View allAll Photos Tagged published
You can also find me on Instagram: tekapa_pictures
...
#Frankfurt#Germany#City#urban#cityphotography#urbanphotography#cityexplorer#exploringthecity#urbanexplorer#street#streetphotography#streetshot#blackandwhitephotography#blackandwhite#bw#bnw#blacknwhite#blackandwhitephoto#bwlover#bwlovers#tekapapics
You can also find me on Instagram: tekapa_pictures
...
#Frankfurt#Germany#City#urban#cityphotography#urbanphotography#cityexplorer#exploringthecity#urbanexplorer#street#streetphotography#streetshot#blackandwhitephotography#blackandwhite#bw#bnw#blacknwhite#blackandwhitephoto#bwlover#bwlovers#tekapapics
Published in Black and White Photography magazine, April 2010 (winner, Readers' Pictures).
The first in a series of 3 storm pictures taken in Cromer, Norfolk. This was not a good place to stand - in fact, it was probably unsafe - perched on top of some small rocks and boulders, back against the sea wall. The sea was rushing in being encouraged by a howling North Sea wind - it came in further than I thought it would up to my knees. I soon removed myself. Foolish really. Still, at least I got a shot...
View on black at: www.flickriver.com/photos/hypvisions/
See my new photography blog: thiswayoflight.wordpress.com/
You can also find me on Instagram: tekapa_pictures
...
#Frankfurt#Germany#City#urban#cityphotography#urbanphotography#cityexplorer#exploringthecity#urbanexplorer#street#streetphotography#streetshot#blackandwhitephotography#blackandwhite#bw#bnw#blacknwhite#blackandwhitephoto#bwlover#bwlovers#tekapapics
Have you seen the new 2016 R.M. Williams Outback Magazine calendar guys?
My shot of Sheringa on the remote west coast of SA scores January, while my photo of the Sturt's Desert Pea in the Gawler Ranges National Park takes out June!
Cheers n beers,
Rob
You can also find me on Instagram: tekapa_pictures
...
#Frankfurt#Germany#City#urban#cityphotography#urbanphotography#cityexplorer#exploringthecity#urbanexplorer#street#streetphotography#streetshot#blackandwhitephotography#blackandwhite#bw#bnw#blacknwhite#blackandwhitephoto#bwlover#bwlovers#tekapapics
A couple of years ago I was contacted asking if my Mt Gower photo could be used in a book about Mountains in Australia published by the National Library of Australia. I was happy to oblige and after delays due to Covid, a copy arrived in the mail last week. These show my photo and the cover (not my photo).
You can also find me on Instagram: tekapa_pictures
...
#Frankfurt#Germany#City#urban#cityphotography#urbanphotography#cityexplorer#exploringthecity#urbanexplorer#street#streetphotography#streetshot#blackandwhitephotography#blackandwhite#bw#bnw#blacknwhite#blackandwhitephoto#bwlover#bwlovers#tekapapics
Self published my first book a couple months back. Havent posted a pic on here in a bit. The book is a non-profit book and is a completely independent venture. You can read more about it at www.bookofbeards.com You can also buy a copy there.
This image is © Copyright 2015 Colin Myers. All Rights Reserved Worldwide in Perpetuity. Use of my images without permission is illegal.
Absolutely no permission is granted in any form, fashion or way, digital or otherwise, to use copy, edit, reproduce, publish, duplicate, or distribute my images or any part of them on blogs, personal or professional websites or any other media without my direct written permission.
If you wish to use any of my images for any reason or purpose please contact me for written permission.
Hello everyone,
Again, I'm sorry I'm not around much, things haven't gone too well lately.
I had to move house again, and Joe and I have gone our seperate ways for now, and along with unemployment, I just haven't really felt able to do anything creative.
However, a lovely friend of mine, Ultrasparky on flickr, produces a lovely little queer zine called Pink Mince, and included me in the 'starkers' issue.
You can pick yours up from www.pinkmince.com from anywhere in the world. Isn't that handy?
I hope you're all well, and I hope I'm back properly soon.
x
I'm not one for bragging, but I just can't help it with this one!
I got the front page and also an 8 page article inside the magazine. What a great start to 2014!
Huge thanks to everyone who follows and supports me, and to everyone that's helped and inspired me along the way in the light painting world :)
Press F to 'Fave'
Press L to view Large on 'black'
Twitter | Google+ | Tumblr | 500px | Facebook Page
Samples of the diverse colours and textures of the Mojave Desert.
I was flying from Las Vegas to Los Angeles when I was treated to this never ending and amazingly varied view of the desert. With no vegetation to speak of the nartural contours and fine textures are visible, and the colours of the soil were starkly visible.
The colours are strongly emphasised for effect and artistic licence, but they are taken from the landscape itself.
Published as part of a story map in the 2021 annual report of the Centre for Development and Environment (CDE), University of Berne (www.cde.unibe.ch)
Special economic zone in the former Tathluang marshes, Vientiane, Lao PDR
Published in Metro Records 82,000 More Rail Trips This Morning Than Trump's Inauguration Day : DCist
Published in The Other Signs Part One | PoPville
Published in Why we can’t just March Today. | elephant journal
Published in What Will It Take For The Women's March To Become A Movement? | Fast Company | Business + Innovation
Photo published in the January 2009 issue of 'Photolife' magazine.
Appeared in Flickr Explore - December 20, 2008
Published 1969. An old scan from the archives. Still waiting for a replacement scanner to be shipped to me.
You can also find me on Instagram: tekapa_pictures
...
#Frankfurt#Germany#City#urban#cityphotography#urbanphotography#cityexplorer#exploringthecity#urbanexplorer#street#streetphotography#streetshot#blackandwhitephotography#blackandwhite#bw#bnw#blacknwhite#blackandwhitephoto#bwlover#bwlovers#tekapapics
This photograph featured in online article by Tia Ghose called: '' Crows and ravens took over the world because they're spookily smart (and brawny, too) '', in LIVESCIENCE, part of Future US Inc, an International media group and leading digital publisher in America.© Future US, Inc. Full 7th Floor, 130 West 42nd Street, New York, NY 10036.
