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Mariahilferstraße

Mariahilferstraße, 6th, 7th, 14th and 15th, since 1897 (in the 6th and 7th district originally Kremser Sraße, then Bavarian highway, Laimgrubner main road, Mariahilfer main street, Fünfhauserstraße, Schönbrunnerstraße and Penzinger Poststraße, then Schönbrunner Straße), in memory of the old suburb name; Mariahilf was an independent municipality from 1660 to 1850, since then with Gumpendorf, Magdalenengrund, Windmühle and Laimgrube 6th District.

From

aeiou - the cultural information system of the bm: bwk

14,000 key words and 2000 pictures from history, geography, politics and business in Austria

www.aeiou.at

Mariahilferstraße, 1908 - Wien Museum

Mariahilferstraße, 1908

Picture taken from "August Stauda - A documentarian of old Vienna"

published by Christian Brandstätter - to Book Description

History

Pottery and wine

The first ones who demonstrably populated the area of ​​today's Mariahilferstraße (after the mammoth) were the Illyrians. They took advantage of the rich clay deposits for making simple vessels. The Celts planted on the sunny hills the first grape vines and understood the wine-making process very well. When the Romans occupied at the beginning of our Era Vienna for several centuries, they left behind many traces. The wine culture of the Celts they refined. On the hill of today's Mariahilferstraße run a Roman ridge trail, whose origins lay in the camp of Vindobona. After the rule of the Romans, the migration of peoples temporarily led many cultures here until after the expulsion of the Avars Bavarian colonists came from the West.

The peasant Middle Ages - From the vineyard to the village

Thanks to the loamy soil formed the winery, which has been pushed back only until the development of the suburbs, until the mid-17th Century the livelihood of the rural population. "Im Schöff" but also "Schöpf - scoop" and "Schiff - ship" (from "draw of") the area at the time was called. The erroneous use of a ship in the seal of the district is reminiscent of the old name, which was then replaced by the picture of grace "Mariahilf". The Weinberg (vineyard) law imposed at that time that the ground rent in the form of mash on the spot had to be paid. This was referred to as a "draw".

1495 the Mariahilfer wine was added to the wine disciplinary regulations for Herrenweine (racy, hearty, fruity, pithy wine with pleasant acidity) because of its special quality and achieved high prices.

1529 The first Turkish siege

Mariahilferstraße, already than an important route to the West, was repeatedly the scene of historical encounters. When the Turks besieged Vienna for the first time, was at the lower end of today Mariahilferstrasse, just outside the city walls of Vienna, a small settlement of houses and cottages, gardens and fields. Even the St. Theobald Monastery was there. This so-called "gap" was burned at the approach of the Turks, for them not to offer hiding places at the siege. Despite a prohibition, the area was rebuilt after departure of the Turks.

1558, a provision was adopted so that the glacis, a broad, unobstructed strip between the city wall and the outer settlements, should be left free. The Glacis existed until the demolition of the city walls in 1858. Here the ring road was later built.

1663 The new Post Road

With the new purpose of the Mariahilferstrasse as post road the first three roadside inn houses were built. At the same time the travel increased, since the carriages were finally more comfortable and the roads safer. Two well-known expressions date from this period. The "tip" and "kickbacks". In the old travel handbooks of that time we encounter them as guards beside the route, the travel and baggage tariff. The tip should the driver at the rest stop pay for the drink, while the bribe was calculated in proportion to the axle grease. Who was in a hurry, just paid a higher lubricant (Schmiergeld) or tip to motivate the coachman.

1683 The second Turkish siege

The second Turkish siege brought Mariahilferstraße the same fate. Meanwhile, a considerable settlement was formed, a real suburb, which, however, still had a lot of fields and brick pits. Again, the suburb along the Mariahilferstraße was razed to the ground, the population sought refuge behind the walls or in the Vienna Woods. The reconstruction progressed slowly since there was a lack of funds and manpower. Only at the beginning of the 18th Century took place a targeted reconstruction.

1686 Palais Esterhazy

On several "Brandstetten", by the second Turkish siege destroyed houses, the Hungarian aristocratic family Esterhazy had built herself a simple palace, which also had a passage on the Mariahilferstrasse. 1764 bought the innkeeper Paul Winkelmayr from Spittelberg the building, demolished it and built two new buildings that have been named in accordance with the Esterhazy "to the Hungarian crown."

17th Century to 19th Century. Fom the village to suburb

With the development of the settlements on the Mariahilferstraße from village to suburbs, changed not only the appearance but also the population. More and more agricultural land fell victim to the development, craftsmen and tradesmen settled there. There was an incredible variety of professions and trades, most of which were organized into guilds or crafts. Those cared for vocational training, quality and price of the goods, and in cases of unemployment, sickness and death.

