Published Lighthouse pictures

Note: this photo was published in an Apr 23, 2011 Everyblock NYC zipcodes blog titled "10023."

Note: I chose this photo, among the 10 that I uploaded to Flickr on the evening of Apr 22, 2011, as my "photo of the day." I liked the bright, colorful contrast between the woman's raincoat and her bright polka-dot umbrella.

****************************************

This is a continuation of Flickr sets that I created in 2010 (shown here), 2009 (shown here), and 2008 (shown here) -- which, collectively, illustrate a variety of scenes and people in the small "pocket park" known as Verdi Square, located at 72nd Street and Broadway in New York City's Upper West Side, right by the 72nd St. IRT subway station.

I typically visit a local gym once or twice a week, and I get there by taking the downtown IRT express from my home (at 96th Street) down to the 72nd Street stop. Whenever possible, I try to schedule an extra 30-60 minutes to sit quietly on one of the park benches, and just watch the flow of people coming in and out of the park -- sometimes just passing through, to get from 72nd Street up to 73rd Street, but mostly entering or exiting the subway station.

You see all kinds of people here: students, bums, tourists, office workers, homeless people, retired people, babysitters, children, soldiers, sanitation workers, lovers, friends, dogs, cats, pigeons, and a few things that simply defy description. Sometimes you see the same people over and over again; sometimes they follow a regular pattern at a particular time of the day.

If I focus on the people entering the park at 73rd Street, and walking southwards toward the subway entrance, I typically have five or ten seconds to (a) decide if they're sufficiently interesting to bother photographing,(b) wait for them to get in a position where I can get a clear shot of them, and (c) focus my camera on them and take several shots, in the hope that at least one or two of them will be well-focused and really interesting.

While you might get the impression that I photograph every single person who moves through this park, it's actually just the opposite: the vast majority of people that I see here are just not all that interesting. (It's not that they're ugly, it's just that there's nothing interesting, memorable, or distinctive about them.) Even so, I might well take, say, 200 shots in the space of an hour. But some of them are repetitive or redundant, and others are blurred or out-of-focus, or technically defective in some other way. Of the ones that survive this kind of scrutiny, many turn out to be well-focused, nicely-composed, but ... well ... just "okay". I'll keep them on my computer, just in case, but I don't bother uploading them.

Typically, only about 5-10% of the photos I've taken get uploaded to Flickr -- e.g., about 10 photos from a one-hour session in which a thousand, or more, people have walked past me. There are some exceptions to this rule of thumb, as was the case with this particular set -- but nevertheless, what you're seeing it is indeed only a tiny, tiny subset of the "real" street scene in New York City. On the other hand, it is reassuring to see that there are at least a few "interesting" people in a city that often has a reputation of being mean, cold, and heartless...

Published by Gazeta, Brazil 1949

I'm in the current issue of Amateur Photographer Magazine!

The Postcard

A postally unused postcard published by E. A. Sweetman & Sons Ltd. of Tunbridge Wells. The image is a glossy real photograph, and the card has a divided back.

The area in the photograph is now a virtual racetrack, with very large numbers of vehicles jostling for position as they manoeuvre their way round the one-way system.

Purley

Purley is an area of the London Borough of Croydon. It was part of the county of Surrey until 1965. It is located south of the town of Croydon, and 11.7 miles (18.8 km) south of Charing Cross. It had a population of about 14,000 in 2011.

Aviation

Kenley Aerodrome, to the east of the town, was one of the key fighter stations - together with Croydon Airport and Biggin Hill - during the World War II support of Dunkirk, Battle of Britain and defence of London.

Suburban Growth

Purley grew rapidly in the 1920's and 1930's, providing spacious homes in a green environment. Northeast Purley stretches into the chalk hill spurs of the North Downs.

Promenade de Verdun

One road, Promenade de Verdun, created by William Webb, has a distinction all of its own. It is 600 yards (550 m) long, and has on one side Lombardy poplars planted in local soil mixed with French earth specially shipped over to the UK.

A plaque at one end of the road explains that the French Ministry of the Interior donated the soil from Armentières, as a memorial to the alliance of the Great War and the soldiers who died.

At the other end stands an obelisk carved from a single piece of stone with the inscription:

"Aux soldats de France morts

glorieusement pendant la Grande

Guerre".

Purley in WWII

The 32nd. Surrey Battalion of the Home Guard was known as the Factory Battalion, and had the specific task of guarding the Purley Way factories: its units were mainly based on staff from the individual firms.

The factories adjoining Croydon Airport took the worst of the air raid of the 15th. August 1940: the British NSF factory was almost entirely destroyed, and the Bourjois factory gutted, with a total of over sixty civilian deaths.

A comprehensive history of Purley and its growth around Caterham Junction (now Purley Station) with the coming of the railways some 150 years ago is found in the Bourne Society's 'Purley Village History' and in its Local History Records publications.

The Webb Estate

The Webb Estate made headlines in a 2002 survey, which found that it had over the years attracted the highest-earning residents in the UK. In the same year Purley topped Britain's rich list, becoming the most affluent suburb.

Purley consistently features among the most affluent suburbs in Britain owing to its exclusive gated estates, large houses and greenery, yet it is less than 30 minutes from central London by train, thus attracting wealthy city workers.

Fictional References to Purley

-- On television the town became known in the sitcom, Terry and June where Terry and June Medford (Terry Scott and June Whitfield), had moved after the characters' previous series, Happy Ever After.

The sitcom was set on the cusp of Purley and Wallington (on Church Road in a house within sight of St Mark's Church) and the opening credits featured them searching for each other around the (now unrecognisable) Whitgift Centre – a shopping precinct in Croydon.

-- One of the houses used in Footballer's Wives is 7 Rose Walk, Purley, owned by former Crystal Palace FC Chairman Ron Noades.

-- Purley is famous for a reference in both the "Marriage Guidance Counsellor", "Nudge Nudge", and "Kilimanjaro Expedition" (mentioned in the film And Now for Something Completely Different) sketches by the Monty Python team.

-- The CBBC children's sitcom Little Howard's Big Question is based in Purley, and also features continual references to Croydon.

-- Mr Angry, a character on Steve Wright's Radio 1 afternoon show in the 1980's, is from Purley.

Notable Residents of Purley

Notable residents include:

-- Michael Arthur, Vice-Chancellor of Leeds University, and Provost of University College London from September 2013, was born in Purley.

-- Jay Aston, singer with Bucks Fizz, was born in Purley.

-- Ronald Binge and his wife Vera lived at 18, Smitham Bottom Lane in the 1950's. He composed the Elizabethan Serenade there.

-- Derren Brown, magician and mentalist, was born and grew up in Purley.

-- Peter Cushing OBE, actor, grew up and went to school in Purley.

-- Brian Fahey, composer of "At the Sign of the Swingin' Cymbal" (the signature tune to BBC Radio's Pick of the Pops).

-- Andy Frampton, former professional footballer, grew up in Purley.

-- Shelagh Fraser, actress, was born in Purley.

-- Laura Hamilton, TV presenter and Dancing on Ice Contestant, lives in Purley.

-- Nigel Harman, actor, was born and grew up in Purley.

-- Sir Bernard Ingham, Margaret Thatcher's former press secretary, lives in Purley.

-- Sir David P. Lane, oncologist best known for identifying P53, went to school and grew up in Purley.

-- Martin Lee, singer with Brotherhood of Man, was born in Purley.

-- Archibald Low, pioneer of radio guidance systems, was born in Purley.

-- Ray Mears, TV survivalist, went to school in Purley.