The photograph was previously published by Getty Images on July 14th 2021
AN IN DEPTH LOOK AT CORVUS CORONE
LEGEND AND MYTHOLOGY
By Paul Williams
Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.
In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.
In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds. There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.
The crow features in the Nanissáanah (Ghost dance), popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had became a guide and acted as a pathfinder during hunting. The Ghost dance movement was originally created in 1870 by Wodziwob, or Gray Hair, a prophet and medicine man of the Paiute tribe in an area that became known as Nevada. Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom. The five day dances seeking trance,prophecy and exhortations would eventually play a major part in the pathway towards the white man's broken treaties, the infamous battle at Wounded knee and the surrender of Matȟó Wanáȟtaka (Kicking Bear), after officials began to fear the ghost dancers and rituals which seemed to occur prior to battle.
Historically the Vikings are the group who made so many references to the crow, and Ragnarr Loðbrók and his sons used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows. Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows were sent out each dawn to fly the entire world, returning at breakfast where they informed the Lord of the Nordic gods of everything that went on in their kingdoms. Odin was also referred to as Rafnagud (raven-god). The raven appears in almost every skaldic poem describing warfare.Coins dating back to 940's minted by Olaf Cuaran depict the Viking war standard, the Raven and Viking war banners (Gonfalon) depicted the bird also.
In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors. It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.
In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.
The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug
In Greek mythology according to Appolodorus, Apollo is supposedly responsible for the black feathers of the crow, turning them forever black from their pristine white original plumage as a punishment after they brought news that Κορωνις (Coronis) a princess of the Thessalian kingdom of Phlegyantis, Apollo's pregnant lover had left him to marry a mortal, Ischys. In one legend, Apollo burned the crows feathers and then burned Coronis to death, in another Coronis herself was turned into a black crow, and another that she was slain by the arrows of Αρτεμις (Artemis - twin to Apollo). Koronis was later set amongst the stars as the constellation Corvus ("the Crow"). Her name means "Curved One" from the Greek word korônis or "Crow" from the word korônê.A similar Muslim legend allegedly tells of Muhammad, founder of Islam and the last prophet sent by God to Earth, who's secret location was given away by a white crow to his seekers, as he hid in caves. The crow shouted 'Ghar Ghar' (Cave, cave) and thus as punishment, Muhammad turned the crow black and cursed it for eternity to utter only one phrase, 'Ghar, ghar). Native Indian legend where the once rainbow coloured crows became forever black after shedding their colourful plumage over the other animals of the world.
In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.
In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:
1 Crow Meaning: To carry a message from your near one who died recently.
2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.
3 Crows Meaning: An upcoming wedding in your family.
4 Crows Meaning: Symbolizes wealth and prosperity.
5 Crows Meaning: Diseases or pain.
6 Crows Meaning: A theft in your house!
7 Crows Meaning: Denotes travel or moving from your house.
8 Crows Meaning: Sorrowful events
Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it. This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....
There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders. The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.
The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.
TAKING A CLOSER LOOK
So let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.
Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice). Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.
Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone
Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories. Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm. They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old. The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!
They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow, a more steeply raked ratio from head to beak, and longer straighter beaks as well as a different plumage pattern. There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.
Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. Crows have relatively large brains for their body size, compared to other animals. Their encephalization quotient (EQ) a ratio of brain to body size, adjusted for size because there isn’t a linear relationship is 4.1. That is remarkably close to chimps at 4.2 whilst humans are 8.1. Corvids also have a very high neuronal density, the number of neurons per gram of brain, factoring in the number of cortical neurons, neuron packing density, interneuronal distance and axonal conduction velocity shows that Corvids score high on this measure as well, with humans scoring the highest.
A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events. They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans. Communications wise, their repertoire of wraw-wraw's is not fully understood, but the intensity, rhythm, and duration of caws seems to form the basis of a possible language. They also remember the faces of humans who have hindered or hurt them and pass that information on to their offspring.
Aesop's fable of 'The Crow and the Pitcher, tells of a thirsty crow which drops stones into a water pitcher to raise the water level and enable it to take a drink. Scientists have conducted tests to see whether crows really are this intelligent. They placed floating treats in a deep tube and observed the crows indeed dropping dense objects carefully selected into the water until the treat floated within reach. They had the intelligence to pick up, weigh and discount objects that would float in the water, they also did not select ones that were too large for the container.
Pet crows develop a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D, regularly settling on wooden garden fences, opening their mouths and wings and raising their heads to the sun. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts and similar hard food items under car tyres at traffic lights as a means of cracking them!
Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades.Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!
They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.
In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of to stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain.
Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.
OBSERVATIONS ON THE PAIR IN MY GARDEN
Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed towards the end of May when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food.
Shortly afterwards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed. She was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first I used silent mode to reduce the noise but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames and she soon got used to the whirring of the mechanisms as the mirror slapped back and forth.
The big fella would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat. I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises....
I swear she was expressing happiness, joy....
On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.
A further revelation into the unseen sides to these beautiful birds came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds. They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them. Into July and the pair started to bring their three youngsters to my garden, the nippers learning to use the birdbath for bathing and dipping food, the parents attentive as ever. Two of the youngsters headed off once large enough and strong enough.
I was privileged to be in close attendance as the last juvenile was brought down by the pair, taught to take food and then on a night in July, to soar and fly with it's mother in the evening sky as the light faded. She would swoop and twirl, and at regular intervals just touch the juvenile in flight with her wing tip feathers, as if to reassure it that she was close in attendance. What an amazing experience to view. A few days later, the juvenile, though now gaining independence and more than capable of tackling food scraps in the garden, was still on occasions demand feeding from it's mother who was now teaching him to take chicken breast, hotdogs or digestive biscuits and bury them in the garden beds for later delectation. The juvenile also liked to gather up peanuts and bury them in the grass. On one occasion I witnessed a pair of rambunctious Pica Pica (Magpies), chasing the young crow on rooftops, leaping at him no matter how hard he tried to get away. He defended himself well and survived the attacks, much to my relief.
