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CIUDAD DE MÉXICO (apro).- Ante el “problema crónico” del agua en México, la nueva Ley General de Aguas deberá priorizar el consumo humano de ese recurso por encima de cualquier otro uso –ya sea industrial, minero o energético– y garantizar su asequibilidad, calidad y disponibilidad,...
conectaabogados.com/el-agua-en-mexico-un-problema-cronico...
Stories relating to Krishna’s life and pastimes are found in various Vedic kinds of literature, with each focusing on particular aspects of the Lord’s life. This book is a summary study of the tenth canto of the Shrimad Bhagavatam (Bhagavata Purana), focusing mainly on the Lord’s birth, childhood activities, and several incidents from His adult life. A mixture of translations and purports, Prabhupada tells the story of Krishna’s life in a manner easily accessible to anyone, whether they be an advanced devotee or one who knows nothing about Krishna.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.
The slide depicts the surface of moon showing detail of Triesnecker Crater, surrounding ridges and cracks.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235706|PH-1984-1-LS78-2-32
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033506
13) Relates to Whirly Fizzles' response published 22. 08. 2015 here: jira.phoenixviewer.com/browse/FIRE-16731
Information: The setting for "Window size", in menu Advanced - was set properly from the start.
Note: Another grid and another account used for the additional test I made.
Results:
a) posting a snapshot to Flickr at current window size (in my case 1920x1018) DOES REPRODUCE this BUG.
- The reason for different results not found.
b) Posting a snapshot set at any of the preset sizes is BUGGY.
- Thank you for your tests & confirmation.
c) Posting a snapshot set to Custom is BUGGY.
- Thank you for your tests & confirmation.
Used software: Firestorm 4.7.3 (47323) Aug 18 2015 03:46:39 (Firestorm-Releasex64) with OpenSimulator support.
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SCREENSHOTS 1-10 in this album (the original post):
The screenshots document that the similar settings, when used in Second Life and Opensim generate different results. This behavior persists since the latest beta release and it is present also in the final version. Firestom 64 bit for Second Life and Opensim was used to create these snapshots. First the clean reinstall of beta version was performed and no settings were automatically restored from the previous installation.
Uploads taken at the Opensim grid are not being uploaded for me with the best possible quality. To get them online I must save them first to disk. This way the procedure is longer, not so comfortable and the result does not contain data about the place where it was taken.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), dated 5 April 1905.
The slide shows handwritten text inside pink tinted circle, 'Eclipses of the Sun.'.
Inscription Details: RECTO: Written on plate 'Eclipses of the Sun.' Handwritten in blue ink on lower left corner of plate, 'G83'. Handwritten in blue ink in lower right corner of plate, 'CLW Aug '22'.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235982|PH-1984-1-LS78-3-53|83
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033233
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), dated 5 April 1905.
The slide shows an image of two star clusters, one circular and one linear, amidst other stars.
Inscription Details: Handwritten in pencil at the top of the plate, 'Hollow '22'. Handwritten in blue ink at the top right corner of the plate, [illegible]. Handwritten in blue ink in the lower left corner of the plate, 'G 22'.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235961|PH-1984-1-LS78-3-32|22
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033254
Image Name: Historic photographs relating to the Township of Auchindrain
Photographer: Joanne Howdle
Copyright: Auchindrain Museum
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This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.
The slide shows handwritten text on yellow tinted plate.
Inscription Details: Handwritten text on yellow tinted plate. RECTO: Written on plate, 'We shall see later how the sun affects our Earth and the Seasons.' Handwritten in blue ink on the bottom left corner of the plate, 'G49 a'.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235951|PH-1984-1-LS78-3-22|49a
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033264
.
AKHIL BHARATIYA VIDYARTHI PARISH-AD .
01/11/2004.
THE REWRITING OF HISTORY.