-- Ron Noades, former chairman of Wimbledon FC, Crystal Palace FC and Brentford FC and owner of the Altonwood Golf Group, lived in Rose Walk, Purley, from 1993 until 2013.

-- Innes Hope Pearse, doctor and co-founder of the Peckham Experiment, grew up in Purley.

-- Francis Rossi, lead singer of Status Quo, lives in the Webb Estate in Purley.

-- John Horne Tooke, an English politician and philologist, lived in Purley at the end of the 18th. century where he began writing Epea Pteroenta, Or, The Diversions of Purley.

-- Wilfried Zaha, footballer, Crystal Palace FC, lives in the Webb Estate.

Publish Janu,18/01/ 2017 BD LIVE HITS is a YouTube Chanel that presents all Hit Model, , Videos, News, , Live Performance, Juicy jokes etc ! ** Sonam's going to Hollywood!** Priyanka Chopra and Deepika Padukone, Sonam Kapoor, after traveling to Hollywood. Huma kuresirao international film debut. Britain, however, the film is not Hollywood. Sonam's father Anil Kapoor has already recovered Hollywood debut. Mission impossible: Ghost Protocol, and he acted in Slumdog Millionaire. Now Hollywood is Sonam. Ease of coffee with Sonam has acknowledged. Huma Qureshi international film debut. He is working with the director, Gurinder cadda his name. Bend It Like Beckham director Gurinder's film. Huma Qureshi is going to release the film in the UK on March 3 this year. Subscribe our channel : goo.gl/FD2h1b Share the video youtu.be/5D2hCeYZPOI Facebook fun page : ift.tt/2gF3THr Twitter : twitter.com/anis01713734673 *****KEYWORD****** ** Sonam's going to Hollywood**

Published by Vecchi Brezil 1979-1982

Photograph published in Souciant.com to illustrate an article about Seymour Hersh "Bin Laden Was Here" by Magadh. The article was published April 22, 2016.

Article link: souciant.com/2016/04/bin-laden-was-here/

Also published in Life Russia on July 27th, 2018

Also published in Common Space on December19th, 2018 to illustrate an article by Angela Haggerty "Why Your Fear of Going Crazy May Mean You Are the Most Sane person in the World"

commonspace.scot/articles/13691/angela-haggerty-why-your-...

Also published on September 11th, 2018 in Spanish publication El Salto.

www.elsaltodiario.com/regimen-del-78/cuando-osama-bin-lad...

Photograph also published on 8/22/2021 to illustrate the following article { link bellow }

newsjunkiepost.com/2021/08/22/forget-wars-on-covid-and-te...

ASTR

Webster Hall

November 19th, 2015

New York City

© 2015 LEROE24FOTOS.COM

ALL RIGHTS RESERVED.

THIS MATERIAL MAY NOT BE PUBLISHED,

BROADCAST, REWRITTEN OR REDISTRIBUTED.

Published in Print: Modern Luxury - DC Magazine, December 2012

digital.modernluxury.com/publication/?i=135819&p=34

Three thousand head on a hillside is a lot of sheep but it is only when they were compressed into a great flowing river between houses and parked cars of old Zaragoza that it was possible to appreciate what such a mass really means.

PUBLISH AND BE DAMNED!

Published by O Globo, Brazil april, 1940

Cover art: Bill Everett Marvel Mystery Comics No. 3/1940 - Timely Publications from page #1.

The Dawn of Timely Comics in Brazil.

First appearance of characters in this issue: Atlantes, Red Mask, Namor: The Sub-Mariner Prince.

Story's Included in this edition are:

a.) Characters:

Namor, The Submarine Prince

Screenplay: Bill Everett

Drawing: Bill Everett

Original editor: Martin Goodman

Originally published in Marvel Mystery Comics (1939) n ° 2/1939 - Timely Publications

b.)Characters:

Red Mask

Screenplay: Will Harr

Design: Maurice Gutwirth

Originally published in Daring Mystery Comics (1940) n ° 2/1940 - Timely Publications

c.) Characters:

Gong (The Clock)

Screenplay: George Brenner

Design: George Brenner

Original editor: Ed Cronin

Originally published in Feature Funnies (1937) n ° 14/1938 - Quality Comics

Historically important the very first Timely Comic in Brazilian History.

Thought to be the first complete International Edition of Timely Comics Globally outside the US.

Cover art and Interior complete story by Bill Everett.

Cover art: Bill Everett Marvel Mystery Comics No. 3/1940 - Timely Publications from page #1.

The beginning Internationally of the of Marvel Comics in the Foreign Comic market.

O Globo the single most important publisher in Brazilian history, and when is all said and done I feel the historians will state the obvious.

They were the Pioneers that brought history to the International market, with complete stories and original art of the Grand Masters.

Bill Everett and Carl Burgos among others.

Pittsburgh from the observation deck of the Duquesne Incline

published on 4skateboard mag

kodak gold 200 Barcelona 2016

Pelican - Shortlisted Toronto Star Photography Awards 2014

2018 Mermaid Parade

Saturday June 16th 2018

Coney Island, Brooklyn (NY)

© 2018 LEROE24FOTOS.COM

ALL RIGHTS RESERVED.

THIS MATERIAL MAY NOT BE PUBLISHED,

BROADCAST, REWRITTEN OR REDISTRIBUTED.

Published by the

Minister of Immigration and Colonization

Ottawa

"Canada is a country which invites more and more ambitious settlers to take advantage of its fertile lands and its home building opportunities."

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"I think the young lady might be Ceres the goddess of agriculture, one of her symbols is wheat so that would explain the grain curtains. I believe that we get the word cereal from her name"

-- Trish (below)

March 3, 2016

ICE RACING

Cars race on Crescent Lake in Portage la Prairie, Man., in late February.

My image on the book cover!

This is a postcard published by the Valentine Company and printed in Great Britain, an early example of home production. The photograph was taken in early summer 1904 and the view is looking east across Piccadilly Circus and down Coventry Street, the Circus is devoid of its famous advertising signs, they were to come in 1908 with the “Perrier” advertisement, except for two modest signs. The Spaten Brewery was and still is a Munich based company now owned by the Anheuser-Busch group, it appears that German Lager was popular in Edwardian London. The other sign on the window of No.3 Shaftesbury Avenue is for Juno Cycles, their retail premises at this location was six years old at this time and their factory was in Bishopsgate, EC2 where pedal cycles were manufactured by the Metropolitan Machinists’ Co. Ltd. The company had been in business since the 1860s and innovated many features of the modern pedal cycle including the diamond frame, they later produced a limited number of motorcycles. The bus in the foreground is advertising “The Fairy’s Dilemma” playing at the Garrick Theatre, it began its ninety-performance run in early May. It was a comedy written by W.S. Gilbert of Gilbert and Sullivan fame, it was one of his last productions.

Published by Edicionnes Joma, Mexico 1965

Published by Grande Consórcio Suplementos Nacionais, Brazil 1940

Published by O Globo, Brazil 1947

A boy in the slum at Gulbai Tekra who had just bought this kite. The Uttarayan Kite Festival is a great day that cuts across divisions of wealth and caste. I spent the morning of Uttarayan in this slum as it is especially vibrant on any festival, especially one as colourful as this.

Published in Serendib magazine (Sri Lankan Airlines) in January, 2008.