Into August and the last youngster remained with the adults, though now was very independent even though he still spent time with his parents on rooftops, and shared food gathering duties with his mum.Hotdog sausages were their favourite choice, followed by fish fingers and digestive biscuits which the adult male would gather up three at a time. In October, the three Crows were still kings of the area, but my time observing them was pretty much over as I will only put food out now for the birds in the winter months.
Corvus Corone.... magnificently misunderstood by some!
Paul Williams June 4th 2021
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
.
.
I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 42.202+ Million visitors to my FLICKR site.
***** Selected for sale in the GETTY IMAGES COLLECTION on July 14th 2021
CREATIVE RF gty.im/1328368819 MOMENT ROYALTY FREE COLLECTION**
This photograph became my 5,375th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
©DESPITE STRAIGHT LINES (Paul Williams)
.
.
Photograph taken at an altitude of Sixty four metres at 11:04am on a beautiful morning on Saturday 29th May 2021, off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.
Nikon D850 Focal length 600mm Shutter speed: 1/800s Aperture f/6.3 iso400 Tripod mounted with Gimbal head. Image area FX (36 x 24) NEF RAW L (4128 x 2752). JPeg basic (14 bit uncompressed) AF-C Priority Selection: Release. Nikon Back button focusing enabled. AF-S Priority selection: Focus. 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1 (4600k) Colour space: RGB Picture control: Neutral (Sharpening +2)
Sigma 60-600mm f/4.5-6.3DG OS HSM SPORTS. Lee SW150 MKI filter holder with MK2 light shield and custom made velcro fitting for the Sigma lens. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch.Hoodman HEYENRG round eyepiece oversized eyecup.Manfrotto MT057C3-G Carbon fiber Geared tripod 3 sections. Neewer Carbon Fiber Gimble tripod head 10088736 with Arca Swiss standard quick release plate. Neewer 9996 Arca Swiss release plate P860 x2.Jessops Tripod bag. Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
LATITUDE: N 51d 28m 28.17s
LONGITUDE: E 0d 8m 10.41s
ALTITUDE: 64.0m
RAW (TIFF) FILE: 130.00MB NEF FILE: 90.6MB
PROCESSED (JPeg) FILE: 46.70MB
PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.
マルバアサガオ ‘ヴェニス・ピンク’
(白地に桃赤縦縞絞り花)
Ipomoea purpurea (L.) Roth, 1787 ‘Venice Pink’
This name is accepted., 06/11, 2022.
------------------------------------------
Family: Convolvulaceae (APG IV)
------------------------------------------
Authors:
Carl von Linnaeus (1707-1778)
Albrecht Wilhelm Roth (1757-1834)
------------------------------------------
Published In:
Botanische Abhandlungen und Beobachtungen 27. 1787. (Bot. Abh. Beobacht.)
Name publication detail
------------------------------------------
Distribution:Trop. & Subtrop. America
(10) grb (11) aut (12) bal fra spa (13) bul grc ita rom sic tue (14) ruc rue rus (20) egy tun (21) cny cvi mdr (23) rwa zai (24) eri eth (25) ken tan uga (26) ang moz zam zim (27) cpp les nat ofs swz tvl (29) mau mdg reu rod (31) prm (32) tzk (34) cyp irn tur (35) yem (36) chc chh chn chs cht (38) kor (40) ass ban ehm ind nep pak srl whm (41) mya tha? (42) phi (50) nsw qld (51) nzn nzs (60) nwc (63) haw (71) brc (72) nsc ont que (73) col ore was (74) ill wis (75) mic nwy ver 76 ARI cal (77) nwm tex (78) ala fla geo kty nca sca ten vrg 79 MXC MXE MXG MXN MXS MXT 80 COS ELS GUA NIC PAN (81) cub dom hai JAM lee pue win 82 VEN 83 BOL CLM ECU PER 84 BZC BZE BZL BZN BZS 85 AGE AGW CLC PAR URU
Lifeform:Cl. ther.
Original Compiler:George Staples
------------------------------------------
Homotypic Names:
Convolvulus purpureus L., Sp. Pl. ed. 2: 219 (1762).
Convolvuloides purpurea (L.) Moench, Methodus: 452 (1794).
Convolvulus mutabilis Salisb., Prodr. Stirp. Chap. Allerton: 123 (1796), nom. superfl.
Pharbitis purpurea (L.) Bojer, Hortus Maurit.: 227 (1837).
Diatrema purpurea (L.) Raf., Fl. Tellur. 4: 72 (1838).
------------------------------------------
Basionym/Replaced Synonym:
Convolvulus purpureus L., Sp. Pl. ed. 2: 219 (1762).
------------------------------------------
Heterotypic Synonyms:
Convolvuloides leucosperma Moench, Methodus: 452 (1794).
Ipomoea discolor Jacq., Pl. Hort. Schoenbr. 3: 6 (1798).
Ipomoea glandulifera Ruiz & Pav., Fl. Peruv. 2: 12 (1799).
Ipomoea villosa Ruiz & Pav., Fl. Peruv. 2: 12 (1799).
Convolvulus pilosus Rottler, Ges. Naturf. Freunde Berlin Neue Schriften 4: 196 (1803).
Ipomoea punctata Pers., Syn. Pl. 1: 184 (1805).
Ipomoea hispida Zuccagni, Cent. Observ. Pl. 1: 15 (1806).
Ipomoea intermedia Schult., Observ. Bot.: 37 (1809), nom. superfl.
Ipomoea hirsutula J.Jacq., Ecl. Pl. Rar. 1: 65 (1813).
Convolvulus eriocaulos Roem. & Schult., Syst. Veg., ed. 15 bis 4: 301 (1819).
