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oil on panel, in process

At Reverence Festival Valada 2015

Today I tried to re-process Pillars of creation by using the raw data that I found on MAST. I've processed the RAW data using 5 different softwares:

 

First one was FITS Liberator which I used to stretch the image and make faint dust visible.

 

Second one was SiriL which I used to compose RGB channels and calibrate the colors on the image.

 

Third one was GIMP which I used to change the value of the image.

 

Fourth one was Topaz Studio 2 which I used to clear, denoise and sharpen the image.

 

Last one was Snapseed which I used to clear big artifacts on the image by using healing tool.

Edited (and heavily processed) ISS043 image of Hokkaido and northern Tohoku at night with lots of bright cities.

Meredith almost ready to sew

ableton live sends OSC data to Processing

 

processing makes the graphics

ableton controls data

Concept sketch for exhibition poster using a recursive branch structure, interpreted as a quad strip. Built with Processing.

during the 14+ years of working under the name elbow, i usually just stumble into something for my own identity.

 

spent some time this week working out something new.

Portion of a 35mm film.

 

Running a user experience workshop for a client helps us understand the touch points that customers and staff experience. It's low tech - postitnotes, markers, sweets - and it's the conversation that counts

Experimental program done with processing.

All screenshots have been captured live in real time.

 

More info and videos here: blog.goodthink.biz/particles-typography-3d/

Video: vimeo.com/51206202

This is a rather ugly tree to most but it is a favorite for me. Looks like it has had some struggles in it's lifetime, like most of us. I believe it lost it's top in a lightning strike. I just played with some Elements tools until I got something that pleased me.

the original image, and the dots generated by processing which get cut on the laser

 

source code is here: pelletron.org/shared/halftone_generator.pde

File name: 08_06_003810

 

Title: Parade

 

Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)

 

Date created: 1917 - 1934 (approximate)

 

Physical description: 1 negative : glass, black & white ; 4 x 5 in.

 

Genre: Glass negatives

 

Subjects: Parades & processions

 

Notes: Title from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.; Date supplied by cataloger.

 

Collection: Leslie Jones Collection

 

Location: Boston Public Library, Print Department

 

Rights: Copyright © Leslie Jones.

 

Preferred citation: Courtesy of the Boston Public Library, Leslie Jones Collection.

  

that one was loooooong to export.

 

also, i like to share code. so here it is:

   

import hipstersinc.sunflow.*;

import hipstersinc.sunflow.shader.*;

import hipstersinc.*;

 

void setup() {

size(800, 600, "hipstersinc.P5Sunflow");

noLoop();

colorMode(HSB,100,100,100,100);

}

 

void draw() {

background(255);

 

int hf=int(random(100)); // colors for fill

int sf=int(random(100));

int bf=int(random(100));

int af=int(random(50)); // alpha :)

   

noStroke();

  

int numSpheres = 50;

float yStep = width/20;

float y = 40;

 

for(int i=0; i<numSpheres; i++) {

pushMatrix();

translate(10, -height/8,-100);

rotate(PI/6);

 

//fill( i*(255/numSpheres), random(100, 200), random(0, 100) );

 

fill(i*random(hf),sf,bf,af/(i+1));

 

beginShape(QUADS);

vertex(random(width/2),random(200),-random(300));

vertex(random(width),random(200),random(-300));

vertex(random(width),random(height),random(-600));

vertex(random(width),random(200),random(-300));

vertex(random(width),random(200),random(-300));

vertex(random(width),random(height/2),random(-300));

vertex(random(width),random(height/2),random(-300));

vertex(random(width),random(height/2),random(-300));

endShape();

 

popMatrix();

 

y += yStep;

}

translate(0,0,-100);

}

   

Dept. of Chemical Engineering & Applied Chemistry - Mahadevan Lab, Faculty of Applied Science & Engineering, University of Toronto

 

Photo by Sara Collaton

 

Throughout my honours year, I photographed all my processes and elements which I worked at.

 

These are a selection of these images

 

Tumblr | Facebook | Twitter | Personal Website | Model Mayhem

All the processing in the world can't improve the view from my parents house

Another buck I haven't seen on the RS plot before. He is lip curling here, a gland in his mouth tells him if a doe is in estrus. Generally the real rut occurs when temperatures are below 40 degrees. This is probably to keep the bucks from killing themselves chasing does. During the rut, they eat and sleep little and become dehydrated and exhausted. Right now I'd rate this 8-pt as A4 on the alpha scale. I know there are three bigger bucks in the area and suspect there are more.

 

RAW, PS Elements.

My friend Angel being tattooed by my friend / tattoo artist Stacey Sharp at the Lehigh Valley Skindustry tattoo convention. www.sharptattoos.com

I did hair and makeup.

on my driveway, that is slanted.

  

I drilled holes in the base of the antlers and the pedicles, cut the pipe down to the right length and fitted them with some apoxy sculpt. The finished product allows the antlers to stay in place whilst up on the wall however the antlers easily slide on and off for easier transport, or if I wanted to display a different pair of antlers.

Cross-processed slide film. Nikon F100 w/ Fuji Provia. Scanned on Nikon SuperCoolscan 5000.

Took a picture of a picture...processed a little bit. The original color image was bland...I like the B&W and the grain.

Process Collaboration with my friend Zavo / Tunjuelito Bogotá / colaboración con el compadre Zavo en San Vicente Tunjuelito //

Heavily processed image of Yuba.

Metropolis collective the process show,

 

The Superintendent explaining the process of tea pickingto the High Commissioner.

Lomography T64 film, cross-processed, shot on Nikon FE2

This may drive purists up the wall. Apologies beforehand.

 

I've recently learned about the language processing, where you can write your own visual scripts. Fairly cool stuff. This is a "filter" that basically expands pixels with transparency into overlays of squares of varying dimensions.

 

Nothing cooler than writing your own software to manipulate an image. Kind of like artistic hacking.

The village of Runswick Bay shelters at the northern end of a beautiful sandy beach, just a few miles north of Whitby. Once a fishing village, Runswick is now a popular summer holiday destination – great for a traditional bucket-and-spade day on the beach. Narrow paths wind between attractive white cottages and houses with small, colourful gardens. The thatched property on the seafront is the only remaining thatched house on the Yorkshire coast. Although it appears a timeless scene, with everything clinging to the steep hillside, Runswick has seen dramatic changes. Due to the instability of the soft, slippery Jurassic shales, there was a landslip in 1682 and the whole village had to be rebuilt.

the process of drawing "Grin of Death" illustration

 

www.facebook.com/pages/Mon-amour/186295534782227

once upon a time

there lived a girl

who found herself with camera in hand

traveling through an alley

...

she found the smallest of chairs

and although her photograph didn't capture the size well

...

it made her smile

...

and that, as they say,

is the end of the story.

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