View allAll Photos Tagged relatable
I'll leave it to Dola to relate the tale-perhaps she has already to those on her mailing list. I'll see if she and I can connect via the 'net to put together a page detailing Our forebear's capture and fate. Stay tuned for a really gripping tale.
4/11/2010 NOTE: I've added the slides from Jim and Dola's power point show and will see if we can get some text to accompany them soon. After the next slide in which John and JoAnn Nowell look raptly at the show are the 18 slides, all from Johnson's Island.
Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444
Author: HOOD, Robin.
Volume: 02
Page: 190
Year: 1847
Place: London
Publisher: Longman, Brown, Green & Longmans
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Image from 'Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]', 000194807
Author: BARBER, John Warner and HOWE (Henry)
Page: 376
Year: 1845
Place: New York
Publisher: The Authors
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
This relates to the economy because sometimes, people will misplace stuff. Even money. Seriously, I spent 3 minutes looking for the $5 because I thought it was still in my wallet! lol
Materials relating to The Remembrancer, an artists' book I produced several years ago, with the assistance of Richard Asplin, who salvaged these photos, (along with the invitation to the Lord Mayor's Banquet, 1933) from the trash.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), dated 5 April 1905.
The slide shows a photograph of a painting of a crater. Printed on green glass.
Inscription Details: Handwritten in blue ink on recto, top of plate, "Moon, Copernicus". Handwritten in blue ink on recto, bottom of plate, "G123 C.L.W. Tint? Aug '22".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235852|PH-1984-1-LS78-3-81|G123
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033361
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Go to Page with image in the Internet Archive
Title: Hospital plans : five essays relating to the construction, organization & management of hospitals
Creator: Johns Hopkins Hospital
Creator: Billings, John S. (John Shaw), 1838-1913
Creator: Folsom, Norton, 1842-1903
Creator: Jones, Joseph, 1833-1896
Creator: Morris, Caspar, 1805-1884
Creator: Smith, Stephen, 1823-1922
Publisher: New York : William Wood
Sponsor: Wellcome Library
Contributor: Wellcome Library
Date: 1875
Language: eng
Essays with the general title: Hospital construction and organization, by J. S. Billings, N. Folsom, J. Jones, C. Morris, and S. Smith
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
Image from 'Historical Collections of the State of New York ... relating to its history and antiquities, with geographical descriptions of every township in the State', 000194809
Author: BARBER, John Warner and HOWE (Henry)
Page: 614
Year: 1846
Place: New-York
Publisher: S. Tuttle
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between the 1870s and the 20th Century.
The slide shows a full Moon with craters and maria visible.
Inscription Details: Handwritten in blue ink on recto, above image, "Full moon". Handwritten in blue ink on recto, below image, "21-22 per section[?]" Handwritten in blue ink on recto, bottom right "G107".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235825|PH-1984-1-LS78-3-1|G107
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033388
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Image from '[Authorized American edition, with supplement relating chiefly to American topics, and a copious biographical Index, by G. P. Putnam.]', 001625020
Author: HAYDN, Joseph of Carey Street, Lincoln's Inn
Page: 879
Year: 1868
Place: London
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Although this photograph comes across as busy, in result of the texture of the leaves in the trees. I find I have used the environment to my advantage to create an aesthetically pleasing, pictorial image, where the trees frame the main focuses in the photo. The best part of this images, is how two most famous features of London, are highlighted by the trees. With the 'London eye' in the central location of they image, whilst 'Big Ben' and ' the houses of parliament' revealed slightly in the bottom right hand corner of the photo. I have Noticed how the texture and tones give the tree a 3D affect, however this cause the structures in the background look very flat, very much like a photo frame.
Aside from that I also believe that due to the separation between ' the London eye' and ' Big Ben' its an almost panoramic feel. This panoramic feel of the 'London eye' relates to the work of Nobuyuki Taguchi, who has a very interesting image which seems panoramic , and is very unique due to the positioning of the camera. Lastly I am pleased with this image and happy with the turn out, although it may come across as cluttered and busy.
Image from 'Historical Collections of the State of New York ... relating to its history and antiquities, with geographical descriptions of every township in the State', 000194809
Author: BARBER, John Warner and HOWE (Henry)
Page: 406
Year: 1846
Place: New-York
Publisher: S. Tuttle
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
The title relates to the late sixteenth or early seventeenth-century song of lost love, ‘Willow Song’, by an anonymous composer and used, with alterations, by Shakespeare in Othello. Dr Warwick Edwards of Glasgow University has commented on the passage of music at the bottom as follows:
'The source... is probably W. Chappell, Popular Music of the Olden Time, 1855– 9, i, 207–8 (or Woolridge's revision of this, 1893). The extract begins at the upbeat to bar 11 and the words are from the 2nd. stanza. The text has been modified. (“she” for “he”) and “improved” (e.g. “my garland must be” for “must be my garland”).
