View allAll Photos Tagged precise
The many different lanes demand incredibly precise GPS location – even more precise than in Europe.
Die zahlreichen Fahrspuren erfordern eine besonders präzise GPS-Standortbestimmung, präziser sogar als in Europa.
Faster and more precise, - this is today's reality on the construction site.
Every project is a race against time and space. The installations are designed in increasingly narrow spaces and the expectations of quality and durability are increasing. This is why we used Sikla basic elements for fixing the fixed point on our client's construction site - a solution that perfectly suits the requirements of modern construction.
💡 What did I win?
✔️ Fast and precise installation, thanks to components compatible with any system
✔️ Durability and safety - C5L corrosion protection and robust construction
✔️ Flexibility - height adjustment and adaptation to different types of pipes (steel, GRP, HDPE)
✔️ Optimal load transfer to the structure thanks to the special sliding plate
The LD-HV base element used in the project is used for large loads - with two clamps and on "double" legs up to a load of 32.8 kN.
Systematized solutions are the future of construction - less improvisation, more efficiency! 🔩✅
And you, what solutions do you use on your construction sites? Let me know in the comments! ⬇️
American Interior - 1934
Artist: Charles Sheeler (American, 1883–1965)
Charles Sheeler based American Interior on a photograph, which he had taken from above, of the living room of his former home in South Salem, New York. He designed the painting with the eye of a photographer, using a cropped composition, an oblique view, precise contours, and contrasts of light and dark. He interwove this modernist vision with his response to the purity of forms and patterns in handmade objects from the American past, such as the simple Shaker designs in the box, textiles, and chair.
"Charles Sheeler based his 1934 painting American Interior on a photograph. He interwove this modernist vision with his response to the purity of forms and patterns in handmade objects from the American past, such as the simple Shaker designs in the box, textiles, and chair. Kathryn Scanlan and Karin Roffman will talk about objects, painting, photography, and the fine line between the imaginary and the real."
windhamcampbell.org/festival/events/close-looking-charles...
www.youtube.com/watch?v=zRa8_CQFNMk
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Yale University has been collecting American art for more than 250 years. In 1832 it erected the first art museum on a college campus in North America, with the intention of housing John Trumbull’s paintings of the American Revolution—including his iconic painting The Declaration of Independence, July 4, 1776—and close to 100 of his portraits of Revolutionary and Early Republic worthies. Since then, the collection of the Yale University Art Gallery has grown to include celebrated works of art from virtually every period in American history. Encompassing works like an exquisite 18th-century watercolor-on-ivory memorial portrait of a bride, paintings of the towering grandeur of the American West in the 19th century, and jazz-influenced abstractions of the early 20th century, the Gallery’s collection reflects the diversity and artistic ambitions of the nation.
Superb examples from a “who’s who” of American painters and sculptors—including works by Benjamin West, John Singleton Copley, Ralph Earl, Albert Bierstadt, Hiram Powers, Frederic Church, Frederick Remington, Thomas Eakins, Winslow Homer, Augustus Saint-Gaudens, George Bellows, John Singer Sargent, Joseph Stella, Gerald Murphy, Eli Nadelman, Arthur Dove, Thomas Hart Benton, Edward Hopper, Alexander Calder, and Stuart Davis—bring the complex American story to life. Now these extraordinary works of art are in a new home—the elegantly restored galleries in Street Hall, the magnificent Ruskinian Gothic building designed in 1867 by Peter Bonnett Wight to be the first art school in America on a college campus. Rich in architectural detail and nobly proportioned, these breathtaking spaces allow the American collections to “breathe,” to present new visual alliances, and to create multiple artistic conversations. Under soaring skylights, the uniqueness of vision that generations of American artists brought to bear in the service of their art will be on full display.
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artgallery.yale.edu/collection?f%5B0%5D=on_view%3AOn%20vi...