Convolvulus intermedius Roem. & Schult., Syst. Veg., ed. 15 bis 4: 264 (1819), nom. illeg.
Convolvulus schultesii Roem. & Schult., Syst. Veg., ed. 15 bis 4: 790 (1819).
Ipomoea zuccagnii Roem. & Schult., Syst. Veg., ed. 15 bis 4: 230 (1819), nom. superfl.
Ipomoea purpurea var. superba Ledeb., Index Seminum (TU, Dorpatensis) 1822: 11 (1822).
Convolvulus glandulifer Spreng., Syst. Veg., 1: 599 (1824).
Ipomoea caesia Hoffmanns., Verz. Pfl.-Kult., Nachtr. 2: 140 (1826).
Pharbitis hispida (Zuccagni) Choisy, Mém. Soc. Phys. Genève 6: 438 (1833 publ. 1834)[Conv. Or.: 56]
Convolvulus hirsutulus (J.Jacq.) Colla, Herb. Pedem. 4: 205 (1835).
Pharbitis diversifolia Lindl., Edwards's Bot. Reg. 23: t. 1988 (1837).
Pharbitis punctata (Pers.) G.Don, Gen. Hist. 4: 263 (1837).
Cleiemera cuspidata Raf., Fl. Tellur. 4: 78 (1838).
Ipomoea affinis M.Martens & Galeotti, Bull. Acad. Roy. Sci. Bruxelles 12(9): 263 (1845).
Ipomoea nil var. diversifolia (Lindl.) Choisy in A.P.de Candolle, Prodr. 9: 343 (1845).
Ipomoea pilosissima M.Martens & Galeotti, Bull. Acad. Roy. Sci. Bruxelles 12(9): 264 (1845).
Pharbitis githaginea Hochst. ex Choisy in A.P.de Candolle, Prodr. 9: 341 (1845).
Pharbitis nil var. diversifolia (Lindl.) Choisy in A.P.de Candolle, Prodr. 9: 343 (1845).
Ipomoea purpurea f. triloba Meisn. in C.F.P.von Martius & auct. suc. (eds.), Fl. Bras. 7: 223 (1869).
Ipomoea mexicana A.Gray, Syn. Fl. N. Amer. 2(1): 210 (1878), nom. illeg.
Ipomoea wattii C.B.Clarke, J. Linn. Soc., Bot. 25: 49 (1889).
Ipomoea purpurea f. kermesina Voss, Vilm. Blumengärtn. ed. 3, 1: 710 (1895).
Ipomoea diehlii M.E.Jones, Contr. W. Bot. 12: 53 (1908).
Ipomoea chanetii H.Lév., Repert. Spec. Nov. Regni Veg. 9: 452 (1911).
Ipomoea purpurea var. diversifolia (Lindl.) O'Donell, Lilloa 26: 385 (1953).
------------------------------------------
Accepted By:
AFPD. 2008. African Flowering Plants Database - Base de Donnees des Plantes a Fleurs D'Afrique.
Brazil Flora Group. 2015. Growing knowledge: an overview of Seed Plant diversity in Brazil. Rodriguésia 66(4): 1085–1113.
Buck, H.T. 1979. Convolvulaceae. 5: 148–189. In A. E. Burkart (ed.) Fl. Il. Entre Ríos. Instituto Nacional de Tecnología Agropecuaria, Buenos Aires.
CONABIO. 2009. Catálogo taxonómico de especies de México. 1:. In Capital Nat. México. CONABIO, Mexico City. download by taxa
Correa A., M. D., C. Galdames & M. Stapf. 2004. Cat. Pl. Vasc. Panamá 1–599. Smithsonian Tropical Research Institute, Panamá.
Davidse, G., M. Sousa Sánchez, S. Knapp & F. Chiang Cabrera. 2012. Rubiaceae a Verbenaceae. 4(2): i–xvi, 1–533. In G. Davidse, M. Sousa Sánchez, S. Knapp & F. Chiang Cabrera (eds.) Fl. Mesoamer.. Missouri Botanical Garden, St. Louis.
De la Barra, N. 1997. Reconstr. Evol. Paisaje Veg. Cochabamba i–v, 1–174. Tesis, Universidad Mayor San Simón, Cochabamba.
Flora of China Editorial Committee. 1995. Flora of China (Gentianaceae through Boraginaceae). 16: 1–479. In C. Y. Wu, P. H. Raven & D. Y. Hong (eds.) Fl. China. Science Press & Missouri Botanical Garden Press, Beijing & St. Louis.
Forzza, R. C. 2010. Lista de espécies Flora do Brasil floradobrasil.jbrj.gov.br/2010. Jardim Botânico do Rio de Janeiro, Rio de Janeiro.
Gibbs Russell, G. E., W. G. M. Welman, E. Retief, K. L. Immelman, G. Germishuizen, B. J. Pienaar, M. Van Wyk & A. Nicholas. 1987. List of species of southern African plants. Mem. Bot. Surv. South Africa 2(1–2): 1–152(pt. 1), 1–270(pt. 2).
Hammel, B. E. 2010. Convolvulaceae. En: Manual de Plantas de Costa Rica. Vol. V. B.E. Hammel, M.H. Grayum, C. Herrera & N. Zamora (eds.). Monogr. Syst. Bot. Missouri Bot. Gard. 119: 72–126.
Hokche, O., P. E. Berry & O. Huber. (eds.) 2008. Nuevo Cat. Fl. Vasc. Venez. 1–859. Fundación Instituto Botánico de Venezuela, Caracas.
Idárraga-Piedrahita, A., R. D. C. Ortiz, R. Callejas Posada & M. Merello. 2011. Listado de las plantas vasculares del departamento de Antioquia. 2: 9–939. In A. Idárraga-Piedrahita, R. D. C. Ortiz, R. Callejas Posada & M. Merello Fl. Antioquia: Cat.. Universidad de Antioquia, Medellín.