The farms were replaced by churches and palaces, houses and shops. Mariahilf changed into a major industrial district, Mariahilferstrasse was an important trading center. Countless street traders sold the goods, which they carried either with them, or put in a street stall on display. The dealers made themselves noticeable by a significant Kaufruf (purchase call). So there was the ink man who went about with his bottles, the Wasserbauer (hydraulic engineering) who sold Danube water on his horse-drawn vehicle as industrial water, or the lavender woman. This lovely Viennese figures disappeared with the emergence of fixed premises and the improvement of urban transport.

Private carriages, horse-drawn carriages and buggies populated the streets, who used this route also for trips. At Mariahilferplatz Linientor (gate) was the main stand of the cheapest and most popular means of transport, the Zeiselwagen, which the Wiener used for their excursions into nature, which gradually became fashionable. In the 19th Century then yet arrived the Stellwagen (carriage) and bus traffic which had to accomplish the connection between Vienna and the suburbs. As a Viennese joke has it, suggests the Stellwagen that it has been so called because it did not come from the spot.

1719 - 1723 Royal and Imperial Court Stables

Emperor Charles VI. gave the order for the construction of the stables to Johann Bernhard Fischer von Erlach. 1772 the building was extended by two houses on the Mariahilferstrasse. The size of the stables still shows, as it serves as the Museum Quarter - its former importance. The Mariahilferstraße since the building of Schönbrunn Palace by the Imperial court very strongly was frequented. Today in the historic buildings the Museum Quarter is housed.

The church and monastery of Maria Hülff

Coloured engraving by J. Ziegler, 1783

1730 Mariahilferkirche

1711 began the renovation works at the Mariahilferkirche, giving the church building today's appearance and importance as a baroque monument. The plans stem from Franziskus Jänkl, the foreman of Lukas von Hildebrandt. Originally stood on the site of the Mariahilferkirche in the medieval vineyard "In Schoeff" a cemetery with wooden chapel built by the Barnabites. Already in those days, the miraculous image Mariahilf was located therein. During the Ottoman siege the chapel was destroyed, the miraculous image could be saved behind the protective walls. After the provisional reconstruction the miraculous image in a triumphal procession was returned, accompanied by 30,000 Viennese.

1790 - 1836 Ferdinand Raimund

Although in the district Mariahilf many artists and historical figures of Vienna lived , it is noticeable that as a residence they rather shunned the Mariahilferstraße, because as early as in the 18th Century there was a very lively and loud bustle on the street. The most famous person who was born on the Mariahilferstrasse is the folk actor and dramatist Ferdinand Raimund. He came in the house No. 45, "To the Golden deer (Zum Goldenen Hirschen)", which still exists today, as son of a turner into the world. As confectioners apprentice, he also had to visit the theaters, where he was a so-called "Numero", who sold his wares to the visitors. This encounter with the theater was fateful. He took flight from his training masters and joined a traveling troupe as an actor. After his return to Vienna, he soon became the most popular comedian. In his plays all those figures appeared then bustling the streets of Vienna. His most famous role was that of the "ash man" in "Farmer as Millionaire", a genuine Viennese guy who brings the wood ash in Butte from the houses, and from the proceeds leading a modest existence.

1805 - 1809 French occupation

The two-time occupation of Vienna by the French hit the suburbs hard. But the buildings were not destroyed fortunately.

19th century Industrialization

Here, where a higher concentration of artisans had developed as in other districts, you could feel the competition of the factories particularly hard. A craftsman after another became factory worker, women and child labor was part of the day-to-day business. With the sharp rise of the population grew apartment misery and flourished bed lodgers and roomers business.

1826

The Mariahilferstraße is paved up to the present belt (Gürtel).

1848 years of the revolution

The Mariahilferstraße this year was in turmoil. At the outbreak of the revolution, the hatred of the people was directed against the Verzehrungssteuerämter (some kind of tax authority) at the lines that have been blamed for the rise of food prices, and against the machines in the factories that had made the small craftsmen out of work or dependent workers. In October, students, workers and citizens tore up paving stones and barricaded themselves in the Mariahilfer Linientor (the so-called Linienwall was the tax frontier) in the area of ​​today's belt.

1858 The Ring Road

The city walls fell and on the glacis arose the ring-road, the now 6th District more closely linking to the city center.

1862 Official naming

The Mariahilferstraße received its to the present day valid name, after it previously was bearing the following unofficial names: "Bavarian country road", "Mariahilfer Grund Straße", "Penzinger Street", "Laimgrube main street" and "Schönbrunner Linienstraße".

