View allAll Photos Tagged precise
Kilmallie Parish / Banavie War Memorial
More precise NGR NN 10875 76986
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Many local war memorials have been recently cleaned so came to see if this one had been cleaned but does not seem to have had any work done on it
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TO THE GLORIOUS MEMORY
OF THESE LOCHABER MEN WHO DIED
FOR KING AND COUNTRY IN THE GREAT WAR
1914- 1916
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MJR. E.S. GOOCH, TORCASTLE, BERKS YEOMANRY
TPR. A. MACDOUGALL, CORPACH, SCOTTISH HORSE
Q.M.S. J. CAMERON, MUIRSHEARLICH, LOVAT SCOUTS
TPR. J. MACSALMAN, BANAVUIE, LOVAT SCOUTS
TPR. A. CAMERON, GLENLOY, LOVAT SCOUTS
TPR. A. CAMERON, GUISACHAN, LOVAT SCOUTS
GUNR. D. MACDOUGALL, CORPACH, ARG.MTN.BTY.
PTE. D. CAMERON, CAOL, ROYAL SCOTS.
PTE. A. DONALDSON, MOUNT, K.O.S.B.
PTE. J. ROY DALZIEL, GUISACHAN, SCOTTISH RFLS.
PTE. A. GILLIES, LOCHY-SIDE, SCOTTISH RFLS.
L/CPL. A. CAMERON, BRAINCHAMUS, BLACK WATCH
L/CPL. J. GILMOUR, BLAICH, BLACK WATCH
SERGT. D. CAMPBELL, GLENPEAN, SEAFORTH HDRS.
L/CPL. J. GRAY, BANAVIE, SEAFORTH HDRS.
L/CPL. E. CAMPBELL, GLENPEAN, GORDON HDRS.
PTE. A. MACPHERSON, MUIRSHEARLICH, GORDON HDRS.
CAPT. A. CAMERON. OF LOCHIEL, CAMERON HDRS.
LIEUT. ARCHD. CAMERON. OF LOCHIEL, CAMERON HDRS.
PTE. P.A. SHAND, ACHNACARRY, CAMERON HDRS.
PTE. J. MACDONALD, ACHNACARRY, CAMERON HDRS.
PTE. H. MACCULLOCH, ACHNACARRY, CAMERON HDRS.
PTE. R. BAKER, ACHNACARRY, CAMERON HDRS.
PTE. P. MACDONALD, PUTACHAN, CAMERON HDRS.
PTE. J. MACLENNAN, GLEN-KINGIE, CAMERON HDRS.
PTE. B. SUTHERLAND, GLEN-KINGIE, CAMERON HDRS.
PTE. D. CAMPBELL, GAIRLOCHY,, CAMERON HDRS.
PTE. A. MACMASTER, MUIRSHEARLICH, CAMERON HDRS.
PTE. R.R.S. CRAWFORD, MANSE, CAMERON HDRS.
PTE. A. MACKENZIE, CORPACH, CAMERON HDRS.
PTE. D. MACMILLAN, CORPACH, CAMERON HDRS.
PTE. A. MACINTYRE, TRISLAIG, CAMERON HDRS.
PTE. J. CAMPBELL, BADABRIE, CAMERON HDRS.
PTE. A. MACLAREN, ARDECHIVE, CAMERON HDRS.
PTE. A. CAMERON, ACHAPHUBLE, CAMERON HDRS.
PTE. A. CAMERON, GLENMAILLIE, CAMERON HDRS.
PTE. J. MACLAREN, GLENFINNAN, CAMERON HDRS.
L/CPL. N. MARTIN, BANAVIE, ARG. & SUTHD. HDRS.
PTE. A.C. CAMERON, GLENMAILLIE, M.C.G.
PTE. M. COLQUHOUN, CORPACH, R.A.M.C.
PTE. J. CAMPBELL, GLENPEAN, R.A.M.C.
PTE. J. MACMASTER, FASSFERN, CANADIAN SFTHS.