The early years of the 20th century were characterized in the visual arts by a radical international reassessment of the relationship between vision and representation, as well as of the social and political role of artists in society at large. The extraordinary modern collection at the Yale University Art Gallery spans these years of dramatic change and features rich holdings in abstract painting by artists such as Pablo Picasso, Georges Braque, and Wassily Kandinsky, as well as in paintings and sculptures associated with German Expressionism, Russian Constructivism, De Stijl, Dada, and Surrealism. Many of these works came to Yale in the form of gifts and bequests from important American collections, including those of Molly and Walter Bareiss, B.S. 1940s; Stephen Carlton Clark, B.A. 1903; Mr. and Mrs. Paul Mellon, B.A. 1929; Katharine Ordway; and John Hay Whitney.
Art from 1920 to 1940 is strongly represented at the Gallery by the group of objects collected by the Société Anonyme, an artists’ organization founded by Katherine S. Dreier and Marcel Duchamp with Man Ray. This remarkable collection, which was transferred to Yale in 1941, comprises a rich array of paintings, drawings, prints, and sculptures by major 20th-century artists, including Marcel Duchamp, Constantin Brancusi, El Lissitzky, and Piet Mondrian, as well as lesser-known artists who made important contributions to the modernist movement.
The Gallery is also widely known for its outstanding collection of American painting from after World War II. Highlights include Jackson Pollock’s Number 13A: Arabesque (1948) and Roy Lichtenstein’s Blam (1962), part of a larger gift of important postwar works donated to the Gallery by Richard Brown Baker, B.A. 1935. Recent gifts from Charles B. Benenson, B.A. 1933, and Thurston Twigg-Smith, B.E. 1942, have dramatically expanded the Collection with works by artists such as James Rosenquist, Ed Ruscha, and Wayne Thiebaud.
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Yale University Art Gallery is the oldest college art museum in America. The Gallery’s encyclopedic holdings of more than 250,000 objects range from ancient times to the present day and represent civilizations from around the globe. Spanning a block and a half of the city of New Haven, Connecticut, the Gallery comprises three architecturally distinct buildings, including a masterpiece of modern architecture from 1953 designed by Louis Kahn through which visitors enter. The museum is free and open to the public.
www.archdaily.com/83110/ad-classics-yale-university-art-g...
Yale University’s School of Architecture was in the midst of pedagogical upheaval when Louis Kahn joined the faculty in 1947. With skyscraper architect George Howe as dean and modernists like Kahn, Philip Johnson, and Josef Albers as lecturers, the post-war years at Yale trended away from the school’s Beaux-Arts lineage towards the avant-garde. And so, when the consolidation of the university’s art, architecture, and art history departments in 1950 demanded a new building, a modernist structure was the natural choice to concretize an instructional and stylistic departure from historicism. Completed in 1953, Louis Kahn’s Yale University Art Gallery building would provide flexible gallery, classroom, and office space for the changing school; at the same time, Kahn’s first significant commission signaled a breakthrough in his own architectural career—a career now among the most celebrated of the second half of the twentieth century.
The university clearly articulated a program for the new gallery and design center (as it was then called): Kahn was to create open lofts that could convert easily from classroom to gallery space and vice versa. Kahn’s early plans responded to the university’s wishes by centralizing a core service area—home to the stairwell, bathrooms, and utility shafts—in order to open up uninterrupted space on either side of the core. Critics have interpreted this scheme as a means of differentiating “service” and “served” space, a dichotomy that Kahn would express often later in his career. As Alexander Purves, Yale School of Architecture alumnus and faculty member, writes of the gallery, “This kind of plan clearly distinguishes between those spaces that ... house the building's major functions and those that are subordinated to the major spaces but are necessary to support them.” As such, the spaces of the gallery dedicated to art exhibition and instruction are placed atop a functional hierarchy, above the building’s utilitarian realms; still, in refusing to hide—and indeed, centralizing—the less glamorous functions of the building, Kahn acknowledged all levels of the hierarchy as necessary to his building’s vitality.