The turn of the century: development to commercial street

After the revolution of 1848, the industry displaced the dominant small business rapidly. At the same time the Mariahilferstraße developed into the first major shopping street of Vienna. The rising supply had to be passed on to the customer, and so more and more new shops sprang up. Around the turn of the century broke out a real building boom. The low suburban houses with Baroque and Biedermeier facade gave way to multi-storey houses with flashy and ostentatious facades in that historic style mixture, which was so characteristic of the late Ringstrasse period. From the former historic buildings almost nothing remained. The business portals were bigger and more pompous, the first department stores in the modern style were Gerngross and Herzmansky. Especially the clothing industry took root here.

1863 Herzmansky opened

On 3 March opened August Herzmansky a small general store in the Church Lane (Kirchengasse) 4. 1897 the great establishment in the pin alley (Stiftgasse) was opened, the largest textile company of the monarchy. August Herzmansky died a year before the opening, two nephews take over the business. In 1928, Mariahilferstraße 28 is additionally acquired. 1938, the then owner Max Delfiner had to flee, the company Rhonberg and Hämmerle took over the house. The building in Mariahilferstrasse 30 additionally was purchased. In the last days of the war in 1945 it fell victim to the flames, however. 1948, the company was returned to Max Delfiner, whose son sold in 1957 to the German Hertie group, a new building in Mariahilferstrasse 26 - 30 constructing. Other ownership changes followed.

1869 The Pferdetramway

The Pferdetramway made it first trip through the Mariahilferstraße to Neubaugasse.

Opened in 1879 Gerngroß

Mariahilferstraße about 1905

Alfred Gerngross, a merchant from Bavaria and co-worker August

Herzmanskys, founded on Mariahilferstrasse 48/corner Church alley (Kirchengasse) an own fabric store. He became the fiercest competitor of his former boss.

1901 The k.k. Imperial Furniture Collection

The k.k. Hofmobilien and material depot is established in Mariahilferstrasse 88. The collection quickly grew because each new ruler got new furniture. Today, it serves as a museum. Among other things, there is the office of Emperor Franz Joseph, the equipment of Emperor Maximilian of Mexico from Miramare Castle, the splendid table of Charles VI. and the furniture from the Oriental Cabinet of Crown Prince Rudolf.

1911 The House Stafa

On 18 August 1911, on the birthday of Emperor Franz Joseph, corner Mariahilferstraße/imperial road (Kaiserstraße) the "central palace" was opened. The construction by its architecture created a sensation. Nine large double figure-relief panels of Anton Hanak decorated it. In this building the "1st Vienna Commercial sample collective department store (Warenmuster-Kollektivkaufhaus)", a eight-storey circular building was located, which was to serve primarily the craft. The greatest adversity in the construction were underground springs. Two dug wells had to be built to pump out the water. 970 liters per minute, however, must be pumped out until today.

1945 bombing of Vienna

On 21 February 1945 bombs fell on the Mariahilferstrasse, many buildings were badly damaged. On 10th April Wiener looted the store Herzmansky. Ella Fasser, the owner of the café "Goethe" in Mariahilferstrasse, preserved the Monastery barracks (Stiftskaserne) from destruction, with the help other resistance fighters cutting the fire-conducting cords that had laid the retreating German troops. Meanwhile, she invited the officers to the cafe, and befuddled them with plenty of alcohol.

www.wien-vienna.at/blickpunkte.php?ID=582

 

GATHERED HERD

A Group of horses socializes behind a fence near St. Claude.

Published in Theory and Simulations of Gels, Nanogels, and Nanoparticle Assemblies

Prateek Kumar Jha, Chemical and Biological Engineering, Northwestern University

May 16, 2012. www-personal.umich.edu/~prateekj/download/defense.pdf Colors are beautiful, it is ZEN when held in hand and ran thru fingers.

Polymer Gel, the material contact lenses are manufactured from. Size of .090 inch in crystal form, when water is added, they expand to .500 inch. (expansion time ~6 hrs.)

Published in: Living the Photo Artistic Life, Issue No. 75, May 2021, pg. 78. Image Sources: Model from the_lionface on deviantart.com; background by James Whitesmith (with permission); Deer from hashan on Pixabay; Crow: www.deviantart.com/momotte2stocks/art/Cut-out-stock-PNG-1...; Flock of birds brush: www.deviantart.com/stock-ashleyrwatts/art/Fireflies-for-P...

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Published by Grande Consórcio Suplementos Nacionais, Brazil 1939

Found "in the wild" in the www ...

 

The original photo.

Repository: California Historical Society

 

Creator: Duncan, J.C.

 

Date: 1857 August 6

 

Publication Note: San Francisco : [s.n.], 1857

 

General Note: Indexed in Greenwood, California Imprints, 815.

 

Call Number: Vault B-049

 

Digital object ID: Vault B-049.jpg

 

Preferred citation: Thos. S. King, having published in the Evening Bulletin..., Vault B-049, courtesy, California Historical Society, Vault B-049.jpg

 

For more CHS digital collections: digitallibrary.californiahistoricalsociety.org

(published in the Daily Wales Post 7.5.2016)

A unique sculpture of a worker from the former Henry Woods factory (which made maritime chains for ships) has been created by sculptor Mike Owens.

