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I’ll relate to y’all, my beautiful readers, a simple tale of an ordinary average Central Texas Trumpet Case Bear. It was 95 degrees F (35 C) out of doors. Little Texas Aggie Trumpet Case Bear was about to go into heat exhaustion (symptom before heat stroke).

 

Alamo Basement Fightin’ Texas Aggie Ring whispered to me, “We need to get frozen Margaritas into the little bear immediately before he goes into a coma and dies. Have you looked at the price of black market bears lately?” I pulled out the large container for the Ninja and fired it up.

 

After about quatro or cinco Margaritas necesitas, Little Texas Aggie Osa (bear) was starting to feel much, much better. At this point, there was a spilt Margarita. It’s not important who spilt the Margarita, but it did totally soak Little Texas Aggie Bear.

 

I for one, am not about to allow a trumpet case bear who smells of tequila and is all sticky, near my 1947 Rudy Mück jazz trumpet. I had two options — Take him out to the woods and shoot him or — give him a bath in the kitchen sink.

 

Bears know how to swim. In fact, they love water. In some states, they will come into your backyard and take the waters in your swimming pool or jacuzzi. There are videos on YouTube.

 

I sanitized the sink and prepared a nice, warm bubble bath for Little Texas Aggie Bear. He hesitantly lowered himself into the sink. He let out a “bear sigh” of pleasure. When I took out the camera, Little Texas Aggie Bear started to cry. “What’s wrong?” asked Alamo Basement Aggie Ring.

 

“It’s the bubble bath.” sobbed the little bear. “If anyone in the Trumpet Case Bear Union sees those photos, I’ll loose my certification and be forced to become the worst sort of bear ever — a tuba/Sousaphone case bear.”

 

I assured the little bear that no one would ever see any of these photos and think that he’s some sort of “Barbie Dream House” bear. This seemed to put him at ease and please him.

 

After I rinsed him a couple of times, Aggie Ring and I realized we had a very, very wet bear to deal with. “If you don’t get him dry soon. He’ll start to smell like wet dog!” said Aggie Ring.

 

My first thought was, “Well… the ceiling fan will get him dry! I’ll just hang him up by the neck to it.” Sadly, when I turned on the fan, Aggie Bear went flying across the room and onto the hard floor like a child who wasn’t strapped in properly in a Disney World wild ride.

 

[More to follow]

Tuesday is a leg day.

 

Back on the bike.

 

And as Jools goes to a class at eight, I have to be back home by then.

 

So, I set the alarm for half five and am awake before it goes off.

 

There enough time for a brew before leaving, just as dawn breaks, but well before the sun rises.

 

I ride round Doha for forty minutes, then go down to the café for a coffee and a flapjack, as I had a blood test at ten.

 

I enjoy sitting and drinking. One of the worse things about the kitchen is not being able to make proper coffee, so one at the centre is very good.

 

Then back home for twenty past seven, just as traffic was building, the sun was up and it was going to be a sunny if blustery day.

 

Jools leaves, so I wait for Crag to arrive, and when he does I can go upstairs for a shave and shower, and be lovely for the nurse later.

 

Jools come home, and we're straight out so she can drop me off for the blood test, and once that's done we're off out in the car for the day. Or half day.

 

I have to wait ten minutes or so, but the good news is that the blood is red, though my weight is far higher than I thought.

 

But I am doing something about it.

 

Back outside and into the car, so I drive us to Dover, then up the A20 past Folkestone and Ashford to Maidstone, as we were doing a little churchcrawling.

 

We turn off at Hollingbourne, then take the road through Leeds, where I pull in to revisit the church, as it was about a decade since I was last here.

 

The tower is by far the most impressive thing here, thick walls several feet thick, with a small, stumpy spire on top.

 

But it was open, so I take shots of the glass, all Victorian, but of high quality.

 

Then back outside to deal with the narrow main road through the village, dodging between parked cars and ancient buildings that jut out into the road.

 

Across the busy junction, and along to Loose before turning down the main road through Linton and out onto the Weald.

 

Why are we going to Staplehurst?

 

Well, All Saints has one of the few confirmed anchorite cells, or the remains of one, and when I came a few years ago, I snapped the small window from inside, not from the outside.

 

Each time we come across a small window or opening in either the north or south wall of a church, we think anchorite, but it seldom is. But as Staplehurst there are two windows: one larger than the other, and outside the remains of where the cell would have stood.

 

I had checked that the church would be open; its open most days, so with high spirits, we park on the main road, walk back to the church, and while Jools goes inside, I walk to find the remains of the cell.

 

On the north wall of the Chancel, there are the two windows, and below a depression showing where the cell would have stood. It was only 10 feet by ten feet or so, and the anchorite could have lived here years.

 

I walk round and pay attention to the door in the south porch, the ironwork is 11th century Danish, and is very important. Sad then, that the church locks the door away, and last time I came was obscured by stored tables and suchlike. At least now the view is clear.

 

I go in to take shots. Again the glass is good Victorian, but the Chancel is being dug up, partially uncovered tombs can been seen in the soil, so I could not get to the anchorite windows.

 

We walk up the hill, and it is a hill, to the Kings Head for lunch, and get a table by the fire. It is very busy, especially for a Tuesday, but the food is great when it comes: steak and al pie for me and a "dirty" burger and fries for Jools.

 

And then it was time to come home. The car guided us a slightly different way, then up the hill of the Weald and onto the outskirts of Maidstone, before heading back east to Leeds and then the motorway home.

 

The sun shone as we drove, it was like a summer's day, traffic was light too.

 

We dropped down into Dover, past a line of trucks waiting to enter the port. We turned up Jubilee Way, through traffic that had just back off the ferry, before turning onto the Deal Road and home.

 

Craig was still working hard. He had to fix all the units in place before the end of the day, as on Wednesday the technician was coming to measure the worktops with lasers.

 

In the end he was done at quarter past four, so the back door was closed and the heating put on.

 

I made a brew.

 

Outside, I filled up the feeders in the gathering dusk, to be ready for the morning. Scully was tested, jabbed and fed.

 

We closed the curtains to the world, and I started on the final volume of the Book of Dust.

 

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The south doorway is the feature most visitors seek out - the ironwork on it dates from about 1050 and is of Danish influence, showing the story of the Norse Day of Judgement. It is difficult to make out all the features that the design represents, but with perseverance a shoal of fish, a single large flying fish and an eel may be identified. There is a theory that it was made for somewhere more important than Staplehurst and that it found its way here at a later date. After the door the rest of the church is rather tame, consisting of nave, chancel, south aisle and chapel. To the north of the chancel stood an anchorite's cell - the small window that led to it may still be seen and the foundations are visible outside. The glass in the north window (1952) is by Owen Jennings. Under the tower is a series of colourful Tudor panels, four of which have shears carved on them, reminding us that Staplehurst was one of the centres of Kent's medieval wool trade, whose profits helped rebuild this church.

 

www.kentchurches.info/church.asp?p=Staplehurst

 

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STAPLEHURST

Is the last parish to be described in this hundred, being situated the next north-west from that of Frittenden. So much of it as is in the north borough, the boroughs of King's Franchise and Faircrouch, or Lovehurst, is in the bailiwic of the Seven Hundreds, and hundred of Cranbrooke; and another part of it is in the hundred of Marden; all which above-mentioned is in the lower division of the lath of Scray.

 

The residue of this parish is in the lath of Aylesford, viz. that part of it which is in the hundred of Eyhorne, and that part likewise called Detling borough, which contains in it six or seven houses, is in the hundred of Maidstone.

 

The liberty of the court of the bailiwic of the Seven Hundreds claims paramount over that part of this parish which is in the hundred of Cranbrooke, subordinate to which there are several small manors, or rather manor farms in it. It is within the division of West Kent.

 

THE PARISH of Staplehurst, though healthy like its neighbourhood, is, excepting the village of it, an unpleasant situation, having a gloomy and dreary appearance; the country is low, flat, and miry; the houses dispersed at distances from each other, and along the broad green swerds, and small forstals in it. The stream which comes from Cranbrooke runs along the southern boundary of it, as the Hedcorne stream to wards Stylebridge does along the eastern and northern parts of it. The soil is in general a wet clay, intermixed with marle at different places, and in the southern part of it some sand. The high road from Maidstone over Cocksheath, and by Stylebridge to Cranbrooke and Tenterden, leads through it, being like the rest of the high roads in these parts fabricated of sand; the bye roads are equally bad, and nearly impassable as the neighbouring ones in wet weather and winter. There is but very little wood in it.

 

The village, or street of Staplehurst, is built on each side of the great road, at the 47th mile-stone from London, being the only part of this parish which can be called tolerably pleasant and dry, being situated on the side of a hill, from the knoll of which it continues to the bottom of it, having the church at the south end of it, and the parsonage-house just below it. The houses are mostly old-fashioned and large timbered; most of them shops, but there are three or four good modern built houses interspersed among them, which stand pleasantly on the hill, having a fine view over the Weald southward,

 

The parish contains about eighty-eight houses, and not quite a thousand inhabitants. The rents of it are about 3000l. per annum. There are two meetinghouses; one for the Baptists, the other for the Presbyterians.

 

At the entrance of the village, on the hill, at a small distance from the high road, on the east side of it, is a large antient manor-house, called Loddenden, situated within the borough of its own name. It was lately the property of Mr. Edward Usborne, deceased, and now of his widow, who lives in it.

 

THE MANOR OF STAPLEHURST was once part of the possessions of the family of Fremingham, or Farningham, as they were usually called. John, son of Ralph de Fremingham, of Lose, died in the 12th year of king Henry IV. possessed of it, and leaving no issue, he by will devised it to certain feoffees, who next year assigned it over, according to the directions of it, to John, son of Reginald de Pimpe, and his heirs male, with remainder to Roger Isle, as being nearest of blood to him.

 

John Pimpe died possessed of this manor in the 9th year of king Henry V. and in his descendants it continued down to Reginald Pimpe, esq. who, about the 12th year of Henry VII. conveyed it by deed to John Isley, esq His grandson Sir Henry Isley, (whose lands were disgavelled by the act of 2 and 3 Edward VI.) together with his son William Isley, being both attainted for the rebellion raised by Sir Thomas Wyatt, in the 1st year of queen Mary, their lands and estates became forfeited to the crown, and Sir Henry was executed at Sevenoke; but this manor staid with the crown but a very small time, for the queen granted it that year, together with lands here, which had been formerly belonging to the abbey of Boxley, and on the suppression of it had been granted by Henry VIII. to Sir Thomas Wyatt, and come to the crown on his attainder at the time above-mentioned, to Sir John Baker, her attorney general, in whose descendants they continued, in a like succession as Siffinghurst, already described, in the adjoining parish of Cranbrooke, till they were sold in 1752 to Galfridus Mann, esq. whose son Sir Horace Mann, bart is the present owner of them.

