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Point Precise uses photogrammetry and your iPhone’s device sensors to convert your scans into precise 3D point clouds.
Stunning appearance, precise design, high quality and excellent work performance of this case makes it outstanding in similar products. It is designed for iPhone 4 4s,opens to all the buttons, controls and camera lens. With it, the device can enjoy comprehensive protection and have the trendy outlook.
www.applehour.com/White-Very-Cute-Plastic-Hard-Cover-Case...
This precise spot (in front of Notre Dame de Paris cathedral) is where all distances to Paris are measured from, i.e. if you're on the road to Paris and you see a sign that says, for example: 2 KM TO PARIS, it's measured from THIS exact spot. Legend says that standing on the POINT ZERO will guarantee that you will return to Paris again in the future.
Precise Monoblock Axes
Healthy Machine Standard Head System
Push Button Needle Change Type
Quick Coupler
Sterilization can be done with High-temperature and High-pressure repeatedly
One Year Manufacturer Warranty
Precise Beauty Will Come Out From Your Dressing Trend With This Medium sea green and cobalt blue color party wear Saree. This Is Uniquely Crafted With Bugle Beads Cutdana|Jaal Work|Stones|Velvet Patch Work.
Allows precise control of growing conditions for seeds and cuttings.
Variable temperature control - choose precise temperature between 12C and 28C.
Automatic re-set thermostat automatically returns to previous setting after and loss of power.
Includes "A guide to successful propagation".
Energy efficient 50 watt heater.
Girl with flowing hair and floral adornments. The image showcases precise and detailed paintings, bathed in silver and pink hues, creating a mesmerizing fusion of futuristic beauty.
Peñíscola (en castillan) ou Peníscola (en valencien), officiellement Peníscola/Peñíscola1, est une commune au nord de la Communauté valencienne en Espagne. Elle appartient à la Province de Castellón et plus précisément au district de Vinaroz, dans la comarque du Baix Maestrat (nom valencien, Bajo Maeztrazgo en castillan). La langue dominante officielle est le valencien.
À la fin du Grand Schisme d'Occident, l'antipape Benoît XIII (Pedro de Luna, dit le cardinal d'Aragon) exclu d'Avignon d'où il régnait sur une partie de la chrétienté et qui n'était plus toléré que par l'Aragon s'y installa et y mourut après 19 années de résistance à Rome.
Peñíscola (Peníscola en valenciano, y oficialmente Peníscola/Peñíscola) es un municipio de la Comunidad Valenciana, España, situado en la costa norte de la provincia de Castellón, en la comarca del Bajo Maestrazgo. Cuenta con una población de 8.094 habitantes (INE 2011). Posee título de Ciudad desde 1707.
Desde enero de 2013, Peñíscola forma parte de la red Los pueblos más bonitos de España
Peníscola (Valencian: [peˈniskola]) or Peñíscola (Spanish: [peˈɲiskola]), anglicised as Peniscola, is a municipality in the province of Castellón, Valencian Community, Spain. The town is located on the Costa del Azahar, north of the Serra d'Irta along the Mediterranean coast. It is a popular tourist destination.
Peníscola (Valencian: [peˈniskola]) or Peñíscola (Spanish: [peˈɲiskola]), anglicised as Peniscola, is a municipality in the province of Castellón, Valencian Community, Spain. The town is located on the Costa del Azahar, north of the Serra d'Irta along the Mediterranean coast. It is a popular tourist destination.
Peñíscola (Peníscola en valenciano, y oficialmente Peníscola/Peñíscola)3 es un municipio de la Comunidad Valenciana, España, situado en la costa norte de la provincia de Castellón, en la comarca del Bajo Maestrazgo. Cuenta con una población de 8.094 habitantes (INE 2011). Posee título de Ciudad desde 1707.
Desde enero de 2013, Peñíscola forma parte de la red Los pueblos más bonitos de España
Peñíscola (en castillan) ou Peníscola (en valencien), officiellement Peníscola/Peñíscola1, est une commune au nord de la Communauté valencienne en Espagne. Elle appartient à la Province de Castellón et plus précisément au district de Vinaroz, dans la comarque du Baix Maestrat (nom valencien, Bajo Maeztrazgo en castillan). La langue dominante officielle est le valencien.