 

A two-phase project is seeing the land, which is owned by Flintshire County Council and Natural Resources Wales, transformed. An avenue of 30 trees has been added, along with a viewpoint, footpaths, a maritime feature and a special pollinator hedgerow project

Published in the current edition of the Catholic Times newspaper - a 'detail' from a new painting, "The Good Mother - Marian Devotion 2018" by expressionist artist Stephen B. Whatley.

 

An extended story about this recently commissioned work of art appears in this weeks The Universe newspaper too.

 

The Catholic Times & The Universe are available in Catholic churches, cathedrals and Christian bookshops.

 

Both newspapers are can be obtained from the publishers :

www.thecatholicuniverse.com

 

www.stephenbwhatley.com

Note: I chose this as my "photo of the day" for Dec 15, 2013.

 

Note: this photo was published in a Nov 26, 2014 blog titled "Rogers Santa Claus Parade Vancouver 2014."

 

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Virtually everyone in America, as well as millions of other people around the world, know that Thanksgiving is one of the main occasions for organizing a huge parade.

 

It’s especially true in New York City, where I live — hundreds of parade workers converge on a one-block stretch between Columbus Avenue and Central Park West on 77th Street on the night before Thanksgiving to assemble the floats, and pump the huge balloons full of helium, so they’ll be ready to go the next morning. The parade itself lasts for hours, and stretches all the way down Central Park West and Broadway, and ultimately through Herald Square and past the main entrance to Macy’s on 34th Street. The whole thing is televised for the benefit of viewers all around the world, with TV commentators and an endless procession of marching bands, baton-twirlers, singers, dancers, jugglers, magicians, Broadway actors, and other forms of entertainment…

 

While New York City may be the only example of a Thanksgiving-Day parade that people around the world actually see on their TV screen, it’s definitely not the only such parade that takes place in this country. I’m sure that every big city has its own version of the turkey-day parade, as do most of the medium-size cities, and quite a few smaller towns and villages, too. They may not be visible on television, but a lot of local citizens and visitors turn out to watch such parades, if only because their sons and daughters are typically marching in the high-school bands that form a big part of the event.

 

On this particular occasion — in November of 2013 — I happened to be in one such medium-size city, where the parade took place on Friday, the day after Thanksgiving. It was in Portland, Oregon where we were spending the holiday period with one of our sons and his family; the parade took place in the “Pearl District” of downtown Portland … and, to our amazement, we were able to park our car about a block from the parade route, and walk right up to the corner (at Davis St and NW Park, if you want to track it down on Google Maps) where all of the bands and floats and costumed marchers walked by. In fact, I was able to take the “parade experience” even one step further: the people were friendly enough, and the security was light enough, that I was able to walk right out into the middle of the street with my camera, to photograph the floats and bands and marchers as they approached me … scampering out of the way only at the last moment.

 

Admittedly, Portland is a much bigger city than a tiny village of a thousand people somewhere in the midwest … but it still felt like “small town America” to me, and it was a great spectacle to watch. I got the impression that many of the visitors and observers standing along the street actually knew the people marching past them … and in any case, the marchers laughed and smiled and walked right up to us, handing out little pieces of candy to all of the children. Maybe next year I’ll go looking for a really small Thanksgiving parade in one of those tiny midwest-America villages, before retreating back to the Big Apple to watch the spectacle of thousands of marchers parading past millions of observers, and a TV audience of tens of millions …

 

I wish that I had taken some video clips of the parade, because the sounds and the music and the motion were a big part of what we experienced. But for better or worse, all I took was a bunch of traditional still photos. Actually, I took a LOT of still photos — nearly a thousand, altogether — but I’ve winnowed the collection down to 50 “keepers” that I hope will give you a sense of what Thanksgiving is all about…

 

Actually, if you live anywhere besides New York City here in the U S of A, you already know what Thanksgiving is all about, at least to the extent that it’s symbolized by the parade. But for those of us who spend most our time in New York City, it was a very pleasant experience indeed. After an hour, it was all over; we walked back to our car a block away, and drove back to our son’s house … and a day later, we were back in New York City. And thus ended another Thanksgiving holiday, at least until 2014.

©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®

  

No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)

 

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I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 51.285+ Million visitors to my FLICKR site.

  

***** Selected for sale in the GETTY IMAGES COLLECTION on Saturday 25th October 2025

  

CREATIVE RF gty.im/2242189606 MOMENT ROYALTY FREE COLLECTION**

  

This photograph became my 7,427th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.