 

NEWSTED is a manor in this parish, which was annexed to the free chapel erected here by Flamon de Crevequer, and invested with several privileges; which gift, with all its franchises, was confirmed to it in the 41st year of Edward III. (fn. 1) But this chapel, with all others of the like sort, being suppressed, and their revenues given to the crown, by the act passed anno 1 Edward VI the king, not long afterwards, granted this manor to Sir Edward Wotton, Knt. one of his privycouncil, in whose descendants it continued down to Thomas, lord Wotton, who died in 1630, and before his death had settled it in marriage upon his eldest daughter and coheir married to Henry, lord Stanhope, son and heir of Philip, earl of Chesterfield. After which, she, by her feoffees in trust, passed it away to Mr. Robert Oliver, of Leyborne, whose son, of the same name, leaving an only daughter and heir Juliana, she carried it in marriage to Edward Covert, esq. of Sussex, who likewise left one daughter and heir, and she marrying Mr. Henry Saxby, entitled him to it. Soon after which it was alienated to Hales, and Mr. James Hales, of Rochester, in 1730, conveyed it by sale to Mr. Thomas Mercer, of Hawkhurst, whose son Mr. William Mercer died possessed of it some few years ago, and his son John Dunmoll Mercer, now of Hawkhurst, is the present owner of it.

 

This estate consists of two farms, adjoining to each other, called Great and Little Newsted, the latter of which claims an exemption of tithes. On this farm are the remains of a moat, and there is some appearance of a building having antiently stood within it.

 

There has not been any court held for it for many years.

 

HENHURST, as it is now called, was in antient times known more properly by the name of Engehurst, as appeared by some old dateless deeds relating to the bounds of some lands in this parish, in which they were mentioned to be situated juxta terras Osberti de Henghurst Supra dennam de Enghurst, and from this denne did that antient family of Enghurst, or Henhurst, take the first origin of its name, bearing for their arms, as appeared by several seals, for their paternal coat, Barry, of six pieces; and having continued in possession of this place from the reign of Edward II. till that of Henry VI. at length Henry Henghurst, in the 23d year of it, settled it, by his feoffees in trust, on his kinsman John Nash, in which name it continued in the reign of Henry VII. and was then alienated to Sir William Kempe, of Ollantigh, sheriff anno 20 Henry VIII. and he died possessed of it at the latter end of that reign. His son Sir Thomas Kempe, alienated it to Thomas Roberts, who held it of the manor of West-court, in Detling, and died possessed of it anno 5 and 6 Philip and Mary. At length one of his descendants John Roberts, alienated it to Henry Moody, who died before the middle of king James I.'s reign, and left an only daughter Sybell, who carried the manor of Henhurst in marriage to Thomas Lusher, who, before 1634, had alienated it to Samuel Hovenden, gent. who bore for his arms, Chequy, argent, and sable, on a bend, gules, three lions heads erased, or, and died soon after the death of king Charles I. by one of whose daughters and coheirs Elizabeth, it was carried in marriage to Patrick Tyndall, gent. whose son Thomas was possessed of it at the latter end of the reign of Charles II. (fn. 2) His heirs alienated it to Mr. John Love, whose grandson leaving an only daughter and heir, she entitled her husband Mr. John Waller to the possession of it; but the remainder, on failure of issue by them, is vested in her kinsman Mr. John Love, of this place.

 

SPILSILL-COURT was once, as appears by antient deeds, the residence of a family of that name, who, before the end of king Edward II.'s reign, were extinct here, and it was become the property of Stangrave, of Stangrave, in Eatonbridge; for Sir Robert de Stangrave, at his decease in the 12th year of Edward III. held some estate at Spilsill, but about the end of that reign the Maineys were become owners of it; in which name it continued down to Walter Mayney, second son of John Mayney, esq. of Biddenden, who kept his shrievalty here in the 13th year of queen Elizabeth. (fn. 3) His descendant, in the reign of king James I. sold it to Mr. John Sharpye, clothier, who resided here, and died in 1613. His son, of the same name, who died in 1617, left an only daughter Frances, married to Mr. George Thomson, of London, in whose right he became possessed of it; and in his descendants it continued till it was sold to Nicholas Toke, of Maidstone, by whose daughter Constance it went in marriage to Mr. William Usborne, gent. of this parish, descended of ancestors of long standing in these parts, who bore for their arms, Quarterly, first, and fourth, ermine, of five spots; second and third, azure, a cross, or; (fn. 4) and his son Nicholas Toke Ulborne, gent. now of Staplehurst, is the present owner of this estate.

 

AYDHURST, usually called Little Aydhurst, is a manor here, lying about three quarters of a mile north-west from the church, the mansion of which has been some time gone to ruin. It was formerly the property of the family of Lambe, of Sutton Valence, one of whom, Thomas Lambe, gent. possessed it in 1692, whose daughter and heir carried it in marriage to Thomas Peene, junior, and he sold it to Jeremy Parker, whose descendant Augustine Parker, in 1752, passed it away by sale to Mr. John Rawlins, of Maidstone, whose widow Mrs. Rawlins, at her decease within these few years devised it by her last will to Mr. George Prentice, timber-merchant, of that place, who is the present possessor of it.

 

There is no court held for this manor, which is held of that of Sutton Valence, and is described in the rolls by the name of part of the denne of Adburst.

 

WIDHURST, alias LOWER PAGEHURST, by which latter name it is usually called, is a manor, situated at a very small distance southward from that last described. It was sometime since owned by Mayo, who devised it by will to Mary his wife, for her life, and she having remarried Mr. John Philcocks, entitled him to it for that time, but on her decease it became divided in shares among her several children, and they are now respectively entitled to it. A court baron is held for this manor.

 

LOVEHURST is a manor, which lies about a mile and a quarter southward from Lower Pagehurst, and is of somewhat more considerable account than those last mentioned, giving name to a small borough in this hundred. This manor was given among other premises, in the reign of Henry II. by Robert de Thurnham, by the description of all his land at Lofherste, with its appurtenances, to the priory of Combwell, in Goudhurst, at that time founded by him, (fn. 5) and it remained part of the possessions of it till the 27th year of Henry VIII. when it was suppressed by the act then passed, as not having revenues to the clear yearly value of two hundred pounds.

 

This manor remained but a small time in the crown, for the king, in his 29th year, granted it to Thomas Culpeper, gent. to hold in capite by knight's service; but he did not continue possessed of it long, for it appears by the escheat-rolls, that it was again in the crown in the 34th year of that reign, when the king granted this manor, with its appurtenances, to Sir John Gage, to hold in like manner. He sold it to Thomas Wilsford, esq. of Hartridge, whose son, of the same name, had possession granted of it in the 7th year of queen Elizabeth. Soon after which he a ienated it to Mr. John Baker, from which name it passed in that name reign, to Stanley; at length, after some intermediate owners, it came into the name of Johnson, one of which, about fifty years ago, gave it by will to St. Bartholomew's hospital, in London, part of the revenues of which it continues at this time.

 

The borough of Lovehurst has a court leet of itself, holden at the manor of Loverhurst, and the inhabitants of it owe no service to the court leet for the hundred of Cranbrooke; but at this court leet of Lovehurst, a constable for that hundred may be chosen out of this borough.

 

AT A SMALL DISTANCE from the south end of the village of Staplehurst is Iden-green, on which stood, till within these few years, the mansion of THE MANOR OF IDEN. This manor was formerly the property of Chiffinch, from one of which name it passed to Brain Faussett, esq. of Heppington, whose son the Rev. Mr. Bryan Faussett sold it, about twenty years ago, to Mr. Thomas Simmons, gent. the present owner of it.

 

There was a court held for this manor about seventy years ago, on Iden-green, under an oak, and some years afterwards in the mansion; but the oak being felled, and the house taken down, none has been held since, nor probably will be again.

 

MAPLEHURST and EXHURST, are two manors here, which in antient times were of no small account, the former of them being situated within the bounds of one of those thirteen denberries which Kenewulf, king of Mercia, and Cuthred, king of Kent, gave to Wernod, abbot of St. Augustine's, Canterbury, at the time he gave to that monastery the manor of Lenham, being called in that grant Mapulterhurst. This estate was in the reign of Edward I. in the possession of the family of St. Leger, and Thomas de St. Leger, in the 29th year of that reign, had a grant of free warren for his lands at Mapelherst; (fn. 6) and in his descendants it continued till it was at length sold to Roberts, or Robesart, one of which name. Sir Lewis Robesart, died possessed of it in the 10th year of king Henry VI. How long it continued in that name, or who were the successive owners of it from that time, I have not found; but in later times they both became the property of Speke, one of whom, in 1720, sold them to David Papillon, esq. of Acrife, in this county, whose son David Papillon, esq. late of that place, is the present owner of it.

 

Charities.

LANCELOT BATHURST gave by will in 1639, 150l. for the support of a schoolmaster, to instruct the sons of the poor in reading, writing, and accounts, which, with 40l. raised by the contribution of the parishioners, purchased a farm, rented at 10l. per annum, which the schoolmaster receives, and is obliged to teach ten boys for it.

 

MAJOR JOHN GINBON, who was born and baptised in this parish, gave by will in 1707, the remaining term in three Exchequer annuities of 70l. value (after the death of three relations) to the churchwardens and overseers of this parish, for the educating of poor boys in reading, writing, and arithmetic, and binding them apprentices to handicrafts and other trades. Phi. lips Gibbon, esq. survivor of the three, dying in 1762, there were then forty-two years to come unexpired, which being sold, by virtue of a decree in chancery, and the money laid out in the purchase of three per cent. consolidated annuities, produced a dividend of 50l. per annum, which is applied by the trustees appointed by the said court, according to the testator's intention.

 

THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sutton.

 

The church is dedicated to All Saints. It is a large handsome building, consisting of two isles and two chancels, having a tower steeple, with a beacon turret at the west end, in which are five bells. On the outside of the steeple, over the west door, is a coat of arms, viz. A lion, rampant; on the right side another coat, impaled, but desfaced; on the left, one, being a cross, engrailed, over a dormant window on the roof, on the south side in the church, is a curious antient canopy or ceiling of woodwork, in square compartments, on which are carved designs of three, such as are used by clothiers, and a crown, and a portcullis, &c. By the emblem of the sheers, it is supposed to have been put up by some one exercising that trade. The south chancel is said to have belonged to Spilsill court, there is a tomb of Bethersden marble in it, on which were the figures of a man between his two wives, that on the left hand only remains; it probably belonged to one of the family of Mayney. In the church-yard are several tomb stones for the family of Love, most of the inscriptions of which are obliterated, and one for Edward Simmons, obt. 1735.

