View allAll Photos Tagged precise
"... Precise layout of belongings in the prisoner's lockers in all concentration camps was dictated by Berlin..." P. Sales Hess in Dachau - World Without Mercy, p.76
Dachau Concentration Camp Memorial Site, Germany. 24Jun2010
Fitz Henry Lane - American, 1804 - 1865
Lumber Schooners at Evening on Penobscot Bay, 1863
West Building, Main Floor — Gallery 67
Near the center of the painting, a masted wooden ship floats against a vibrant sunset that fades from lilac purple to carnation pink along the horizon line, which comes about a quarter of the way up this horizontal landscape. The boat is angled away from us and to our left with one sail tied up near the top of one of the two tall masts. Four people stand on the lumber-filled deck and tie up other sails. A second boat floats in the distance, its rigging and masts silhouetted against the vivid pink sky. The water is deep blue along the bottom edge of the canvas and lightens where it meets the hills along the horizon. Slivers of wispy slate-gray clouds sweep across the sky.
Despite its meticulous draftsmanship and precise detail, Lane's work is far more than a simple inventory of harbor activity. The diminutive figures and carefully rendered vessels remain secondary to the vast expanse of sky, where shimmering light creates a tranquil, idyllic mood. Lane's rarefied landscapes epitomize man's harmonious union with the natural world.
Some scholars have used the term "luminism" to describe the artist's subtle use of light and atmospheric effects to convey nature's intangible spirit. Ralph Waldo Emerson, the foremost exponent of American Transcendentalism, believed that poets and painters should serve as conduits through which the experience of nature might be transmitted directly to their audience. With a similarly self-effacing artistic temperament, Lane minimized his autographic presence, using translucent glazes rather than heavily impastoed surfaces to underscore the scene's pervasive stillness. His elegiac paintings differ profoundly from the more explosive exuberance expressed by Cole and Church, though he shared these artists' reverence for nature and their belief in its inherent divinity.
More information on this painting can be found in the Gallery publication American Paintings of the Nineteenth Century, Part I, pages 412-415, which is available as a free PDF at www.nga.gov/content/dam/ngaweb/research/publications/pdfs...
Fitz Henry Lane was born Nathaniel Rogers Lane in the fishing port of Gloucester, Massachusetts on December 18, 1804; in 1831 he legally changed his first and middle names, becoming Fitz Henry Lane. Paralyzed as a young child, probably by infantile polio, Lane was obliged to use crutches. He learned the rudiments of drawing and sketching while in his teens and in 1832 worked briefly with a lithographic firm in Gloucester. Later that year he moved to Boston for formal training and an apprenticeship with William S. Pendleton, owner of the city's most important lithographic firm. Lane remained with Pendleton until 1837, producing illustrations for sheet music and scenic views.
While in Boston Lane became acquainted with the work of the English-born artist Robert Salmon (1775-c.1845), who was the most accomplished marine painter in the area. Salmon's paintings, with their meticulously detailed ships and crisply rendered effects of light and atmosphere had a decisive influence on Lane's early style. By 1840 he had produced his first oils; two years later he was listed in a Boston almanac as a "Marine Painter." His Scene at Sea (present location unknown) was exhibited at the Boston Atheneum in 1841 and, after 1845, his works were regularly shown there. During the mid-1840s Lane continued to produce both oils and lithographs, concentrating on landscapes, harbor views, and ship portraits. In 1848 he sold a painting to the American Art-Union in New York, which would subsequently purchase several more of his works. That summer he visited Maine with his life-long friend, the Gloucester merchant Joseph Stevens, Jr., whose family had a home in Castine. Lane would make many more visits to Maine during the rest of his life, and the distinctive scenery of the state became an increasingly important part of his artistic vocabulary.
In 1848 Lane moved permanently back to Gloucester, and with his sister and brother-in-law designed and constructed an impressive granite home overlooking the harbor. Although he traveled in the 1850s to such locations as Baltimore, New York, and, possibly, Puerto Rico, the scenery of Gloucester and Cape Ann would remain, with that of coastal Maine, at the very center of his artistic production. Although Lane's inconsistency in dating his works makes determining a strict stylistic evolution difficult, he seems to have reached a new maturity in the early 1850s. In an important series of images of Boston harbor, presumably from the mid-1850s, Lane perfected a style characterized by carefully balanced, calmly ordered compositions and radiant effects of light and atmosphere. Some modern historians have seen these paintings as part of a "luminist" style said to have been employed by many other American artists of the 1850s and 1860s. Whatever the case, Lane's art seems to have been primarily personal in nature, and there is little evidence he took notice of other painters' works or was much involved in larger artistic circles.