Within the open spaces enabled by the central core, Kahn played with the concept of a space frame. He and longtime collaborator Anne Tyng had been inspired by the geometric forms of Buckminster Fuller, whom Tyng studied under at the University of Pennsylvania and with whom Kahn had corresponded while teaching at Yale. It was with Fuller’s iconic geometric structures in mind that Kahn and Tyng created the most innovative element of the Yale Art Gallery: the concrete tetrahedral slab ceiling. Henry A. Pfisterer, the building’s structural engineer, explains the arrangement: "a continuous plane element was fastened to the apices of open-base, hollow, equilateral tetrahedrons, joined at the vertices of the triangles in the lower plane.” In practice, the system of three-dimensional tetrahedrons was strong enough to support open studio space—unencumbered by columns—while the multi-angular forms invited installation of gallery panels in times of conversion.
Though Kahn’s structural experimentation in the Yale Art Gallery was cutting-edge, his careful attention to light and shadow evidences his ever-present interest in the religious architecture of the past. Working closely with the construction team, Kahn and Pfisterer devised a system to run electrical ducts inside the tetrahedrons, allowing light to diffuse from the hollow forms. The soft, ambient light emitted evokes that of a cathedral; Kahn’s gallery, then, takes subtle inspiration from the nineteenth-century neo-Gothic gallery it adjoins.
Of the triangulated, concrete slab ceiling, Kahn said “it is beautiful and it serves as an electric plug." ] This principle—that a building’s elements can be both sculptural and structural—is carried into other areas of the gallery. The central stairwell, for example, occupies a hollow, unfinished concrete cylinder; in its shape and utilitarianism, the stairwell suggests the similarly functional agricultural silo. On the ceiling of the stairwell, however, an ornamental concrete triangle is surrounded at its circumference by a ring of windows that conjures a more elevated relic of architectural history: the Hagia Sophia. Enclosed within the cylinder, terrazzo stairs form triangles that mimic both the gallery’s ceiling and the triangular form above. In asserting that the stairs “are designed so people will want to use them,” Kahn hoped visitors and students would engage with the building, whose form he often described in anthropomorphic terms: “living” in its adaptability and “breathing” in its complex ventilation system (also encased in the concrete tetrahedrons).
Given the structural and aesthetic triumphs of Kahn’s ceiling and stair, writing on the Yale Art Gallery tends to focus on the building’s elegant interior rather than its facade. But the care with which Kahn treats the gallery space extends outside as well; glass on the west and north faces of the building and meticulously laid, windowless brick on the south allow carefully calculated amounts of light to enter.
Recalling the European practice, Kahn presents a formal facade on York Street—the building’s western frontage—and a garden facade facing neighboring Weir Hall’s courtyard.
His respect for tradition is nevertheless articulated in modernist language.
Despite their visual refinement, the materials used in the gallery’s glass curtain walls proved almost immediately impractical. The windows captured condensation and marred Kahn’s readable facade. A restoration undertaken in 2006 by Ennead Architects (then Polshek Partnership) used modern materials to replace the windows and integrate updated climate control. The project also reversed extensive attempts made in the sixties to cover the windows, walls, and silo staircase with plaster partitions. The precise restoration of the building set a high standard for preservation of American modernism—a young but vital field—while establishing the contentiously modern building on Yale’s revivalist campus as worth saving.
Even with a pristinely restored facade, Kahn’s interior still triumphs. Ultimately, it is a building for its users—those visitors who, today, view art under carefully crafted light and those students who, in the fifties, began their architectural education in Kahn’s space. Purves, who spent countless hours in the fourth-floor drafting room as an undergraduate, maintains that a student working in the space “can see Kahn struggling a bit and can identify with that struggle.” Architecture critic Paul Goldberger, who studied at Yale a decade after Kahn’s gallery was completed, offers a similar evaluation of the building—one echoed by many students who frequented the space: “its beauty does not emerge at first glance but comes only after time spent within it.”
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Moses Urbano - Precise Reformer (40 mins) - Level 2 t.co/X7yvvgUNWX (via Twitter twitter.com/pilatesworkoutv/status/1087233136080097280)
Euro Racing Show in Luxembourg, ... some racing cars, old-timers, and a SM race as well as hilarious drift show. You honestly need to see for yourself how precise and talented those drift drives are ...
Sweeny’s West’s planned a fun Customer Appreciation Day for its customers Saturday, Oct. 9. Located at 621 East Enterprise Drive in Pueblo West, Colo., the store had great (human!) food and raffles at the event. It also debuted the new Precise Holistic Complete line, which many customers took home!