Find out more about the project and see pictures taken by other photographers at 100 Strangers Flickr Group page

This photo was initially published in my local photo blog about the citizens of my area in Montréal. quartiersnord.photos/les-gens-the-people/

I met Guy at the entrance of the Jardin Ahuntsic, a beautiful community garden sloping up to the south of Sackville Street. He started cultivating a plot of this garden 2 years ago. His plantations are quite varied and growing well this year. Insofar as his dwelling place would allow it, he always had a small piece of land to cultivate. It's a habit that comes from his mother. As is often the case in the area, the soil here is clayey; a plant that grows well in it is the tomato. Guy chose the Florida cultivar.

I thought the places were few and that there were long waiting lists to get one in a community garden. He said he got his pretty quickly and has already seen some turnover. People without gardening experience make a first try and then give up. These are often people who do not measure the daily involvement necessary to maintain a vegetable garden. They buy ready-made plants, put them in the ground, go on vacation three weeks without seeking a caretaker and then return to find that everything has withered. For him, the garden is a daily haven after work in a green oasis.

Guy knows his way around in Greater Montreal. Growing up in the Mile End in Montreal, he lived in different districts of the city, then on the South Shore and the North Shore.

Production Manager in a printing shop in St-Laurent, he came to live in the Sault-au-Récollet district two years to be closer to his work. The fact that his children are well on their way in life after successfully completing their studies also favored his return to the city.

The company where he works is active in two sectors, general commercial printing and music publishing. It makes everything that is connected with the packaging and promotion of recorded music.

I wish him a good harvest.

Cette photo fait partie de mon projet 100 Strangers (100 inconnus). Apprenez en plus sur ce type de projet et voyez les photos d’autres photographes à 100 Strangers Flickr Group page

Published articles about the project:

petapixel.com/2022/08/24/photographer-spends-four-years-d...

mymodernmet.com/camera-film-box-illustrations/

Published by Diário da Noite, Brazil 1945

Where is the frog? Published in the Toronto Star (May 17, 2014 and May24, 2014)

File: 2020001-0018

Somewhere in Worcestershire, England, United Kingdom, on Thursday 7th May 2020, at 8pm.

Published with the parent’s permissions.

Notice: Geotags are removed, and the exact location will not be mentioned, for privacy and safety.

About this photograph.

During the Clap for Our Carers gesture on Thursday evening, those two girls and their family stepped outside, but instead of clapping, they showed their support for the NHS (National Health Service) with a live music performance.

As you can see in the photos, one of the girls is seen playing the violin while the other girl does the singing.

I have no idea what they were singing about, nor do I know what music they played. It looked like a slow singing, maybe classic music.

In the tighter framed photos, the man in the T-shirt with sunglasses, and leaning against a car is their father. In the wider shots, the woman on the other side of the road, seen taking photos, is their mother.

You may notice a few other people stepping out of their homes, to take part in the clapping as show of support, watching the live performance.

The viewpoint was from one of my bedroom windows, as I took the photos of what was going on. I later went to their house, to seek permissions from the parents if I wanted to publish the photos, and they agreed.

Why I took the photographs?

Starting in February of 2020, my oldest child moved out to live independent, while the other child lived with the mother, I was finally free to try to restart my photography career, and if needed by going freelance. But only about a month later, in March, the United Kingdom went into a national lockdown in order to combat against the rising cases of the coronavirus, which put my plans on hold.

It was at that time I decided to try to get serious with Flickr, having registered in 2015, but been inactive for almost 5 years until I restarted using it in 2020. I was trying to find photos to upload and all that.

On that day, a Thursday at 8pm, it was time for the usual every Thursday event, to step outside and clap in show of our support for our NHS. I find it much easier to go upstairs, open the window at the front of the house, lean out and clap. From this position I can see other people clapping.

This was when I saw the family stepping outside, and setting up their small performance. That was when I went to grab my Nikon, and started trying to take photojournalism style photos as my skills are rather somewhat rusty and I could do with some new practise.

After taking the photos, I had to go over to their home, and informed their parents that I do photography, and wanted to check with them if I could have permissions to post my photos on my various profiles (not just Flickr, but also other accounts like with Adobe, etc.) The father agreed to give me permissions. I also gave them as many copies of the photos too.

About the subject.

The Clap for Our Carers event was a social movement carried out every Thursdays between March to May in 2020, in the United Kingdom as a gesture of appreciation and show of support for Britain’s National Health Service (NHS).

The idea came from Europe, likely to be either Italy and/or Spain which had lockdowns before the UK did.

On Thursdays, people would either step outside their front doors, or lean outside their windows, and give a round of applause. But some people have been taken to banging pots and pans, or playing music.

The event was meant to show our support for doctors and nurses, along with other hospital staff, but later included our show for other key workers, health services, ambulance crews, delivery drivers, waste collectors, and any other key workers who have to work during the lockdown.

In the fight against the coronavirus known as Covid-19.

NOTICE: The Comment Box is NOT an advertising billboard for any Groups. You are free to comment for yourself, about the subject in the photo, about the photograph itself, or about any similar experience you had. If you want to promote the groups you are member of, do it in YOUR own photo pages.

Brochure published in 1966 to help buyers identify the changes to the Volkswagen over the past two decades. Of course, the real purpose was to show customers all the improvements that make buying a brand new one the best idea.

There are three parts, and the years are not in order.

SONY NEX-C3

OLYMPUS OM Zuiko MC Auto Macro 50mm F3.5

コムメリナ・エレクタ

Commelina erecta L., 1753

First published in Sp. Pl.: 41 (1753)

This species is accepted.

Confirmation Date: 12/29, 2024.

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Family:　Commelinaceae (APG IV)

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Author:

Carl von Linnaeus (1707-1778)

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Publication:

Species Plantarum

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Collation:

1: 41

----------------

Date of Publication:

1 May 1753

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The native range of this species is America, Tropical & S. Africa, Arabian Peninsula. It is a perennial or tuberous geophyte and grows primarily in the seasonally dry tropical biome. It is has environmental uses and social uses, as animal food and a medicine and for food.

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Native to:

Alabama, Angola, Argentina Northeast, Argentina Northwest, Arizona, Arkansas, Aruba, Bahamas, Belize, Benin, Bermuda, Bolivia, Botswana, Brazil North, Brazil Northeast, Brazil South, Brazil Southeast, Brazil West-Central, Burkina, Burundi, Cameroon, Cape Provinces, Cape Verde, Cayman Is., Central African Repu, Chad, Colombia, Colorado, Congo, Costa Rica, Cuba, Delaware, District of Columbia, Dominican Republic, Ecuador, El Salvador, Ethiopia, Florida, Free State, French Guiana, Gambia, Georgia, Ghana, Guatemala, Guinea, Guinea-Bissau, Gulf of Guinea Is., Guyana, Haiti, Honduras, Illinois, Indiana, Iowa, Ivory Coast, Jamaica, Kansas, Kentucky, Kenya, KwaZulu-Natal, Leeward Is., Liberia, Louisiana, Malawi, Mali, Maryland, Mexico Central, Mexico Gulf, Mexico Northeast, Mexico Northwest, Mexico Southeast, Mexico Southwest, Michigan, Minnesota, Mississippi, Missouri, Mozambique, Namibia, Nebraska, Netherlands Antilles, New Jersey, New Mexico, New York, Nicaragua, Niger, Nigeria, North Carolina, Northern Provinces, Oklahoma, Panamá, Paraguay, Pennsylvania, Peru, Puerto Rico, Rhode I., Rwanda, Saudi Arabia, Senegal, Sierra Leone, Somalia, South Carolina, South Dakota, Southwest Caribbean, Sudan, Suriname, Swaziland, Tanzania, Tennessee, Texas, Togo, Trinidad-Tobago, Turks-Caicos Is., Uganda, Uruguay, Venezuela, Venezuelan Antilles, Virginia, West Virginia, Windward Is., Wisconsin, Wyoming, Yemen, Zaïre, Zimbabwe

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Introduced into:

Bangladesh, Chile Central, Japan, Palestine, Spain

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Annotation:

nom. & typ. cons. prop.

