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Day 3 - Final day (Feb 21 2015)
Outline art work with Molotow black ink and paint brush along with other various sizes of Molotow markers for detail.
Really honoured and stoked to be invited by Infiniti Canada to paint my illustration work on the brand new ‎Infiniti Q50 tomorrow to help ring in the Chinese new year at the Queen Elizabeth Plaza in Vancouver. Feb 19 - 21st.
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DjúpavÃk was first settled in 1917 when ElÃas Stefánsson built a herring salting factory there. However, due to economic depression, this enterprise went bankrupt in 1919 and, although the business was briefly taken over by others, the site was abandoned during the 1920s.
1934 saw the resettlement of DjúpavÃk with the foundation of DjúpavÃk Ltd. in September of that year. A new factory was built (at the time of its construction it was the biggest concrete building in Iceland and one of the biggest in Europe) and, despite the harsh conditions, the construction was completed within the span of just one year and the factory was operational by July 1935. Initial worries that the catches would not meet requirements proved unfounded and during its early years the enterprise boomed, bringing improved financial status and living standards to the whole region.
Herring catches started to decline after 1944, with a sharp drop in 1948 (when there were almost no catches for two years) and, despite attempts to keep the enterprise running by processing other fish besides herring, the factory closed in 1954 while DjúpavÃk Ltd. was officially wound down in 1968. After this the residents moved away and the settlement was abandoned again.
In 1985 Hótel DjúpavÃk was established in the old women's quarters and conservation of the factory and other buildings began.
by Natalia Monroy, Subyeal Pasha and Garth Elvy. Table mats / coasters based on forest area data from Mexico, Pakistan and Australia. Made with Processing, lasercut by Ponoko.
This scan of some old photos shows the process for making one of the portraits I've made this way. These photos show the foam core base and the 3" x 3" relief pieces that I arranged to create the gridded face. The photo on the left precedes the one on the right.
my ultra fancy film drying cabinet, complete with my ultra fancy pyro developed sheet of ir820, customly cut down to size from a larger sheet of 11x14 ir820. Custom.
These past two days have been some of the worst in my life. I got my film developed though, and i love all of them. My film from red rocks didn't turn out, but the pictures that did are a great pick me up. sooc film
Did some cross processing on this photo via a tutorial I found on youtube...
thoughts?
www.youtube.com/watch?v=qYFmZEpG0bg
Cheers Mike for being my subject...
A shot from a low angle, of a group of devotees chanting whilst they process...
Rolleiflex 2.8F
Kodak Ektar 100
Collection:
Images from the History of Medicine (IHM)
Publication:
[1948?]
Language(s):
English
Format:
Still image
Subject(s):
Libraries, Medical,
Library Materials,
Library Technical Services,
National Library of Medicine (U.S.)
Genre(s):
Pictorial Works
Abstract:
Interior view: Miss Clara Heck of the processing section is at the typewriter; books are on shelves and trucks.
Extent:
1 photographic print : 10 x 13 cm.
Technique:
black and white
NLM Unique ID:
101445595
NLM Image ID:
A017007
Permanent Link:
2009| wood + acrylics
"From mummyfied wood to colored character / De madera momificada a personaje coloreado"
Made at DGPH workshop:
Flowers and Lines created with Processing. They try to be weird and obviously kitsch at the same time, recycling the idea of crusty old blood and urin in fabrics.
8192 triangles are drawn in 3 dimensional space and used to approximate a source image. An algorithm refines the colors and positions of the vertices until the image converges on the target.
Made with Processing (processing.org)