‘Chappell's source is BM Add MS 15117, f.18 (before 1616), a setting for voice and lute of the famous Willow Song beginning “The poor soul sat sighing”. He has transposed the melody, modified it, and supplied a 19th century harmonization.
Alexander Ballard has suggested (letter to the compiler of 10 July 1975) that the face of the young man is that of Norman Wilkinson ‘of Four Oaks’ (1882–1937), the painter and stage designer, who studied at the Birmingham College of Art from 1900–1902 where he met Maxwell Armfield, with whom he went to Paris in 1902 where they shared a studio. Armfield and Wilkinson were particularly close friends until about 1910. Armfield painted a portrait of Wilkinson in watercolours in Paris in 1904 .
Source: Tate
www.tate.org.uk/art/artworks/armfield-oh-willo-willo-will...
Governor signs HB2515 - Relating to crime & SB2776 Relating to public safety
More info located here:
HB2515 www.capitol.hawaii.gov/measure_indiv.aspx?billtype=HB&...
SB2776 www.capitol.hawaii.gov/measure_indiv.aspx?billtype=SB&...
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), date unknown.
The slide shows a photograph of an illustration of Hobart, Tasmania with Mount Wellington in the background.
Inscription Details: Handwritten on image, "Mount Wellington". Handwritten in blue ink on recto, bottom left corner, "O35". Handwritten in blue ink on recto, bottom of plate, "Reb' 12-7-'22".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235854|PH-1984-1-LS78-3-83|O35
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033359
Exploring the condractitory relationship between led (processed) and hesian (natural).
The led is heavy, strong, masculine but soft. He is passive and is a push over. He is dominated by the feminine, natural and flexible hesian, who is scratchy, violent and dominant.
The hesian is a violent girlfriend.
The interaction between these two leaves the led beaten and bruised.
When the led rolls over from side to side and makes contact with the hesian he is left with surface damage of varying degrees. In the photo on the left the led is pictured ontop of hesian, but still the hesian is stronger and more dominant.
A few more furnitures and accessory for my Rolleiflex 3.5F (see below for details relate d to the camera) with a couple of old-fashioned carbon-zinc 22.5V batteries from China to test the Rolleiflash and a close-up accessory Rolleinar 1 (1 diopter) in the correct bayonet dimension (RII) suitable for the Rolleiflex 3.5F with Zeiss Planar lens or Schneider-Kreuznach Xenotar 1:3.5 f=75mm.
There are 3 different filter bayonet sizes on the Rolleiflex (RI, RII, and RIII) and one should check that both optical pieces are of the correct same dimension before buying. The Rolleinar 1 permit the focusing of the Rolleiflex between 1m and 0.47m instead of the normal minimum focusing distance of 0.9m. The parallax for Heidosmat viewing lens is corrected with an integrated prism that should correctly positioned with a red dot directed up. The Rolleinar came with its original Rollei Francke & Heidecke branded leather case.
The Rolleiflash type-2 is the original one that came with the camera. It mounts to the viewing lens bayonet and is also of the correct type RII. Rolleiflashes exist also in other bayonet dimension. At now, I just tested the circuity continuation with the battery in place and also with a flash bulb mounted. When pressing the test button a small light flashes on the control window. Next step will to fire a bulb...
March 28, 2025
69004 Lyon
France
About the camera :
I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in an exceptional state of conservation.
The Rolleiflex 3.5F is the model-3, or "K4F",that Rollei-Werke Franke & Heidecke produced in 50.000 units in Germany from Nov.1960 to Dec. 1964. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.
This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.
The Rolleiflex 3,5 F model 3 is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication.
Serial number with ‘3,5F’ prefix on of top name shield.
I detailed the camera and accessories and studied carefully the user manual and the book to before familiar this beauty before waiting for a quiet moment to prepare for a test film. I will not trust the old leather original neck strap to carry this precious machine on the field to avoid the real risk to drop the camera. I ordered a new one from a manufacturer in China.
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
i relate it like i say to my week and things that happen though i dont have a crystal ball i have the album so i got it and opened to the page it was on and grabbed tashie
this is my song RIGHT NOW it speaks volumes to me never a more truer song about me this week than this and i have played keane to the death yet again
so -
"Keane - Crystal Ball"
Who is the man I see
Where I'm supposed to be?