  

©DESPITE STRAIGHT LINES (Paul Williams)

  

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Photograph taken at an altitude of Fifty five metres at 18:14pm on Wednesday 24th June, of an adult Male Blackbird (Turdus Merula), off Chessington Avenue in Bexleyheath, Kent.

  

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Nikon D850 Focal length 600mm Shutter speed: 1/125s Aperture f/10.0 iso800 Image area FX (36 x 24) NEF RAW L (8256 x 5504). NEF RAW L (14 bit uncompressed) Image size L (8256 x 5504 FX). Focus mode AF-C focus. AF-C Priority Selection: Release. Nikon Back button focusing enabled. AF-S Priority selection: Focus. 3D Tracking watch area: Normal 55 Tracking points.AF-Area mode single point & 73 point switchable. Exposure mode: Shutter Priority mode. Matrix metering. Auto ISO sensitivity control on (Max iso 800/ Minimum shutter speed 125). White balance on: Auto1. Colour space: RGB. Active D-lighting: Normal. Vignette control: Normal. Nikon Distortion control: Enabled. Picture control: Auto (Sharpening A +1/Clarity A+1

  

Sigma 60-600mm f/4.5-6.3DG OS HSM SPORTS. Lee SW150 MKI filter holder with MK2 light shield and custom made velcro fitting for the Sigma lens. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch.Nikon GP-1 GPS module. Hoodman HEYENRG round eyepiece oversized eyecup.Manfrotto MT057C3-G Carbon fibre geared tripod. Neewer Gimbal tripod head with Arca Swiss quick release plate.055XPROB Tripod 3 Sections (Payload: 5.6kgs). Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Matin quick release neckstrap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.

     

LATITUDE: N 51d 28m 28.02s

LONGITUDE: E 0d 8m 10.47s

ALTITUDE: 51.0m

  

RAW (TIFF) FILE: 130.00MB NEF: 94.7MB

PROCESSED (JPeg) FILE: 48.60MB

      

PROCESSING POWER:

 

Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00

 

HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.

   

Found this Fototrove photo "in the wild" www ...

 

The original photo.

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*Published Canadian Geographic’s Ontario 2017 calendar

 

The white-tailed deer is the most common of all of North America’s large mammals. It is also the most widely distributed. A deer's home range is usually less the a square mile. Deer collect in family groups of a mother and her fawns. When a doe has no fawns, she is usually solitary. Male bucks may live in groups consisting of three or four individuals, except in mating season, when they are solitary. White-tailed deer mate in November and the female has one to three fawns after about six months after mating.

 

To read more about white-tailed deer please read my stories here

One Foggy Morning and here The Ottawa Rut

 

To purchase prints, cards, mugs, photos, shirts and more you can visit my Redbubble site

  

Published by Leisure Productions Ltd, New Zealand 1948

One of two small booklets issued as advertiisng and publciity material by the National Benzole Co. Ltd of London in about 1932. Each shows examples of a selection of surviving milestones across Great Britain and gives a little history as to each. Each page also contains an admonition as to why you should buy petrol or fuel containing National Benzole; the company being the umbrella organisation owned by British benzole producers and that distributed it as a blended additive to petroleum spirit.

 

The covers show the same contemporary speeding motor car and an ancient stone. This is for the second series of "Famous Milestones: issued called Passing the Milestones. This doubel page shows the "Skull & Crossbones" milestone at Woodhead in Cheshire where the stone at this repudletly deadly corner was kept in repair by the publican of the adjacent "Georeg & Dragon Inn". The image shows the junction, along with the milestone and a fine finger post, and a passing bus - a Leyland by the looks of it but which operator?

This Months "photography monthly".

My writing and photography published in this season's Artful Blogging.

More pics on the blog

This photos has been published!

You'll find this photo on this website.

 

view large

Earlier today I published a blog post about Danver’s Restaurant, a broken chain with its final few locations scattered around Memphis and featuring a wild modern-day history. If you’re interested, please check it out at this link! I also published another new post last week as well, covering the liquidation of the Blytheville, AR, JCPenney. I haven’t linked to that one yet on flickr either, so if you’d like to read it, too, you may do so here. :)

 

Danver's Restaurant (now Cook Out) // 7406 Hacks Cross Road, Olive Branch, MS 38654

 

(c) 2019 Retail Retell

These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)

 

Some news for you - The Cornwall Tourist Board have chosen two of my photos to use in the 2008 Cornwall Destination Guide.

Got my copy hot of the press yesterday!

This is my picture of Portreath on the front cover.

To be found in TICs all around the country :)

 

www.visitcornwall.com

Gorgeous red head grid girl in the paddock pit lane at the British Super Bikes, Mondello Park, Co. Kildare.

  

Nikon D-200, Nikkor 70-300mm f3.5/5.6.

  

Please note:

These images are not public domain and are protected by copyright law.

All images © MSI (Motorsport Images Ireland) 2016. All rights reserved.