À la fin du Grand Schisme d'Occident, l'antipape Benoît XIII (Pedro de Luna, dit le cardinal d'Aragon) exclu d'Avignon d'où il régnait sur une partie de la chrétienté et qui n'était plus toléré que par l'Aragon s'y installa et y mourut après 19 années de résistance à Rome.
HILL OF CROSSES
It was raining a lot, but I managed to visit this historical and religious place.
Hill of Crosses is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the rebellion against Russian authorities in 1831. As families could not locate bodies of perished rebels, they started putting up symbolic crosses at the site of a former hill fort. Today there are more than 100,000 crosses and counting. Once Lithuania declared its independence, the Hill of Crosses was used as a place for Lithuanians to pray for peace, for their country, and for the loved ones they had lost during the Wars of Independence. In 1993, Pope John Paul II visited the Hill of Crosses, declaring it a place for hope, peace, love and sacrifice.
Šiauliai, Lithuania July 2022 #itravelanddance
Peñíscola (en castillan) ou Peníscola (en valencien), officiellement Peníscola/Peñíscola1, est une commune au nord de la Communauté valencienne en Espagne. Elle appartient à la Province de Castellón et plus précisément au district de Vinaroz, dans la comarque du Baix Maestrat (nom valencien, Bajo Maeztrazgo en castillan). La langue dominante officielle est le valencien.
À la fin du Grand Schisme d'Occident, l'antipape Benoît XIII (Pedro de Luna, dit le cardinal d'Aragon) exclu d'Avignon d'où il régnait sur une partie de la chrétienté et qui n'était plus toléré que par l'Aragon s'y installa et y mourut après 19 années de résistance à Rome.
Peñíscola (Peníscola en valenciano, y oficialmente Peníscola/Peñíscola) es un municipio de la Comunidad Valenciana, España, situado en la costa norte de la provincia de Castellón, en la comarca del Bajo Maestrazgo. Cuenta con una población de 8.094 habitantes (INE 2011). Posee título de Ciudad desde 1707.
Desde enero de 2013, Peñíscola forma parte de la red Los pueblos más bonitos de España
Peníscola (Valencian: [peˈniskola]) or Peñíscola (Spanish: [peˈɲiskola]), anglicised as Peniscola, is a municipality in the province of Castellón, Valencian Community, Spain. The town is located on the Costa del Azahar, north of the Serra d'Irta along the Mediterranean coast. It is a popular tourist destination.
Peníscola (Valencian: [peˈniskola]) or Peñíscola (Spanish: [peˈɲiskola]), anglicised as Peniscola, is a municipality in the province of Castellón, Valencian Community, Spain. The town is located on the Costa del Azahar, north of the Serra d'Irta along the Mediterranean coast. It is a popular tourist destination.
Peñíscola (Peníscola en valenciano, y oficialmente Peníscola/Peñíscola)3 es un municipio de la Comunidad Valenciana, España, situado en la costa norte de la provincia de Castellón, en la comarca del Bajo Maestrazgo. Cuenta con una población de 8.094 habitantes (INE 2011). Posee título de Ciudad desde 1707.
Desde enero de 2013, Peñíscola forma parte de la red Los pueblos más bonitos de España
Peñíscola (en castillan) ou Peníscola (en valencien), officiellement Peníscola/Peñíscola1, est une commune au nord de la Communauté valencienne en Espagne. Elle appartient à la Province de Castellón et plus précisément au district de Vinaroz, dans la comarque du Baix Maestrat (nom valencien, Bajo Maeztrazgo en castillan). La langue dominante officielle est le valencien.
À la fin du Grand Schisme d'Occident, l'antipape Benoît XIII (Pedro de Luna, dit le cardinal d'Aragon) exclu d'Avignon d'où il régnait sur une partie de la chrétienté et qui n'était plus toléré que par l'Aragon s'y installa et y mourut après 19 années de résistance à Rome.
Peñíscola (en castillan) ou Peníscola (en valencien), officiellement Peníscola/Peñíscola1, est une commune au nord de la Communauté valencienne en Espagne. Elle appartient à la Province de Castellón et plus précisément au district de Vinaroz, dans la comarque du Baix Maestrat (nom valencien, Bajo Maeztrazgo en castillan). La langue dominante officielle est le valencien.