I lost my heart, I buried it too deep
Under the iron sea
Oh, crystal ball, crystal ball
Save us all, tell me life is beautiful
Mirror, mirror on the wall
Lines ever more unclear
Not sure I'm even here
The more I look the more I think that I'm
Starting to disappear
Oh, crystal ball, crystal ball
Save us all, tell me life is beautiful
Mirror, mirror on the wall
Oh, crystal ball, hear my song
I'm fading out, everything I know is wrong
So put me where I belong
I don't know where I am
And I don't really care
I look myself in the eye
There's no-one there
I fall upon the earth
I call upon the air
But all I get is the same old vacant stare
Oh, crystal ball, crystal ball
Save us all, tell me life is beautiful
Mirror, mirror on the wall
Oh, crystal ball, hear my song
I'm fading out, everything I know is wrong
So put me where I belong
Image from 'Historical Collections of the State of New York ... relating to its history and antiquities, with geographical descriptions of every township in the State', 000194809
Author: BARBER, John Warner and HOWE (Henry)
Page: 214
Year: 1846
Place: New-York
Publisher: S. Tuttle
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Image from 'Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]', 000194807
Author: BARBER, John Warner and HOWE (Henry)
Page: 145
Year: 1845
Place: New York
Publisher: The Authors
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Relator do Orçamento 2025, senador Angelo Coronel (PSD-BA), concede entrevista.
Foto: Edilson Rodrigues/Agência Senado
I felt like I can relate to this image, because I enjoy my own alone time. I also liked the balance in this image. Her shirt evens out with the top of the image with the windows. Denotations: Hat, Branches, Black and white, shirt, and contrast. Connotations: Sad, relieved, lonely,cold, and distracted. link: i071.radikal.ru/0912/9d/620a525085f2.jpg
Rental Homes in Phoenix, Arizona
© 2013 Arizona Regional Multiple Listing Service, All rights reserved. The data relating to real estate for sale on this website comes in part from the Arizona Regional Multiple Listing Service. Real estate listings held by brokerage firms other than Marcus And Murphy Real Estate LLC are marked with the Arizona Regional Multiple Listing Service logo and detailed information about them includes the name of the listing brokers. All information deemed reliable but not guaranteed and should be independently verified. All properties are subject to prior sale, change or withdrawal. Neither listing broker(s) nor Marcus And Murphy Real Estate LLC shall be responsible for any typographical errors, misinformation, misprints and shall be held totally harmless. Listing courtesy of HomeSmart.
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
indigo can relate to fanaticism and addiction. Its addiction encompasses everything from a need for recognized qualifications to a need for illegal drugs, from the workaholic to the religious fanatic.
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Image from 'Thirty-five years in the East. Adventures, discoveries, experiments, and historical sketches, relating to the Punjab and Cashmere', 001725500
Author: Honigberger, John Martin
Page: 175
Year: 1852
Place: London
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Open the page in the British Library's itemViewer (page: 000175)
Photos from Zendesk's Relate conference at the Aria Hotel and Casino in Las Vegas, Nevada from March 25 to 27, 2025.
Contact me for licensing.
Purchase a digital copy of this photo on my website: snapfoc.us or snapfocus.smugmug.com.
All photos are not to be used without permission.
Image from 'Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]', 000194807
Author: BARBER, John Warner and HOWE (Henry)
Page: 396
Year: 1845
Place: New York
Publisher: The Authors
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
The film “Home” directly relates to what we have talked about in class last semester as well as some of the newer material. The film begins with images of what the original earth looked like before the emergence of oxygen. We talked about this primordial soup in detail. This atmosphere consisted of just water vapor, carbon dioxide, ammonia, methane, and hydrogen. Oparin and Haldane developed the primordial soup idea. The film also mentioned the water cycle in the beginning. Last semester we took and in depth look at the all important resource water. The picture above is of the roots of a tree that has been cut down in my hometown in New Jersey. The film talks about for some time how important trees are in relation to life on earth. Trees were, and still are in some cases, the perfect living environment. They protected us from predators and gave our ancestors a place to rest. Today trees are being cut down to satisfy the human need.
Habitat loss is the single greatest cause of biodiversity loss today. Deforestation takes away the living environment of countless numbers of species. Over half the worlds temperate forests, grasslands, and shrub lands have been converted since 1950. And since organisms are adapted to their habitats in which they live any major change is unsuitable for them. Also, deforestation and the creation of large cities have led to the urban heat island effect. An urban heat island is a metropolitan area that is much hotter than its surrounding areas. Not only does this negatively effect the environment but it also hurts organisms living inside the urban heat island. These negative effects include increased energy consumption, impaired water quality, and increased pollution.To reduce these negative effects communities can create more tree and vegetation cover and use roofing material that do not just bake in the sun.
Every year, Realtors® Care Day offers a helping hand to homeowners in need by providing exterior home repairs and adaptive safety modifications. Regional Habitat for Humanity chapters, the City of Charlotte, and other housing partners identify homeowners who qualify for the program.
Last month, realtors and City of Charlotte Code Enforcement volunteers joined forces to make a meaningful difference in Charlotte neighborhoods. They performed various tasks such as cleaning gutters, landscaping, repairing stairs, and enhancing exterior areas. We express our gratitude for their hard work and dedication.