 

The earliest patron I find of this rectory is, John Kempe, bishop of London, who died anno 4 king Henry VII. possessed of one acre of land in this parish, with the advowson of the church of Staplehurst annexed, held of the king, as of his manor of Marden, as was found by inquisition; and that Thomas Kempe was his kinsman and next heir. He was of Ollantigh, knight, and was the bishop's nephew, and died possessed of it, holding it by the like tenure. His son, of the same name, passed it away to Sir Richard Baker, who was possessed of it in 1578, and he soon afterwards sold it to Martin Culpeper, M. D. of Oxford, who, in the beginning of the next reign of king James, alienated it to Robert Newman, S. T. P. in whose descendants it continued several years; but in the reign of Charles II. John Clayton, esq. was owner of it; at length, about the time of queen Anne's reign, it was sold to the master and fellows of St. John's college, Cambridge, part of whose possessions it remains at this time.

 

¶It is valued in the king's books at 26l. 5s. 11d. and the yearly tenths at 2l. 12s. 7d. In 1578 there were four hundred and forty communicants here; in 1640, five hundred and eight, when it was valued at 160l. per annum.

 

There is no glebe land belonging to the rectory beside the scite of the house, garden, and forstal in the front of it.

 

In the Lambeth registers are articles of agreement between Robert Newman, clerk, D. D. rector, and his parishioners, concerning tithes in 1604; and a further order by archbishop Abbot, concerning the same, in 1607, in the library there, among the Cart. Miscell.

 

There are three farms in the borough of Lovehurst, in this parish, which pay the rector a modus of one shilling, in lieu of all tithes.

 

www.british-history.ac.uk/survey-kent/vol7/pp119-129

Throop village has existed for many years and is described in various historical texts relating to the Bournemouth area – in 1842 it is referred to as a Pleasant and secluded village.

 

One of the main characteristics of modern day Throop is the watermill referred to as “Throop Mill”. The watermill in Throop village has been present in some regard from the 1100’s passing through various ownerships including monks from Quarr Abbey and was mentioned in the Domesday Book

  

立法會鐵路事宜小組委員會視察港鐵金鐘站

立法会铁路事宜小组委员会视察港铁金钟站

LegCo Subcommittee on Matters Relating to Railways visits the MTR Admiralty Station (2015.05.19)

立法會跟進免遣返聲請統一審核機制有關事宜小組委員會

參觀青山灣入境事務中心

立法会跟进免遣返声请统一审核机制有关事宜小组委员会

参观青山湾入境事务中心

LegCo Subcommittee to Follow Up Issues Relating to the Unified Screening Mechanism for Non-refoulement Claims visits Castle Peak Bay Immigration Centre (2018.07.19)

 

In analytical psychology, the shadow (also known as ego-dystonic complex, repressed id, shadow aspect, or shadow archetype) is an unconscious aspect of the personality that does not correspond with the ego ideal, leading the ego to resist and project the shadow, creating conflict with it. The shadow may be personified as archetypes which relate to the collective unconscious, such as the trickster.[1][2][3][4][5]

 

Overview

Main articles: Defence mechanism and Anxiety

For broader coverage of this topic, see Introjection, Identification (psychology), and Guilt–shame–fear spectrum of cultures.

See also: Dark triad and Otto F. Kernberg

The shadow can be thought of as the blind spot of the psyche.[6] The repression of one's id, while maladaptive, prevents shadow integration, the union of id and ego.[7][8] While they are regarded as differing on their theories of the function of repression of id in civilization, Sigmund Freud and Carl Jung coalesced at Platonism, wherein id rejects the nomos.[clarification needed][9] Persona is contrasted against the shadow.[10] Jung regarded the shadow as unconscious – id and biography – suppressed under the superego's ego-ideal, the way the superego wants to be.[11] The shadow is projected onto one's social environment as cognitive distortions.[12] However, the shadow can also be regarded as "roughly equivalent to the whole of the Freudian unconscious",[13] and Jung himself asserted that "the result of the Freudian method of elucidation is a minute elaboration of man's shadow side unexampled in any previous age".[14]: 63 

 

Contrary to a Freudian definition of shadow, the idea can include everything outside the light of consciousness and may be positive or negative.[citation needed] Because a subject can repress awareness or conceal self-threatening aspects of the self, consensus of the idea of the shadow that it is a negative function in the self, despite the extent of the repression failing to prohibit these aspects.[15] There are positive aspects that can remain hidden in one's shadow – especially in people with low self-esteem, anxieties, and false beliefs – with these aspects being brought to the conscious mind and exercised through analysis and therapy.[16] It may be considered the subject's identification with id, superseded in early childhood, though it can also be influenced by early to late childhood.[17][18]

 

Jung wrote that if awareness of the projection of the shadow remains repressed, "the projection-making factor (the Shadow archetype) then has a free hand and can realize its object – if it has one – or bring about some other situation characteristic of its power", lending the idea autonomous qualities which can have consequences on the id and the ego.[19] These projections insulate and delude individuals in society by acting as a symbolically deployed barrier between the ego and the ego-less Real.

 

Collective shadow

Main article: Psychopomp

For broader coverage of this topic, see Systems psychology, Mephistopheles, and Daimon.

See also: Scapegoat, Collective trauma, and Odin

The collective unconscious, a concept that states that all of humanity shares some unconscious ideals, forms a projective identification with uncertainty and feelings of helplessness along with other negative feelings. This projection frequently identifies with the figure of the Devil as the "fourth" aspect of the Pauline-Christian trinity, functioning as its grounding myth.[24] This idea can be seen in other mythologies, for instance, the ancient-Egyptian-devil Set "represents overwhelming affects".[25] The collective shadow is ancestral and is carried by the collective experience of the human race (i.e., in-group and out-group: dehumanization; e.g., hate crime).[26][27]

 

Appearance

Main article: Daimon

For broader coverage of this topic, see Masking (personality) and Censorship (psychoanalysis).

See also: The Emperor's New Clothes

Jungians believe that the shadow aspect of the Self may appear in dreams and visions (i.e., mise-en-scène),[28][29] in various forms and typically "appears as a person of the same sex as that of the dreamer."[30]: 175  The shadow's appearance and role depend greatly on the living experience of the individual because much of the shadow develops in the individual's mind rather than simply being inherited from the collective unconscious and is important in the Jungian approach to dream interpretation.[30]: 183  Nevertheless, some Jungians maintain that "the shadow contains, besides the personal shadow, the shadow of society [...] fed by the neglected and repressed collective values."[31]

 

Jung also made the suggestion that the shadow may be made up of many layers. The top layers contain the meaningful flow and manifestations of direct personal experiences. These are made unconscious in the individual by such things as the change of attention from one thing to another, simple forgetfulness, or a repression. Underneath these specific layers, however, are the archetypes which form the psychic contents of all human experiences. Jung described this deeper layer as "a psychic activity which goes on independently of the conscious mind and is not dependent even on the upper layers of the unconscious – untouched, and perhaps untouchable – by personal experience."[32]

 

Encountering the shadow

Main article: Nekyia

For broader coverage of this topic, see Active imagination and Amplification (psychology).

See also: Dialectic, Dialogic, Hero's journey, and Katabasis

As the shadow is a part of the unconscious, a method called Shadow work is practiced through active imagination with daydreaming and meditation – the experience is then mediated by dialectical interpretation through narrative and art (pottery, poetry, drawing, dancing, singing, etc.); analysts perform dreamwork on analysands, using amplification to raise the unconscious to conscious awareness.[33][34][35] Jung uses the term Nekyia to describe the descent into darkness, where the ego fades.[36]

 

The eventual encounter with the shadow plays a central part in the process of individuation. Jung considered that "the course of individuation [...] exhibits a certain formal regularity. Its signposts and milestones are various archetypal symbols" marking its stages; and of these "the first stage leads to the experience of the shadow."[37] If "the breakdown of the persona constitutes the typical Jungian moment both in therapy and in development,"[38] it is this that opens the road to the shadow within, coming about when "beneath the surface a person is suffering from a deadly boredom that makes everything seem meaningless and empty...as if the initial encounter with the Self casts a dark shadow ahead of time."[30]: 170  Jung considered as a perennial danger in life that "the more consciousness gains in clarity, the more monarchic becomes its content...the king constantly needs the renewal that begins with a descent into his own darkness"[39]: 334  – his shadow – which the "dissolution of the persona" sets in motion.[40]

 

"The shadow personifies everything that the subject refuses to acknowledge about himself",[41]: 284  whether consciously or unconsciously, and represents "a tight passage, a narrow door, whose painful constriction no one is spared who goes down to the deep well."[41]: 21 

 

[If and when] an individual makes an attempt to see his shadow, he becomes aware of (and often ashamed of) those qualities and impulses he denies in himself but can plainly see in others – such things as egotism, mental laziness, and sloppiness; unreal fantasies, schemes, and plots; carelessness and cowardice; inordinate love of money and possessions...[30]: 174 

 

The dissolution of the persona and the launch of the individuation process also brings with it "the danger of falling victim to the shadow ... the black shadow which everybody carries with him, the inferior and therefore hidden aspect of the personality"[42] – resulting in a merger with the shadow.

 

Merging with the shadow

For broader coverage of this topic, see Positive disintegration, Anagoge, and Introjection.

Jung considered merging with the shadow as typically bad, viewing it as the process of the suppressed id overwriting or controlling the ego. According to Jung, the shadow sometimes overwhelms a person's actions; for example, when the conscious mind is shocked, confused, or paralyzed by indecision. "A man who is possessed by his shadow is always standing in his own light and falling into his own traps...living below his own level."[41]: 123  Hence, in terms of the story of Dr. Jekyll and Mr. Hyde, "it must be Jekyll, the conscious personality, who integrates the shadow ... and not vice versa. Otherwise the conscious becomes the slave of the autonomous shadow."[43]

 

Individuation inevitably raises that very possibility as it further separates the ego from the collective unconsciousness. As the process continues, and "the libido leaves the bright upper world... sinks back into its own depths... below, in the shadows of the unconscious."[44] so too what comes to the forefront is "what was hidden under the mask of conventional adaptation: the shadow", with the result that "ego and shadow are no longer divided but are brought together in an – admittedly precarious – unity."[45][full citation needed]

 

The effect of such "confrontation with the shadow produces at first a dead balance, a standstill that hampers moral decisions and makes convictions ineffective ... nigredo, tenebrositas, chaos, melancholia."[39] Consequently, as Jung knew from personal experience: "In this time of descent – one, three, seven years, more or less – genuine courage and strength are required",[46] with no certainty of emergence. Nevertheless, Jung remained of the opinion that while "no one should deny the danger of the descent [...] every descent is followed by an ascent",[47] and assimilation of – rather than possession by – the shadow becomes a possibility.