Type-Protolog

Locality:Habitat in Virginia

Type Specimens:

CTP: Herb. Dillenius 63 (OXF-Dill. HE_77-88)

Type discussion:Hassemer, G., D. Iamonico & L. A. Funez. 2018. (2631) Proposal to conserve the name Commelina erecta (Commelinaceae) with a conserved type. Taxon 67(4): 810.

LT: Dillenius, Hort. Eltham. t. 77, f. 88 (1732); ; LT designated by Clarke, Monogr. Phan. 3: ? (1881)

-----------------------------------

Lifeform:　Hemicr. or tuber geophyte

-----------------------------------

Homotypic Names:

Commelina erecta L. var. typica Fernald, Rhodora 42: 438 (1940), not validly publ.

-----------------------------------

Publications:

----------------

POWO follows these authorities in accepting this name:

Acevedo-Rodríguez, P. & Strong, M.T. (2005). Monocotyledons and Gymnosperms of Puerto Rico and the Virgin Islands. Contributions from the United States National Herbarium 52: 1-415.

Akoègninou, A., van der Burg, W.J. & van der Maesen, L.J.G. (eds.) (2006). Flore Analytique du Bénin: 1-1034. Backhuys Publishers.

Brunel, J.F., Hiepo, P. & Scholz, H. (eds.) (1984). Flore Analytique du Togo Phanérogames: 1-751. GTZ, Eschborn.

Faden, R. (2012). Commelinaceae. Flora of Tropical East Africa: 1-244.

Figueiredo, E. & Smith, G.F. (2008). Plants of Angola. Strelitzia 22: 1-279. National Botanical Institute, Pretoria.

Gosline, G., Bidault, E., van der Burgt, X., Cahen, D., Challen, G., Condé, N., Couch, C., Couvreur, T.L.P., Dagallier, L.M.J., Darbyshire, I., Dawson, S., Doré, T.S., Goyder, D., Grall, A., Haba, P., Haba, P., Harris, D., Hind, D.J.N., Jongkind, & al. (2023). A Taxonomically-verified and Vouchered Checklist of the Vascular Plants of the Republic of Guinea. Nature, scientific data 10, Article number: 327: [1]-[12].

Govaerts, R. (1999). World Checklist of Seed Plants 3(1, 2a & 2b): 1-1532. MIM, Deurne.

Hassemer, G. (2018). Taxonomic and geographic notes on the neotropical Commelina (Commelinaceae). Webbia; Raccolta de Scritti Botanici 73: 23-53.

Hokche, O., Berry, P.E. & Huber, O. (eds.) (2008). Nuevo Catálogo de la Flora Vascular de Venezuela: 1-859. Fundación Instituto Botánico de Venezuela.

Idárraga-Piedrahita, A., Ortiz, R.D.C., Callejas Posada, R. & Merello, M. (eds.) (2011). Flora de Antioquia: Catálogo de las Plantas Vasculares 2: 1-939. Universidad de Antioquia, Medellín.

Jones, M. (1991). A checklist of Gambian plants: 1-33. Michael Jones, The Gambia College.

Knapp, W.M. & Naczi, R.F.C. (2021). Vascular plants of Maryland, USA. A comprehensive account of the state's botanical diversity. Smithsonian Contributions to Botany 113: 1-151.

López-Ferrari, A.R., Espejo-Serna, A. & Ceja-Romero, J. (2014). Flora de Veracruz 161: 1-127. Instituto Nacional de Investigaciones sobre Recursos Bióticos, Xalapa, Veracruz.

Nelson Sutherland, C.H. (2008). Catálogo de las plantes vasculares de Honduras. Espermatofitas: 1-1576. SERNA/Guaymuras, Tegucigalpa, Honduras.

Powell, A.M. & Worthington, R.D. (2018). Flowering plants of Trans-Pecos Texas and adjacent areas: 1-1444. BRIT Press.

Sarder, N.U. & Hassan, M.A. (eds.) (2018). Vascular flora of Chittagong and the Chittagong Hill Tracts 1: 1-897. Bangladesh National Herbarium, Dhaka.

Sita, P. & Moutsambote, J.-M. (2005). Catalogue des plantes vasculaires du Congo, ed. sept. 2005: 1-158. ORSTOM, Centre de Brazzaville.

Velayos, M., Aedo, C., Cabezas, F., de la Estrella, M., Barberá, P. & Fero, M. (eds.) (2014). Flora de Guinea Ecuatorial 11: 1-416. Consejo superior de investigaciones científicas, Real jardín botánico, Madrid.

Walderley, M.G.L., Shepherd, G.J., Melhem, T.S. & Giulietti, A.M. (eds.) (2005). Flora Fanerogâmica do Estado de São Paulo 4: 1-392. Instituto de Botânica, São Paulo.

de Moura Júnior, E.G. & al. (2015). Updated checklist of aquatic macrophytes from Northern Brazil. Acta Amazonica 45: 111-132.

von Raab-Straube, E. & Raus, T. (eds.) (2015). Euro+Med-Checklist notulae, 4. Willdenowia 45: 119-129.

----------------

Catálogo de Plantas y Líquenes de Colombia:

Bernal, R., Gradstein, S.R. & Celis, M. (eds.). 2015. Catálogo de plantas y líquenes de Colombia. Instituto de Ciencias Naturales, Universidad Nacional de Colombia, Bogotá. catalogoplantasdecolombia.unal.edu.co

Flora of West Tropical Africa

Fernald in Rnodora 42: 436-441 (1940)

J. K. Morton in J. Linn. Soc. 60: 183 (1967).

Sp. Pl. 41 (1753)

----------------

Kew Backbone Distributions:

Acevedo-Rodríguez, P. & Strong, M.T. (2012). Catalogue of seed plants of the West Indies. Smithsonian Contributions to Botany 98: 1-1192.

Boudet, G., Lebrun, J.P. & Demange, R. (1986). Catalogue des plantes vasculaires du Mali: 1-465. Etudes d'Elevage et de Médecine Vétérinaire des Pays Tropicaux.

Brunel, J.F., Hiepo, P. & Scholz, H. (eds.) (1984). Flore Analytique du Togo Phanérogames: 1-751. GTZ, Eschborn.

Faden, R. (2012). Commelinaceae. Flora of Tropical East Africa: 1-244.

Gonzalez, F., Nelson Diaz, J. & Lowry, P. (1995). Flora Illustrada de San Andrés y Providencia: 1-281. Universidad Nacional de Colombia, Instituto de Ciencias Naturales, Colombia.

Hokche, O., Berry, P.E. & Huber, O. (eds.) (2008). Nuevo Catálogo de la Flora Vascular de Venezuela: 1-859. Fundación Instituto Botánico de Venezuela.

Jones, M. (1991). A checklist of Gambian plants: 1-33. Michael Jones, The Gambia College.

Sarder, N.U. & Hassan, M.A. (eds.) (2018). Vascular flora of Chittagong and the Chittagong Hill Tracts 1: 1-897. Bangladesh National Herbarium, Dhaka.

