View allAll Photos Tagged precise
Title: Precise
Artist: Amber "Ambird" Seegmiller
Based In: California
Size: 5"x8.25"
Medium: Marker & pen on Moleskin notebook
This artwork is part of Bear and Bird Gallery’s “Small Stuff 5” annual cash & carry holiday exhibition in Lauderhill, Florida. Exhibition runs November 20, 2011 – January 14, 2012, for more information visit our website www.bearandbird.com
The precise identity of these women is unknown but they have traditionally been associated with the Lake family of Cannons house and estate in Middlesex, later the property of the Duke of Chandos. Portraits of women by Lely, like this one, tend to conform to the standards of ideal beauty which were current at court. In such paintings, the artist was more concerned with asserting a sense of glamour and sophistication than conveying individual personalities. The woman on the left is shown playing a French-made guitar, the latest fashion to arrive from Paris.
HILL OF CROSSES
It was raining a lot, but I managed to visit this historical and religious place.
Hill of Crosses is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the rebellion against Russian authorities in 1831. As families could not locate bodies of perished rebels, they started putting up symbolic crosses at the site of a former hill fort. Today there are more than 100,000 crosses and counting. Once Lithuania declared its independence, the Hill of Crosses was used as a place for Lithuanians to pray for peace, for their country, and for the loved ones they had lost during the Wars of Independence. In 1993, Pope John Paul II visited the Hill of Crosses, declaring it a place for hope, peace, love and sacrifice.
Šiauliai, Lithuania July 2022 #itravelanddance
Craft showcases an architect’s patience and dedication. These models represent a proposed science building that serves as a center of discovery for graduate students and community members. Open, flexible floor plans, with thick floor plates to contain the utilities, allow for adaptable programming. The design emerged from careful study of Louis Kahn’s Salk Institute, interviews with scientists, and the work of David Orr, a leader in environmental education and design.
Always know what is right for your health through our Healthy Eating Plans and Balanced Diet for Children as well as adults! goo.gl/Zin6T3
Quick Overview
Strong blade.
Solid base plate.
Stop buffer for a precise adjustment.
High quality cutting blade made of hardened steel.
This guillotine in its handling of paper, photos, film, and other flexible material is unequivocally a cut above the rest.
Product Description
The HSM Cut-line G3210 is a compact and easy-to-use guillotine. It cuts paper up to format DIN A4 and is ideal for private use. The folding protective guard is especially handy. It ensures absolute safety during cutting and can be easily folded up when the cutting machine is not being used. This saves space. The high-quality cutting blade with counter-blade cuts up to 10 sheets. Paper, greeting cards, photos, thin cardboard or foil can be precisely positioned on the side stop. The ergonomically shaped handle with a soft velvety surface is comfortable in your hand and ensures optimum cutting action. Small paper remnants can be easily removed from the convenient collecting tray. The HSM Cut-line 3210 guillotine has a sturdy metal plate with the scale in cm and inch as well as angle and special formats. This tool makes it fun to cut paper.
This cutter has strong blade and solid base plate. This guillotine, with its 12.8" cutting length, cuts up to 10 sheets of paper at a time. Precise and hand-guarded side stops allow for accurate cutting edges while its ergonomically designed handle is designed for optimal action of force. Very user friendly, its solid base plate has scaling in centimeters and inches, as well as angles and conventional formatting. An easy-to-handle, manual, integrated clamp at the cutting edge make it easy to handle documents being cut and the fold-able protective shield keeps both the cutter and user safe when not in use. Easy to carry, easy to clean - the integrated groove allows for easy removal of paper leftovers.
12.8" cutting length; cuts up to 10 documents/sheets of paper.
Precise and hand-guarded side stop for accurate cutting edges.
Handle ergonomically designed for optimal action of force.
Solid base plate with scaling in centimeters/inches, angles, and conventional formats.
Easy-to-handle, manual integrated clamping at the cutting edge with hand guard.
Fold-able protective shield.
Side grip for easy carrying.
Integrated groove allows for easy removal of paper leftovers.
For More Details:- www.poppopofficemachines.com/hsm-g3210-12.8-cutting-lengt...
Precise Battery-Saving Mousing Surface improves tracking of optical mouse while extending the battery life of wireless mouse up to 75 percent. 3M Precise Optical Mousing Surface is designed to optimize light reflectivity and contrast to improve the tracking of your optical mouse. The valleys in the microtextured surface catch dirt while your mouse glides on top of the peaks for improved high speed traction. Repositionable adhesive sticks to desks or stows on back of notebooks.