D. GILLIES, LOCHY=SIDE, TRANSPORT
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"BITHIDH AN CLIU BUAN"
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1939 - 1945
A.B. T. ALEXANDER, TOMONIE, R.N.
A.B. J. MACDONALD, CORPACH, R.N.
A.B. D. ROBERTSON, CORPACH, R.N.
SGT. A. MACINTOSH, CORPACH, R.A.F.
PTE. D. MACDOUGALL, CORPACH, R.A.S.C.
PTE. K. MACDONALD, ACHNACARRY, CAM. HRS.
PTE. P. WILSON, TOMONIE, CAM. HRS.
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ID:MHG52984
Type of record:Monument
Name:Banavie War Memorial, Fort William
Grid Reference:NN 10871 76995
Map Sheet:NN17NW
Civil Parish:KILMALLIE
Geographical Area:LOCHABER
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Site Type WAR MEMORIAL (20TH CENTURY)
Canmore ID 318842
Site Number NN17NW 63
NGR NN 10871 76994
Council HIGHLAND
Parish KILMALLIE
Former Region HIGHLAND
Former District LOCHABER
Former County INVERNESS-SHIRE
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... and here is that close up of the previous tomb - note the precise distance to his 'relict' (old term for remaining or surviving person) who is buried "4 feet 6 inches from this monument". You have to admire his precision even in death...
Precise timing of the emergence of new growth on pine trees depends on the tree species and the local climate or elevation. Pines display their new growth -- both elongation of the branch tips and newest needles -- in mid-spring to early summer when frost no longer occurs and air warms.
Features
Botanists and horticulturists call the new growth on pine trees "candles." A thin, soft stem with immature needles emerges and slowly the needles bend downward from the candle stem and mature. These candles grow on the tips of branches throughout the pine tree.
Fitz Henry Lane - American, 1804 - 1865
Lumber Schooners at Evening on Penobscot Bay, 1863
West Building, Main Floor — Gallery 67
Near the center of the painting, a masted wooden ship floats against a vibrant sunset that fades from lilac purple to carnation pink along the horizon line, which comes about a quarter of the way up this horizontal landscape. The boat is angled away from us and to our left with one sail tied up near the top of one of the two tall masts. Four people stand on the lumber-filled deck and tie up other sails. A second boat floats in the distance, its rigging and masts silhouetted against the vivid pink sky. The water is deep blue along the bottom edge of the canvas and lightens where it meets the hills along the horizon. Slivers of wispy slate-gray clouds sweep across the sky.
Despite its meticulous draftsmanship and precise detail, Lane's work is far more than a simple inventory of harbor activity. The diminutive figures and carefully rendered vessels remain secondary to the vast expanse of sky, where shimmering light creates a tranquil, idyllic mood. Lane's rarefied landscapes epitomize man's harmonious union with the natural world.
Some scholars have used the term "luminism" to describe the artist's subtle use of light and atmospheric effects to convey nature's intangible spirit. Ralph Waldo Emerson, the foremost exponent of American Transcendentalism, believed that poets and painters should serve as conduits through which the experience of nature might be transmitted directly to their audience. With a similarly self-effacing artistic temperament, Lane minimized his autographic presence, using translucent glazes rather than heavily impastoed surfaces to underscore the scene's pervasive stillness. His elegiac paintings differ profoundly from the more explosive exuberance expressed by Cole and Church, though he shared these artists' reverence for nature and their belief in its inherent divinity.
More information on this painting can be found in the Gallery publication American Paintings of the Nineteenth Century, Part I, pages 412-415, which is available as a free PDF at www.nga.gov/content/dam/ngaweb/research/publications/pdfs...
