.
OK, this does not relate to the fractal patterns of the sand being located in Colorado, where marijuana is legal, but rather to their origin from mass wasting, a type of erosion due to gravitational slumping of sediment on steep slopes. Moisture seeping into the sand from recent storms influences the rate at which the layers slump down under the orchestration of gravity and wind, producing the unusual patterning. Erosion, the magician...
adjective
1.
of, relating to, a conventional and tedious job
2.
of, reflecting, or exhibiting a lack of willingness to work beyond the required amount of time or with more than minimal effort
What a way to make a livin'....
Now press "L" and get back to work!
As a freelancer I can relate to this image, the struggle to make living using antiquated equipment, the long hours and stressful delays.
I made the image in taxi on the way back from a meeting with a potential client on the banks of the Cairo Nile, we were stuck in the mother of all traffic jams, the driver was tired and stressed, I was, for once content as I had eaten fish and concluded what I thought was a successful meeting. Now I look back, the real success was this image, which is one of my favourites.
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Check out my website for more of my work;
...... I can relate.... : ]
I had to 'relocate' a part of this tiny spider's web, when he spun it over the opening to access the bird feeder. (He was about 3-4mm)
I carefully took the one side and attached it to the same shrub.
He seemed fine with it, but moved the location the next day.
Smart one... :)
Crablike Spiny Orb Weaver for
Web Wednesday.
HWW! :)
(Gasteracantha elipsoides)
No, the needle I am writing about here is not the one famous and infamous needle in the haystack (this is a German proverb, in case readers from further away couldn't relate to it). Unfortunately, you'll have to look for it yourself if necessary (good luck, by the way).
I'm talking about the not-so-famous Wehl-Needle, a climbing rock in the Elbe Sandstone Mountains that can be seen so majestically before you here.
The approximately 30 meter high rock is located not far from the famous (and not infamous) Bastei Bridge, which you can see in the background here (if you make a little effort).
Even further back, almost completely covered by fog, the mount Lilienstein (also famous and not infamous) can just about be seen.
Nein, die Nadel von der ich hier schreibe ist nicht die eine berühmt und berüchtigte Nadel im Heuhaufen (Hierbei handelt es sich um ein deutsches Sprichwort, falls die Leser von weiter weg damit jetzt nichts anfangen konnten). Die müsst Ihr bei Bedarf leider selber suchen (viel Erfolg übrigens).
Ich spreche von der nicht ganz so berühmten Wehlnadel einem Kletterfelsen im Elbsandsteingebirge, der hier so majastätisch vor Euch zu sehen ist.
Der ca. 30 Meter hohe Felsen befindet sich unweit der berühmten (und nicht berüchtigten) Basteibrücke, die Ihr hier im Hintergrund sehen könnt (wenn ihr Euch etwas Mühe gebt).
Noch weiter hinten, fast vollständig vom Nebel verhüllt ist der Lilienstein (auch berühmt nicht berüchtigt) gerade noch so zu erkennen.
more of this on my website at: www.shoot-to-catch.de
The Pacific golden plover (Pluvialis fulva) is a medium-sized plover. The genus name is Latin and means relating to rain, from pluvia, "rain". It was believed that golden plovers flocked when rain was imminent.
the exit sign also relates to life and i cant help but to include this great song with words that relate to anyone, any religion, everyone, every religion. and if it doesn't, it should.
i think its from the Adi Granth where Baba Farids poems were included. that is what i love about Sikhism, it is written by many saints from several religions. so much for one dominant religion over others! the Sikhs honor all religions that relate to God.
the MUSIC: Farid Baba
Trying to relate this quote (Prime Minister Boris Johnson on 7/7/22) to the prediction that up to 10 million UK citizens will be pushed into poverty over the coming winter. The position is a quite uncomfortable one. Fuji X-Pro1.
The term "Moot" relates to a meeting place, hence the current name of this Tudor building. Initially the building on Aldeburgh beach was used as a town hall. The building which is believed to date to 1550 would have been a status symbol for the ever more prosperous shipbuilding and trading centre.