To be precise, this was 10 minutes after dawn and 26 minutes before sunrise! Lunar-tics will see the waning crescent of the moon here - 3hrs. 38mins. after rising at the camera's location. Shepherds will note that a bright morning was followed by very blustery afternoon!
I was pleased coffee had been poured 3 minutes before.
With just, precise, urgent words, but all united to surround love. The work of the Uruguayan Marosa di Giorgio (1932-2004) always had this sensitive topic at the centre of her poetry, but in one and a thousand ways she knew how to build an exquisite aesthetic to escape (with notable success) the expected. In La flor de lis, she gives us a series of poems that had already been published in other contexts or separately, so having them together delineates a corpus where lives is the access to a delicate and explosive eroticism that invites us to buy a travel ticket to the few pages.
Before that, the dedication that opens the book ("Poems of love to Mario") already says a lot as a foretaste, but that feeling will be resignified with the page running because we all have someone we love against all evil, and just for Marosa, Mario was that. At the same time, the guy stood as a totem pole stealing his days, sighs and dreams, many dreams as a starting point for what will come pages ahead. That is why in the development gush out bubbles of images, passions and the fantastic emergence of new worlds where fire makes and dissolves as an inventor of new realities that overwhelm. To hear and feel the nerve of that feeling, the book comes with Diadema, a CD with the voice of Marosa reciting other writings, but where each and every one of the words acquires an outbreak as meaningful as the energy that emerges from a first time. Diego Gez
Com-Power Corporation specializes in electromagnetic compatibility (EMC) testing sytems. With their EMC testing equipment, you can measure and nullify the noise in your products.
Spink's chronology and cave history
Walter M. Spink has over recent decades developed a very precise and circumstantial chronology for the second period of work on the site, which unlike earlier scholars, he places entirely in the 5th century. This is based on evidence such as the inscriptions and artistic style, dating of nearby cave temple sites, comparative chronology of the dynasties, combined with the many uncompleted elements of the caves. He believes the earlier group of caves, which like other scholars he dates only approximately, to the period "between 100 BCE – 100 CE", were at some later point completely abandoned and remained so "for over three centuries". This changed during the Hindu emperor Harishena of the Vakataka Dynasty, who reigned from 460 to his death in 477, who sponsored numerous new caves during his reign. Harisena's rule extended the Central Indian Vakataka Empire to include a stretch of the east coast of India; the Gupta Empire ruled northern India at the same period, and the Pallava dynasty much of the south.
According to Spink, Harisena encouraged a group of associates, including his prime minister Varahadeva and Upendragupta, the sub-king in whose territory Ajanta was, to dig out new caves, which were individually commissioned, some containing inscriptions recording the donation. This activity began in many caves simultaneously about 462. This activity was mostly suspended in 468 because of threats from the neighbouring Asmaka kings. Thereafter work continued on only Caves 1, Harisena's own commission, and 17–20, commissioned by Upendragupta. In 472 the situation was such that work was suspended completely, in a period that Spink calls "the Hiatus", which lasted until about 475, by which time the Asmakas had replaced Upendragupta as the local rulers.
Work was then resumed, but again disrupted by Harisena's death in 477, soon after which major excavation ceased, except at cave 26, which the Asmakas were sponsoring themselves. The Asmakas launched a revolt against Harisena's son, which brought about the end of the Vakataka Dynasty. In the years 478–480 CE major excavation by important patrons was replaced by a rash of "intrusions" – statues added to existing caves, and small shrines dotted about where there was space between them. These were commissioned by less powerful individuals, some monks, who had not previously been able to make additions to the large excavations of the rulers and courtiers. They were added to the facades, the return sides of the entrances, and to walls inside the caves. According to Spink, "After 480, not a single image was ever made again at the site".
Spink does not use "circa" in his dates, but says that "one should allow a margin of error of one year or perhaps even two in all cases".
Role of Hindus in building Buddhist caves
The Ajanta Caves were built in a period when both the Buddha and the Hindu gods were simultaneously revered in Indian culture. According to Spink and other scholars, not only the Ajanta Caves but other nearby cave temples were sponsored and built by Hindus. This is evidenced by inscriptions wherein the role as well as the Hindu heritage of the donor is proudly proclaimed. According to Spink,
That one could worship both the Buddha and the Hindu gods may well account for Varahadeva's participation here, just as it can explain why the emperor Harisena himself could sponsor the remarkable Cave 1, even though most scholars agree that he was certainly a Hindu, like earlier Vakataka kings.