 

Assimilation of the shadow

Main articles: Anima and animus and Acceptance

For broader coverage of this topic, see Reality testing, Metanoia (psychology), Pleroma, and Post-traumatic growth.

Assimilation[48] is the process of acknowledging the shadow and possibly incorporating parts of it into the ego. Jungians believe this may lead to a numinous experience, while anchoring to the numinosum effect without reality testing can lead to ego inflation (qv., archetypal possession).[49]

 

In analytical psychology, the struggle for the superego is to retain awareness of the shadow, but not to become it or be controlled by it. "Non-identification demands considerable moral effort [which] prevents a descent into that darkness"; and though "the conscious mind is liable to be submerged at any moment in the unconscious...understanding acts like a life-saver. It integrates the unconscious."[50][full citation needed] This reincorporates the shadow into the personality, producing a stronger, wider consciousness than before. "Assimilation of the shadow gives a man body, so to speak,"[14]: 239  thereby providing a launchpad for further individuation. "The integration of the shadow, or the realization of the personal unconscious, marks the first stage in the analytic process... without it a recognition of anima and animus is impossible."[51] Conversely, "to the degree in which the shadow is recognised and integrated, the problem of the anima, i.e., of relationship, is constellated,"[41]: 270n  and becomes the centre of the individuation quest.

 

Carolyn Kaufman wrote that "in spite of its function as a reservoir for human darkness – or perhaps because of this – the shadow is the seat of creativity;"[52] so that for some, it may be that "the dark side of his being, his sinister shadow...represents the true spirit of life as against the arid scholar."[53] Nevertheless, Jungians warn that "acknowledgement of the shadow must be a continuous process throughout one's life;"[54] and even after the focus of individuation has moved on to the animus/anima, "the later stages of shadow integration" will continue to take place – the grim "process of washing one's dirty linen in private,"[55] of accepting one's shadow.

 

Popular culture

Mr. Hyde from Strange Case of Dr Jekyll and Mr Hyde[56]

The young wizard Ged in Ursula K. Le Guin's 1968 novel A Wizard of Earthsea must confront his own shadow, influenced by Le Guin's interest in Jung [57]

The 1971 David Bowie song "Shadow Man"[58]

Persona, a series of Japanese role-playing video games (JRPG) where many Jungian concepts are used directly, including the shadow, the collective shadow, Persona, and Archetypes[59][60]

The video games Alan Wake and Control reference many Jungian concepts such as the Collective unconscious, Synchronicity, and the shadow

Luke Skywalker's confrontation with Darth Vader in the cave of Dagobah in the film The Empire Strikes Back (1980)[citation needed]

Gollum with himself in the novel The Lord of the Rings (1954–1955)[citation needed]

See also

Psychology portal

Alter ego

Anger management

Antagonist

Anticathexis

Apollonian and Dionysian

Bias blind spot

Big Five personality traits

Cognitive bias

Cognitive dissonance

Cognitive distortion

Compartmentalization (psychology)

Death drive

Egosyntonic and egodystonic

Eros (concept)

Eudaimonia

Homunculus argument

Inferiority complex

The Shadow (fairy tale)

Transpersonal psychology

Yin and yang

Further reading

Abrams, Jeremiah. 1995. The Shadow in America. Nataraj.

Abrams, Jeremiah, and Connie Zweig. 1991. Meeting the Shadow: The Hidden Power of the Dark Side of Human Nature. Tarcher. ISBN 0-87477-618-X

Arena, Leonardo Vittorio. 2013. The Shadows of the Masters. ebook.

Bly, Robert. 1988. A Little Book on the Human Shadow, edited by William Booth. San Francisco: Harper and Row. ISBN 0-06-254847-6

Campbell, Joseph, ed. 1971. The Portable Jung, translated by R. F. C. Hull. New York: Penguin Books.

Johnson, Robert A. 1993. Owning Your Own Shadow: Understanding the Dark Side of the Psyche. Harper San Francisco, 128 pp. ISBN 0-06-250754-0.

– – 1989. Inner Work: Using Dreams and Creative Imagination for Personal Growth and Integration. Harper San Francisco, 241 pp. ISBN 0-06-250431-2.

Massi, Danielle. 2022. Shadow Work: Face Hidden Fears, Heal Trauma, Awaken Your Dream Life. New York: Sterling Ethos.

Neumann, Erich. 1990. Depth Psychology and a New Ethic (reprint ed.). Shambhala. ISBN 0-87773-571-9.

Zweig, Connie, and Steve Wolf. 1997. “Romancing the Shadow.” Ballantine.

– – “Meeting the Shadow of Spirituality.”

References

Beebe, John (2004). "Understanding consciousness through the theory of psychological types". In Cambray, Joseph; Carter, Linda (eds.). Analytical Psychology: Contemporary Perspectives in Jungian Analysis. Advancing Theory in Therapy. Routledge. p. 110. ISBN 978-1-58391-999-6. Opposing Personality [...] Senex/Witch [...] Trickster [...] Demonic Personality [...] EGO-DYSTONIC COMPLEXES Shadow.

Solomon, Hester McFarland (2004). "The ethical attitude in analytic training and practice". In Cambray, Joseph; Carter, Linda (eds.). Analytical Psychology: Contemporary Perspectives in Jungian Analysis. Advancing Theory in Therapy. Routledge. p. 251. ISBN 978-1-58391-999-6. The shadow, that portion of the self that the ego designates as bad and projects as unwanted, carries what is treacherous and subversive – what is unethical and immoral – within the self and hides it, relegating its contents to unconscious areas within the psyche where it can be lived out in projection, using and abusing the other as a vehicle for the bad aspects of the self.

Jung, Carl (1971). "Aion: Phenomenology of the Self (The Ego, the Shadow, the Syzygy: Anima/Animus)". In Campbell, Joseph (ed.). The Portable Jung. Penguin Books. pp. 145, 146. ISBN 978-0-14-015070-4. The shadow is the moral problem that challenges the whole ego-personality [...] To become conscious of it involves recognizing the dark aspects of the personality as present and real. [...] dark characteristics[...]the inferiorities constituting the shadow[...]have an emotional nature, a kind of autonomy, and accordingly an obsessive or, better, a possessive quality. [...] These resistances are usually bound up with projections, which are not recognized as such, and their recognition is a moral achievement beyond the ordinary.

Hillman, James (1977). Re-Visioning Psychology. Harper. p. 128. ISBN 978-0-06-090563-7. Archetypal psychology envisions the fundamental ideas of the psyche to be expressed of persons – Hero, Nymph, Mother, Senex, Child, Trickster, Amazon, Puer and many other specific prototypes bearing the names and stories of the Gods. These are the root metaphors.

Avens, Roberts (1977). "The Image of the Devil in C. G. Jung's Psychology". Journal of Religion and Health. 16 (3): 196–222. doi:10.1007/BF01533320. JSTOR 27505406. PMID 24318090. S2CID 13610615. Retrieved 2022-06-25. The shadow symbolizes our 'other side,' the unrecognizable and disowned, animal-like personality rejected by the ego. [...] [T]he trickster, in Jung's psychology, is the collective shadow figure par excellence.

Brown, Rebecca; Stobart, Karen (2008). Understanding Boundaries and Containment in Clinical Practice. The Society of Analytical Psychology Monograph Series. Karnac Books. p. 7. ISBN 978-1-85575-393-8. Those parts of our psyches that are hidden and that we find difficult to face, Jung called 'the shadow'.

Avens, Roberts (1977). "The Image of the Devil in C. G. Jung's Psychology". Journal of Religion and Health. 16 (3): 196–222. doi:10.1007/BF01533320. JSTOR 27505406. PMID 24318090. S2CID 13610615. Retrieved 2022-06-25. [M]odern civilization provides inadequate opportunities for the shadow archetype to become individuated because in childhood our animal instincts are usually punished by parents. This leads to repression: the shadow returns to the unconscious layer of the personality, where it remains in a primitive, undifferentiated state.

Le Guin, Ursula K. (1975). "The Child and the Shadow". The Quarterly Journal of the Library of Congress. 32 (2): 139–148. JSTOR 29781619. Retrieved 2022-06-25. The shadow is all that gets suppressed in the process of becoming a decent, civilized adult. [... it's] man's thwarted selfishness, his unadmitted desires, the swearwords he never spoke, the murders he didn't commit. The shadow is the dark side of his soul, the unadmitted, the inadmissible.

Demos, Raphael (1955). "Jung's Thought and Influence". The Review of Metaphysics. 9 (1): 71–89. JSTOR 20123485. Retrieved 2022-06-25. As for the 'shadow' side of human nature (on which there is no difference of opinion between Freud and Jung) we may remind ourselves of Plato's phrase that 'in all of us, even those that are the most respectable, there is a lawless, wildbeast nature which appears in sleep' [...] (Republic 571-2)

Demos, Raphael (1955). "Jung's Thought and Influence". The Review of Metaphysics. 9 (1): 71–89. JSTOR 20123485. Retrieved 2022-06-25. [T]he polarity of opposites[...]persona-shadow[.])

Humphrey, Caroline (2015). "Shadows Along the Spiritual Pathway". Journal of Religion and Health. 54 (6): 2376–2388. doi:10.1007/s10943-015-0037-2. JSTOR 24735970. PMID 25794547. S2CID 11733262. Retrieved 2022-06-25. Jung construed [...] the personal shadow, [as] a biological and biographical shadow unique to each person, consisting of whatever innate instincts and transpersonal potentials we have suppressed in the course of adapting to society, along with archaic and traumatic memories [of the unconscious]. [...] The personal shadow is rooted in the shadow of our social group, which has moulded our ego-ideal and world view[.]