Fitz Henry Lane was born Nathaniel Rogers Lane in the fishing port of Gloucester, Massachusetts on December 18, 1804; in 1831 he legally changed his first and middle names, becoming Fitz Henry Lane. Paralyzed as a young child, probably by infantile polio, Lane was obliged to use crutches. He learned the rudiments of drawing and sketching while in his teens and in 1832 worked briefly with a lithographic firm in Gloucester. Later that year he moved to Boston for formal training and an apprenticeship with William S. Pendleton, owner of the city's most important lithographic firm. Lane remained with Pendleton until 1837, producing illustrations for sheet music and scenic views.
While in Boston Lane became acquainted with the work of the English-born artist Robert Salmon (1775-c.1845), who was the most accomplished marine painter in the area. Salmon's paintings, with their meticulously detailed ships and crisply rendered effects of light and atmosphere had a decisive influence on Lane's early style. By 1840 he had produced his first oils; two years later he was listed in a Boston almanac as a "Marine Painter." His Scene at Sea (present location unknown) was exhibited at the Boston Atheneum in 1841 and, after 1845, his works were regularly shown there. During the mid-1840s Lane continued to produce both oils and lithographs, concentrating on landscapes, harbor views, and ship portraits. In 1848 he sold a painting to the American Art-Union in New York, which would subsequently purchase several more of his works. That summer he visited Maine with his life-long friend, the Gloucester merchant Joseph Stevens, Jr., whose family had a home in Castine. Lane would make many more visits to Maine during the rest of his life, and the distinctive scenery of the state became an increasingly important part of his artistic vocabulary.
In 1848 Lane moved permanently back to Gloucester, and with his sister and brother-in-law designed and constructed an impressive granite home overlooking the harbor. Although he traveled in the 1850s to such locations as Baltimore, New York, and, possibly, Puerto Rico, the scenery of Gloucester and Cape Ann would remain, with that of coastal Maine, at the very center of his artistic production. Although Lane's inconsistency in dating his works makes determining a strict stylistic evolution difficult, he seems to have reached a new maturity in the early 1850s. In an important series of images of Boston harbor, presumably from the mid-1850s, Lane perfected a style characterized by carefully balanced, calmly ordered compositions and radiant effects of light and atmosphere. Some modern historians have seen these paintings as part of a "luminist" style said to have been employed by many other American artists of the 1850s and 1860s. Whatever the case, Lane's art seems to have been primarily personal in nature, and there is little evidence he took notice of other painters' works or was much involved in larger artistic circles.
During the 1860s Lane produced what are perhaps his most poignant paintings, again focussing primarily on familiar scenes around Gloucester and in Maine. He left little in the way of written or otherwise recorded statements about his art, but these later works are markedly different from works of just a few years earlier. Highly reductive in format, refined in execution, and intense in effect, these works suggest some new expressive intent on Lane's part, the nature of which has been the subject of much modern speculation.
In 1864 and 1865 Lane was in poor health and, following a bad fall in August 1865, apparently suffered a heart attack or stroke; he died in Gloucester on the 13th of that month. Although one Boston paper characterized his passing as "a national loss," Lane's reputation during his lifetime was primarily local; following his death he and his works were largely forgotten outside Gloucester. With the revival of interest in nineteenth-century American painting during the 1940s, and, particularly with the large number of fine works by Lane presented to the Museum of Fine Arts, Boston by Maxim Karolik in 1948, he was gradually reinstated as a key figure. (At some point in the early twentieth century the artist's middle name began to appear erroneously as "Hugh," and he subsequently became well known as Fitz Hugh Lane. Archival research conducted in 2004-2005 irrefutably proved that his name was, in fact, Fitz Henry Lane; see "appendix" in John Wilmerding, Fitz Henry Lane, Glouchester, Massachusetts, 2005).
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
..
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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HILL OF CROSSES
It was raining a lot, but I managed to visit this historical and religious place.
Hill of Crosses is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the rebellion against Russian authorities in 1831. As families could not locate bodies of perished rebels, they started putting up symbolic crosses at the site of a former hill fort. Today there are more than 100,000 crosses and counting. Once Lithuania declared its independence, the Hill of Crosses was used as a place for Lithuanians to pray for peace, for their country, and for the loved ones they had lost during the Wars of Independence. In 1993, Pope John Paul II visited the Hill of Crosses, declaring it a place for hope, peace, love and sacrifice.