— Walter Spink, Ajanta: History and Development, Cave by Cave.
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Costa Rica is one of the top vacation destinations in the Americas. Aside from sun-drenched beaches, steamy jungles, and abundant wildlife, Costa Rica has a wealth of attractions and adventures to please a wide range of travelers. Whether you’re a family looking for something new, a snow bunny working on a winter tan, or an avid naturalist itching to delve into the wonderful world of the tropical rain forest, there’s a Costa Rican vacation waiting just for you.
A very precise ritual for the lighting of the Flame is followed at every Games. It is lit from the sun's rays at the Temple of Hera in Olympia, in a traditional ceremony among the ruins of the home of the ancient Games.
After a short relay around Greece, the Flame is handed over to the new Host City at another ceremony in the Panathenaiko stadium in Athens.
The Flame is then delivered to the Host Country, where it is transferred from one Torchbearer to another, spreading the message of peace, unity and friendship. It ends its journey as the last Torchbearer lights the cauldron at the Olympic Games Opening Ceremony in the Olympic Stadium, marking the official start of the Games.
The Flame is extinguished on the final day of the Games, at the Closing Ceremony.
DONALD TRUMP AGAINST KAMALA HARRIS -
By Bernard Bujold -
The strategies are clear and precise for the November 5, 2024 vote!
Donald Trump's Republicans want to keep Joe Biden's image alive in the campaign and highlight his direct influence on Vice President Kamala Harris. The Democrats have the opposite strategy: to make people forget Biden's existence altogether...
Joe Biden won in 2020 because Covid had turned everything upside down and people feared chaos. They thought Biden would end the polarization, but he made it worse.
A specific feature of the 2024 campaign is that the momentum of the two political parties varies from week to week. In contrast, in the past, you could establish momentum that lasted an average of six months.
Kamala Harris reminds me of Hillary Clinton in 2016. Hillary had a high profile following her political career with Barack Obama, and she was wearing the name of a former president, Bill Clinton. Even with these two advantages, she failed because of the glass ceiling concerning women, but above all by focusing on the popular vote, contrary to her husband Bill's advice to target the key states...
In my opinion, Donald will replay 2016 by targeting key states rather than the popular vote, and in the end, the winner of the vote will not be decided on the character of Trump or Harris, but rather on the best effort to get the vote out in key states.
To be continued!
SEE ANALYSIS THE NEW YORK TIMES
lestudio1mediamonitoring.blogspot.com/2024/08/donald-trum...
DONALD TRUMP CONTRE KAMALA HARRIS -
Par Bernard Bujold -
Les stratégies sont claires et précises pour le vote du 5 novembre 2024 !
Les républicains de Donald Trump veulent entretenir l'image de Joe Biden dans la campagne et mettre en avant son influence directe sur la vice-présidente Kamala Harris. Les démocrates ont la stratégie inverse : faire oublier l'existence de Joe Biden...
Joe Biden a gagné en 2020 parce que Covid avait tout chamboulé et que les gens craignaient le chaos. Ils pensaient que Biden mettrait fin à la polarisation, mais il l'a aggravée.
La campagne de 2024 se caractérise par le fait que la dynamique des deux partis politiques varie d'une semaine à l'autre. Dans le passé, il était possible d'établir une dynamique qui durait en moyenne six mois.
Kamala Harris me fait penser à Hillary Clinton en 2016. Hillary jouissait d'une grande notoriété suite à sa carrière politique avec Barack Obama, et elle portait le nom d'un ancien président, Bill Clinton. Même avec ces deux avantages, elle a échoué à cause du plafond de verre concernant les femmes, mais surtout en se focalisant sur le vote populaire, contrairement aux conseils de son mari Bill de cibler les états clés....
À mon avis, Donald va rejouer 2016 en ciblant les états clés plutôt que le vote populaire, et au final, le vainqueur du vote ne se décidera pas sur le caractère de Trump ou de Harris, mais plutôt sur le meilleur effort pour faire sortir le vote dans les états clés.
À suivre!
VOIR L'ANALYSE DU NEW YORK TIMES
lestudio1.blogspot.com/2024/08/donald-trump-contre-kamala...
HILL OF CROSSES
It was raining a lot, but I managed to visit this historical and religious place.
Hill of Crosses is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the rebellion against Russian authorities in 1831. As families could not locate bodies of perished rebels, they started putting up symbolic crosses at the site of a former hill fort. Today there are more than 100,000 crosses and counting. Once Lithuania declared its independence, the Hill of Crosses was used as a place for Lithuanians to pray for peace, for their country, and for the loved ones they had lost during the Wars of Independence. In 1993, Pope John Paul II visited the Hill of Crosses, declaring it a place for hope, peace, love and sacrifice.