COPYRIGHT: The copyright and intellectual property rights of this image is owned by MSI (Ireland), and is protected by copyright laws of Ireland and international intellectual property right treaties. You may not copy any portion of the images in any form whatsoever. You may not alter the images in any way.

UNAUTHORISED USE: You may not use, copy, rent, lease, sell, claim ownership, publish to a website, blog or other such electronic hosting medium, modify, decompile, disassemble, otherwise reverse engineer, or transfer images in any form whatsoever whether electronically, mechanically or any other method. Any such unauthorized use shall result in immediate and automatic termination of this license and may result in civil and/or legal action against you/your company or representative.

 

If you are interested in the use of this digital photographic image, please contact us via e-mail at msiireland@yahoo.com or motorsportimagesireland@gmail.com

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Photography by JOB/MSI Ireland

 

© MSI Ireland 2016

All Rights Reserved

Published on Nasa SpaceWeather and SPACE.COM - and taken by myself.

Elliot McGucken Fine Art Ballet Photography: Fine Art Ballerina Dancer Dancing Ballet in Pointe Shoes!

 

Dancing for Dynamic Dimensions Theory dx4/dt=ic: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c!

 

New ballet & landscape instagrams!

instagram.com/fineartballet

www.instagram.com/elliotmcgucken/

  

A pretty goddess straight out of Homer's Iliad & Odyssey!

 

New Instagram! instagram.com/45surf

 

New facebook: www.facebook.com/45surfAchillesOdysseyMythology

 

Join my new fine art ballet facebook page! www.facebook.com/fineartballet/

 

The 45EPIC landscapes and goddesses are straight out of Homer's Iliad & Odyssey!

 

I'm currently updating a translation with the Greek names for the gods and goddesses--will publish soon! :)

"RAGE--Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Zeus fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another. " --Homer's Iliad capturing the rage of the 45EPIC landscapes and seascapes! :)

 

Ludwig van Beethoven: "Music/poetry/art should strike fire from the heart of man, and bring tears from the eyes of woman."

 

Follow my Fine Art Ballet instagram!

 

instagram.com/fineartballet

 

instagram.com/elliotmcgucken

instagram.com/45surf

 

Elliot McGucken Fine Art Ballet Photography: Fine Art Ballerina Dancer Dancing Ballet in Pointe Shoes! Nikon D810

 

Epic natural beauty! Pretty blue eyes and blonde hair!

This is a comic based on the Warhammer 40,000 Xenoarchaeologist story that I made in 2014. The main character is Inquisitor Johann Donner, basically LEGO Adventurers Johnny Thunder in space.

 

The epic final battle continues, so new chapters will be published once per 3-4 days!

 

Previous page

Next page

 

The beginning ot the story

The first page of this chapter

 

Thanks to The Pybro for the idea of a comic book.

Self-published hand-made book Did we ever meet? Winner of Rock your dummy Award 2013. Full info and order at www.offonroad.com/books/did-we-ever-meet/

 

Jayme Cortez

 

Published by La Selva, Brazil 1954

it's on there somewhere. riding the Metra UP-W line through sprawl-land

Published by Grande Consórcio Suplementos Nacionais, Brazil 1939

Friends,

 

I'm thrilled to share with you that I am published in the January issue of Popular Photography in the United States. One of my photos is a runner-up in the "People" category of the Annual Reader's Contest.

 

Please visit my blog to read more about it and see more more! www.ciaochessa.com

 

:)

I just published my first ebook on Smashwords and Amazon. Each company sells it for different kinds of e-readers. If you're curious you can download a small sample on either site.

 

Anyway, it was a bit of a challenge to get it done but I'm super happy it's done now. I've had an earlier version of this book and another one with all animal photographs for sale as printed mini-books for years now (I sell them at craft fairs), but always wanted to get them online too.

 

Happy Earth Day!

Published by Hamlyn in 1972, 2nd impression (1st publishd 1969). Story by Marie d'Aulnoy, adapted by Jan Vladislav... Illustrated by Mirko Hanak.

 

Picked up in a local charity shop last week, sadly no dust wrapper, but some very nice vintage illustrations.

Normally, in a French village, you have a church. One church. If you’re lucky, the church will be old, possibly Romanesque, and interesting. Therefore, it is extremely lucky that the small Alpine village of Notre-Dame-de-Mésage (barely over 1,000 inhabitants), not too far from the large city of Grenoble, should feature not one, but two churches, both of them Romanesque, and both full of very interesting aspects...!