À la fin du Grand Schisme d'Occident, l'antipape Benoît XIII (Pedro de Luna, dit le cardinal d'Aragon) exclu d'Avignon d'où il régnait sur une partie de la chrétienté et qui n'était plus toléré que par l'Aragon s'y installa et y mourut après 19 années de résistance à Rome.
Peñíscola (Peníscola en valenciano, y oficialmente Peníscola/Peñíscola) es un municipio de la Comunidad Valenciana, España, situado en la costa norte de la provincia de Castellón, en la comarca del Bajo Maestrazgo. Cuenta con una población de 8.094 habitantes (INE 2011). Posee título de Ciudad desde 1707.
Desde enero de 2013, Peñíscola forma parte de la red Los pueblos más bonitos de España
Peníscola (Valencian: [peˈniskola]) or Peñíscola (Spanish: [peˈɲiskola]), anglicised as Peniscola, is a municipality in the province of Castellón, Valencian Community, Spain. The town is located on the Costa del Azahar, north of the Serra d'Irta along the Mediterranean coast. It is a popular tourist destination.
Peníscola (Valencian: [peˈniskola]) or Peñíscola (Spanish: [peˈɲiskola]), anglicised as Peniscola, is a municipality in the province of Castellón, Valencian Community, Spain. The town is located on the Costa del Azahar, north of the Serra d'Irta along the Mediterranean coast. It is a popular tourist destination.
Peñíscola (Peníscola en valenciano, y oficialmente Peníscola/Peñíscola)3 es un municipio de la Comunidad Valenciana, España, situado en la costa norte de la provincia de Castellón, en la comarca del Bajo Maestrazgo. Cuenta con una población de 8.094 habitantes (INE 2011). Posee título de Ciudad desde 1707.
Desde enero de 2013, Peñíscola forma parte de la red Los pueblos más bonitos de España
Peñíscola (en castillan) ou Peníscola (en valencien), officiellement Peníscola/Peñíscola1, est une commune au nord de la Communauté valencienne en Espagne. Elle appartient à la Province de Castellón et plus précisément au district de Vinaroz, dans la comarque du Baix Maestrat (nom valencien, Bajo Maeztrazgo en castillan). La langue dominante officielle est le valencien.
À la fin du Grand Schisme d'Occident, l'antipape Benoît XIII (Pedro de Luna, dit le cardinal d'Aragon) exclu d'Avignon d'où il régnait sur une partie de la chrétienté et qui n'était plus toléré que par l'Aragon s'y installa et y mourut après 19 années de résistance à Rome.
Kilmallie Parish / Banavie War Memorial
More precise NGR NN 10875 76986
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Many local war memorials have been recently cleaned so came to see if this one had been cleaned but does not seem to have had any work done on it
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TO THE GLORIOUS MEMORY
OF THESE LOCHABER MEN WHO DIED
FOR KING AND COUNTRY IN THE GREAT WAR
1914- 1916
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MJR. E.S. GOOCH, TORCASTLE, BERKS YEOMANRY
TPR. A. MACDOUGALL, CORPACH, SCOTTISH HORSE
Q.M.S. J. CAMERON, MUIRSHEARLICH, LOVAT SCOUTS
TPR. J. MACSALMAN, BANAVUIE, LOVAT SCOUTS
TPR. A. CAMERON, GLENLOY, LOVAT SCOUTS
TPR. A. CAMERON, GUISACHAN, LOVAT SCOUTS
GUNR. D. MACDOUGALL, CORPACH, ARG.MTN.BTY.
PTE. D. CAMERON, CAOL, ROYAL SCOTS.
PTE. A. DONALDSON, MOUNT, K.O.S.B.
PTE. J. ROY DALZIEL, GUISACHAN, SCOTTISH RFLS.
PTE. A. GILLIES, LOCHY-SIDE, SCOTTISH RFLS.
L/CPL. A. CAMERON, BRAINCHAMUS, BLACK WATCH
L/CPL. J. GILMOUR, BLAICH, BLACK WATCH
SERGT. D. CAMPBELL, GLENPEAN, SEAFORTH HDRS.
L/CPL. J. GRAY, BANAVIE, SEAFORTH HDRS.
L/CPL. E. CAMPBELL, GLENPEAN, GORDON HDRS.