Šiauliai, Lithuania July 2022 #itravelanddance
El Chaltén, Santa Cruz: The iconic granite monolith of Mount Fitz Roy pierces the crystalline Patagonian sky with formidable presence. Captured with precise optical clarity, the mountain’s vertical striations and heavy snow-draped shoulders emerge in sharp relief against a deep, cobalt-blue backdrop. Minimalist composition emphasizes the raw, geological majesty of the Southern Patagonian Ice Field, where light plays across the rock face to reveal a tapestry of weathered textures and ancient ice. The stark contrast between the warm-toned stone and the frozen glacial remnants creates a dramatic sense of scale and verticality. As a pilgrimage site for global adventurers, this landscape serves as the definitive symbol of Argentine mountaineering heritage and rugged wilderness. The stillness of the high-altitude air conveys a profound sense of isolation and geological time, drawing the viewer into the heart of the Andes. This photograph balances technical sharpness with the grandeur of one of the world's most challenging climbing destinations. Preserving such vistas is essential for understanding the environmental importance of South America's rapidly shifting alpine glaciers. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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El Chaltén, Santa Cruz: El icónico monolito de granito del Monte Fitz Roy atraviesa el cristalino cielo patagónico con una presencia formidable. Capturado con una claridad óptica precisa, las estrías verticales de la montaña y sus hombros cubiertos de nieve emergen en un relieve nítido sobre un telón de fondo azul cobalto intenso. La composición minimalista enfatiza la majestuosidad geológica del Campo de Hielo Patagónico Sur, donde la luz juega sobre la cara de roca para revelar un tapiz de texturas erosionadas y hielo antiguo. El marcado contraste entre la piedra de tonos cálidos y los restos glaciales congelados crea una sensación dramática de escala y verticalidad. Como lugar de peregrinación para aventureros de todo el mundo, este paisaje sirve como el símbolo definitivo del patrimonio montañista argentino y de la naturaleza indómita. La quietud del aire a gran altitud transmite un profundo sentido de aislamiento y tiempo geológico, atrayendo al espectador hacia el corazón de los Andes. Esta fotografía equilibra la nitidez técnica con la grandeza de uno de los destinos de escalada más desafiantes del mundo. Preservar tales vistas es esencial para comprender la importancia ambiental de los glaciares alpinos de América del Sur que cambian rápidamente. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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As long as we have the actual size and position of any object... human beings manage to sketch it out.....via any angle or any perspective scene...with the appropriate
angular rotation and velocity as well
ONLY THROUGH the computer software nowadays is not enough... we have to integrate our technical know how knowledge too ....
Because of the above reasons, we can turn it into animation or video format too. If are interested, kindly refer to
video.cctv.com/channel/HIEWKIMLIAN.html
...should you have any comment or feed back, please feel free to contact the undersigned....I need your rescue seriously.
It is truly incredible!!!
Other relevant terms:
Culture_express__Universal_n_Planetary_Sizes_and_Distances_Comparison AccurateScientificResult PRECISE_UNIVERSAL_SCENE ActualPlanetSizeComparison
With PoliDemic campaigns of all kinds now have the ability to target a precise supporter and serve up the perfect video to each individual once they agree to allow the Facebook API’s to access their most basic profile information. PoliDemic digs in to a supporter’s provided age, gender and location information and present the message intended for the precise viewer the message is designed to captivate and influence. Additional data begins to collect once the supporter has interacted with the App further allowing customization of messages, targeting and specific and effective calls to action.
HILL OF CROSSES
It was raining a lot, but I managed to visit this historical and religious place.
Hill of Crosses is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the rebellion against Russian authorities in 1831. As families could not locate bodies of perished rebels, they started putting up symbolic crosses at the site of a former hill fort. Today there are more than 100,000 crosses and counting. Once Lithuania declared its independence, the Hill of Crosses was used as a place for Lithuanians to pray for peace, for their country, and for the loved ones they had lost during the Wars of Independence. In 1993, Pope John Paul II visited the Hill of Crosses, declaring it a place for hope, peace, love and sacrifice.
Šiauliai, Lithuania July 2022 #itravelanddance
Euro Racing Show in Luxembourg, ... some racing cars, old-timers, and a SM race as well as hilarious drift show. You honestly need to see for yourself how precise and talented those drift drives are ...
just arrived at home!