 

We will begin the visit with the oldest one, the parochial church dedicated to the Virgin Mary —hence the name of the village itself. This little church, built perilously close to the chasm below on a very narrow flat ledge, dates back, for its oldest parts (the nave walls), to the 800s or 900s. At least, that is the opinion of Clovis Angelier in his notice published in the Bulletin monumental of 1962 (accessible online here: www.persee.fr/doc/bulmo_0007-473x_1952_num_110_2_3716). At the time, Angelier saw and was able to assess the apparel as being typical of that period in the area; unfortunately, it is not possible for us today to do the same, as those walls have been plastered over on every side. We will take his word for it.

 

The church is dominated by a stubby and adorably decorated bell tower built in tuff stone to be less heavy. In spite of that precaution, the bell tower must have caused significant damage to the structure of the church, as a pair of unsightly, thick pillars had to be built in the nave around 1200 to support the weight... which did not prevent the little bell tower from beginning to lean in a pronounced manner. Today, it resembles the Tower of Pisa and its curious appearance is known and well-liked in all the region: it has become an icon.

 

The church also features a beautiful semi-circular apse built around Year 1000, and is generally a good example of the premier art roman.

 

The western and southern sides of the bell tower.

Note: this photo was published in an Apr 23, 2011 Everyblock NYC zipcodes blog titled "10023."

 

Note: I chose this photo, among the 10 that I uploaded to Flickr on the evening of Apr 22, 2011, as my "photo of the day." I liked the bright, colorful contrast between the woman's raincoat and her bright polka-dot umbrella.

 

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This is a continuation of Flickr sets that I created in 2010 (shown here), 2009 (shown here), and 2008 (shown here) -- which, collectively, illustrate a variety of scenes and people in the small "pocket park" known as Verdi Square, located at 72nd Street and Broadway in New York City's Upper West Side, right by the 72nd St. IRT subway station.

 

I typically visit a local gym once or twice a week, and I get there by taking the downtown IRT express from my home (at 96th Street) down to the 72nd Street stop. Whenever possible, I try to schedule an extra 30-60 minutes to sit quietly on one of the park benches, and just watch the flow of people coming in and out of the park -- sometimes just passing through, to get from 72nd Street up to 73rd Street, but mostly entering or exiting the subway station.

 

You see all kinds of people here: students, bums, tourists, office workers, homeless people, retired people, babysitters, children, soldiers, sanitation workers, lovers, friends, dogs, cats, pigeons, and a few things that simply defy description. Sometimes you see the same people over and over again; sometimes they follow a regular pattern at a particular time of the day.

 

If I focus on the people entering the park at 73rd Street, and walking southwards toward the subway entrance, I typically have five or ten seconds to (a) decide if they're sufficiently interesting to bother photographing,(b) wait for them to get in a position where I can get a clear shot of them, and (c) focus my camera on them and take several shots, in the hope that at least one or two of them will be well-focused and really interesting.

 

While you might get the impression that I photograph every single person who moves through this park, it's actually just the opposite: the vast majority of people that I see here are just not all that interesting. (It's not that they're ugly, it's just that there's nothing interesting, memorable, or distinctive about them.) Even so, I might well take, say, 200 shots in the space of an hour. But some of them are repetitive or redundant, and others are blurred or out-of-focus, or technically defective in some other way. Of the ones that survive this kind of scrutiny, many turn out to be well-focused, nicely-composed, but ... well ... just "okay". I'll keep them on my computer, just in case, but I don't bother uploading them.

 

Typically, only about 5-10% of the photos I've taken get uploaded to Flickr -- e.g., about 10 photos from a one-hour session in which a thousand, or more, people have walked past me. There are some exceptions to this rule of thumb, as was the case with this particular set -- but nevertheless, what you're seeing it is indeed only a tiny, tiny subset of the "real" street scene in New York City. On the other hand, it is reassuring to see that there are at least a few "interesting" people in a city that often has a reputation of being mean, cold, and heartless...

Oor Wullie (English: Our Willie) is a Scottish comic strip published in the D.C. Thomson newspaper The Sunday Post.

 

It features a character called Wullie Russell .

 

Wullie is the familiar Scots nickname for boys named William.

 

His trademarks are spiky hair, dungarees and an upturned bucket, which he uses as a seat - most strips since early 1ii937 begin and end with a single panel of Wullie sitting on his bucket.

 

The earliest strips, with little dialogue, ended with Wullie complaining ("I nivver get ony fun roond here!").

 

The artistic style settled down by 1940 and has changed little since. A frequent tagline reads, "Oor Wullie! Your Wullie! A'body's Wullie!" (Our Willie! Your Willie! Everybody's Willie!).

 

Created by Thomson editor R. D. Low and drawn by cartoonist Dudley D. Watkins, the strip first appeared on 8 March 1936.

 

Watkins continued to draw Oor Wullie until his death in 1969, after which the Post recycled his work into the 1970s.

 

New strips were eventually commissioned from Tom Lavery, followed by Peter Davidson and Robert Nixon. Ken H. Harrison drew the strip from 1989 until 1997, when Davidson resumed duties.