Sita, P. & Moutsambote, J.-M. (2005). Catalogue des plantes vasculaires du Congo, ed. sept. 2005: 1-158. ORSTOM, Centre de Brazzaville.

de Moura Júnior, E.G. & al. (2015). Updated checklist of aquatic macrophytes from Northern Brazil. Acta Amazonica 45: 111-132.

von Raab-Straube, E. & Raus, T. (eds.) (2015). Euro+Med-Checklist notulae, 4. Willdenowia 45: 119-129.

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Flora of Somalia:

Flora Somalia, Vol 4, (1995) Author: by R. B. Faden [updated by M. Thulin 2008]

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Useful Plants and Fungi of Colombia:

Bernal, R., Gradstein, S.R., & Celis, M. (eds.). (2020). Catálogo de Plantas y Líquenes de Colombia. v1.1. Universidad Nacional de Colombia. Dataset/Checklist. doi.org/10.15472/7avdhn

Burkill HM. (1995). The useful plants of west tropical Africa, Vols. 1-3. The useful plants of west tropical Africa, Vols 1-3.

Diazgranados et al. (2021). Catalogue of plants of Colombia. Useful Plants and Fungi of Colombia project. In prep.

Diazgranados, M., Allkin, B., Black N., Cámara-Leret, R., Canteiro C., Carretero J., Eastwood R., Hargreaves S., Hudson A., Milliken W., Nesbitt, M., Ondo, I., Patmore, K., Pironon, S., Turner, R., Ulian, T. (2020). World Checklist of Useful Plant Species. Produced by the Royal Botanic Gardens, Kew. Knowledge Network for Biocomplexity.

FPI (2021). Food Plants International. fms.cmsvr.com/fmi/webd/Food_Plants_World?homeurl=https://...

GBIF.org (2021). GBIF species matching tool. www.gbif.org/tools/species-lookup

GRIN (2021). Germplasm Resources Information Network from the United States Department of Agriculture. www.ars-grin.gov

IUCN (2021). The IUCN Red List of Threatened Species. Version 2021-2. www.iucnredlist.org.

Instituto de Investigación de Recursos Biológicos Alexander von Humbodlt (2014). Plantas alimenticias y medicinales nativas de Colombia. 2567 registros, aportados por: Castellanos, C. (Contacto del recurso), Valderrama, N. (Creador del recurso, Autor), Bernal, Y. (Autor), García, N. (Autor). i2d.humboldt.org.co/ceiba/resource.do?r=ls_colombia_magno...

Instituto de Investigación de Recursos Biológicos Alexander von Humboldt (2015). Listado de especies de Productos No Maderables del caribe colombiano. 366 registros, aportados por: Garcia, H. (Contacto del Recurso), López Camacho, R. (Creador del recurso), Espitia Palencia, L. (Proveedor del metadatos). Versión 2.0. i2d.humboldt.org.co/ceiba/resource.do?r=le_bst-caribe_pla...

Instituto de Investigación de Recursos Biológicos Alexander von Humboldt (2019). Lista de especies vedadas por la resolución 213 de 1977. 8256 especies. i2d.humboldt.org.co/ceiba/resource.do?r=le_plantasprioriz...

Instituto de Investigación de Recursos Biológicos Alexander von Humboldt. (2014). Plantas alimenticias y medicinales nativas de Colombia. 2567 registros, aportados por: Castellanos, C. (Contacto del recurso), Valderrama, N. (Creador del recurso, Autor), Bernal, Y. (Autor), García, N. (Autor). i2d.humboldt.org.co/ceiba/resource.do?r=ls_colombia_magno...

Medicinal Plant Names Services (MPNS) v.10 (2021); mpns.kew.org

PROTA (2021). Plants Resources of Tropical Africa. prota4u.org/database

Plants for malaria, plants for fever: Medicinal species in Latin America, a bibliographic survey: Royal Botanic Gardens, Kew.

Ulian, T., Sacandé, M., Hudson, A., & Mattana, E. (2017). Conservation of indigenous plants to support community livelihoods: the MGU–Useful Plants Project. Journal of Environmental Planning and Management 60:668-683.

Willis, K.J. (ed.) (2017). State of the World’s Plants 2017. Report. Royal Botanic Gardens, Kew.

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This name is Accepted by:

Brunel, J.F., Hiepo, P. & Scholz, H. (eds.) (1984). Flore Analytique du Togo Phanérogames: 1-751. GTZ, Eschborn.

Jones, M. (1991). A checklist of Gambian plants: 1-33. Michael Jones, The Gambia College.

Govaerts, R. (1999). World Checklist of Seed Plants 3(1, 2a & 2b): 1-1532. MIM, Deurne.

Sita, P. & Moutsambote, J.-M. (2005). Catalogue des plantes vasculaires du Congo , ed. sept. 2005: 1-158. ORSTOM, Centre de Brazzaville.

Walderley, M.G.L., Shepherd, G.J., Melhem, T.S. & Giulietti, A.M. (eds.) (2005). Flora Fanerogâmica do Estado de São Paulo 4: 1-392. Instituto de Botânica, São Paulo.

Acevedo-Rodríguez, P. & Strong, M.T. (2005). Monocotyledons and Gymnosperms of Puerto Rico and the Virgin Islands. Contributions from the United States National Herbarium 52: 1-415.

Akoègninou, A., van der Burg, W.J. & van der Maesen, L.J.G. (eds.) (2006). Flore Analytique du Bénin: 1-1034. Backhuys Publishers.

Nelson Sutherland, C.H. (2008). Catálogo de las plantes vasculares de Honduras. Espermatofitas: 1-1576. SERNA/Guaymuras, Tegucigalpa, Honduras.

Hokche, O., Berry, P.E. & Huber, O. (eds.) (2008). Nuevo Catálogo de la Flora Vascular de Venezuela: 1-859. Fundación Instituto Botánico de Venezuela.

Figueiredo, E. & Smith, G.F. (2008). Plants of Angola. Strelitzia 22: 1-279. National Botanical Institute, Pretoria.

Idárraga-Piedrahita, A., Ortiz, R.D.C., Callejas Posada, R. & Merello, M. (eds.) (2011). Flora de Antioquia: Catálogo de las Plantas Vasculares 2: 1-939. Universidad de Antioquia, Medellín.

Faden, R. (2012). Commelinaceae. Flora of Tropical East Africa: 1-244.

López-Ferrari, A.R., Espejo-Serna, A. & Ceja-Romero, J. (2014). Flora de Veracruz 161: 1-127. Instituto Nacional de Investigaciones sobre Recursos Bióticos, Xalapa, Veracruz.

Velayos, M., Aedo, C., Cabezas, F., de la Estrella, M., Barberá, P. & Fero, M. (eds.) (2014). Flora de Guinea Ecuatorial 11: 1-416. Consejo superior de investigaciones científicas, Real jardín botánico, Madrid.

von Raab-Straube, E. & Raus, T. (eds.) (2015). Euro+Med-Checklist notulae, 4. Willdenowia 45: 119-129.

de Moura Júnior, E.G. & al. (2015). Updated checklist of aquatic macrophytes from Northern Brazil. Acta Amazonica 45: 111-132.

Sarder, N.U. & Hassan, M.A. (eds.) (2018). Vascular flora of Chittagong and the Chittagong Hill Tracts 1: 1-897. Bangladesh National Herbarium, Dhaka.

Hassemer, G. (2018). Taxonomic and geographic notes on the neotropical Commelina (Commelinaceae). Webbia; Raccolta de Scritti Botanici 73: 23-53.

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A perennial plant that grows naturally in the central and southeastern parts of the USA. I have an individual of Texas ancestry.

Place it in a bright half-day shade that avoids the west sun, not in the shade.