PTE. A. MACPHERSON, MUIRSHEARLICH, GORDON HDRS.
CAPT. A. CAMERON. OF LOCHIEL, CAMERON HDRS.
LIEUT. ARCHD. CAMERON. OF LOCHIEL, CAMERON HDRS.
PTE. P.A. SHAND, ACHNACARRY, CAMERON HDRS.
PTE. J. MACDONALD, ACHNACARRY, CAMERON HDRS.
PTE. H. MACCULLOCH, ACHNACARRY, CAMERON HDRS.
PTE. R. BAKER, ACHNACARRY, CAMERON HDRS.
PTE. P. MACDONALD, PUTACHAN, CAMERON HDRS.
PTE. J. MACLENNAN, GLEN-KINGIE, CAMERON HDRS.
PTE. B. SUTHERLAND, GLEN-KINGIE, CAMERON HDRS.
PTE. D. CAMPBELL, GAIRLOCHY,, CAMERON HDRS.
PTE. A. MACMASTER, MUIRSHEARLICH, CAMERON HDRS.
PTE. R.R.S. CRAWFORD, MANSE, CAMERON HDRS.
PTE. A. MACKENZIE, CORPACH, CAMERON HDRS.
PTE. D. MACMILLAN, CORPACH, CAMERON HDRS.
PTE. A. MACINTYRE, TRISLAIG, CAMERON HDRS.
PTE. J. CAMPBELL, BADABRIE, CAMERON HDRS.
PTE. A. MACLAREN, ARDECHIVE, CAMERON HDRS.
PTE. A. CAMERON, ACHAPHUBLE, CAMERON HDRS.
PTE. A. CAMERON, GLENMAILLIE, CAMERON HDRS.
PTE. J. MACLAREN, GLENFINNAN, CAMERON HDRS.
L/CPL. N. MARTIN, BANAVIE, ARG. & SUTHD. HDRS.
PTE. A.C. CAMERON, GLENMAILLIE, M.C.G.
PTE. M. COLQUHOUN, CORPACH, R.A.M.C.
PTE. J. CAMPBELL, GLENPEAN, R.A.M.C.
PTE. J. MACMASTER, FASSFERN, CANADIAN SFTHS.
D. GILLIES, LOCHY=SIDE, TRANSPORT
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"BITHIDH AN CLIU BUAN"
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1939 - 1945
A.B. T. ALEXANDER, TOMONIE, R.N.
A.B. J. MACDONALD, CORPACH, R.N.
A.B. D. ROBERTSON, CORPACH, R.N.
SGT. A. MACINTOSH, CORPACH, R.A.F.
PTE. D. MACDOUGALL, CORPACH, R.A.S.C.
PTE. K. MACDONALD, ACHNACARRY, CAM. HRS.
PTE. P. WILSON, TOMONIE, CAM. HRS.
---
ID:MHG52984
Type of record:Monument
Name:Banavie War Memorial, Fort William
Grid Reference:NN 10871 76995
Map Sheet:NN17NW
Civil Parish:KILMALLIE
Geographical Area:LOCHABER
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Site Type WAR MEMORIAL (20TH CENTURY)
Canmore ID 318842
Site Number NN17NW 63
NGR NN 10871 76994
Council HIGHLAND
Parish KILMALLIE
Former Region HIGHLAND
Former District LOCHABER
Former County INVERNESS-SHIRE
to be precise
It was made on May 21st, 2021
It's also a piece of art
It's already 3-4 years old
I did a remake
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Peñíscola (en castillan) ou Peníscola (en valencien), officiellement Peníscola/Peñíscola1, est une commune au nord de la Communauté valencienne en Espagne. Elle appartient à la Province de Castellón et plus précisément au district de Vinaroz, dans la comarque du Baix Maestrat (nom valencien, Bajo Maeztrazgo en castillan). La langue dominante officielle est le valencien.
À la fin du Grand Schisme d'Occident, l'antipape Benoît XIII (Pedro de Luna, dit le cardinal d'Aragon) exclu d'Avignon d'où il régnait sur une partie de la chrétienté et qui n'était plus toléré que par l'Aragon s'y installa et y mourut après 19 années de résistance à Rome.