 

Between January 2005 and 2006 storylines were written by broadcaster Tom Morton from his home in Shetland, and subsequently they were written by Dave Donaldson, managing director of Thomson's comics division.

The current writer is former Dandy editor Morris Heggie.

 

The Oor Wullie bucket Trail begins on the 17th June 2019 and is even bigger than the last one 3 years ago.

 

In 2016 Dundee held a bucket trail with over 50 sculptures all painted with different designs to celebrate 80 years of Oor Wullie.

 

This was a huge success with the sculptures raising over £800,000 at auction for the local childrens charity.

 

They have decided to bring it back this year but on a far bigger scale with 150 sculptures and this time you will be able to find them not only in Dundee, but Edinburgh, Glasgow, Aberdeen, Inverness and a few dotted in other towns and cities across the country.

 

At the end of the summer these will once again be auctioned off and the money will be split between 3 childrens charities.

 

Oor Wullie’s BIG Bucket Trail runs for 11 weeks from 17th June 2019 – 30th August 2019, culminating in a series of Farewell Events and nationwide auctions in each of the five host cities, Glasgow, Edinburgh, Dundee, Aberdeen and Inverness.

 

Scotland’s first ever national public art trail aims to unite the country as it raises awareness and vital funds for Scotland’s children’s hospital charities.

 

Funds raised through the trail will support Glasgow Children’s Hospital Charity,Edinburgh Children’s Hospital Charity,and the ARCHIE Foundation, helping children in hospital across the country.

 

Oor Wullie’s BIG Bucket Trail is a Wild in Art event, and would not be possible without the support of DC Thomson Media.

 

I have taken a keen interest in this event and intend to capture all of the sculptures across the city, posting some of my favourite shots here on Flickr.

Note: this photo was published in a Jul 13, 2011 blog titled " Adopting through Foster Care."

 

Moving into 2012, it was also published in an undated (late May 2012) blog titled "Adoption Through Foster Care." And it was published in a Dec 7, 2012 blog titled "Here's How Parents And Kids Interact On Facebook."

 

Moving into 2013, the photo was published in a Jan 2, 2013 blog titled "10 Financial Resolutions That Should Top Every Parent's List This Year." It was also published in a Jan 14, 2013 blog titled "13 Common Mistakes That Can Blow Your Finances." It was also published in a Feb 28, 2013 blog titled "Gender: Sheryl Sandberg Presents: Deeply Troubling Stats About Women," as well as a Mar 1, 2013 blog titled "9 Reasons You Should Care About The Sequester." And it was published in an Apr 8, 2013 blog titled "Men Get Depressed About Not Having Kids." It was also published in a Jul 25, 2013 blog titled "Teach Us To Pray."

 

Moving into 2014, the photo was published in a Feb 25, 2014 blog titled "Resolve to Plan Your Estate in 2014." It was also published in a Jul 24, 2014 blog titled "Tips to Help You Invest in Your Kids."

 

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On my third visit to Rome this year, I decided that I had seen enough of Piazza del Popolo, Castel Sant'Angelo, Piazza san Pietro, and the Spanish Steps. Of course, there are lots of other magnificent sights in Rome, but I wanted something that would also have a lot of people around; after all, you can only take one or two pictures of a church or a statue, but there are endless variations of "people shots."

 

So I ended up in Piazza Navona, which was decorated for Christmas and full of sights and sounds that were apparently intended to attract families with children, as well as tourists and local visitors. There were clowns and balloons, costumed mimes, a man and a woman at opposite ends of the piazza blowing utterly enormous soap-bubbles, as well as vendors hawking toys and balloons and pastries and panini sandwiches. There is an enormous statue in the middle of the piazza, with gargoyles and mythic creatures, plus a merry-go-round, and a few other amusements.

 

But it was the people that I focused my attention on. Lots of kids, eyes filled with wonder at the sights and sounds around them; plenty of tourists from all over the place; romantic couples strolling hand-in-hand as they sampled the snacks and drinks on sale. I was delighted to see that there were lots of local people in the piazza too; it seems to be a popular place for families to bring their children.

 

Anyway, I took some 500+ photos, winnowed the collection down to 50 "keepers," tweaked and edited the keepers as best I could, and uploaded them here to Flickr for your enjoyment...

The DT2-001 at the TBw Staßfurt.

  

© Dennis Matthies

My photographs are copyrighted and may not be altered, printed, published in any media and/or format, or re-posted in other websites/blogs.

 

11th and Pearl Streets

Philadelphia, PA

Copyright © 2014, Bob Bruhin. All rights reserved.

(prints via ehood.us/1GJUnMs)

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Published by Grande Consórcio Suplementos Nacionais, Brazil 1939

I'm in the current issue of Amateur Photographer Magazine!

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