Friends, One of the most contentious issues of the last few years relates to the rewriting of history textbooks by the NDA government and theirrejection by the UPA government. If there can be any legitimate criticism of the new NCERT textbooks, it can only be that, perhaps owing to thepulls and pressures of coalition politics, no real paradigm shift was attempted and no alternative, indigenous vision of Indian history was sought to.
be constructed.The charges regarding 'saffronization' -one fails to understand how this term has come to acquire a negative meaning -fall flat at themost cursory of glances; for the Supreme Court verdict in September, 2002, that the teaching of religious ideals is not against Indian secularism,.
and the fact that Marxist academics talking of 'saffronizat.ion' were, in fact, referring only to some factual errors which crept into the new textbooksas a result of oversight, and not to any concrete instances of 'saffronization', come as a resounding slap in the face of Marxist propaganda.So far as 'distortion' of history -another catchword from the Marxist lexicon -is concerned, any serious student of socia.
l sciencesunderstands that history is not a body of factual information, but a discipline based on contesting interpretations and approaches to questions of the.
past. Every model of historical 'knowledge' is thus only a construct; a way of looking at the past. Any historical narrative based on legitimatesources and coherently argued does constitute avalid contribution to historiography.However, 'distortions' are possible in the case of school textbooks, for any attempt of selective concealment and projection of facts by anideology having no popular base in order to indoctrinate young minds can be considered nothing but a devious attempt at 'distortion'. Instancesgalore of such attempts can be seen in the old NCERT textbooks. R.S. Sharma's 'Ancient India' talks about 'Aryan migration' -a theory that was.
passed on by imperialist writers to the child people, the Indian Marxists, as 'Aryan invasion' .
before it got toned down for want of evidence -without.
any archaeological evidence, which is indispensable for the study of pre-history, proto-history and early historical societies. All that the theory restson is a weak philological basis. Even Romila Thapar has now been compelled to accept that there is no conclusive proof of Aryan migration. Thatbeef eating was common in early India is enthusiastically argued, despite the fact that while early literary evidences are often contradictory, thearchaeological evidence on beef eating is far from conclusive. The bones, with cut marks, found in d.
ifferent excavations are those of cattle, ageneric term which includes cow, buffalo, bison etc. Nowhere in these excavations have cow bones been conclusively found to establish beef.
eating. While accounting for the rise of heterodoxies, R.S. Sharma takes refuge in economic determinism, arguing that the altered material context-the need to work an iron plough in the middle Gangetic plains and the consequent need to preserve cattle wealth-led to a change in ideology.Thus, the simplistic 'base-superstructure' model is used by a Marxist ideologue to convince young minds that historical evolution is a result of thedialectics of material forces, without mentioning that this is only 'one' philosophical approach to the understanding of societies and 'he', being aMarxist himself, prefers it over others. This Marxist regime of truth is calculated to create a band of future Marxists -note that history students inDU, JNU, etc. are often Marxists despite the ideology otherwise having only a peripheral presence in India-who have been 'converted' at ayoungage! Only a rewriting ofhistory textbooks can prevent further conversions byMarxist missionaries!The textbooks on medieval India have sought to project the medieval state in India as non-theocratic, ignoring the fact that 'theocracy' isnot the real issue, as far as the medieval state is concerned. For, the basis of state in medieval India was unequivocally Islam, which providedalmost all the symbols of state, and provided legitimacy to that state. Numerous instances of temple destructions are rationalized as quests forpower, wealth and legitimacy from the Ulema, despite the fact that no evidence can show that fanaticism was not a reason for the destruction of.
Hindu religious symbols.In dividing the entire political history of modern India into two compartments -'the secular and anti-imperialisf as counterposed to the.
'communal and pro-imperialisf -Bipan Chandra has been guilty of a distortion of the worst kind. Nowhere in the Class XII textbook does hemention that there was a profound overlap -right from the grassroots to the level of top leadership -between the Congress and the HinduMahasabha, till the Congress, under the influence of the left, chose to break that connection around 1938. Men like Lajpat Rai and Malaviya, toname just two, had been actively involved with both the organizations. Since such a dialogue between the supposedly 'secular and 'communal'presupposes the absence of a 'secular-communal' dichotomy, Bipan Chandra's entire model is a flawed one. Paying obeisance to theCommunists, the Modern India textbook makes no mention of their boycott of all Gandhian mass movements and their act of sabotaging the 1942Quit India Movement. Understanding that any mention of the support offered by the 'secular' CPI to the 'communal' Muslim League over itsdemand for the formation of an Islamic State, i.e., Pakistan, from 1942 to 1946, would simply collapse the 'secular-communal' model, Prof. Chandra.
has -as have all other 'secular historians -taken recourse to strategic silence : this glaring evidence of the CPI's treachery has been made todisappear from all history textbooks. If such partisan history writing is not 'distortion', then the word 'distortion' should itself be given a decent burial.Thus, what is required is a rejection of Marxist history and the construction of an alternative, indigenous readingof our national past. .