Šiauliai, Lithuania July 2022 #itravelanddance
Dark Pools use precise controlled orders that trigger automatically over extended periods of time. Since the Buy Side Institutions using the Dark Pools are primarily buying for the long term, price can sometimes drop down before moving up. This tendency often leaves Retail Traders on the wrong side of the trade. Using an indicator that exposes the Dark Pool incremental buying gives Retail Traders an edge even High Frequency Traders (HFTs) do not have. During this period, the stock slipped down slightly, but it remained well within the Dark Pool Buy Zone™ that had been created. Below is a chart example of a stock under Dark Pool Quiet Accumulation for several months. The enormous stock Volume that occurred on the day of the High Frequency Traders’ gigantic gap up distorts the stock Volume Indicator history. Below is the chart showing how the stock Volume Indicator appeared prior to that big gap. High Frequency Traders attempted to sell the stock down a couple of times, but Dark Pools were triggering buys during that period of time. Smaller Funds were following High Frequency Traders with Volume Weighted Average Price (VWAP) orders and often sold when they should have been holding. Smaller Funds Managers typically have less experience and rarely use individual stock Technical Analysis for their buys and sells.
fontsforinstagram.org/why-learn-dark-pool-candlestick-pat...
Little flashback to @precise.perspective getting some awesome shots of the beautiful @amandavois 📷 #fbf #flashback #flashbackfridays #flashbackfriday #audi #auditt #ttrs #carsofinstagram #carmodel #carmodels #fitnessmodel #fitnessmodels #low #lowered #loweredlifestyle #loweredsociety #lowlife #slammed #vossen #vossenwheels #vossens #wheels #teamvossen #camber #cv7 #airlift #airride via Instagram ift.tt/2ceaeJZ on September 09, 2016 at 12:07AM
Part of the sun dials and other celestial mapping tools at Jantar Mantar observatory. This sundial is accurate to 2 seconds. Incredible precision and science for something built in the 1700s!!
HILL OF CROSSES
It was raining a lot, but I managed to visit this historical and religious place.
Hill of Crosses is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the rebellion against Russian authorities in 1831. As families could not locate bodies of perished rebels, they started putting up symbolic crosses at the site of a former hill fort. Today there are more than 100,000 crosses and counting. Once Lithuania declared its independence, the Hill of Crosses was used as a place for Lithuanians to pray for peace, for their country, and for the loved ones they had lost during the Wars of Independence. In 1993, Pope John Paul II visited the Hill of Crosses, declaring it a place for hope, peace, love and sacrifice.
Šiauliai, Lithuania July 2022 #itravelanddance
The NYPD is trying a more precise gunshot detection system t.co/QhH3cKjEmF (via Twitter ift.tt/1wXzNFN)
Quick Overview
Strong blade.
Solid base plate.
Precise cut due to solid cutting blade bracket.
Ergonomically designed handle for optimal action of force.
This guillotine in its handling of paper, photos, film, and other flexible material is unequivocally a cut above the rest.
Product Description
The HSM Cutline G3225 is a compact, versatile and easy-to-use guillotine. It cuts paper and thin cardboard up to DIN A4 format. With its great product features, both private and commercial users achieve precise results: The hardened and ground cutting blade with counterblade ensures exact cutting with high cutting capacity of up to 25 sheets of paper. The automatic pressing ensures that the paper does not slip out of position during cutting. The different cut materials can be very precisely positioned on the side stop and the fixable rear limit stop. The folding protective guard is especially handy. It ensures absolute safety during cutting and can be easily folded up when the cutting machine is not being used. This saves space. The ergonomically shaped handle with a soft velvety surface is comfortable in your hand and ensures optimum cutting action. Small paper remnants can be easily removed from the convenient collecting tray. The HSM Cutline G3225 guillotine has a sturdy metal plate with the scale in cm and inch as well as in angle and special formats. This means you get perfect results when cutting.