Jørgensen, P. M., M. H. Nee & S. G. Beck. 2014. Catálogo de las plantas vasculares de Bolivia. 127(1–2): i–viii, 1–1744. In P. M. Jørgensen, M. H. Nee & S. G. Beck (eds.) Cat. Pl. Vasc. Bolivia, Monogr. Syst. Bot. Missouri Bot. Gard.. Missouri Botanical Garden Press, St. Louis.
Jørgensen, P. M., M. H. Nee, S. G. Beck & A. F. Fuentes. 2015 en adelante. Catalogo de las plantas vasculares de Bolivia (adiciones).
Nasir, E. & S. I. Ali (eds). 1980-2005. Fl. Pakistan Univ. of Karachi, Karachi.
Nelson, C. H. 2008. Cat. Pl. Vasc. Honduras i–xxix, 31–1576. Secretaría de Recursos Naturales y Ambiente, Tegucigalpa.
Novelo Retana, A. & L. Ramos Ventura. 2005. Vegetación acuática. (Cap. 5): 111–144. In J. Bueno, F Álvarez & S. Santiago (eds.) Biodivers. Tabasco. CONABIO-UNAM, México.
Pontiroli, A. 1983. Asclepiadaceae. 13(8): 116–175. In A. L. Cabrera (ed.) Fl. Prov. Jujuy. Instituto Nacional de Tecnología Agropecuaria, Buenos Aires.
Schatz, G. E. , S. Andriambololonera , P.P. Lowry II , P.B. Phillipson , M. Rabarimanarivo , J. I. Raharilala , F. A. Rajaonary , N. Rakotonirina , R. H. Ramananjanahary , B. Ramandimbisoa , A. Randrianasolo , N. Ravololomanana & C. M. Taylor & J. C. Brinda. 2021. Catalogue of the Plants of Madagascar.
Standley, P. C. & L. O. Williams. 1970. Convolvulaceae. In Standley, P.C. & Williams, L.O. (eds.), Flora of Guatemala - Part IX. Fieldiana, Bot. 24(9): 4–85. View in Biodiversity Heritage Library
Stevens, W. D., C. Ulloa Ulloa, A. Pool & O. M. Montiel Jarquín. 2001. Flora de Nicaragua. Monogr. Syst. Bot. Missouri Bot. Gard. 85: i–xlii,.
Ulloa Ulloa, C., P. Acevedo-Rodríguez, S. G. Beck, M. J. Belgrano, R. Bernal González, P. E. Berry, L. Brako, M. Celis, G. Davidse, S. R. Gradstein, O. Hokche, B. León, S. León-Yánez, R. E. Magill, D. A. Neill, M. H. Nee, P. H. Raven, H. Stimmel, M. T. Strong, J. L. Villaseñor Ríos, J. L. Zarucchi, F. O. Zuloaga & P. M. Jørgensen. 2017. An integrated assessment of vascular plants species of the Americas. Science 358: 1614–1617 [Online Suppl. Materials: 1–23 + 1–2497], f. 1–4 [f. S1–5].
Ulloa Ulloa, C., P. Acevedo-Rodríguez, S. G. Beck, M. J. Belgrano, R. Bernal González, P. E. Berry, L. Brako, M. Celis, G. Davidse, S. R. Gradstein, O. Hokche, B. León, S. León-Yánez, R. E. Magill, D. A. Neill, M. H. Nee, P. H. Raven, H. Stimmel, M. T. Strong, J. L. Villaseñor Ríos, J. L. Zarucchi, F. O. Zuloaga & P. M. Jørgensen. 2018 [Onwards]. An integrated Assessment of Vascular Plants Species of the Americas (Online Updates).
Villaseñor Ríos, J. L. 2016. Checklist of the native vascular plants of Mexico. Catálogo de las plantas vasculares nativas de México. Revista Mex. Biodivers. 87(3): 559–902. epublication
Wood, J. R. I., P. Muñoz Rodríguez, B. R. M. Williams & R. W. Scotland. 2020. A foundation monograph of Ipomoea (Convolvulaceae) in the New World. PhytoKeys 143: 1–823.
Zuloaga, F. O., O. Morrone, M. J. Belgrano, C. F. S. Marticorena & E. Marchesi. (eds.) 2008. Catálogo de las plantas vasculares del Cono Sur. Monogr. Syst. Bot. Missouri Bot. Gard. 107(1–3): i–xcvi, 1–3348.
Grisebach, A.H.R. (1862). Convolvulaceae. Flora of the British West Indian Isands: 466-476. Lovell Reeve.
Meisner, C.F. (1869). Convolvulaceae. Flora Brasiliensis 7: 199-370.
Gray, A. (1878). Convolvulaceae. Synoptical Flora of North America, edit. 1 2(2): 207-224, 394.
Eggers, H.F.A. (1879). Convolvulaceae. The flora of St Croix and the Virgin Islands: 70-73. US Government Printing Office.
Clarke, C.B. (1883). Fl. Br. India Convolvulaceae. Flora of British India 4: 179-228 + 734.
Baker, J.G. & C.H. Wright (1904). Convolvulaceae. Flora Capensis 4(2): 45-87.
Standley, P. C. (1938). Convolvulaceae. Publications of Field Museum of Natural History, Botanical Series 18(3): 960-974. "Cultivated & perhaps exisitng in wild state"
Clarke, C.B. (1939). Fl. Assam Convolvulaceae. Flora of Assam 3: 338-362+538. Govt. of Assam.
Fernald & Rollins (1950). Gray's Manual of Botany, 8th edition: 1177-1185. Dioscorides Press.
Ooststroom, S.J. van & R.D. Hoogland (1953). Convolvulaceae. Flora Malesiana 4: 388-512. Noordhoff-Kolff N.V., Djakarta.
Leon, H. & Alain, H. (1957). Convolvulaceae. Flora de Cuba 4: 218-248. Cultural S. A., La Habana.