CENTRAL PANEL .
.
DHANANJAY SINGH -PRESIDENTANKITA BHATTACHARJEE -VICE-PRESIDENT.
PRITISH KUMAR SAHU -GEN-SECRETARYMANOJ PANT -JOINT-SECRETARY SL SIS sss Sanskrit Centre BHARTI TANWAR ARIJIT RAKSHIT RAJEEV NARAYANDZHKHA KARUNA SAURABJYOTISARMA RAKESH RANJAN VIKAS SHARMANAVNEET RADHAY SHYAM PUSP RANJAN VIKAS ANAND SATISH VIVEK KUMAR OJHA.
L-.
Attend Public Meeting tonight at 9:30 P.M..
In the Ganga Mess. .
SPEAKER: MR. MUKHTAR ABBAS NAQVI.
.
---------~ .
VANDE MATARAM! Sd/-Ran Vijay .
1.
Central Campaign Coordinator .
.
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.
The slide is an orange/yellow tinted plate depicting an image of a dark mass on the surface of sun.
Inscription Details: Handwritten in black ink in top left and right corners of plate, '7'. Handwritten in blue in at top of plate, 'Giant 'Sunspot'. Handwritten in blue ink in lower left corner of plate, 'G 45'. Handwritten in blue ink at bottom of plate, '[illegible] CLW Aug'22'. Printed in black ink on the lower right edge of plate, '69406'.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235954|PH-1984-1-LS78-3-25|45
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033261
Image from '[Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]]', 000194808
Author: BARBER, John Warner and HOWE (Henry)
Page: 482
Year: 1852
Place: Newark, N.J
Publisher: J. H. Bradley
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
The Damned Things
Glasgow Garage
June 7th 2011
Support: Make This Relate and Stunt Man Mike
All photos by Stacey,please do not remove any credit.
Do not use without permission.
Poignantly written by Geet Chaturvedi, a major Hindi writer, and beautifully translated by Anita Gopalan, Simsim is a struggle between memory, imagination, and reality- an exquisitely crafted book that fuses the voices of remarkable yet relatable characters to weave a tale of seeking happiness, fulfilling passions, and reconciling with loss. Simsim is charming and wonderfully original.
Learn more: penguin.co.in/book/heavens-and-earth/
www.bodhielements.com/1077/meditation-of-the-day/meditati...
can you relate to others as they really are without the usual labels?
Engage by Maria Mccavana from Ireland is on display at the Colombo Art Biennale (CAB).
“Becoming” is the theme for the second edition of the Colombo Art Biennale is held from 15th February 2012 to 19th February 2012 at Park Street Mews, J.D.A. Perera Gallery and National Art Gallery. Colombo Art Biennale includes paintings, installations, photos, performance, audio and video presentations. Many art talks also held during the five day festival of art.
39 artists from Austria, Australia, Bangladesh, Germany, India, Ireland, Nepal, Netherlands, Norway, Pakistan, Sweden and Sri Lanka participated in the festival of art.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.
The slide depicts the surface of the moon with details of lunar mare Nubium.
Inscription Details: Handwritten in blue ink on white tape, 'Mare Nubium Moon' [illegible]'.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235714|PH-1984-1-LS78-2-40
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033498
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between the 1870s and the 20th Century.
The slide shows image of the Moon, with the right half obscured by tape. Details of craters.
Inscription Details: Handwritten in black ink on top, bottom, right and left edge of plate, "MOON 7 days C.L.W. col.". Handwritten in black ink recto, top of plate, "R.A.S. No 25", "7 Days, 3 hours, Lick". Hand written in black ink recto, bottom of plate [signature of artist?], "Coloured May '08".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235777|PH-1984-1-LS78-2-1
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033436
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
My glasses broke as you can see. This happened while I was cleaning them, which I was doing as I was watching Girls und Panzer. Coincidentally, they Broke in a way that resembles the glasses a certain character from the same show wears. My life is weird :P