Strong blade. Solid base plate. This guillotine, with its 12.8” cutting length; cuts up to 25 documents/sheets of paper at a time. Precise and hand-guarded side stops allow for accurate cutting edges while its ergonomically designed handle is designed for optimal action of force. Its high-quality cutting blade is made of hardened steel and has a solid base plate with scaling in centimeters/inches, angles, and conventional formats. Also features an easy-to-handle, automatic integrated clamping at the cutting edge with hand guard and a stop buffer for a precise adjustment. Practical, it features a foldable protective shield, a side grip for easy carrying and an intergrated groove allows for easy removal of paper leftovers.
12.8" cutting length; cuts up to 25 documents/sheets of paper
Precise and hand-guarded side stop for accurate cutting edges.
Handle ergonomically designed for optimal action of force.
High-quality cutting blade made of hardened steel.
Solid base plate with scaling in centimeters/inches, angles, and conventional formats.
Easy-to-handle, automatic integrated clamping at the cutting edge with hand guard.
Stop buffer for a precise adjustment.
Foldable protective shield.
Side grip for easy carrying.
Integrated groove allows for easy removal of paper leftovers.
For More Details:- www.poppopofficemachines.com/hsm-g3225-12.8-cutting-lengt...
Peñíscola (en castillan) ou Peníscola (en valencien), officiellement Peníscola/Peñíscola1, est une commune au nord de la Communauté valencienne en Espagne. Elle appartient à la Province de Castellón et plus précisément au district de Vinaroz, dans la comarque du Baix Maestrat (nom valencien, Bajo Maeztrazgo en castillan). La langue dominante officielle est le valencien.
À la fin du Grand Schisme d'Occident, l'antipape Benoît XIII (Pedro de Luna, dit le cardinal d'Aragon) exclu d'Avignon d'où il régnait sur une partie de la chrétienté et qui n'était plus toléré que par l'Aragon s'y installa et y mourut après 19 années de résistance à Rome.
Peñíscola (Peníscola en valenciano, y oficialmente Peníscola/Peñíscola) es un municipio de la Comunidad Valenciana, España, situado en la costa norte de la provincia de Castellón, en la comarca del Bajo Maestrazgo. Cuenta con una población de 8.094 habitantes (INE 2011). Posee título de Ciudad desde 1707.
Desde enero de 2013, Peñíscola forma parte de la red Los pueblos más bonitos de España
Peníscola (Valencian: [peˈniskola]) or Peñíscola (Spanish: [peˈɲiskola]), anglicised as Peniscola, is a municipality in the province of Castellón, Valencian Community, Spain. The town is located on the Costa del Azahar, north of the Serra d'Irta along the Mediterranean coast. It is a popular tourist destination.
Peníscola (Valencian: [peˈniskola]) or Peñíscola (Spanish: [peˈɲiskola]), anglicised as Peniscola, is a municipality in the province of Castellón, Valencian Community, Spain. The town is located on the Costa del Azahar, north of the Serra d'Irta along the Mediterranean coast. It is a popular tourist destination.
Peñíscola (Peníscola en valenciano, y oficialmente Peníscola/Peñíscola)3 es un municipio de la Comunidad Valenciana, España, situado en la costa norte de la provincia de Castellón, en la comarca del Bajo Maestrazgo. Cuenta con una población de 8.094 habitantes (INE 2011). Posee título de Ciudad desde 1707.
Desde enero de 2013, Peñíscola forma parte de la red Los pueblos más bonitos de España
Peñíscola (en castillan) ou Peníscola (en valencien), officiellement Peníscola/Peñíscola1, est une commune au nord de la Communauté valencienne en Espagne. Elle appartient à la Province de Castellón et plus précisément au district de Vinaroz, dans la comarque du Baix Maestrat (nom valencien, Bajo Maeztrazgo en castillan). La langue dominante officielle est le valencien.