During the 1860s Lane produced what are perhaps his most poignant paintings, again focussing primarily on familiar scenes around Gloucester and in Maine. He left little in the way of written or otherwise recorded statements about his art, but these later works are markedly different from works of just a few years earlier. Highly reductive in format, refined in execution, and intense in effect, these works suggest some new expressive intent on Lane's part, the nature of which has been the subject of much modern speculation.
In 1864 and 1865 Lane was in poor health and, following a bad fall in August 1865, apparently suffered a heart attack or stroke; he died in Gloucester on the 13th of that month. Although one Boston paper characterized his passing as "a national loss," Lane's reputation during his lifetime was primarily local; following his death he and his works were largely forgotten outside Gloucester. With the revival of interest in nineteenth-century American painting during the 1940s, and, particularly with the large number of fine works by Lane presented to the Museum of Fine Arts, Boston by Maxim Karolik in 1948, he was gradually reinstated as a key figure. (At some point in the early twentieth century the artist's middle name began to appear erroneously as "Hugh," and he subsequently became well known as Fitz Hugh Lane. Archival research conducted in 2004-2005 irrefutably proved that his name was, in fact, Fitz Henry Lane; see "appendix" in John Wilmerding, Fitz Henry Lane, Glouchester, Massachusetts, 2005).
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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Title: Precise
Artist: Amber "Ambird" Seegmiller
Based In: California
Size: 5"x8.25"
Medium: Marker & pen on Moleskin notebook
This artwork is part of Bear and Bird Gallery’s “Small Stuff 5” annual cash & carry holiday exhibition in Lauderhill, Florida. Exhibition runs November 20, 2011 – January 14, 2012, for more information visit our website www.bearandbird.com
The precise identity of these women is unknown but they have traditionally been associated with the Lake family of Cannons house and estate in Middlesex, later the property of the Duke of Chandos. Portraits of women by Lely, like this one, tend to conform to the standards of ideal beauty which were current at court. In such paintings, the artist was more concerned with asserting a sense of glamour and sophistication than conveying individual personalities. The woman on the left is shown playing a French-made guitar, the latest fashion to arrive from Paris.
HILL OF CROSSES
It was raining a lot, but I managed to visit this historical and religious place.
Hill of Crosses is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the rebellion against Russian authorities in 1831. As families could not locate bodies of perished rebels, they started putting up symbolic crosses at the site of a former hill fort. Today there are more than 100,000 crosses and counting. Once Lithuania declared its independence, the Hill of Crosses was used as a place for Lithuanians to pray for peace, for their country, and for the loved ones they had lost during the Wars of Independence. In 1993, Pope John Paul II visited the Hill of Crosses, declaring it a place for hope, peace, love and sacrifice.
Šiauliai, Lithuania July 2022 #itravelanddance
HILL OF CROSSES
It was raining a lot, but I managed to visit this historical and religious place.
Hill of Crosses is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the rebellion against Russian authorities in 1831. As families could not locate bodies of perished rebels, they started putting up symbolic crosses at the site of a former hill fort. Today there are more than 100,000 crosses and counting. Once Lithuania declared its independence, the Hill of Crosses was used as a place for Lithuanians to pray for peace, for their country, and for the loved ones they had lost during the Wars of Independence. In 1993, Pope John Paul II visited the Hill of Crosses, declaring it a place for hope, peace, love and sacrifice.
Šiauliai, Lithuania July 2022 #itravelanddance
Craft showcases an architect’s patience and dedication. These models represent a proposed science building that serves as a center of discovery for graduate students and community members. Open, flexible floor plans, with thick floor plates to contain the utilities, allow for adaptable programming. The design emerged from careful study of Louis Kahn’s Salk Institute, interviews with scientists, and the work of David Orr, a leader in environmental education and design.
Always know what is right for your health through our Healthy Eating Plans and Balanced Diet for Children as well as adults! goo.gl/Zin6T3
Quick Overview
Strong blade.
Solid base plate.
Stop buffer for a precise adjustment.
High quality cutting blade made of hardened steel.
This guillotine in its handling of paper, photos, film, and other flexible material is unequivocally a cut above the rest.
Product Description
The HSM Cut-line G3210 is a compact and easy-to-use guillotine. It cuts paper up to format DIN A4 and is ideal for private use. The folding protective guard is especially handy. It ensures absolute safety during cutting and can be easily folded up when the cutting machine is not being used. This saves space. The high-quality cutting blade with counter-blade cuts up to 10 sheets. Paper, greeting cards, photos, thin cardboard or foil can be precisely positioned on the side stop. The ergonomically shaped handle with a soft velvety surface is comfortable in your hand and ensures optimum cutting action. Small paper remnants can be easily removed from the convenient collecting tray. The HSM Cut-line 3210 guillotine has a sturdy metal plate with the scale in cm and inch as well as angle and special formats. This tool makes it fun to cut paper.