O'Donell, C.A. (1959). Convolvuloideas de Uruguay. Lilloa 29: 349-376. Universidad Nacional de Tucuman, Instituto 'Miguel Lillo'.
Heine, H. (1963). Convolvulaceae. Flora of West Tropical Africa, second edition 2: 335-352 + 496. Crown Agents for Oversea Governments and Administrations.
Verdcourt, B. (1963). Convolvulaceae. Flora of Tropical East Africa: 1-161.
Standley, P.C. & Williams, L.O. (1970). Convolvulaceae. Fieldiana Botany New Series 24 (9: 1,2): 4-85. Field Museum of Natural History.
Valentine, D.H. et al. (1972). Convolvulaceae. Flora Europaea 3: 74-83. Cambridge University Press.
Grigor'ev, Y.S. (1974). Convolvulaceae. Flora of the USSR 19: 3-30. Science Publishers, Inc..
Austin, D.F. (1975). Convolvulaceae. Annals of the Missouri Botanical Garden 62: 157-224.
Verdcourt, B. (1978). Corrections and additions to the 'Flora of Tropical East Africa: Convolvulaceae': IV. Kew Bulletin 33: 159-168.
Austin, D.F. & S. Ghazanfar (1979). Convolvulaceae. Flora of West Pakistan 126: 1-64.
Scoggan, H.J. (1979). Convolvulaceae. The Flora of Canada 4: 1253-1257. National Museum of Natural Sciences.
Austin, D.F. (1980). Rev. Handb. Fl. Ceylon Convolvulaceae. A Revised Handbook to the Flora of Ceylon 1: 288-363. Oxford & IBH Publishing Co. PVT. LTD., New Delhi, Calcutta.
Wiggins, I.L. (1980). Convolvulaceae. Flora of Baja California: 373-385. Stanford Univ. Press.
Martin, W.C. & C.R. Hutchins (1981). Convolvulaceae. A flora of New Mexico 2: 1546-1569.
Austin, D. F. (1982). Flora of Ecuador 15: 3-99. Botanical Institute, University of Göteborg, Riksmuseum, Stockholm.
Austin, D.F. (1982). Convolvulaceae. Flora de Venezuela 8(3): 15-226. Fundación Educación Ambiental.
Austin, D.F. & Cavalcante, P.B. (1982). Convolvuláceas da Amazônia. Publicações Avulsas do Museo Goeldi 36: 1-134.
Heine, H. (1984). Fl. Nouv. Caléd. & Dépend. Convolvulaceae. Flore de la Nouvelle-Calédonie et Dépendances 13: 1-91. Muséum National d'Histoire Naturelle, Paris.
Khan, M.S. (1985). Fl. Bangladesh Convolvulaceae. Flora of Bangladesh 30: 1-59. Bangladesh National Herbarium, Dhaka.
Greuter, W., Burdet, H.M., & Long, G. (1986). Med-checklist 3: Dicotyledones (Convolvulaceae - Labiatae) 3: 1-395. Conservatoire et Jardin botaniques, Ville de Genève.
Gonçalves, M.L. (1987). Convolvulaceae. Flora Zambesiaca 8(1): 9-129. Royal Botanic Gardens, Kew.
Webb, C.J., W.R. Sykes, & P.J. Garnock-Jones (1988). Fl. New Zealand Convolvulaceae - naturalised. Flora of New Zealand 4: 547-560+1289. R.E.Owen, Government Printer, Wellington.
Austin, D.F. (1990). Comments on southwestern United States Evolvulus and Ipomoea (Convolvulaceae). Madrono 37: 124-132.
Austin, D.F. (1990). Annotated checklist of New Mexican Convolvulaceae. Sida 14: 273-286.
Lejoly, J. & S. Lisowski (1992). Les genres Merremia et Ipomoea (Convolvulaceae) dans la Flore d'Afrique Centrale (Zaire, Rwanda, Burundi). Fragmenta Floristica et Geobotanica 37: 21-125.
Hansen, A. & Sunding, P. (1993). Flora of Macaronesia. Checklist of vascular plants. 4. revised edition. Sommerfeltia 17: 88-93.
Dempster, L. T. (1993). Convolvulaceae. The Jepson Manual, higher plants of Cilfornia: 516-522. Univ. California Press.
McPherson, G. [w/ D.F. Austin] (1993). Convolvulaceae. Catalogue of the Flowering Plants and Gymnosperms of Peru: 365-374. Missouri Botanical Garden, St. Louis.
Liogier, A.H. (1994). Convolvulaceae. La flora de la Española 6: 49-114. Universidad Central del Este.
Turland, N.J. (1994). Convolvulaceae. Flora of Madeira: 266-271. HMSO.
Kartesz, J.T. (1994). Convolvulaceae. A synonymized checklist of the vascular flora of the United States, Canada, and Greenland: 217-221. Timber Press.
McDonald, Andrew (1994). Convolvulaceae. Flora de Veracruz 77: 1-133. Instituto Nacional de Investigaciones sobre Recursos Bióticos, Xalapa, Veracruz.
Fang, R.-Z. & Staples, G. (1995). Convolvulaceae. Flora of China 16: 271-325. Missouri Botanical Garden Press, St. Louis.
Austin, D.F. & Huáman, Z. (1996). A synopsis of Ipomoea (Convolvulaceae) in the Americas. Taxon 45: 3-38.
Wood, J.R.I. (1997). Handb. Yemen Fl. Convolvulaceae. A Handbook of the Yemen Flora: 230-236. The Board of Trustees of the Royal Botanic Gardens, Kew.
Mill, R.R. (1999). Fl. Bhutan Convolvulaceae. Flora of Bhutan 2(2): 834-862. Royal Botanic Gardens, Edinburgh.
Austin, D.F. (1999). Man. Fl. Plts. Hawai'I Convolvulaceae. Manual of the Flowering Plants of Hawai'I 1: 548-564. University of Hawaii Press.