Spacial definition : of, relating to, or involved in the perception of relationships (as of objects) in space and the presence of air within a defined area.
...::: NIve - Till you say i go :::...
Till you say i go
Say whatever’s on your mind
I’ll never let your heart just sink
Drown in colors that aren’t blue
And say, whatever makes you cry
I’ll never let your tears make a river
I’ll just linger by your side
When the night just feels too long
When the night just feels so cold
I will stay, wait a million years
I will stay, till you say I go
Dance under these shining stars
I’ll sing you a song, a lullaby
Gently whisper in your ears
And come let me guide you home
Wandering love just hold my hand
I will walk with you till the end
When the night just feels too long
I’ll stay till you say I go
Relatable Post #205
"I don't think I could ever stab someone. I mean, let's be honest. I can barely get the straw through the Cool Fun Juice Pouch!"
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Thinking back to where I was ablout a year ago ... on my way to Jackson and the Tetons.
I don't generally shoot too many landscapes, but I find it hard to resist when the waters are so still and the skies are so clear and the reflections of the amazing landscape and environment are simply begging to be photographed. I'm sure that many of you can relate to giving in and capturing an image or two. Especially helpful during this period of rain, rain, rain.
I've learned to totally appreciate the moisture in Colorado ... I just wonder and wish ... why can't it be snow!!! LOL
Hope that everyone had a fabulous weekend.
© 2018 Debbie Tubridy / TNWA Photography
“Within the form of the sculpture there are many references to the past and present environment of ‘The Warmies’. The skeletal nature of the design is symbolic and reminiscent of organic structures such as feathers and wings and past vegetation such as the mangroves.
The arch and the linear aspect of the design relate to the lines of the horizon and the distant architectural structures and the urban landscape. The intention is to create a dialogue between the architectural, urban structures and the surrounding organic landscape.
By using curvilinear forms, I wanted to create something that would make an impact within the vastness of the landscape of The Warmies whilst at the same time being the least invasive. The visual weight of the piece will constantly change according to the angle of vision and the reflection of light.” Anu Patel
About the artist: Anuradha Patel was born in Gujarat, India and lived for a number of years in the UK before relocating to Victoria in 2006. Patel practices as a freelance artist / designer. In recent years Patel has worked on several site specific public art commissions which take the form of sculpture as well as functional design in Street Furniture and integrated art and landscaping concepts. Her works use a variety of sturdy materials often determined by the concept and the nature of the site. Anuradha’s work is also represented at the Williamstown Botanic Gardens in the form of two sets of gates.
Conventional photography by definition relates to the surface of things. This is because it is a visual record of light reflected from the surface of things. There are, of course, other forms of photography connected to forms of radiation other than visible light (x-rays e.g.). But in general, our photos show surfaces, not what is underneath. You would need to be told that underneath, just where the silhouette of the WWI soldier stands, the River Ver is crossing the road - in a pipe and still very small. From there, it flows via Redbourn to St. Albans, the Roman city which in antiquity was called Verulamium. And here comes the thing: our minds are not satisfied with surfaces only. Even if surfaces are all we have got visually, we still try to extract "meaning" from the image, that is, we go underneath or "behind" the image. We are built like that. We human beings are extremely good at making associations. We are creators of meaning. Most of us, I guess, would have no problems with connecting the soldier's silhouette with the large lorry to the right and tell a story. It is just not true that we believe only those things we can see. Our world of imagination is more like a dancer using the surface as a playground. Leica M Mono, Voigtlander CS 2.2/50.
don't relate to you
I don't relate to you, no
'Cause I'd never treat me this shitty
You made me hate this city
And I don't talk shit about you on the internet
Never told anyone anything bad
'Cause that shit's embarrassing, you were my everything
And all that you did was make me fucking sad
So don't waste the time I don't have
And don't try to make me feel bad
I could talk about every time that you showed up on time
But I'd have an empty line 'cause you never did
Never paid any mind to my mother or friends
So I shut 'em all out for you 'cause I was a kid