This cutter has strong blade and solid base plate. This guillotine, with its 12.8" cutting length, cuts up to 10 sheets of paper at a time. Precise and hand-guarded side stops allow for accurate cutting edges while its ergonomically designed handle is designed for optimal action of force. Very user friendly, its solid base plate has scaling in centimeters and inches, as well as angles and conventional formatting. An easy-to-handle, manual, integrated clamp at the cutting edge make it easy to handle documents being cut and the fold-able protective shield keeps both the cutter and user safe when not in use. Easy to carry, easy to clean - the integrated groove allows for easy removal of paper leftovers.
12.8" cutting length; cuts up to 10 documents/sheets of paper.
Precise and hand-guarded side stop for accurate cutting edges.
Handle ergonomically designed for optimal action of force.
Solid base plate with scaling in centimeters/inches, angles, and conventional formats.
Easy-to-handle, manual integrated clamping at the cutting edge with hand guard.
Fold-able protective shield.
Side grip for easy carrying.
Integrated groove allows for easy removal of paper leftovers.
For More Details:- www.poppopofficemachines.com/hsm-g3210-12.8-cutting-lengt...
Precise Battery-Saving Mousing Surface improves tracking of optical mouse while extending the battery life of wireless mouse up to 75 percent. 3M Precise Optical Mousing Surface is designed to optimize light reflectivity and contrast to improve the tracking of your optical mouse. The valleys in the microtextured surface catch dirt while your mouse glides on top of the peaks for improved high speed traction. Repositionable adhesive sticks to desks or stows on back of notebooks.
To be precise, this was 10 minutes after dawn and 26 minutes before sunrise! Lunar-tics will see the waning crescent of the moon here - 3hrs. 38mins. after rising at the camera's location. Shepherds will note that a bright morning was followed by very blustery afternoon!
I was pleased coffee had been poured 3 minutes before.
With just, precise, urgent words, but all united to surround love. The work of the Uruguayan Marosa di Giorgio (1932-2004) always had this sensitive topic at the centre of her poetry, but in one and a thousand ways she knew how to build an exquisite aesthetic to escape (with notable success) the expected. In La flor de lis, she gives us a series of poems that had already been published in other contexts or separately, so having them together delineates a corpus where lives is the access to a delicate and explosive eroticism that invites us to buy a travel ticket to the few pages.
Before that, the dedication that opens the book ("Poems of love to Mario") already says a lot as a foretaste, but that feeling will be resignified with the page running because we all have someone we love against all evil, and just for Marosa, Mario was that. At the same time, the guy stood as a totem pole stealing his days, sighs and dreams, many dreams as a starting point for what will come pages ahead. That is why in the development gush out bubbles of images, passions and the fantastic emergence of new worlds where fire makes and dissolves as an inventor of new realities that overwhelm. To hear and feel the nerve of that feeling, the book comes with Diadema, a CD with the voice of Marosa reciting other writings, but where each and every one of the words acquires an outbreak as meaningful as the energy that emerges from a first time. Diego Gez
Com-Power Corporation specializes in electromagnetic compatibility (EMC) testing sytems. With their EMC testing equipment, you can measure and nullify the noise in your products.
A very precise ritual for the lighting of the Flame is followed at every Games. It is lit from the sun's rays at the Temple of Hera in Olympia, in a traditional ceremony among the ruins of the home of the ancient Games.
After a short relay around Greece, the Flame is handed over to the new Host City at another ceremony in the Panathenaiko stadium in Athens.
The Flame is then delivered to the Host Country, where it is transferred from one Torchbearer to another, spreading the message of peace, unity and friendship. It ends its journey as the last Torchbearer lights the cauldron at the Olympic Games Opening Ceremony in the Olympic Stadium, marking the official start of the Games.
The Flame is extinguished on the final day of the Games, at the Closing Ceremony.
DONALD TRUMP AGAINST KAMALA HARRIS -
By Bernard Bujold -
The strategies are clear and precise for the November 5, 2024 vote!
Donald Trump's Republicans want to keep Joe Biden's image alive in the campaign and highlight his direct influence on Vice President Kamala Harris. The Democrats have the opposite strategy: to make people forget Biden's existence altogether...
Joe Biden won in 2020 because Covid had turned everything upside down and people feared chaos. They thought Biden would end the polarization, but he made it worse.
A specific feature of the 2024 campaign is that the momentum of the two political parties varies from week to week. In contrast, in the past, you could establish momentum that lasted an average of six months.
Kamala Harris reminds me of Hillary Clinton in 2016. Hillary had a high profile following her political career with Barack Obama, and she was wearing the name of a former president, Bill Clinton. Even with these two advantages, she failed because of the glass ceiling concerning women, but above all by focusing on the popular vote, contrary to her husband Bill's advice to target the key states...