Peñíscola (Peníscola en valenciano, y oficialmente Peníscola/Peñíscola) es un municipio de la Comunidad Valenciana, España, situado en la costa norte de la provincia de Castellón, en la comarca del Bajo Maestrazgo. Cuenta con una población de 8.094 habitantes (INE 2011). Posee título de Ciudad desde 1707.
Desde enero de 2013, Peñíscola forma parte de la red Los pueblos más bonitos de España
Peníscola (Valencian: [peˈniskola]) or Peñíscola (Spanish: [peˈɲiskola]), anglicised as Peniscola, is a municipality in the province of Castellón, Valencian Community, Spain. The town is located on the Costa del Azahar, north of the Serra d'Irta along the Mediterranean coast. It is a popular tourist destination.
Peníscola (Valencian: [peˈniskola]) or Peñíscola (Spanish: [peˈɲiskola]), anglicised as Peniscola, is a municipality in the province of Castellón, Valencian Community, Spain. The town is located on the Costa del Azahar, north of the Serra d'Irta along the Mediterranean coast. It is a popular tourist destination.
Peñíscola (Peníscola en valenciano, y oficialmente Peníscola/Peñíscola)3 es un municipio de la Comunidad Valenciana, España, situado en la costa norte de la provincia de Castellón, en la comarca del Bajo Maestrazgo. Cuenta con una población de 8.094 habitantes (INE 2011). Posee título de Ciudad desde 1707.
Desde enero de 2013, Peñíscola forma parte de la red Los pueblos más bonitos de España
Peñíscola (en castillan) ou Peníscola (en valencien), officiellement Peníscola/Peñíscola1, est une commune au nord de la Communauté valencienne en Espagne. Elle appartient à la Province de Castellón et plus précisément au district de Vinaroz, dans la comarque du Baix Maestrat (nom valencien, Bajo Maeztrazgo en castillan). La langue dominante officielle est le valencien.
À la fin du Grand Schisme d'Occident, l'antipape Benoît XIII (Pedro de Luna, dit le cardinal d'Aragon) exclu d'Avignon d'où il régnait sur une partie de la chrétienté et qui n'était plus toléré que par l'Aragon s'y installa et y mourut après 19 années de résistance à Rome.
... and here is that close up of the previous tomb - note the precise distance to his 'relict' (old term for remaining or surviving person) who is buried "4 feet 6 inches from this monument". You have to admire his precision even in death...
Peñíscola (en castillan) ou Peníscola (en valencien), officiellement Peníscola/Peñíscola1, est une commune au nord de la Communauté valencienne en Espagne. Elle appartient à la Province de Castellón et plus précisément au district de Vinaroz, dans la comarque du Baix Maestrat (nom valencien, Bajo Maeztrazgo en castillan). La langue dominante officielle est le valencien.
À la fin du Grand Schisme d'Occident, l'antipape Benoît XIII (Pedro de Luna, dit le cardinal d'Aragon) exclu d'Avignon d'où il régnait sur une partie de la chrétienté et qui n'était plus toléré que par l'Aragon s'y installa et y mourut après 19 années de résistance à Rome.
Peñíscola (Peníscola en valenciano, y oficialmente Peníscola/Peñíscola) es un municipio de la Comunidad Valenciana, España, situado en la costa norte de la provincia de Castellón, en la comarca del Bajo Maestrazgo. Cuenta con una población de 8.094 habitantes (INE 2011). Posee título de Ciudad desde 1707.
Desde enero de 2013, Peñíscola forma parte de la red Los pueblos más bonitos de España
Peníscola (Valencian: [peˈniskola]) or Peñíscola (Spanish: [peˈɲiskola]), anglicised as Peniscola, is a municipality in the province of Castellón, Valencian Community, Spain. The town is located on the Costa del Azahar, north of the Serra d'Irta along the Mediterranean coast. It is a popular tourist destination.
Peníscola (Valencian: [peˈniskola]) or Peñíscola (Spanish: [peˈɲiskola]), anglicised as Peniscola, is a municipality in the province of Castellón, Valencian Community, Spain. The town is located on the Costa del Azahar, north of the Serra d'Irta along the Mediterranean coast. It is a popular tourist destination.
Peñíscola (Peníscola en valenciano, y oficialmente Peníscola/Peñíscola)3 es un municipio de la Comunidad Valenciana, España, situado en la costa norte de la provincia de Castellón, en la comarca del Bajo Maestrazgo. Cuenta con una población de 8.094 habitantes (INE 2011). Posee título de Ciudad desde 1707.