"Space is speechless but precise, it brings you back to old time with memories."
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Last stop in Lithuania!
The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the 1831 Uprising. Over the generations, not only crosses, but giant crucifixes, carvings of Lithuanian patriots, statues of the Virgin Mary and thousands of tiny effigies and rosaries have been brought here by Catholic pilgrims. The exact number of crosses is unknown...
Another mini-university for our annual Founder's Day. Andy taught a group of eager woodworkers how to make a bench out of fallen trees.
Brattleboro, Vermont.
Precise bridge rails to connect rails between modules. The bottom of each bridge rail is color coded to the color of the wire that powers it. Each module has its own baggie, with a drawing and number for the bridge rails.
Doug Evans would always quote Grandma Evans, "If it is worth doing, it is worth overdoing".
it's a volcano. kawa ijen, java, indonesia, to be more precise.
what you see in the picture is mainly ashes and some smoke from the significant blue fire (which is down in the crater and obviously not in the picture) mixed with morning fog.
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From the museum label: The title article, Fear and Loathing in Elko, is a short story by Hunter S. Thompson, in which he recounts his misadventures with miscreant Judge Clarence Thomas. Their misdeeds take them from a sheep carcass-littered highway to the Endicott Motel lobby, where the Judge has run up a $23,000 tab to an Adult Film Convention and much more besides. This image has become a classic example of Steadman's ability to capture pure animal energy and total embrace of the Gonzo way of life that Hunter S. Thompson exemplified. The chaotic approach, where the protagonists in Hunter's tales embrace every accident and twist of fate, is perfectly represented in the whip of Steadman's pen as he hurls ink at the once white paper void. The accidental brings adventure in a Gonzo lifestyle and the accidental bring truth and beauty to a Steadman artwork.
Link to other paintings from the Steadman exhibition.
Migrating Sandhill Cranes find it takes some strategy - even with the long legs - to gracefully land among the tall corn stocks.
Winchester Precise Garage Door - When it is a licensed expert that you need to fix potential problems with your garage door, Winchester Precise Garage Door is the best place to call. We service the Winchester, MA area. And we are proud to have very competitively priced solutions. We always encourage locals to give us a call to request a free price quote, as we know that our rates beat our competition. We love to hear how excited customers become when they realize how affordable our options actually are.
Trowel is a vital tool used in various construction and renovation projects, including roofing. It is typically a handheld tool with a flat, pointed blade made of steel or tempered carbon. Trowels are used to spread and smooth materials like cement, plaster, adhesive, and mortar, ensuring a smooth and even surface. In roofing renovation, trowels are essential for applying roofing cement or adhesive, spreading sealant, or repairing cracks and holes. With their versatile design and functionality, trowels allow for precise application and control, making them an indispensable tool for roofers and contractors. Whether working on a small DIY roofing project or a large-scale renovation, having a reliable trowel is crucial for achieving professional results.
Importance of Using a Trowel in Construction
A trowel is an essential tool in construction as it has various applications that make it indispensable. A trowel plays a crucial role in construction, from digging and applying materials to smoothing and moving them. Different trowels are commonly used, including masonry, garden, float, and finishing trowels. Each type is designed for a specific purpose, ensuring efficiency and precision in their respective tasks. Additionally, the concept of a power trowel is worth mentioning, especially when finishing concrete floors. A power trowel provides a more efficient and effective way of achieving a smooth and level surface compared to manual methods.
Types of Trowels
Trowels are essential for various construction and renovation projects, including roofing renovations. Different trowels are available, each designed for specific tasks and materials. Understanding the different types of trowels, such as the masonry trowel, garden trowel, gardening trowel, garden tool, finishing trowel, duty trowel, edit trowel, cathole trowel, heavy trowel, special trowels, pipe trowel, and serrated camping trowels, can help professionals and DIY enthusiasts choose the right tool for their roofing projects. Whether it's a shape trowel for spreading adhesive, a margin trowel for smaller patches, or a notch trowel for consistent mortar application, the right choice can significantly impact the efficiency and quality of the roofing renovation.