À la fin du Grand Schisme d'Occident, l'antipape Benoît XIII (Pedro de Luna, dit le cardinal d'Aragon) exclu d'Avignon d'où il régnait sur une partie de la chrétienté et qui n'était plus toléré que par l'Aragon s'y installa et y mourut après 19 années de résistance à Rome.
"... Precise layout of belongings in the prisoner's lockers in all concentration camps was dictated by Berlin..." P. Sales Hess in Dachau - World Without Mercy, p.76
Dachau Concentration Camp Memorial Site, Germany. 24Jun2010
At a precise location, the dispersal technician starts the auger system of the dispersal system sending sterile New World Screwworm out a chute over predetermined zones in Texas along the US/Mexico border on July 2, 2026. Pilots and dispersal technicians take advantage of calm early morning weather to fly the modified twin turboprop aircraft
Once at the drop zone the aircraft followed GPS guided north–south or east–west grids at about 6,500 feet, allowing broad, even distribution over the target zone near the Mexico border. As the pilot nears the first drop zone, he will alert the Dispersing Technician to prepare for dispersal. On the pilot‘s cue, the technician activates the aircraft’s dispersal systems. A motorized auger system begins to slowly turn to maintain a controlled release rate while the autopilot flies the preprogrammed pattern. After completing each grid, crews land to refuel before returning to their base of operation.
The sterile fly program, built on decades of multinational cooperation, uses continuous aerial release to halt the spread of New World Screwworm by overwhelming wild populations with sterile males. With multi agency coordination—from CBP inspections to USDA documentation, facility processing, Texas National Guard, and specialized aviation support—the operation demonstrates an intensive, international effort to protect livestock, wildlife, and communities across the region.
Videos are at the Defense Visual Information Distribution System (DVIDS) www.dvidshub.net/feature/NewWorldScrewworm
Photos are at DVIDS and the USDA APHIS Flickr Collection www.flickr.com/photos/usdagov/collections/72157625204032244/
USDA Media by Lance Cheung. Attribution appreciated.
Title: Precise
Artist: Amber "Ambird" Seegmiller
Based In: California
Size: 5"x8.25"
Medium: Marker & pen on Moleskin notebook
This artwork is part of Bear and Bird Gallery’s “Small Stuff 5” annual cash & carry holiday exhibition in Lauderhill, Florida. Exhibition runs November 20, 2011 – January 14, 2012, for more information visit our website www.bearandbird.com
The precise identity of these women is unknown but they have traditionally been associated with the Lake family of Cannons house and estate in Middlesex, later the property of the Duke of Chandos. Portraits of women by Lely, like this one, tend to conform to the standards of ideal beauty which were current at court. In such paintings, the artist was more concerned with asserting a sense of glamour and sophistication than conveying individual personalities. The woman on the left is shown playing a French-made guitar, the latest fashion to arrive from Paris.
HILL OF CROSSES
It was raining a lot, but I managed to visit this historical and religious place.
Hill of Crosses is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the rebellion against Russian authorities in 1831. As families could not locate bodies of perished rebels, they started putting up symbolic crosses at the site of a former hill fort. Today there are more than 100,000 crosses and counting. Once Lithuania declared its independence, the Hill of Crosses was used as a place for Lithuanians to pray for peace, for their country, and for the loved ones they had lost during the Wars of Independence. In 1993, Pope John Paul II visited the Hill of Crosses, declaring it a place for hope, peace, love and sacrifice.
Šiauliai, Lithuania July 2022 #itravelanddance
Craft showcases an architect’s patience and dedication. These models represent a proposed science building that serves as a center of discovery for graduate students and community members. Open, flexible floor plans, with thick floor plates to contain the utilities, allow for adaptable programming. The design emerged from careful study of Louis Kahn’s Salk Institute, interviews with scientists, and the work of David Orr, a leader in environmental education and design.
Quick Overview
Strong blade.
Solid base plate.