Spivack, Charlotte K. (1965). "The Journey to Hell: Satan, the Shadow, and the Self". The Centennial Review. 9 (4): 420–437. JSTOR 23737939. Retrieved 2022-06-25. The major activity of the shadow is what Jung calls projection. [...] cast[ing] forth its ruling [negative] emotions [...] into other people ('people don't like me') or [...] considers [everything] a hostile, malevolent environment ('the world is against me').

Anthony Stevens, On Jung (London 1990) p. 43

Jung, C. G. 1993. The Practice of Psychotherapy. London.

Jung, C.G. 1938. "Psychology and Religion". In Psychology and Religion: West and East, Collected Works of C.G. Jung 11. p. 131

Young-Eisendrath, P. and T. Dawson. 1997. The Cambridge Companion to Jung. Cambridge University Press. p. 319.

Jung, C.G. 1952. "Answer to Job." In Psychology and Religion: West and East, Collected Works of C.G. Jung 11. p. 12.

Fordham, Michael (January 1965). "The Importance of Analysing Childhood for Assimilation of the Shadow". Journal of Analytical Psychology. 10 (1): 33–47. doi:10.1111/j.1465-5922.1965.00033.x. ISSN 0021-8774. PMID 14253371.

Jung, C.G. 1951. "Phenomenology of the Self." In The Portable Jung. p. 147.

Avens, Roberts (1977). "The Image of the Devil in C. G. Jung's Psychology". Journal of Religion and Health. 16 (3): 196–222. doi:10.1007/BF01533320. JSTOR 27505406. PMID 24318090. S2CID 13610615. Retrieved 2022-06-25. [A]s superstition holds, a man without shadow is the devil himself. [...] The devil[...]can be regarded as God's dissatisfaction with himself, a projection of his own doubt [...] The devil here is a psychopomp[.]

Humphrey, Caroline (2015). "Shadows Along the Spiritual Pathway". Journal of Religion and Health. 54 (6): 2376–2388. doi:10.1007/s10943-015-0037-2. JSTOR 24735970. PMID 25794547. S2CID 11733262. Retrieved 2022-06-25. So it is originally a darkness of obscurity and mystery, rather than a darkness of degeneracy, disease or 'evil'. [...] a byproduct of our tendency to repress impulses which are anathema to our ego-ideals[.]

Clark, Margaret (2005). Understanding the Self-Ego Relationship in Clinical Practice: Towards Individuation. Routledge. p. 8. ISBN 978-0-367-10552-5. Jung often uses language we usually associate with God to think about the collective unconscious.

Schwartz-Salant, Nathan (2018) [1989]. The Borderline Personality: Vision and Healing. Chiron Publications. p. 92. ISBN 978-1-63051-515-7. Jungian theory commonly fills the place of the 'fourth' with the archetypal feminine but also includes evil as a fourth element.

[20][21][22][23]

Schwartz-Salant, Nathan (2018) [1989]. The Borderline Personality: Vision and Healing. Chiron Publications. p. 21. ISBN 978-1-63051-515-7. In Egyptian myth the devil Set, who is the enemy of the forces of order, represents overwhelming affects, including terrifying abandonment depression and dismemberment.

Humphrey, Caroline (2015). "Shadows Along the Spiritual Pathway". Journal of Religion and Health. 54 (6): 2376–2388. doi:10.1007/s10943-015-0037-2. JSTOR 24735970. PMID 25794547. S2CID 11733262. Retrieved 2022-06-25. Jung construed [...] the collective shadow, an ancestral shadow which [has been] accrued in the course of history in respect of each collectivity [...] both particularistic social groups and the human species as a whole.

Le Guin, Ursula K. (1975). "The Child and the Shadow". The Quarterly Journal of the Library of Congress. 32 (2): 139–148. JSTOR 29781619. Retrieved 2022-06-25. The shadow is projected outward, onto others. There's nothing wrong with me – it's them.

Le Guin, Ursula K. (1975). "The Child and the Shadow". The Quarterly Journal of the Library of Congress. 32 (2): 139–148. JSTOR 29781619. Retrieved 2022-06-25. The shadow stands on the threshold between the conscious and unconscious mind, and we meet it in our dreams, as sister, brother, friend, beast, monster, enemy, guide.

Derrida, Jacques; Domingo, Willis; Hulbert, James; Ron, Moshe; L., M.-R. (1999). "The Purveyor of Truth". Yale French Studies (96): 124–197. doi:10.2307/3040722. JSTOR 3040722. Retrieved 2022-08-22. The dreamer is the only one to see himself naked. And in contemplating his nakedness, he is alone. This, Freud says, is 'a suggestive point.' [...] the other [dream] people should be staring and laughing or becoming angry, but they are not.

von Franz, Marie-Louise. [1964] 1978. "The Process of Individuation." In Man and his Symbols, edited by C. G. Jung. London: Picador. ISBN 0-330-25321-2.

Fordham, Michael. 1978. Jungian Psychotherapy. Avon. p. 5.

Jung, C.G. The Structure and Dynamics of the Psyche. p. 148.

Humphrey, Caroline (2015). "Shadows Along the Spiritual Pathway". Journal of Religion and Health. 54 (6): 2376–2388. doi:10.1007/s10943-015-0037-2. JSTOR 24735970. PMID 25794547. S2CID 11733262. Retrieved 2022-06-25. Learning to [day]dream [...] is advisable for the serious practitioner of shadow work, and Jung developed the technique of active imagination to this end. If we carve out a regular space – time for silence and solitude, we may discern the murmurings of another voice within us or the spontaneous formation of an image in our mind [...] afterwards we need to record our experiences to render the memorable by writing a message, drawing an image, performing a dance sequence or vocalising a melody (cf. Hannah 1991; Rowan 2005, pp. 125-147)

Falzeder, Ernst (2012). "Freud and Jung, Freudians and Jungians". Jung Journal: Culture & Psyche. 6 (3): 24–43. doi:10.1525/jung.2012.6.3.24. JSTOR 10.1525/jung.2012.6.3.24. S2CID 144239928. Retrieved 2022-06-28. Apart from using dreams, Jung's method of soliciting emanations and manifestations of the unconscious was that of 'active imagination,' a method that produces a kind of waking vision or phantasy, which he then subjected to what he called 'amplification,' consisting essentially in finding 'parallels' to those images in 'collective' imaginations, such as myths, religious systems and practices, visions, alchemy, yoga[.]

Clark, Margaret (2005). Understanding the Self-Ego Relationship in Clinical Practice: Towards Individuation. The Society of Analytical Psychology Monograph Series. Routledge. p. 93. ISBN 978-0-367-10552-5. Active imagination is a technique that promotes dialogue between the ego and the self. The ego is deliberately set aside temporarily, and images from the unconscious arise and develop; the ego watches the story unfold as in a theatre, noting plot, characters, setting, dialogue. [...] If the patient is on their own [doing solo-work], it is obviously important that their ego is able to cope with whatever images and affects the self produces [...] the practitioner of active imagination can be overwhelmed by the emerging unconscious material[.] [...] Art therapy and drama therapy are based on the theory of active imagination; images can also be formulated in pottery, or poetry.

Marlan, Stanton. The Black Sun: The Alchemy and Art of Darkness. pp. 23–25. Jung refers to the descent into darkness as nekyia. In Psychology and Alchemy, Jung uses this Greek word to designate a ' 'journey to Hades,' a descent into the land of the dead.' [...] The nekyia ultimately leads to the fading of the ego's light and a death[.]

Jacobi, J. 1946. The Psychology of C. G. Jung. London. p. 102.

Homans, Peter. 1979. Jung in Context. London. p. 102.

C. G. Jung, Mysterium Coniunctionis (London 1963)

Jung, C. G. 1953. Two Essays on Analytical Psychology. London. p. 277.

Jung, C.G. The Archetypes and the Collective Unconscious (London 1996).

Jung, C. G. 1954. "Psychology of the Transference." In Practice of Psychotherapy, Collected Works 16. London. p. 219.

Stevens, Jung p. 50

Jung, C. G. 1944. Psychology of the Unconscious. London. pp. 181–82.

Jung "Psychology"[full citation needed] pp. 238–39

Bly, Robert, and Marion Woodman. 1999. The Maiden King. Dorset.

Jung, C. G. Symbols of Transformation (London 1956) pp. 357, 375

"Definition of ASSIMILATE". www.merriam-webster.com. 2023-10-16. Retrieved 2023-10-23.

Schwartz-Salant, Nathan (2018) [1989]. The Borderline Personality: Vision and Healing. Chiron Publications. pp. 93, 121. ISBN 978-1-63051-515-7. Only with a conscious integration of the shadow can the positive numinosum actualize. [...] The experience of our [human limiations via] embodied size is essential for the numinosum to gain actuality; without this knowledge of our limitations, and hence, an awareness of our humanity, contact with the numinosum leads to an inflated state. [...] ego [...] inflation[.]

Jung, "Psychology"[full citation needed] pp. 260, 266, and 269

Jung, C. G. Aion: Researches into the Phenomenology of the Self. (London 1959) p. 22

Kaufman, Carolyn. "Three-Dimensional Villains: Finding Your Character's Shadow." Archetype Writing: The Writer's Guide to Psychology.

Jung, C. G. Memories, Dreams, Reflections (London 1983) p. 262

Hart, David L. 1977. "The classical Jungian school." In The Cambridge Companion to Jung, edited by P. Young-Eisendrath and T. Dawson. Cambridge: Cambridge University Press. p. 92

Stevens, On Jung p. 235

Gómez Moreno, Marta; Hewitt Hughes, Elena Carolina (July 2016). "An analysis of Stevenson's novel based on Jung's theory of the Shadow archetype in The strange case of Dr. Jekyll and Mr. Hyde". Alpha (Osorno) (42): 51–76. doi:10.4067/S0718-22012016000100005. ISSN 0718-2201.

Bailey, Edgar C. (1980-01-10). "Shadows in Earthsea: Le Guin's Use of a Jungian Archetype". Extrapolation. 21 (3).

Stark, Tanja (22 June 2015). Crashing Out with Sylvian: David Bowie, Carl Jung and the Unconscious" in Deveroux, E., M.Power and A. Dillane (eds.) David Bowie: Critical Perspectives. Routledge Press. pp. 82–110. Retrieved 4 December 2016.

"'Persona' Bends But Doesn't Totally Break Jungian Psychology". Inverse. 2016-10-27. Retrieved 2023-11-08.

Gailloreto, Coleman (2020-04-10). "The Jungian Psychology Concepts Which Acted As Inspiration For The Persona Franchise". ScreenRant. Retrieved 2023-11-08.