Desde enero de 2013, Peñíscola forma parte de la red Los pueblos más bonitos de España
Peñíscola (en castillan) ou Peníscola (en valencien), officiellement Peníscola/Peñíscola1, est une commune au nord de la Communauté valencienne en Espagne. Elle appartient à la Province de Castellón et plus précisément au district de Vinaroz, dans la comarque du Baix Maestrat (nom valencien, Bajo Maeztrazgo en castillan). La langue dominante officielle est le valencien.
À la fin du Grand Schisme d'Occident, l'antipape Benoît XIII (Pedro de Luna, dit le cardinal d'Aragon) exclu d'Avignon d'où il régnait sur une partie de la chrétienté et qui n'était plus toléré que par l'Aragon s'y installa et y mourut après 19 années de résistance à Rome.
Precise timing of the emergence of new growth on pine trees depends on the tree species and the local climate or elevation. Pines display their new growth -- both elongation of the branch tips and newest needles -- in mid-spring to early summer when frost no longer occurs and air warms.
Features
Botanists and horticulturists call the new growth on pine trees "candles." A thin, soft stem with immature needles emerges and slowly the needles bend downward from the candle stem and mature. These candles grow on the tips of branches throughout the pine tree.
Fitz Henry Lane - American, 1804 - 1865
Lumber Schooners at Evening on Penobscot Bay, 1863
West Building, Main Floor — Gallery 67
Near the center of the painting, a masted wooden ship floats against a vibrant sunset that fades from lilac purple to carnation pink along the horizon line, which comes about a quarter of the way up this horizontal landscape. The boat is angled away from us and to our left with one sail tied up near the top of one of the two tall masts. Four people stand on the lumber-filled deck and tie up other sails. A second boat floats in the distance, its rigging and masts silhouetted against the vivid pink sky. The water is deep blue along the bottom edge of the canvas and lightens where it meets the hills along the horizon. Slivers of wispy slate-gray clouds sweep across the sky.
Despite its meticulous draftsmanship and precise detail, Lane's work is far more than a simple inventory of harbor activity. The diminutive figures and carefully rendered vessels remain secondary to the vast expanse of sky, where shimmering light creates a tranquil, idyllic mood. Lane's rarefied landscapes epitomize man's harmonious union with the natural world.
Some scholars have used the term "luminism" to describe the artist's subtle use of light and atmospheric effects to convey nature's intangible spirit. Ralph Waldo Emerson, the foremost exponent of American Transcendentalism, believed that poets and painters should serve as conduits through which the experience of nature might be transmitted directly to their audience. With a similarly self-effacing artistic temperament, Lane minimized his autographic presence, using translucent glazes rather than heavily impastoed surfaces to underscore the scene's pervasive stillness. His elegiac paintings differ profoundly from the more explosive exuberance expressed by Cole and Church, though he shared these artists' reverence for nature and their belief in its inherent divinity.
More information on this painting can be found in the Gallery publication American Paintings of the Nineteenth Century, Part I, pages 412-415, which is available as a free PDF at www.nga.gov/content/dam/ngaweb/research/publications/pdfs...
Fitz Henry Lane was born Nathaniel Rogers Lane in the fishing port of Gloucester, Massachusetts on December 18, 1804; in 1831 he legally changed his first and middle names, becoming Fitz Henry Lane. Paralyzed as a young child, probably by infantile polio, Lane was obliged to use crutches. He learned the rudiments of drawing and sketching while in his teens and in 1832 worked briefly with a lithographic firm in Gloucester. Later that year he moved to Boston for formal training and an apprenticeship with William S. Pendleton, owner of the city's most important lithographic firm. Lane remained with Pendleton until 1837, producing illustrations for sheet music and scenic views.