Boulos, L. (2000). Flora of Egypt 2: 1-352. Al Hadara Publishing, Cairo.
Meeuse, A.D.J. & W.G. Welman (2000). Convolvulaceae. Flora of Southern Africa 28: 1-138. Botanical Research Institute, Department of Agriculture.
Bosser, J. & H. Heine (2000). Fl. Mascar. Convolvulaceae. Flore des Mascareignes 127: 1-63. IRD Éditions, MSIRI, RBG-Kew, Paris.
Liogier, H.A. & L.F. Martorell (2000). Convolvulaceae. Flora of Puerto Rico and Adjacent Islands: a Systematic Synopsis: 162-167. Editorial de la Universidad de Puerto Rico, San Juan.
Deroin, T. (2001). Convolvulaceae. Flore de Madagascar et des Comores (Plantes Vasculaires) 171: 11-287. Typographie Firmin-Didot et Cie., Paris.
Austin, D.F. (2001). Convolvulaceae. Flora de Nicaragua 1: 653-679. Missouri Botanical Garden Press, St. Louis.
Nowroozi, M. (2002). Convolvulaceae Fl. Iran. Flora of Iran 40: 1-110. Ministry of Jihad-e-Agriculture.
Kress, W.J., R.A. DeFilipps, E. Farr, & Y.Y. Kyi (2003). Cklist. Myanmar Convolvulaceae. Checklist of the Trees, Shrubs, Herbs, and Climbers of Myanmar: 197-201. National Museum of Natural History, Washington DC..
Jones, R.L. (2005). Plant life of Kentucky. An illustrated guide to the vascular flora: 1-833. The universitry press of Kentucky.
Hedberg, I., Kelbessa, E., Edwards, S., Demissew, S. & Persson, E. (eds.) (2006). Flora of Ethiopia and Eritrea 5: 1-690. The National Herbarium, Addis Ababa University, Ethiopia & The Department of Systematic Botany, Upps.
Jarvis, C.E. (2007). Convolvulaceae. Order out of Chaos. Linnean Soc. London & Nat. Hist. Museum.
Carranza, E. (2007). Convolvulaceae I, in Fl. Bajío. Flora del Bajío y de regiones adyacentes 151: 1-129.
Austin, D. F. & M. Costea (2008). Convolvulaceae. Catálogo de las plantas vascualres del Cono Sur 2: 1936-1966. Missouri Bot. Garden.
Staples, G. (with P. Traiperm) (2010). Convolvulaceae. Flora of Thailand 10: 330-468. The Forest Herbarium, National Park, Wildlife and Plant Conservation Department, Bangkok.
Bianchini, R.S., Ferreira, P.P.A. (2010). Convolvulaceae. Lista de Espécies da Flora do Brasil. Jardim Botânico do Rio de Janeiro.
Idárraga-Piedrahita, A., Ortiz, R.D.C., Callejas Posada, R. & Merello, M. (eds.) (2011). Flora de Antioquia: Catálogo de las Plantas Vasculares 2: 1-939. Universidad de Antioquia, Medellín.
Dobignard, A. & C. Chatelain (2011). Convolvulaceae. Index synonymique de la flore d'Afrique du nord 3: 331-351. Conservatoire et Jardin Botanique de la ville de Genève.
Bhellum, B.L. & Magotra, R. (2011). Flora of Jammu and Kashmir state (family Convolvulaceae): a census. Journal of Economic and Taxonomic Botany 35: 732-736.
Garcia-Mendoza, A.J. & Meave, J.A. (eds.) (2012). Diversidad florística de Oaxaca: de musgos a angiospermas (colecciones y listas de especies) , ed. 2: 1-351. Instituto de Biología, Universidad Nacional Autónoma de México.
Acevedo-Rodríguez, P. & Strong, M.T. (2012). Catalogue of seed plants of the West Indies. Smithsonian Contributions to Botany 98: 1-1192.
Johnson, R.W. (2012). Convolvulaceae. Australian Plant Census. Council of Heads of Australian Herbaria.
Press, J.R., K.K. Shrestha, & D.A. Sutton (2012). Nepal Cklist. Convolvulaceae. Annotated Checklist of the Flowering Plants of Nepal - online. Natural History Museum et al..
Al Khulaidi, A.W.A. (2012). Fl. Yemen Convolvulaceae + Cuscutaceae. Flora of Yemen: 73-76 + 80. EPA and UNDP, Republic of Yemen.
Spaulding, D. (2013). Convolvulaceae. Checklist of Alabama's vascular flora: 137-139.
Seregin, A.P. (2014). Flora of Vladimir Oblast, Russia: grid data analysis: 1-441. KMK schientific press, Moscow.
Mohlenbrock, R.H. (2014). Vascular Flora of Illinois. A Field Guide , ed. 4: 1-536. Southern Illinois University Press, Carbondale.
Chang, C.S., Kim, H. & Chang, K.S. (2014). Provisional checklist of vascular plants for the Korea peninsula flora (KPF): 1-660. DESIGNPOST.
Gutiérrez, J. & Solano, E. (2014). Afinidades florísticas y fitogeográficas de la vegetación del municipio de San José Iturbide, Guanajuato, México. Acta Botanica Mexicana 107: 27-65. Instituto de Ecología A.C..
Baliousis, E. (2014). Recent data from the flora of the island of Limnos (NE Aegean, Greece): new alien invasive species affecting the agricultural economy of the island. Edinburgh Journal of Botany 71: 275-285.
Ackerfield, J. (2015). Flora of Colorado: 1-818. BRIT Press.
Hand, R. (ed.) (2015). Supplementary notes to the flora of Cyprus VIII. Willdenowia 45: 245-259.
Wood, J.R.I., Carine, M.A., Harris, D., Wilkin, P., Williams, B. & Scotland, R.W. (2015). Ipomoea (Convolvulaceae) in Bolivia. Kew Bulletin 70(31): 1-124.
Gilman, A.V. (2015). New flora of Vermont. Memoirs of the New York Botanical Garden 110: 1-614.