External links

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One story relates how, while Nicholas was visiting a remote part of his diocese, several citizens from Myra arrived with the news that, in his absence, the ruler of the city, Eustathius, had condemned three innocent men to death. Nicholas set out immediately for home. Reaching the outskirts of the city, he asked those he met on the road if they knew what had happened to the prisoners. Informed that their execution was to be carried out that morning, he hurried to the executioner's field, where he found a large crowd of people and the three men kneeling with their arms bound behind them, awaiting the blow of the sword. Nicholas passed through the crowd, took the sword from the executioner's hands and threw it to the ground, ordering that the condemned men be freed from their bonds. Later the ruler sought the saint’s forgiveness. Only after a period of public repentance did Nicholas absolve him.

 

Ilya Repin's painting of the same scene: www.flickr.com/photos/jimforest/995851770/

El Relator Rodrigo Escobar Gil atiende solicitudes de entrevistas con miembros de la prensa hondureña e internacional tras la presentación del Informe sobre la Situación de las Personas Privadas de Libertad en Honduras. 2 de agosto de 2013, entrada principal de la Casa Presidencial, Tegucigalpa.

For this project we had to take pictures that relate to a social issue and put them on a poster format. For the social issue, I chose infrastructure. I chose this issue because it’s something i heard a lot about during the 2016 election and i learned more about it. America’s overall grade for infrastructure is a D+. Roads, dams, parks, energy, drinking water, etc are all things that received less than a C+ rating for 2017.

My first picture is of a stairway railing in a house. I really liked the shadows on the wall from the outside light. Houses and buildings are a big part of our infrastructure so i decided to include this photograph.

My second picture is of a brick building in a park by my neighborhood. I liked how the trees in the background were in light and the building was darker. In 2005 and 2009 the overall grade for parks and recreation stayed consistent at a C-. In 2013 the grade rose to a C but in 2017, it fell all the way down to a D+, dropping to its lowest grade. There is an estimated $4.85 billion of unmet needs for America’s parks system.

My third photo is of a stone pathway in a concrete driveway. I liked the leading line of the stone to the end of the picture. In California there are 394,608 miles of Public Roads, with 50% in poor condition. America’s overall grade for roads has stayed at a consistent D since 2005.

The next photograph is a fence near my sister’s school. The overall grade for schools in America rose to a D+ from a D this year, but california’s schools have an estimated capital expenditure gap of $3.2 billion.

The next picture is a tire mark on my driveway with the light coming in from the background. I wanted to incorporate driving into the infrastructure issue because all the driving in America causes most of the damage to our public roads. In a place like Seattle, drivers spend an estimated 66 hours a year in traffic. In Los Angeles the average driver spends 81 a year. This is the most of any major city in America. On Wednesdays at 8 am, the most congested period of time, drivers go an average of 17 mph and spend 58 minutes longer in their cars than they would if there were no or little traffic.

The biggest photograph is of the top part of my house. I thought this picture should be the biggest one because it was the prettiest in my opinion. I think the lighting and the color of the sky combined made for great color and contrast in the photo.

The next picture is of light coming down onto wood. This is my least favorite picture because it doesn’t have anything that stands out but i did however like that it was showcases beautiful wood that we wouldn’t be able to have it we didn’t take care of our planet and the infrastructure that’s on it.

The next photo is a large crack in a dirt road. This was probably caused by many people walking over it. There are $26.2 billion in wastewater infrastructure needs over the next 20 years and America received a C+ in solid waste and a D+ in hazardous waste in 2017.

The next picture is of sun coming through a glass door. I really liked how this picture made me think of energy while looking at it. America’s overall grade in energy is a C+ this year rising from a D+ where it was at for a while.

The last photo is of a waterfall. I wanted to include a picture of water because drinking water is a huge part of our suffering infrastructure. Drinking water has had an overall grade of a D since 2009. There are $44.5 billion in drinking water infrastructure needs over the next 20 years.

In conclusion, i really liked this project because i got to learn more about an issue that is so important. It did take a lot of time to put together, but i appreciate the neatness and presentability. This deteriorating infrastructure impedes California’s ability to compete in an increasingly global marketplace so we need to do something about it.

 

Dundalk overwhelm Bangor in All Ireland Final

by Roger Corbett

Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.

Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.

The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.

Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.

Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.

The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.

By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.

As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.

From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.

As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.

From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.

Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.

Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan

Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson

Bangor scores: D Charles (1T)

Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie

Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.

Bangor Scorers: David Charles 1 try.

In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.

Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.

Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.

Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.

  

Dundalk overwhelm Bangor in All Ireland Final

by Roger Corbett

Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.

Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.

The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.

Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.

Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.

The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.

By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.

As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.

From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.

As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.

From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.

Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.

Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan

Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson

Bangor scores: D Charles (1T)

Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie

Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.

Bangor Scorers: David Charles 1 try.

In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.

Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.

Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.

Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.

  

Dundalk overwhelm Bangor in All Ireland Final

by Roger Corbett

Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.

Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.

The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.

Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.

Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.

The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.

By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.

As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.

From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.

As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.

From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.

Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.

Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan

Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson

Bangor scores: D Charles (1T)

Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie

Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.

Bangor Scorers: David Charles 1 try.

In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.

Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.

Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.

Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.

View this map on the BL Georeferencer service.

 

Image taken from:

 

Title: "Memoirs relating to European and Asiatic Turkey; edited from manuscript journals, by R. Walpole. (Travels in various countries of the East; being a continuation of Memoirs relating to European and Asiatic Turkey, &c.)"

Author: WALPOLE, Robert - Rev

Shelfmark: "British Library HMNTS 1786.d.13.", "British Library HMNTS 982.i.7."

Volume: 01

Page: 377

Place of Publishing: London

Date of Publishing: 1817

Publisher: Longman & Co.

Issuance: monographic

Identifier: 003842704

 

Explore:

Find this item in the British Library catalogue, 'Explore'.

Open the page in the British Library's itemViewer (page image 377)

Download the PDF for this book Image found on book scan 377 (NB not a pagenumber)Download the OCR-derived text for this volume: (plain text) or (json)

 

Click here to see all the illustrations in this book and click here to browse other illustrations published in books in the same year.

 

Order a higher quality version from here.

  

this is for our next series on prayer.

 

i wanted the graphic to be abstract. we are starting this series talking about the basics loosely based on "Papa Prayer" by Larry Crabb. however, we don't know how long this series will last or all that we will cover. we just feel that prayer is something we need to address in our church right now and intend to let this series go as long as God says to.

 

so, i'm having a hard time with this one. we want to show that prayer comes from a RELATIONSHIP with God, not just a list of wants. that's sorta the thinking behind this one.

 

i just don't feel like this is working totally but not sure what to do. any comments would be great! thanks!

This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), dated 22 Sep 1890.

 

The slide shows image of lower left portion of moon, other portions obscured by tape. Details of craters visible.

 

Inscription Details: Handwritten in blue ink on white tape at top of plate, 'Lick obs Sept 22nd 1890 8d 4h'. Handwritten in blue ink on left side of plate, 'F123' (crossed out in pencil) 'C114'. VERSO: Handwritten in blue ink at top of plate, '[Repd CLW] [illegible] 16-11-14.'.

 

Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.

 

Rights: No known copyright restrictions.

 

Reference: 235721|PH-1984-1-LS78-2-47|123|114

 

For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033491

"relating to the motion of material bodies and the forces and energy associated therewith"

 

A creative outing with my photo club - Inland Empire Photo Club - where we played with light and motion and long exposures to create kinetic art. It was a wonderful, creative evening.

立法會鐵路事宜小組委員會視察港鐵金鐘站

立法会铁路事宜小组委员会视察港铁金钟站

LegCo Subcommittee on Matters Relating to Railways visits the MTR Admiralty Station (2015.05.19)

Liverpool 030323 #5 Liverpool Maritime Museum

Today’s post, the last in this series, comprises photographs of the Liverpool Maritime Museum. Starting with the building’s exterior, we move downstairs to the displays concerning emigration and Customs control. Moving back upstairs, ignoring the shop, we reach the First Floor whose main exhibits relate to the Battle of the Atlantic and RMS Lusitania. On the Second Floor the displays relate to The Titanic, the Berengaria, the Arandora Star, and RMS Mauretania. The Third Floor is all dedicated to the International Slavery Museum.

I photographed too many exhibits for me to be able post to do the Museum justice, so I’ve selected just a few that I took as I wandered around. It is certainly worth a visit for its contribution to the history of Liverpool as a port.

 

Dallas high school students participated in a Mock Trial Camp with the Dallas County District Attorney's Office.

 

The Dallas County District Attorney’s Office Mock Trial Camp provides a dynamic environment for students to learn what prosecutors do in the courtroom and how it relates to law enforcement. Participants also learn trial skills and the basics of how to work up a mock criminal case.

ID#: ppl_6332

TITLE: Relating the school to the home

DATE: 1913

NOTES:

SOURCE: Picture scanned from before p. 15 Annual Report of the Pasadena City Schools for the school year ending June 13th, 1913.

 

REPOSITORY: Pasadena Public Library

 

RIGHTS: All rights reserved.

 

SEARCH the Pasadena Digital History database

 

Flickr Collection: Roots of Education in Pasadena: 1876-1920s

 

Relating back to the previous workshop of fashion illustration, I took inspiration to amplify even more human traits in this experiment. Using primary sources of people’s eyes and a mouth with a prop cigarette, I edited them together with one of my sketches Adobe Premiere to create a disfigured, but amusing looping video of a chair waking up. It has 6 eyes opening, whilst grunting and falling back to sleep - with some eyes interacting with one another. Further on in this project I will be creating a rotoscope in my own style to reimagine this video.

This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), circa 1890.

 

The slide shows photograph of Niagara Falls. Hand coloured in blue and pink.

 

Inscription Details: Handwritten in pencil on recto, above image, "Niagara". Handwritten in pencil on recto, below image, "Rebound C.L.W. 26-6-'09 Invercargill. Handwritten in blue ink on recto, bottom left corner, "G 147", "101 B".

 

Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.

 

Rights: No known copyright restrictions.

 

Reference: 235870|PH-1984-1-LS78-3-99|O70

 

For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033343

Why Celebrities Need To Stop Trying To Be Relatable, Because We Love Them Just The Way They Are

In the advanced age that we live in, consistently individual who has a telephone or some entrance to innovation can get to be distinctly acclaimed overnight. That is the force of the Internet. While...

 

bit.ly/2hMgQjn

Kinetic: Relating to, caused by, or producing motion.

 

These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.

 

Most of these are shot outdoors where I have the room to literally spin and throw my little camera several feet up into the air, with some throws going as high as 15 feet or more!