Sound was.......SO GREAT! im SURPRISED!!
GRATE EXPERIMENTAL ASSETATE DUB :)
King Regards
Precise Mastering
Clownfish (precise id?), Great Barrier Reef, Queensland, Australia
I did actually rent a little 'toy' underwater digital camera for two of the dives and this picture is about the sum total of all my underwater efforts. It's unsharp, the subject is facing the wrong way and is not parallel to the sensor plane. I toyed with the idea of getting my own 'toy' underwater camera but after this experience I know I would not be satisfied with anything but a housing for my digital SLR and a couple dedicated strobes...
I love birds of prey - beautiful, vicious, inquisitive, precise, and calm when at rest - nothing speaks of self-believe and total knowledge that "there is no better than I" than an owl considering it's next feeding time.
Anyone that gets a chance to just sit quietly and watch them closely I'm sure will agree, it's the quiet moments that tell you the most about these animals.
If it wasn't for the fact that I've seen them feeding, I might have said in my next life I want to be an owl.
I am going to share some more raptor shots at some stage, maybe not part of the 365 project though as I have other plans developing.
Two really interesting shots I wanted to share today:
www.flickr.com/photos/anrb/4464260362/ - Does anyone else dare risk their relationship for 'that shot'?
Do take a look at the rest of the shots, particularly his fun with smoke series which I myself have been doing so is definitely an inspiration to take my own work further:
www.flickr.com/photos/anrb/4386823894/
Secondly:
www.flickr.com/photos/lighthack/4462318154/ - there is no need to make your shots complicated, keeping it simple can often be just as effective. I'm gonna look at guitars through the viewfinder at some point, and this makes a great reference. Love it!
•PRECISE•PORTABLE•PROFESSIONAL
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Scarlet’s advanced wireless technology connects one wind sensor with multiple displays. Inform everyone the live wind conditions without wire hazards or signal interference.
WIRELESS WIND LOGGER
• Live/Average/Maximum Wind Speed
• Beaufort Bar Graph
• Wind Chill
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Contact for more information: info@gaxcesensors.com
Phone No +91-9673123829
exhibition opening
Filodrammatica Gallery, Korzo 28/1, Rijeka
5 October, 2023
ON VIEW UNTIL 26 OCTOBER, 2023
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Photos by: Tanja Kanazir / Drugo more
Viktor Popović, an artist known for his precise and elegant installations, often created in dialogue with the historical and physical context of the exhibition space, has remained faithful to his method in the preparation and realization of the exhibition at Filodrammatica.
The building was constructed in 1890 and has since left numerous traces in the memories of people, records, documentation, while many artists and audiences have left their own traces in the physical space over the centuries. In his search for traces, Viktor found Ilario Carposio’s photographs in the State Archives in Rijeka, depicting the original facade and interior of Filodrammatica, which served as the basis for the graphic part of the exhibition.
The material used in the graphics was collected within the building – dust representing a material testimony of air flow is imprinted on Carposio’s photographs, transforming them into impressions of a very bright spectrum.
These “ghosts” of photographic templates, exhibited as a series of graphics, clearly indicate the inevitable decay of original ideas and material achievements over time. In contrast to the process of disappearance expressed in monochromatic graphics, Viktor opposes an installation based on light, pointing to the existence of life that resists what time carries with it—entropy. Color photographs of the building’s interior, displayed on lightboxes placed on furniture belonging to the building, simultaneously represent a contrast and a companion to the deteriorating structure.
VIKTOR POPOVIĆ is an artist based in Split, Croatia. His artistic practice focuses mostly on installations and objects formed from appropriated and archival materials in combination with raw industrial materials that probe the relationship between the artwork and the audience or the historical or physical context of the exhibition venues. His recent work explores the Modernist heritage of the socialist period in Croatia and focuses on the re-contextualization of the 1960s and 1970s architecture. He has exhibited in numeorus galleries, museums an non-profit venues in the USA and throughout Europe. Popović is an MFA graduate of the Academy of Fine Arts, Zagreb, Croatia and has been awarded a number of distinguished grants and awards. His work has been collected by major public institutions throughout Croatia, including the Museum of Contemporary Art in Zagreb, Museum of Contemporary Art in Split, Gallery of Fine Arts in Zadar and Lauba in Zagreb. In addition to his artistic practice, he has been teaching Painting and Advanced Drawing courses at the Painting department of the Arts Academy in Split since 1998, where he was tenured and promoted to full professor in 2018.