The flowers bloom for a long time, with a flowering period of May to October. The cool autumn has a darker flower color, and the flower color is slightly lighter in the hot season when the temperature exceeds 30 degrees Celsius.

It is a perennial plant, and if managed indoors in winter, rhizomes will remain, and in spring it will sprout again and bloom from early summer to late autumn.

If possible, replant with new soil every year to divide the stock. The reason is that continuous cropping disorders are likely to occur.

As fertilizer, a proper amount of slow-release fertilizer is applied as the main fertilizer, or 1000 diluted liquid chemical fertilizer is given once a week.

美國中南部～東南部に自生する多年草～宿根草。テキサスの系統が手許にあります。

置き場所は、あまり日蔭ではなく西日の避けられる明るい半日蔭に置きます。

開花期間が5～10月くらいまでと、長く花が咲きます。涼しい秋のほうが濃い色の花色になり、気温が30度を超える暑い時期は花色はやや薄くなります。

多年草で冬は屋内で管理すると根茎が残り、春にはまた芽が出て初夏～晩秋に開花します。

出来れば毎年新しい用土で株分けを兼ねて植え替えを行います。連作障害が出やすいのがその理由です。

肥料は元肥として緩効性肥料を適量施肥するか、液体化学肥料の1000希釈液を週に一度与えています。

published via Free Download Minecraft ift.tt/25wpmHD

American postcard by Disney Enterprises / Pixar Animation Studios, 2005. Image: Pixar Animation Studios. Concept art by Tia Kratter and Nat McLaughlin for A Bug's Life (John Lasseter, 1998). From 'The Art of Pixar: 100 Collectible Postcards', published by Chronicle Books.

A Bug's Life (John Lasseter, 1998) is an American computer-animated film produced by Pixar Animation Studios and released by Buena Vista Distribution. It was the second film by Disney and Pixar. Written by Andrew Stanton, the film involves a misfit ant, Flik, who is looking for 'tough warriors' to save his colony from a protection racket run by Hopper's gang of grasshoppers. Unfortunately, the 'warriors' he brings back turn out to be an inept troupe of Circus Bugs.

An ant colony on an island is suppressed by a group of locusts, led by Hopper. Each year, they claim a part of the food supply. One of the ants is Flip, an outsider who prefers to work alone and is constantly trying to come up with new inventions. He is seen as an eccentric. On the day the locusts come again, Flip causes all the food he has collected to literally fall into the water. The locusts think that, because of the lack of food, the ants are trying to revolt. Hopper demands that the ants deliver a double supply of food before the end of autumn. Then he and his gang leave. While Flip is on trial for what he has done, he suggests going to town to find larger insects that can drive the locusts away. The ant council agrees as they would like to get rid of Flip. Flip reaches the insect city, a metropolis built of old boxes and other rubbish. In the same city, there is a circus. The artists of this circus are fired by their boss, P.T. Vlo, after a performance degenerated into chaos. Flip finds the fired insects and thinks they are the warriors he needs. The Bugs, in turn, think that Flip wants to hire them for their act. He takes them to the colony. On the island, the performers soon make themselves popular when they rescue the young ant Dot from a bird. The attack gives Flip the idea of chasing off the grasshoppers with a fake bird. On his instructions, the ants build this bird.

A Bug's Life was initially inspired by Aesop's fable 'The Ant and the Grasshopper'. The storyline originated from a lunchtime conversation between John Lasseter, Andrew Stanton, Pete Docter, and Joe Ranft, the studio's head story team; other films such as Monsters, Inc., Finding Nemo and WALL-E were also conceived at this lunch. Lasseter and his story team had already been drawn to the idea of insects serving as characters. Like toys, insects were within the reach of computer animation back then, due to their relatively simple surfaces. Production began shortly after the release of Toy Story (1995). The screenplay was penned by Stanton and comedy writers Donald McEnery and Bob Shaw from a story by Lasseter, Stanton, and Ranft. The ants in the film were redesigned to be more appealing, and Pixar's animation unit employed technical innovations in computer animation. Randy Newman composed the music for the film. During the production of A Bug's Life, a public feud erupted between DreamWorks' Jeffrey Katzenberg, and Pixar's Steve Jobs and John Lasseter. Katzenberg, former chairman of Disney's film division, had left the company in a bitter feud with CEO Michael Eisner. In response, he formed DreamWorks SKG with Steven Spielberg and David Geffen and planned to rival Disney in animation. After DreamWorks' acquisition of Pacific Data Images (PDI)—long Pixar's contemporary in computer animation—Lasseter and others at Pixar were dismayed to learn from the trade papers that PDI's first project at DreamWorks would be another ant film, to be called Antz. By this time, Pixar's project was well known within the animation community. Both Antz and A Bug's Life center on a young male ant, a drone with oddball tendencies that struggles to win a princess's hand by saving their society. Whereas A Bug's Life relied chiefly on visual gags, Antz was more verbal and revolved more around satire. The script of Antz was also heavy with adult references, whereas Pixar's film was more accessible to children. It was clear that Lasseter and Jobs believed that the idea was stolen by Katzenberg. Katzenberg had stayed in touch with Lasseter after the acrimonious Disney split, often calling to check up. In October 1995, when Katzenberg asked what they were doing next, Lasseter described what would become A Bug's Life in detail. When the trades indicated production on Antz, Lasseter, feeling betrayed, called Katzenberg and asked him bluntly if it were true, who in turn asked him where he had heard the rumor. Lasseter asked again, and Katzenberg admitted it was true. Lasseter raised his voice and would not believe Katzenberg's story that a development director had pitched him the idea long ago. Katzenberg claimed Antz came from a 1991 story pitch by Tim Johnson that was related to Katzenberg in October 1994. Lasseter grimly relayed the news to Pixar employees but kept morale high. Katzenberg moved the opening of Antz from spring 1999 to October 1998 to compete with Pixar's release. The film grossed $363.3 million worldwide, surpassing DreamWorks' Antz. Despite the successful box office performance of both Antz and A Bug's Life, tensions would remain high between Jobs and Katzenberg for many years.

A Bug's Life won in 1999 the Academy Award for Best Music and received positive reviews. Todd McCarthy of Variety wrote, "Lasseter and Pixar broke new technical and aesthetic ground in the animation field with Toy Story, and here they surpass it in both scope and complexity of movement while telling a story that overlaps Antz in numerous ways." Roger Ebert of the Chicago Sun-Times gave the film three and a half stars out of four, saying "I enjoyed too the use of animation to visualize a world that could not be seen in live-action and could not be created with special effects. Animation contains enormous promise for a new kind of storytelling, freed from reality and gravity, but although the Japanese have exploited that freedom, too many American feature cartoons follow the Disney formula of plucky young heroes and heroines and comic sidekicks. It's a formula that has produced wonderful movies. But the Pixar computer animation studio, a Disney co-producer, broke new ground with "Toy Story" in 1995, and now with "A Bug's Life," it runs free. The story, about an ant colony that frees itself from slavery to grasshoppers, is similar in some ways to the autumn's other big animated release, "Antz," but it's aimed at a broader audience and lacks the in-jokes." And at AllMovie, Matthew Doberman wrote: "A Bug's Life is a high point in animated family fare. It's the kind of film adults enjoy as much as, if not more than, their preschool offspring. Even the fake "outtakes" following the film are hilarious: like much of the film's humor, they aim for a surprising level of sophistication. The creators use animation not just to put a child-friendly face on some normally creepy critters, but to go where live-action can't, creating a world of shapes, colors, and sounds that couldn't be accomplished otherwise."