Vladimirov, V. & al. (2016). New floristic records in the Balkans: 29. Phytologia Balcanica 22: 93-123.
Werier, D. (2017). Catalogue of the Vascular plants of New York state. Memoirs of the Torrey Botanical Club 27: 1-542. New York Botanical Garden.
Kozhevnikov, A.E., Kozhevnikov, Z.V., Kwak, M. & Lee, B.Y. (2019). Illustrated flora of the Primorsky Territory, Russian Far East: 1-1124. National institute of biological resources.
Nowak, A. & Nobis, M. (eds.) (2020). Illustrated Flora of Tajikistan and adjacent areas 1: 1-366. PAN, Polish academy of sciences.
Wood, J.R.I., Muñoz-Rodríguez P., Williams, B.R.M., Scotland, R.W. (2020). A foundation monograph of Ipomoea (Convolvulaceae) in the New World. PhytoKeys 143: 1-823.
------------------------------------------
Canon PowerShot SX280 HS
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
.
.
I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 45.333+ Million visitors to my FLICKR site.
***** Selected for sale in the GETTY IMAGES COLLECTION on Sunday 26th December 2021
CREATIVE RF gty.im/1360475583 MOMENT ROYALTY FREE COLLECTION**
This photograph became my 5,885th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
©DESPITE STRAIGHT LINES (Paul Williams)
.
.
It's Christmas eve, Friday December 24th 2021 and the weather is a sombre grey with a touch of rain in the air, much the norm for Christmas in the UK for as many years as I can remember.
Photograph taken at an altitude of One hundred and three metres at 12:29pm on Wednesday December 22nd 2021 off Church Lane close to Bay Pond in the heart of Godstone, a village and civil parish in the county of Surrey in England.
Local school children had hand painted Christmas decorations and placed them in the trees and on fence panels and hanging branches in the lane leading beside Bay Pond and onwards to St Nicholas Church and St Mary's Chapel. A lovely festive sight on a cold winter afternoon in Godstone.
.
.
Nikon D850 Focal length 170mm Shutter speed: 1/50s Aperture f/13.0 iso640 Hand held with Tamron VC Vibration control set to ON in position 1 Image area FX (36 x 24) NEF RAW Size L (8256 x 5504) 14 bit uncompressed file AF-C Priority Selection: Release. Nikon Back button focusing enabled. Focus mode: AF-C AF-Area mode: 3D -Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1, 0, 0 (4750K) Colour space: Adobe RGB Picture control: (NL) Neutral (Sharpening +2) Active D-Lighting: Low
Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
LATITUDE: N 51d 14m 48.78s
LONGITUDE: E 0d 3m 46.33s
ALTITUDE: 103.0m
RAW (TIFF) FILE: 130.00MB NEF FILE: 94.6MB
PROCESSED (JPeg) FILE: 50.30MB
PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.
This has become a very familiar scene to me. I’ve sat here 3-4 times for over an hour hoping to see a glimpse of the red fox again, and got nothing except a squirrel. I really struggle with waiting on the Lord. Oddly I feel like it was still relative productive; I’m sure God grew my character particular since I was uncomfortable lying on the ground. I really should, or at least want to want to keep seeking for a picture of thy red ghost. I would label this bad, but I need to let God define what is Good and Bad, after all Eve said eating the fruit was good, and look where we are now. I want to trust him again, I’ve felt so distant from God with refusing to fast
Lamentations 3:25: "The LORD is good to those who wait for him, to the soul who seeks him"
Published: Columbus Magazine Issue 13 2008
Frank Sinatra "I GET A KICK OUT OF YOU"
it.youtube.com/watch?v=hH9LdY40jw8
taken in Venice - Nov '07
Take a look at my interview with my friend Julian (Freelance Virtuoso)
50 Most interesting slide show
btw : link to my PUBLISHED shots
Venice (Italian: Venezia [veˈnɛttsja] ( listen), Venetian: Venesia) is a city in northern Italy known both for tourism and for industry, and is the capital of the region Veneto, with a population of about 272,000 (census estimate 1 January 2004). Together with Padua, the city is included in the Padua-Venice Metropolitan Area (population 1,600,000).
The name is derived from the ancient tribe of Veneti that inhabited the region in Roman times.[1][2] The city historically was the capital of an independent city-state. Venice has been known as the "La Dominante", "Serenissima", "Queen of the Adriatic", "City of Water", "City of Masks", "City of Bridges", "The Floating City", and "City of Canals". Luigi Barzini, writing in The New York Times, described it as "undoubtedly the most beautiful city built by man".[3] Venice has also been described by the Times Online as being one of Europe's most romantic cities.[4]
The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy. The saltwater lagoon stretches along the shoreline between the mouths of the Po (south) and the Piave (north) Rivers. The population estimate of 272,000 inhabitants includes the population of the whole Comune of Venezia; around 60,000[5] in the historic city of Venice (Centro storico); 176,000 in Terraferma (the Mainland), mostly in the large frazioni of Mestre and Marghera; and 31,000 live on other islands in the lagoon.
The Republic of Venice was a major maritime power during the Middle Ages and Renaissance, and a staging area for the Crusades and the Battle of Lepanto, as well as a very important center of commerce (especially silk, grain and spice trade) and art in the 13th century up to the end of the 17th century. This made Venice a wealthy city throughout most of its history.[6] It is also known for its several important artistic movements, especially the Renaissance period. Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi.
Striding toards the entance.
Straight lines from the 17mm Tilt Shift lens. Thanks to Scott for running the #canoncollective Tilt Shift workshop.
You can also find me on Instagram: tekapa_pictures
...
#Frankfurt#Germany#City#urban#cityphotography#urbanphotography#cityexplorer#exploringthecity#urbanexplorer#street#streetphotography#streetshot#blackandwhitephotography#blackandwhite#bw#bnw#blacknwhite#blackandwhitephoto#bwlover#bwlovers#tekapapics