Carbon Steel vs. Stainless Steel Trowels
Carbon steel and stainless steel trowels are widely used in roofing renovation but differ in their properties and uses. Carbon steel trowels have a higher carbon content, making them more robust, durable, and ideal for demanding tasks requiring extra strength. They are also known for holding their shape well during use. On the other hand, stainless steel trowels are resistant to rust and corrosion, making them perfect for working in humid or wet environments. They are also easier to clean and maintain. Carbon steel trowels are available in various sizes, from small to large, to accommodate different tasks and preferences. Similarly, stainless steel trowels are available in different sizes, providing flexibility and versatility for roofing projects.
Curved Blade vs. Flat Blade Trowels
Curved blade and flat blade trowels are commonly used in roofing renovation. The main difference between these trowels lies in the shape of their blades. Curved blade trowels have a slightly curved blade, while flat blade trowels have a straight and flat blade. In addition to their blade shapes, these trowels differ in their blade and handle materials. The blade materials can vary, ranging from stainless steel to carbon steel, while the handle materials can range from wood to plastic. Curved-blade flat-blades are available in various sizes, allowing users to choose the most suitable size for their needs. Forms of trowel include duty trowel, which is designed for heavy-duty tasks.
Features to Consider When Buying a Trowel
When embarking on a roofing renovation project, one essential tool that should be considered is a trowel. Trowels have been used for centuries in various construction and masonry applications, and they continue to play a crucial role in the roofing industry. However, with numerous options available in the market, it can be challenging to know which trowel is best suited for your specific needs. From the material and handle design to the size and shape of the blade, each feature contributes to the overall performance and durability of the trowel. By understanding these key features and their advantages, you can select a comfortable and efficient trowel to achieve quality results. Whether you are a professional roofer or a DIY enthusiast, a reliable trowel is an invaluable asset that can significantly contribute to the success of your roofing renovation project.
Shipping Height and Weight
When it comes to ordering trowels for roofing renovation, customers can expect a hassle-free experience regarding shipping. The website conveniently calculates the shipping height and weight for trowel orders, ensuring ease and accuracy in determining the cost. Whether it's a residential address or a commercial location, the website will calculate the shipping price accordingly. This saves customers from the inconvenience of manually calculating the shipping charges. Customers can also choose between original and regular shipping options depending on their needs. The website provides an estimated delivery time, giving customers a clear idea of when they can expect their trowels to arrive at their shipping locations.
Blade Size and Material
Regarding trowels used in roofing renovation, the blade size is typically less than 2 inches. These smaller blades are perfect for precision work and maneuvering in tight spaces. The materials commonly used for these blades vary, but some popular options include stainless steel, carbon steel, and tempered steel. Stainless steel blades are known for their durability and resistance to rust and corrosion. On the other hand, carbon steel blades are known for their strength and ability to hold a sharp edge. Tempered steel blades offer a good balance of both strength and durability. Each material has its pros and cons. Stainless steel blades, for example, are long-lasting and low-maintenance, but they might not hold an edge like carbon steel. While sharp and strong, carbon steel blades require regular maintenance to prevent rust. Tempered steel blades offer a good compromise, providing durability and edge retention. Ultimately, the choice of blade material depends on the specific needs and preferences of the user.
Customer Service and Warranty Policies
When purchasing a trowel for roofing renovation, it is essential to consider the manufacturer's or retailer's customer service and warranty policies. Good customer service ensures that any issues or concerns regarding the trowel can be addressed promptly and efficiently. A reliable warranty policy provides peace of mind, covering the product against defects or malfunctions for a specific period. Choosing a trowel from a company or retailer with a reputation for excellent customer service and a comprehensive warranty is beneficial. This allows customers to resolve their concerns swiftly and have the trowel repaired or replaced, if necessary, without incurring additional costs. Additionally, a responsive and helpful customer service team can assist customers in choosing the proper trowel for their specific roofing needs, providing guidance and support throughout the purchasing process.
Best Uses for Different Types of Trowels
Trowels are essential tools in roofing renovation, offering numerous benefits and advantages. Whether you are a DIY enthusiast or a professional roofer, understanding the best uses for different trowels is crucial for achieving effective results. From traditional hand trowels to specialty trowels designed for specific tasks, knowing which tool to use can save you time, effort, and money.