Stop buffer for a precise adjustment.
High quality cutting blade made of hardened steel.
This guillotine in its handling of paper, photos, film, and other flexible material is unequivocally a cut above the rest.
Product Description
The HSM Cut-line G3210 is a compact and easy-to-use guillotine. It cuts paper up to format DIN A4 and is ideal for private use. The folding protective guard is especially handy. It ensures absolute safety during cutting and can be easily folded up when the cutting machine is not being used. This saves space. The high-quality cutting blade with counter-blade cuts up to 10 sheets. Paper, greeting cards, photos, thin cardboard or foil can be precisely positioned on the side stop. The ergonomically shaped handle with a soft velvety surface is comfortable in your hand and ensures optimum cutting action. Small paper remnants can be easily removed from the convenient collecting tray. The HSM Cut-line 3210 guillotine has a sturdy metal plate with the scale in cm and inch as well as angle and special formats. This tool makes it fun to cut paper.
This cutter has strong blade and solid base plate. This guillotine, with its 12.8" cutting length, cuts up to 10 sheets of paper at a time. Precise and hand-guarded side stops allow for accurate cutting edges while its ergonomically designed handle is designed for optimal action of force. Very user friendly, its solid base plate has scaling in centimeters and inches, as well as angles and conventional formatting. An easy-to-handle, manual, integrated clamp at the cutting edge make it easy to handle documents being cut and the fold-able protective shield keeps both the cutter and user safe when not in use. Easy to carry, easy to clean - the integrated groove allows for easy removal of paper leftovers.
12.8" cutting length; cuts up to 10 documents/sheets of paper.
Precise and hand-guarded side stop for accurate cutting edges.
Handle ergonomically designed for optimal action of force.
Solid base plate with scaling in centimeters/inches, angles, and conventional formats.
Easy-to-handle, manual integrated clamping at the cutting edge with hand guard.
Fold-able protective shield.
Side grip for easy carrying.
Integrated groove allows for easy removal of paper leftovers.
For More Details:- www.poppopofficemachines.com/hsm-g3210-12.8-cutting-lengt...
Precise Battery-Saving Mousing Surface improves tracking of optical mouse while extending the battery life of wireless mouse up to 75 percent. 3M Precise Optical Mousing Surface is designed to optimize light reflectivity and contrast to improve the tracking of your optical mouse. The valleys in the microtextured surface catch dirt while your mouse glides on top of the peaks for improved high speed traction. Repositionable adhesive sticks to desks or stows on back of notebooks.
To be precise, this was 10 minutes after dawn and 26 minutes before sunrise! Lunar-tics will see the waning crescent of the moon here - 3hrs. 38mins. after rising at the camera's location. Shepherds will note that a bright morning was followed by very blustery afternoon!
I was pleased coffee had been poured 3 minutes before.
With just, precise, urgent words, but all united to surround love. The work of the Uruguayan Marosa di Giorgio (1932-2004) always had this sensitive topic at the centre of her poetry, but in one and a thousand ways she knew how to build an exquisite aesthetic to escape (with notable success) the expected. In La flor de lis, she gives us a series of poems that had already been published in other contexts or separately, so having them together delineates a corpus where lives is the access to a delicate and explosive eroticism that invites us to buy a travel ticket to the few pages.
Before that, the dedication that opens the book ("Poems of love to Mario") already says a lot as a foretaste, but that feeling will be resignified with the page running because we all have someone we love against all evil, and just for Marosa, Mario was that. At the same time, the guy stood as a totem pole stealing his days, sighs and dreams, many dreams as a starting point for what will come pages ahead. That is why in the development gush out bubbles of images, passions and the fantastic emergence of new worlds where fire makes and dissolves as an inventor of new realities that overwhelm. To hear and feel the nerve of that feeling, the book comes with Diadema, a CD with the voice of Marosa reciting other writings, but where each and every one of the words acquires an outbreak as meaningful as the energy that emerges from a first time. Diego Gez