 

None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.

 

Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.

 

Albeit supremely risky this is one of my favorite ways to produce abstract photographs.

 

If you'd like to see more please check out my set, "Vertigo:"

 

www.flickr.com/photos/motorpsiclist/sets/72157630591282642/

 

.

  

To read more about Kinetic Photography click the Wikipedia link below:

 

en.wikipedia.org/wiki/Kinetic_photography

 

.

  

My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.

 

The Governor signed the following bills today:

 

SB535 (Relating to Labor) makes Hawaii the second state – after New York – to place basic labor protections for domestic workers into law. It also establishes basic rights and protections for domestic workers, entitles workers to overtime pay and time for meal and rest breaks, and provides basic civil rights protections against abuse and harassment.

 

HB1187 (Relating to Human Trafficking) designates January as Human Trafficking Awareness Month and adds minor victims of sex and labor trafficking to the scope of the Child Protective Act and other state child abuse laws.

 

HB1068 (Relating to Human Trafficking) requires certain employers to display a poster that provides information relating to human trafficking and contact information for the National Human Trafficking Resource Center Hotline.

 

SB192 (Relating to Prostitution) makes solicitation of a minor a crime and increases the statute of limitations to bring a cause of action for coercion into prostitution from 2 to 6 years. It also clarifies the minimum and maximum fine for a person convicted of committing the offense of prostitution; adds the offenses of solicitation of a minor for prostitution, habitual solicitation of prostitution, and solicitation of prostitution near schools and public parks under the state’s forfeiture laws; amends the definition of “sexual offense” under the sexual offender registry laws to include acts that consist of the solicitation of a minor who is less than 18 years of age for prostitution; and requires registration with the sexual offender registry for conviction of solicitation of a minor for prostitution as a Tier 1 offense.

 

HB587 (Relating to the Penal Code) amends the penal code to include that it shall be unlawful to physically abuse persons in a “dating relationship.” It also requires a police officer to separate a perpetrator and family or household member who has been physically abused for 48 hours.

 

SB655 (Relating to Health) allows health professionals to treat partners of patients diagnosed as having certain sexually transmitted diseases by dispensing or prescribing medication to the partners without examining them. The measure also ensures that expedited partner therapy is in accordance with Centers for Disease Control and Prevention guidelines and recommendations, and it provides limited liability protection.

 

SB532 (Relating to Breastfeeding in the Workplace) requires certain employers to provide reasonable time and private location for breastfeeding employees to express breast milk. The measure also requires covered employers to post a notice, and it establishes a civil fine for each violation.

 

SB1340 (Relating to Foster Care) extends voluntary foster care to age 21.

 

SB529 (Relating to Parental Rights) requires family courts to deny custody or visitation, and allows courts to terminate parental rights, to a person convicted of a sexual assault with respect to the child conceived through that assault.

#lol #mario #funny #relatable #posts #tumblr #meme #troll #PinQuotes #me #repost #quote #quotes #follow #nofilter #like #instadaily #life @PinQuotes #like

 

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simplykaytie: many celebrities use gramcool -c om

  

This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.

 

The slide shows the black text 'How the Sun affects the Earth and the Seasons. Eclipses.' on a yellow/orange oval.

 

Inscription Details: Handwritten in blue ink on lower left corner of plate 'U57'.

 

Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.

 

Rights: No known copyright restrictions.

 

Reference: 236043|PH-1984-1-LS78-4-36|57

 

For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033173

We are REALTORS because we relate so well to people?

All rights reserved.

 

The images in this Flickr set are part of a NoMa photo group project I'm involved in. The NoMa (North Manhattan) Photo Group is a dynamic group of talented community minded artists who support each other and promote the work they are doing. For images of the NoMa Photo Group please check out this exciting Flickr group. See: www.flickr.com/groups/manhattanville/pool/

 

We are documenting the Manhattanville area (Broadway between 125th St. and 137th St. in Manhattan) that will be razed to make way for the octopus expansion of Columbia University. There are of course issues relating to the take-over of a poor and working class neighborhood that may be priced-out of the existing rental housing market through the use of QUESTIONABLE (unconstitutional) eminent domain.

 

The legal concept of eminent domain allows the government and municipalities to take over and raze properties that are partially “blighted”, in order to transfer their sites to private institutions such as Columbia University. Community advocates and protesters argue that this approach to urban redevelopment favors wealthy redevelopers and private institutions at the expense of poor and working class residents, and encourages profligate municipal expenditures and tax variances in support of dubious or marginal benefit to the existing community.

 

“Terrain Vague” is a French term used by Spanish architect and critic Ignasi de Solà-Morales to describe ambiguous, unresolved, and marginalized spaces in the urban landscape. Terrain vague refers to sites that are often ignored in the mainstream discourse on architecture and design, such as industrial wastelands and monotonous suburban developments.

 

Solà-Morales notes that photographers and architects address terrain vague in differing ways. The photographer sees these spaces as places that are imbued with a storied past. Architects, however, approach these spaces as problems to be solved through design. Solà-Morales asks:

 

What is to be done with these enormous voids, with their imprecise limits and vague definition? Art's reaction . . . is to preserve these alternative, strange spaces. . . . Architecture's destiny [by contrast] has always been colonization, the imposing of limits, order, and form, the introduction into strange space of the elements of identity necessary to make it recognizable, identical, universal. The voids, imprecise limits and ambiguities typical of “vague terraine” conjure visions of a species of twilight zone. Rather than being submitted for entertainment and approval by Rod Serling, the haphazard spaces of discontinuous improbabilty of Manhattanville are being submitted for exploitative redevelopment.

 

True to Solà-Moraleshas' observation, as a group of photographers, we have chosen to address “terrain vague” by documenting aspects of a neighborhood community that will soon disappear into what could be termed as the “vague terraine” of Orwellian amnesia. The Manhattanville community has historically given sustenance and a sense of place to a succession of working-class poor but soon will give way to trendy gentrification. The proposed draconian development project is occurring in the context of an insular university institution that has continually expanded at the expense of its surrounding minority neighbors. Understandably, this has resulted in a significant amount of conflict dating back to at least the 1960's.

 

I found the proliferation of advertising signs in the ManhatanviIle community to be visually oppressive and amplified my own sensation of “terraine vague.” On some level I felt the huge advertising signs were selling “solutions” and “fixes” for manufactured needs that could not be openly discussed. The intrusive messages seemed to overwhelm, dilute and diminish legitimate signs calling for urgent action such as: “Halt Columbia University's abuses of eminent domain!”

 

Some billboards pictured self indulgent, self-satisfied mercenary role models enticing us as they flaunt their wealth, fame, lifestyle and accomplishments. As if to say….I got mine,….and you? They insinuate to pedestrians what cannot legitimately be articulated or promised in words.

 

By adopting a certain pose, “look” or attitude, the powerlessness and soul sickness of poverty are somehow transformed.....quickly, effortlessly, magically….. Without the bother of self-awareness or struggle for social justice. The bigger and bolder the sign, the more power and prestige behind the message……the more potent and subliminally suggestive the fraudulent promises seem to become..... The act of photographing them became an exorcism or antidote against their oppressive powers of persuasion and misdirection. Mind control, anyone?

 

An important aspect of my very personal approach to this art project is the understanding that the enormous voids, imprecise limits and vagueness implicit to the concept of “Terraine Vague” also apply to the built-in economic, cultural, societal-political and ideological underpinnings of city planning and urban development. For me, the ideas that drive this photographic essay are connected to the vagaries of urban space usage and how the meaning of community is constructed, understood and communicated at various levels

 

This art project hopes to bring attention to these ideas and inequities. It is expected that this work will result in an exhibition at the gallery of City College of the City University of New York sometime in the Spring of '08.

立法會改善基層住户居住環境事宜小組委員會探訪劏房家庭及參觀位於酒店和賓館的過渡性房屋項目

立法会改善基层住户居住环境事宜小组委员会探访劏房家庭及参观位于酒店和宾馆的过渡性房屋项目

LegCo Subcommittee on Issues Relating to the Improvement of Living Conditions of the Grass-roots Tenants visits families at sub-divided units and transitional housing projects in a hotel and a guesthouse (9.8.2022)

Pete Yorn and Scarlett Johansson - "Relator"

 

When I met you I didn't know what to do

but I noticed that I didn't really feel

    

Now you're away you write home everyday

I don't beg, I don't borrow, I steal

        

You don't think that life's for us to talk about

You can leave whenever you want out... you want out...

        

You don't relate to me, no girl

You don't respect to me, no girl

  

------------------------------------------------------

Cuando te conocí no supe qué hacer

pero me dí cuenta que realmente no sentía

 

Ahora que estás lejos escribes a casa cada día

No mendigo, no pido prestado, robo

 

Tú no crees que nuestra vida sea para hablar de ello

Puedes omitirlo cuando quieras

cuando quieras...

 

Bueno no sintonizas conmigo, no chica

No me respetas, no chica

An infographic explaining how many arrests there have been relating to tax evasion in 2018

 

This tax evasion statistics infographic is free to use with attribution with a link to www.patrickcannon.net/insights/uk-tax-evasion-statistics/

Various papers relating to Mr.Thomas Wheeler my late Grandfather.Sadly he died when I was just eleven years of age.I do however recall it was he that took me on my very first fishing trip using the first fishing rod and reel that he bought me.The images here are from WWII papers when he was an active serviceman and I only recently found these in an old album of my late father`s.These are the first twenty images in nigh on eighty images of both his army papers and my Great Grandparents (to come later) images.Some images are somewhat the same but have different focus points and apertures,mainly to suit prospective customers on Alamy.com stock images.I sincerely hope you enjoy the images and hope you see,as I did,what I think is one of many of the Identity Card issued during WWII.As you can see my Grandfather first signed up in September 1940 and seved right up until the end of the war 1945.He was then signed up for the reserves.Do Not Use Without Express Permisison From Peter Wheeler.

The large village of Feltwell in the south west of Norfolk has two medieval churches – St Mary and St Nicholas. This is not uncommon and probably reflects the wealth there was in the county at a time when Norwich was the third city of the kingdom. Both were in regular use until the seventies, although St Nicholas is now in the care of the Churches Conservation Trust.

 

What is unusual – at least in my experience – is that rather than having a parish of their own, both churches serve a single parish. Thus when it came to researching the names on the war memorial it was impossible to tell which of the two churches individual were baptised or married in. Similarly when it came to checking out the census details. If this was a village with two parishes then I would expect villagers to proudly tell the census taker they were born Feltwell St Mary or Feltwell St Nicholas – indeed some of the zealous or more partisan might drop the Feltwell altogether. But here everyone I investigated was born and\or lived Feltwell.