Construction
Trowels are essential tools in construction services, serving multiple purposes for various projects. One prominent use of trowels is roofing renovation, ensuring a smooth and efficient process. Roofers utilize these handheld tools to spread and manipulate materials, such as mortar or cement, with precision and control. Trowels enable workers to evenly distribute these substances onto surfaces, creating a strong and durable foundation for roofing structures. Additionally, trowels effectively smooth and finish surfaces, ensuring a professional and aesthetically pleasing result. Their ergonomic design and versatility make trowels a valuable asset in construction, enabling workers to streamline their tasks and achieve optimal results. Whether it's applying adhesives, repairing damaged areas, or installing new roofing materials, trowels are indispensable tools that significantly contribute to the success of roofing renovation projects.
Roofing Installation
Trowels are crucial in roofing installation, offering numerous benefits and advantages. Regarding roofing renovation, trowels are essential for various tasks, such as applying adhesives, spreading mortar, and smoothing surfaces. To use a trowel for roofing installation, one should gather the necessary materials, including the desired type of trowel, roofing materials, adhesives, and safety equipment. Step-by-step instructions involve preparing the surface, applying adhesive or mortar using the trowel, and carefully smoothing it to ensure even coverage. Safety precautions should always be taken, such as wearing protective gear and providing a stable working surface. It is essential to consider the specific type of installed roofing system, as different systems may require different trowel techniques and materials.
Maintenance and Care Tips for Trowels
Using a trawl can offer numerous benefits when it comes to roofing renovation. However, proper care and maintenance are essential to ensure its longevity and optimal performance. Whether you are a professional roofer or a DIY enthusiast, these maintenance and care tips will help you get the most out of your trowel, ensuring its durability and efficiency in the long run.
Learn more about trowel and the services we offer at Sky Roofing Construction & Remodeling: skyroofingconstructiontx.com/trowel/
Precise location unknown. A real-photo postcard postmarked in Gahanna on December 6, 1910, and sent to a Miss Anna at 596 Miller Avenue in Columbus, Ohio. Given the Gahanna postmark, this house was probably somewhere in far-eastern Franklin County—perhaps in Mifflin Township or Jefferson Township. The undulating board above the recessed porch is a nice touch.
JML03185
Marasme à chapeau pâle
Anc. nom. : Marasmius pallidocephalus
Récolté à Lac Beauport par J. Labrecque
Date de récolte: 2014-07-28
Habitat: forêt mixte (sapin, bouleau, érable, pin blanc), dans litière de conifères
Chapeau jusqu'à 1,4 cm de diam.
Cuticule sèche
Pied lisse
Odeur et saveur indistinctes
Proposition d'identification en 2014 (Marasmius pallidocephalus): J. Labrecque
The post If we have to be precise… appeared first on Daily LOL Pics.
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Precise alignment of machinery requires precise measurements. Shown is a geodetic marker of known position in order to measure and calibrate machine alignment.
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Noticing its calm beauty, its regular and precise changes from night to night, it brings me back to how simple life can be.
That we don't have to struggle against the world to do great things or live a good life when we consider that our moon, powerful enough to command all the Earth's waters, need only silently cross the sky to fulfill its purpose.
Petone Beach
HILL OF CROSSES
It was raining a lot, but I managed to visit this historical and religious place.
Hill of Crosses is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the rebellion against Russian authorities in 1831. As families could not locate bodies of perished rebels, they started putting up symbolic crosses at the site of a former hill fort. Today there are more than 100,000 crosses and counting. Once Lithuania declared its independence, the Hill of Crosses was used as a place for Lithuanians to pray for peace, for their country, and for the loved ones they had lost during the Wars of Independence. In 1993, Pope John Paul II visited the Hill of Crosses, declaring it a place for hope, peace, love and sacrifice.
Šiauliai, Lithuania July 2022 #itravelanddance
No, not 60 yards, not 65, but 62. We measured it you know. Well, yes, we probably could make generic signs for 60yards, and then just erect the sign the requisite distance away. But where would be the fun in that?