In my opinion, Donald will replay 2016 by targeting key states rather than the popular vote, and in the end, the winner of the vote will not be decided on the character of Trump or Harris, but rather on the best effort to get the vote out in key states.
To be continued!
SEE ANALYSIS THE NEW YORK TIMES
lestudio1mediamonitoring.blogspot.com/2024/08/donald-trum...
DONALD TRUMP CONTRE KAMALA HARRIS -
Par Bernard Bujold -
Les stratégies sont claires et précises pour le vote du 5 novembre 2024 !
Les républicains de Donald Trump veulent entretenir l'image de Joe Biden dans la campagne et mettre en avant son influence directe sur la vice-présidente Kamala Harris. Les démocrates ont la stratégie inverse : faire oublier l'existence de Joe Biden...
Joe Biden a gagné en 2020 parce que Covid avait tout chamboulé et que les gens craignaient le chaos. Ils pensaient que Biden mettrait fin à la polarisation, mais il l'a aggravée.
La campagne de 2024 se caractérise par le fait que la dynamique des deux partis politiques varie d'une semaine à l'autre. Dans le passé, il était possible d'établir une dynamique qui durait en moyenne six mois.
Kamala Harris me fait penser à Hillary Clinton en 2016. Hillary jouissait d'une grande notoriété suite à sa carrière politique avec Barack Obama, et elle portait le nom d'un ancien président, Bill Clinton. Même avec ces deux avantages, elle a échoué à cause du plafond de verre concernant les femmes, mais surtout en se focalisant sur le vote populaire, contrairement aux conseils de son mari Bill de cibler les états clés....
À mon avis, Donald va rejouer 2016 en ciblant les états clés plutôt que le vote populaire, et au final, le vainqueur du vote ne se décidera pas sur le caractère de Trump ou de Harris, mais plutôt sur le meilleur effort pour faire sortir le vote dans les états clés.
À suivre!
VOIR L'ANALYSE DU NEW YORK TIMES
lestudio1.blogspot.com/2024/08/donald-trump-contre-kamala...
HILL OF CROSSES
It was raining a lot, but I managed to visit this historical and religious place.
Hill of Crosses is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the rebellion against Russian authorities in 1831. As families could not locate bodies of perished rebels, they started putting up symbolic crosses at the site of a former hill fort. Today there are more than 100,000 crosses and counting. Once Lithuania declared its independence, the Hill of Crosses was used as a place for Lithuanians to pray for peace, for their country, and for the loved ones they had lost during the Wars of Independence. In 1993, Pope John Paul II visited the Hill of Crosses, declaring it a place for hope, peace, love and sacrifice.
Šiauliai, Lithuania July 2022 #itravelanddance
As long as we have the actual size and position of any object... human beings manage to sketch it out.....via any angle or any perspective scene...with the appropriate
angular rotation and velocity as well
ONLY THROUGH the computer software nowadays is not enough... we have to integrate our technical know how knowledge too ....
Because of the above reasons, we can turn it into animation or video format too. If are interested, kindly refer to
video.cctv.com/channel/HIEWKIMLIAN.html
...should you have any comment or feed back, please feel free to contact the undersigned....I need your rescue seriously.
It is truly incredible!!!
Other relevant terms:
Culture_express__Universal_n_Planetary_Sizes_and_Distances_Comparison AccurateScientificResult PRECISE_UNIVERSAL_SCENE ActualPlanetSizeComparison
With PoliDemic campaigns of all kinds now have the ability to target a precise supporter and serve up the perfect video to each individual once they agree to allow the Facebook API’s to access their most basic profile information. PoliDemic digs in to a supporter’s provided age, gender and location information and present the message intended for the precise viewer the message is designed to captivate and influence. Additional data begins to collect once the supporter has interacted with the App further allowing customization of messages, targeting and specific and effective calls to action.
just arrived at home!
Sound was.......SO GREAT! im SURPRISED!!
GRATE EXPERIMENTAL ASSETATE DUB :)
King Regards
Precise Mastering
HILL OF CROSSES
It was raining a lot, but I managed to visit this historical and religious place.
Hill of Crosses is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the rebellion against Russian authorities in 1831. As families could not locate bodies of perished rebels, they started putting up symbolic crosses at the site of a former hill fort. Today there are more than 100,000 crosses and counting. Once Lithuania declared its independence, the Hill of Crosses was used as a place for Lithuanians to pray for peace, for their country, and for the loved ones they had lost during the Wars of Independence. In 1993, Pope John Paul II visited the Hill of Crosses, declaring it a place for hope, peace, love and sacrifice.
Šiauliai, Lithuania July 2022 #itravelanddance