While in Boston Lane became acquainted with the work of the English-born artist Robert Salmon (1775-c.1845), who was the most accomplished marine painter in the area. Salmon's paintings, with their meticulously detailed ships and crisply rendered effects of light and atmosphere had a decisive influence on Lane's early style. By 1840 he had produced his first oils; two years later he was listed in a Boston almanac as a "Marine Painter." His Scene at Sea (present location unknown) was exhibited at the Boston Atheneum in 1841 and, after 1845, his works were regularly shown there. During the mid-1840s Lane continued to produce both oils and lithographs, concentrating on landscapes, harbor views, and ship portraits. In 1848 he sold a painting to the American Art-Union in New York, which would subsequently purchase several more of his works. That summer he visited Maine with his life-long friend, the Gloucester merchant Joseph Stevens, Jr., whose family had a home in Castine. Lane would make many more visits to Maine during the rest of his life, and the distinctive scenery of the state became an increasingly important part of his artistic vocabulary.
In 1848 Lane moved permanently back to Gloucester, and with his sister and brother-in-law designed and constructed an impressive granite home overlooking the harbor. Although he traveled in the 1850s to such locations as Baltimore, New York, and, possibly, Puerto Rico, the scenery of Gloucester and Cape Ann would remain, with that of coastal Maine, at the very center of his artistic production. Although Lane's inconsistency in dating his works makes determining a strict stylistic evolution difficult, he seems to have reached a new maturity in the early 1850s. In an important series of images of Boston harbor, presumably from the mid-1850s, Lane perfected a style characterized by carefully balanced, calmly ordered compositions and radiant effects of light and atmosphere. Some modern historians have seen these paintings as part of a "luminist" style said to have been employed by many other American artists of the 1850s and 1860s. Whatever the case, Lane's art seems to have been primarily personal in nature, and there is little evidence he took notice of other painters' works or was much involved in larger artistic circles.
During the 1860s Lane produced what are perhaps his most poignant paintings, again focussing primarily on familiar scenes around Gloucester and in Maine. He left little in the way of written or otherwise recorded statements about his art, but these later works are markedly different from works of just a few years earlier. Highly reductive in format, refined in execution, and intense in effect, these works suggest some new expressive intent on Lane's part, the nature of which has been the subject of much modern speculation.
In 1864 and 1865 Lane was in poor health and, following a bad fall in August 1865, apparently suffered a heart attack or stroke; he died in Gloucester on the 13th of that month. Although one Boston paper characterized his passing as "a national loss," Lane's reputation during his lifetime was primarily local; following his death he and his works were largely forgotten outside Gloucester. With the revival of interest in nineteenth-century American painting during the 1940s, and, particularly with the large number of fine works by Lane presented to the Museum of Fine Arts, Boston by Maxim Karolik in 1948, he was gradually reinstated as a key figure. (At some point in the early twentieth century the artist's middle name began to appear erroneously as "Hugh," and he subsequently became well known as Fitz Hugh Lane. Archival research conducted in 2004-2005 irrefutably proved that his name was, in fact, Fitz Henry Lane; see "appendix" in John Wilmerding, Fitz Henry Lane, Glouchester, Massachusetts, 2005).
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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fontsforinstagram.org/why-learn-dark-pool-candlestick-pat...
Point Precise uses photogrammetry and your iPhone’s device sensors to convert your scans into precise 3D point clouds.
Little flashback to @precise.perspective getting some awesome shots of the beautiful @amandavois 📷 #fbf #flashback #flashbackfridays #flashbackfriday #audi #auditt #ttrs #carsofinstagram #carmodel #carmodels #fitnessmodel #fitnessmodels #low #lowered #loweredlifestyle #loweredsociety #lowlife #slammed #vossen #vossenwheels #vossens #wheels #teamvossen #camber #cv7 #airlift #airride via Instagram ift.tt/2ceaeJZ on September 09, 2016 at 12:07AM
Part of the sun dials and other celestial mapping tools at Jantar Mantar observatory. This sundial is accurate to 2 seconds. Incredible precision and science for something built in the 1700s!!
HILL OF CROSSES
It was raining a lot, but I managed to visit this historical and religious place.
Hill of Crosses is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the rebellion against Russian authorities in 1831. As families could not locate bodies of perished rebels, they started putting up symbolic crosses at the site of a former hill fort. Today there are more than 100,000 crosses and counting. Once Lithuania declared its independence, the Hill of Crosses was used as a place for Lithuanians to pray for peace, for their country, and for the loved ones they had lost during the Wars of Independence. In 1993, Pope John Paul II visited the Hill of Crosses, declaring it a place for hope, peace, love and sacrifice.
Šiauliai, Lithuania July 2022 #itravelanddance