Sources: Roger Ebert (RogerEbert.com), Matthew Doberman (AllMovie), Wikipedia (Dutch and English), and IMDb.

December is Pixar month at EFSP!

Published Lighthouse pictures

The view underwater at Nellie Lake.

I got one of my pic published in Better Photography Magazine September 09 edition.

Large

Published in 1939 by Humphrey Milford and Oxford University Press and illustrated by Douglas Lionel Mays (1900-1991). Designed to introduce the young reader to the wonders of road transport. Mays was a prolific illustrator for Punch magazine - he also did many covers for John Bull magazine and illustrated the long series of Jennings books (prep school fiction for children).

Published by Faber in 1969.

What are crocodile tears? This entertaining book explains in English, in French and in pictures.

American postcard by Disney Enterprises / Pixar Animation Studios, 2005. Image: Pixar Animation Studios. Art by Paul Topolos for The Incredibles (Brad Bird, 2004). From 'The Art of Pixar: 100 Collectible Postcards, published by Chronicle Books.

The Incredibles (Brad Bird, 2004) is an American computer-animated superhero film, and the sixth feature-length animated film produced by Pixar Animation Studios and released by Walt Disney Pictures. Set in a fictitious version of the 1960s, the film follows Bob and Helen Parr, a couple of superheroes, known as Mr. Incredible and Elastigirl, who hide their powers in accordance with a government mandate and attempt to live a quiet suburban life with their three children. Bob's desire to help people draws the entire family into a confrontation with a vengeful fan-turned-foe. Although the film was not as successful as its predecessor Finding Nemo, it still received 27 awards and the film's DVD was the best-selling DVD of 2005, selling 17.4 million copies.

The story of The Incredibles begins with a still young Mr. Incredible a.k.a. Bob Parr who, like any superhero, performs his daily heroic deeds. He is unexpectedly visited by Buddy, a young fan eager to become his helper. Buddy turns out to be more of a nuisance than a help, despite his self-invented gadgets, and Mr. Incredible sends him away. Later that day, he marries the superheroine Elastigirl (Helen). Then, suddenly, things go wrong. After Mr. Incredible saves a man who was about to commit suicide, the man sues him. This leads to a chain reaction of lawsuits against superheroes. The government decides to help the superheroes by setting up a special programme that will pay for all their lawsuits and provide them with new identities, on the condition that they never do heroic work again. 15 years later, Bob and Helen have settled into a quiet little town. They now have three children: teenage Violet, 10-year-old Dashiell ("Dash"), and baby Jack-Jack. Violet and Dash each have superpowers, but Jack-Jack is apparently normal. Bob, who now works at an insurance company, is frustrated that he can't help anyone anymore. He still tries to be a "hero" by pointing out loopholes in the law to his clients so they can get their benefits. He also regularly goes out at night with his old friend Lucius (also an ex-superhero called Frozone) to help people. He is unknowingly shadowed by Mirage, a mysterious woman. After Bob loses his job, Mirage contacts him. She offers him a large sum of money if Bob will take out a runaway robot, the Omnidroid 9000, on an island. Bob accepts the job and defeats the Omnidroid. After this, Bob gets more and more assignments. He starts training again to get in shape and has the fashion designer Edna Mode make him a new suit. Two months later, Mirage calls Bob again. When Bob arrives on the same island again, he is attacked by an enhanced version of the Omnidroid. He is captured by the mastermind behind the Omnidroid, a man called Syndrome. This Syndrome is none other than his old fan Buddy. He has made a fortune over the past 15 years inventing and selling weapons. He has kept the best weapons in order to become a hero, despite his lack of superpowers. Later, when Mr. Incredible escapes and looks into Syndrome's computer, he is horrified to discover that Syndrome has already killed dozens of superheroes to prepare his Omnidroid for battle with Mr. Incredible. At home, Helen discovers Bob's absence. When she sees that his old superhero suit has been repaired, she immediately goes to Edna. Edna shows the superhero costumes that she has made for all the members of the family. From Edna, she hears that Bob was fired months ago and has started working as a superhero again. Thanks to a transmitter Edna fitted into Bob's suit, Helen discovers Bob's location and immediately jets off to the island. Dash and Violet come along as stowaways. Unfortunately for Mr. Incredible, the transmitter also gives his location away to Syndrome and he is captured again.

Brad Bird originally conceived the screenplay for The Incredibles for a traditional, animated film for Warner Bros. According to his own account, he got the idea from a drawing he had made in 1993. He developed the film as an extension of the 1960s comic books and spy films from his boyhood and personal family life. After the film Looney Tunes: Back in Action became a flop, Warner Bros. closed its animated film division, and the project for The Incredibles was cancelled. When Bird later talked to his friend John Lasseter about the film, Lasseter convinced him to give Pixar a try. Bird and Lasseter knew each other from their college years at CalArts in the 1970s. Pixar accepted Bird's script but changed the animation to computer animation. This made it the first Pixar film to feature only human characters. At his request, Bird was allowed to put together his own crew. He approached people he had worked with on The Iron Giant (1999), among others. Bird's idea contained many scenes that were difficult for the computer animation to do. Among other things, new techniques were needed to realistically depict human anatomy, clothing, and skin. Among other things, Violet's long hair was technically difficult to draw. The film was largely treated as if it were a live-action production. John Barry was the first choice for the composer because of his music for the trailer of On Her Majesty's Secret Service. However, Barry did not want to recreate his old soundtracks for the film, so Michael Giacchino was approached. The music in the film is entirely instrumental. Critics' reactions were very positive. Critic Roger Ebert awarded the film 3.5 out of 4 stars and wrote: "The Pixar Studios, which cannot seem to take a wrong step, steps right again with "The Incredibles," a superhero spoof that alternates breakneck action with satire of suburban sitcom life. After the "Toy Story" movies, "A Bug's Life," "Monsters, Inc." and "Finding Nemo," here's another example of Pixar's mastery of popular animation." The film is generally regarded as one of the best Pixar films. One point that many critics noticed was that the film had a much more serious and mature undertone than previous Pixar films. However, this was also a point of negative criticism. The film clearly contained more and more realistic violence than previous Pixar films. The film won the Academy Award in 2005 for the best animated film (the second Pixar film to win this award) and the award for best sound effects. The film was also nominated for the award for best screenplay and best sound. The Incredibles made $70,467,623 in its opening week, more than any Pixar film has ever made in its opening week. The film even (just) beat Finding Nemo's revenue of $70,251,710. The film brought in a total of $261,441,092, making it the second most successful Pixar film ever, and the fifth most successful film of 2004. Worldwide revenue was $631,436,092. A sequel, Incredibles 2, was released in 2018.

Sources: Roger Ebert (Roger Ebert.com), Wikipedia (Dutch and English), and IMDb.

December will be Pixar month at EFSP! In the coming weeks, Bob, Truus & Jan Too! will share our collection of Pixar postcards with you at Flickr.

I got published in the march edition of Digital Camera Magazine.

I got two cover shot's, this one and the one for the subscribers.

Published: www.alluvium-journal.org/2019/12/16/contemporaneous-story...