 

St. Nicholas also has the larger and more contemporary graveyard – you will struggle to find anyone from the 20th Century was the feeling I got when I looked around the churchyard at St Mary. It is the location for a large collection of WW2 graves relating to RAF Feltwell that I will eventually get round to transcribing and researching and posting on Flickr, but for now my focus is on the Great War and the coming centennial celebration of the armistice. If you’re after a picture of one of those then flickrmail me.

 

When Simon Knott, author the Norfolk Churches website, came this way in 2009 he found the church of St Nicholas charming and refreshing. I tend to have a look at his site after I have visited (and formed my own opinion), so I can better understand the architectural history of the building. Sadly for me the building was mouldy and cloying – I so barely recognised the building interior that he had photographed that I thought I’d clicked on the wrong page. The interior wall of the collapsed tower in particular seemed to be suffering. I felt no temptation to linger and hurried back outside to find out what the headstones of the dead could tell me about those that had lived.

 

For more on St Nicholas see

www.norfolkchurches.co.uk/feltwellstn/feltwellstn.htm

  

This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), dated 5 April 1905.

 

The slide shows a yellow/green tinted image of the Moon, with left 1/4 obscured by shadow. Details of craters, lunar maria, and ridges are visible on the surface.

 

Inscription Details: Handwritten in blue ink at the top of the plate, 'Moon, Evening, Apennines'. Handwritten in blue ink in lower left corner of plate, 'G 113' CLW [tint] Aug '22'. Printed in black ink on lower right ridge of plate, '9407'.

 

Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.

 

Rights: No known copyright restrictions.

 

Reference: 235975|PH-1984-1-LS78-3-46|113

 

For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033240

This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), dated 22 March 1905.

 

The slide shows the photograph of the surface of the moon including craters Mercator and Campanus, on green glass.

 

Inscription Details: Handwritten in black ink on recto, top of plate, "Moon c" Handwritten in black ink on recto, left side "C.L.W. rep. Bangalore. Oct.Nov.'08". Handwritten in black ink on recto, bottom of plate, "Mercator & Campanus Morning. Handwritten in black ink on top, right, bottom, and left edges of plate, "MERCATOR MORNING". Handwritten in black ink on verso, bottom of slide, "(Reverse) for Evening before Sunset".

 

Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.

 

Rights: No known copyright restrictions.

 

Reference: 235887|PH-1984-1-LS78-3-116

 

For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033326

Gears relating to either the Hoist Building behind me,an alternative way of sending men and material to the lower tunnels, or the Compressor Building in the background, which ventilated the tunnels that stretched for kilometers.

Empire Mine State Historic Park, Grass Valley, California

It is hard to relate this riverside warehouse, at 11 High St (or 'Little High St') just south of Blaides Staithe and north of Drypool Bridge, exactly to the structural boundaries shown on old maps, but I think it was the Phoenix Warehouse of Spear, Houfe & Co. Ltd. (Or is that Spear, House & Co Ltd.) There is some lettering on the building but it is difficult to make out much of it and there seem to have been at least two names written over each other in some places. One of these at the lower left could be 'Phoenix' and at top right it is more clearly 'E & Co Ltd'. There are a few distinct letters but not enough to make any sense of, and my photograph isn't quite as clear as it might be. The plate on the side is for W & T SPEAR Co Ltd, a company that owned a number of warehouses and commercial buildings in Hull.

 

The building was probably Victorian, possibly earlier, and was in poor condition; it was demolished not long after I took this picture. Had it remained standing a few more years it would have been listed, and if it were beside the Thames in London would doubtless have been converted into luxury flats. In Hull, the site remains empty over 30 years later and has only been used since demolition for car parking.

'I think Mary can relate to us in very different ways, from her poverty and her struggle, from her exclusion in her own hometown and having to move from place to place, the difficulty she must have had with her husband...I think every woman can relate to her. She can relate to us on a very human level."

 

~Paula from Britain

 

Image of Our Lady at the Gates of Dawn, Ostra Brama, Vilnius, Lithuania.

Someone once said that if you can relate to Edgar Allen Poe then you must be mentally ill. That person was also a simpleton and devoid of any real awareness of the dark corners of the human character. There is no doubt Poe was tortured man, an eccentric man and just maybe towards the end of his life mentally ill due to disease. No one knows for sure. His works are an expedition into love and loss, grief and insanity. They smite our emotions so hard because the human spirit is largely enveloped in feelings of sadness, rage, longing and feeling out of place. We may not perceive these things every second of everyday but they are there occasionally and they are very real for us. You cannot gaze upon the line “And all I loved, I loved alone” and not feel your heart fracture just a little, not because of the simple cluster of words but because we know all too well what he means! We feel it so deeply! That’s a truly great poet! A great poet deserves great homage, a series bridging many artistic journeys through some of the most adored compositions in Poe’s collection, a chance to create our own visions and build so much more on what he gave us.

 

"The Masque of the Red Death “is a short story by Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death. He, along with many other wealthy nobles, host a masquerade ball within seven rooms, each decorated with a different color. Prospero and 1,000 other nobles have taken refuge in this walled abbey to escape the Red Death, a terrible plague with gruesome symptoms that has swept over the land. Victims are overcome by "sharp pains", "sudden dizziness", and die within half an hour. Prospero and his court are indifferent to the sufferings of the population at large; they intend to await the end of the plague in luxury and safety behind the walls of their secure refuge, having welded the doors shut. At the chiming of midnight, the revelers and Prospero notice a figure in a dark, blood-splattered robe resembling a funeral shroud. The figure's mask resembles the rigid face of a corpse and exhibits the traits of the Red Death. When the figure turns to face him, the Prince lets out a sharp cry and falls dead... Only then do we realize the figure is the Red Death itself, and all of the guests contract and succumb to the disease. The final line of the story sums it up, "And Darkness and Decay and the Red Death held illimitable dominion over all".

 

立法會鐵路事宜小組委員會視察港鐵金鐘站

立法会铁路事宜小组委员会视察港铁金钟站

LegCo Subcommittee on Matters Relating to Railways visits the MTR Admiralty Station (2015.05.19)

Relating back to the previous workshop of fashion illustration, I took inspiration to amplify even more human traits in this experiment. For this piece I worked towards a tight deadline - drawing 30 frames tested my consistency, efficiency and ability to work under pressure. Using primary sources of people’s eyes and a mouth with a prop cigarette, I edited them together Adobe Premiere to create a disfigured, but amusing looping video of a chair waking up. It has 6 eyes opening, whilst grunting and falling back to sleep - with some eyes interacting with one another. Unfortunately I added smudges to represent the puffs of smoke billowing from the chair however it was too faint to appear on screen. Regardless I am very pleased with the outcome of my first rotoscope.

This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890s-1920s.

 

The slide shows an arch shaped photograph picturing bolts of lightning in a dark sky.

 

Inscription Details: Handwritten in blue ink on recto, "Monsoonal Lightening Queensland". Handwritten on blue ink on recto, bottom left corner "O112". Handwritten in blue ink on verso, "C.L.W. Repd -13-14-7-22".

 

Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.

 

Rights: No known copyright restrictions.

 

Reference: 235884|PH-1984-1-LS78-3-113|O112

 

For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033329

This relates to H.C. DeMunn in that he was one of five delegates who represented Boone County, Illinois in the Illinois State Nominating Convention held in Decatur on May 10, 1860.

 

The page above, The Daily Illinois State Journal was published in Springfield May 12, 1860, two days after the event. The National Convention took place May 16-18 in Chicago.

 

Its a long winded page about nominating Lincoln but to cut to the chase, all the Illinois delegates were listed under the county they represented and they all voted for Lincoln.

 

The list of delegates begins in the third column and luckily the counties are listed alphabetically so Boone County is easy to find. You will have to enlarge the page or download the full size to read it but I will include a transcription below.

  

Transcription

Boone County, 5 Votes-- S.A. Hurlbut, Allen C. Fuller, J.N. Brockway, L.W. Lawrence, H.C. Demunn.

   

It is hard to relate this riverside warehouse, at 11 High St (or 'Little High St') just south of Blaides Staithe and north of Drypool Bridge, exactly to the structural boundaries shown on old maps, but I think it was the Phoenix Warehouse of Spear, Houfe & Co. Ltd. (Or is that Spear, House & Co Ltd.) There is some lettering on the building but it is difficult to make out much of it and there seem to have been at least two names written over each other in some places. One of these at the lower left could be 'Phoenix' and at top right it is more clearly 'E & Co Ltd'. There are a few distinct letters but not enough to make any sense of, and my photograph isn't quite as clear as it might be. The plate on the side is for W & T SPEAR Co Ltd, a company that owned a number of warehouses and commercial buildings in Hull.

 

The building was probably Victorian, possibly earlier, and was in poor condition; it was demolished not long after I took this picture. Had it remained standing a few more years it would have been listed, and if it were beside the Thames in London would doubtless have been converted into luxury flats. In Hull, the site remains empty over 30 years later and has only been used since demolition for car parking.

December 2022. Photo credit: David Estrada/Grupo Creativo Naturaleza Secreta

 

Relates to UNDP-supported Green Climate Fund-financed project 'Coastal Resilience to Climate Change in Cuba through Ecosystem Based Adaptation' ("Mi Costa") www.adaptation-undp.org/GCF-Cuba

 

"THIS SHRIMP WILL NOT BE TAKEN BY THE CURRENT"

 

Jose Rolando has lived almost all his life in the beach of Barrio Juvenil, in Manzanillo.

 

He's a builder by profession, but the rest of the time he's a fisherman/catches shrimp. He tells us that his catch is for personal consumption and that in recent years there are few shrimp due to marine habitat degradation, overfishing, and indiscriminate mangrove logging, and that all of this has contributed to the loss of aquatic wildlife.

 

Jose says there is flooding during extreme weather events, threatening homes in the area. Erosion is another problem. While he has considered leaving the area as a result, he says he has nowhere to go.

 

Yamilé Tamayo Labrada, specialist in territorial planning and urban planning, says that with information gleaned from several studies, the authorities will work on environmental education and begin relocating vulnerable villagers.

 

The objectives of the Green Climate Fund-financed UNDP-supported 'Mi Costa' project in the area are focused, above all, on environmental education of the villagers, the restoration of mangrove forests, as well as the training and delivery of inputs necessary for the implementation of environmental conservation activities.

 

#proyectomicosta

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