Frankfurt Osthafen

en.wikipedia.org/wiki/Death_of_Alan_Kurdi

One of my nine images just published for Hidden City Philadelphia''s 'Under World' photo essay/collaboration(with two other photo comrades) of life under the El In Kensington, Phila., PA

The first Ida Rentoul Outhwaite Children's Library Stained Glass Window, "Regatta" is taken from the story "Serana: The Bush Fairy", from the book "Fairyland", published by A. and C. Black in London in 1926. The original illustration was executed in pen and ink, so it is brought to colourful life in the pink, brown, green and golden yellow stained glass panel. Juvenile faeries, both male and female, naughty pixies and frogs ride down a river in everything from canoes to improvised vessels made of nutshells, cups and lily pads with paper sails. One of two water police frogs in the bottom right of the panel hooks a naughty pixie as he sails by with his silver topped cane, making the whole scene quite a chaotic one. The faerie girls all wear contemporary 1920s sun dresses, and have either fashionable Marcelle Wave or bobbed hairstyles, which is contrary to the little boy faerie, who seems to have what we may consider to be more traditional faerie garb. The faerie girl at the top right of the melee even has a 1920s stub handled parasol to shade her! The canoe rowed by a frog with two girl faeries in it also has a connection to 1920s modernity, with a Chinese lantern hanging from the stern of the boat: a common site on punts at the time.

In 1923 with Fitzroy still very much a working class area of Melbourne with pockets of poverty, the parish of St. Mark the Evangelist decided to address the need of the poor in the inner Melbourne suburb. Architects Gawler and Drummond were commissioned to design a two storey red brick Social Settlement Building. It was opened in 1926 by the Vicar of St. Mark the Evangelist, the Reverend Robert G. Nichols (known affectionately amongst the parish as Brother Bill). Known today as the Community Centre, the St. Mark the Evangelist Social Settlements Building looks out onto George Street and also across the St. Mark the Evangelist's forecourt. When it opened, the Social Settlement Building's facilities included a gymnasium, club rooms and children's library.

Opened in 1926, the children's library, which was situated in the corner room of the Social Settlements Building, is believed to be the first known free dedicated children's library in Victoria. The library was given to the children of Fitzroy by Mrs. T. Hackett, in memory of her late husband. The library contained over 3,000 books, as well as children's magazines and even comics. The Social Settlements Building was only erected because Brother Bill organised the commitment of £1,000.00 each from various wealthy businessmen and philanthropists around Melbourne. Mrs Hackett's contribution was the library of £1,000.00 worth of books. Another internationally famous resident of the neighbourhood, Australian children's book illustrator Ida Rentoul Outhwaite, then at the zenith of her career, was engaged by the relentless Brother Bill to create something for the library. Ida donated four stained glass windows each with a hand-painted panel executed by her, based upon illustrations from her books, most notably "Elves and Fairies" which was published to great acclaim in Australia and sold internationally in 1916 and "Fairyland" which had been published earlier that year. These four hand painted stained glass windows were equated to the value of £1,000.00, but are priceless today, as they are the only public works of Ida Rentoul Outhwaite ever commissioned that have been executed in this medium. Ida Rentoul Outhwaite was only ever commissioned to create one other public work; a series of four panels executed in watercolour with pencil underdrawing in 1910 for the Prince Henry Hospital's children's wards in Melbourne (now demolished). Of her panels, only two are believed still to be in existence, buried within the hospital archives. The four Ida Rentoul Outhwaite stained glass windows each depict faeries, pixies, Australian native animals and children, taken from her book illustrations. At the time of photographing, the windows - three overlooking George Street and one St. Mark the Evangelist's forecourt - were located in the community lounge, which served as a drop-in lounge and kitchen for Fitzroy's homeless and marginalised citizens. Today the space has been re-purposed as offices for the Anglicare staff who run the St. Mark's Community Centre, possibly as a way to protect the precious windows from coming to any harm. The only down-side to this is that they are not as easily accessed or viewed as when I photographed them, making my original visit to St. Mark the Evangalist in 2009 extremely fortuitous.

The Ida Rentoul Outhwaite Children's Library Stained Glass Windows are one of Australia's greatest hidden treasures, which seems apt when you consider that the pixies and faeries they depict are also often in hiding when we read about them in children's books and the faerie tales of our childhood. The fact that they are hidden, because it is necessary to enter a little-known and undistinguished building in order to see them, ensures their protection and survival. The windows are unique, not only because they are the only stained glass windows designed and hand-painted by Ida Rentoul Outhwaite, but because they are the earliest and only examples of stained glass art in Australia that deals with theme of childhood.

I am indebted to Peter Bourke who ran the St. Mark's Community Centre in 2009 for giving me the privilege of seeing these beautiful and rare windows created by one of my favourite children's book artists on a hot November afternoon, without me having made prior arrangements. I also appreciate him allowing me the opportunity to photograph them in great detail. I will always be grateful to him for such a wonderful and moving experience.

Ida Sherbourne Outhwaite (1888 - 1960) was an Australian children's book illustrator. She was born on the 9th of June 1888 in the inner Melbourne suburb of Carlton. She was the daughter of the of Presbyterian Reverend John Laurence Rentoul and his wife Annie Isobel. Her family was both literary and artistic, and as such, gifted Ida was encouraged from an early age to embrace her talent of drawing. Her elder sister, Annie Rattray Rentoul (1882 - 1978), was likewise encouraged to write, and both would later form a successful partnership. In 1903 six fairy stories written by Annie and illustrated by Ida were published in the ladies' journal "New Idea". The following year the Rentoul sisters collaborated on a book called "Mollie's Bunyip" which was received with instant success because it combined the idea of European faeries, witches and elves and the Australian bush. "Mollie's Staircase" followed in 1906. In 1908 the Rentoul sisters published their first substantial story book, "The Lady of the Blue Beads". On 9 December 1909 Ida married Arthur Grenbry Outhwaite (1875-1938), manager of the Perpetual Executors and Trustees Association of Australia Ltd. (Annie remained unmarried her entire life). After her marriage, Ida was known as Ida Rentoul Outhwaite, but did not publish anything substantial as she established her family and household until part way through the Great War. In 1916 she brought out her first coloured work; "Elves and Fairies", a de luxe edition produced entirely in Australia by Thomas Lothian. The success of the book, with its delicate watercolour plates, was due both to Ida's artistic talent and to the business acumen of her husband, who provided a £400.00 subsidy to ensure a high-quality production and consigned royalties to the Red Cross, thereby encouraging vice-regal patronage. "Elves and Fairies" is still her best known and loved work. Encouraged by her latest success, Ida travelled to Europe after hostilities ended and in 1920 exhibited in Paris and London. The critics compared her to other artists of the golden years of children's illustration such as Arthur Rackham and Edmund Dulac, thus sealing her international success. She signed a contract with British book publishers A. & C. Black who published five books for her over the next decade, including "The Enchanted Forest" (1921), with text by her husband, and, probably the most popular of all the Rentoul sisters' collaborations, "The Little Green Road to Fairyland" (1922). "The Fairyland of Ida Rentoul Outhwaite" (1926), another sumptuous volume, with text by her husband and sister, was less successful. A. & C. Black also produced a number of postcard series using her illustrations from "Elves and Fairies" as well as her other books published by them. In 1930 the last of her books published by A. & C. Black was released, but already times were changing, and the interest in Ida's work was rapidly fading. Angus & Robertson brought out two more books in 1933 and 1935 but they received relatively little attention. Her last two exhibitions, which between 1916 and 1928 were almost annual events, were held in 1933. The Second World War changed the world, and Ida and Annie's work was relegated to a bygone era, shunned and forgotten. Ida suffered the loss of both of her sons during the war, and she spent her last years sharing a flat in Caulfield with her sister, where, survived by her two daughters, she died on 25 June 1960. She did not live to see the resurgence of interest in her work some twenty-five years later, when in 1985, her picture of "The Little Witch" from "Elves and Fairies" was published on an Australian stamp, opening the fairy world of Ida Rentoul Outhwaite to a whole new generation of children and adults alike.