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Although a precise date of construction has yet to be determined, the aqueduct was likely built in the early 2nd century or late 1st century CE. Until the mid 19th century, it continued to bring water to Segovia from the Rio Frio, some 17 km (11 mi) from the city. It highest point is 29 m (94 ft) above the ground.
My teaching was like clockwork: reliable and precise; thankfully inspiration and experience kept me company, offering propitious pedagogical ideas, the bounty of four years in Hong Kong; discipline, too, stood guard over my classroom either to the dismay of some of my charges or to their merriment. My students in tow, sitting in their rows or erected in lines, we charged forward for first place, whether in arriving at breakfast or inside the baking classrooms.
Precise beauty can come out from your dressing trend with this yellow and white color lehenga crafted with soft Organza material and completed with digital print.
This lovable yellow and white lehenga comes with a white color choli made with Organza material and completed with digital print.
This white lehenga is semi-stitched and can be customized up to 42 inches, also have a cancan and canvas attached. The choli will be un-stitched material (1 meter).
Specially designed to wear at weddings, functions like haldi, engagements, ceremonies, and special occasions.
Price:- ₹1,849.00
www.ethnicplus.in/lehenga-choli/delightful-yellow-and-whi...
June 24, 2017 - "A sky burial is the act of leaving a corpse, cut into precise pieces by a Burial Master, exposed to the elements of nature. This Master would also be in charge of smashing and grinding the bones of the deceased body, and then leaving the prepared corpse out in their selected open site. This was their way of offering a final honorable service to their material body; sending it back to the earth, and serving as an offering of a meal to the vultures.
This form of burial often takes place at high elevation locations since the vultures are the desired creature to be fed. In addition, the physical location plays an important part in this selection of burial since there would be very little ground space that could be used as cemetery, and the ground would often be frozen, making it difficult to dig. This has therefore been the most common way of disposing dead bodies in Tibet"
Previous text from the following website: www.ancient-origins.net/history-ancient-traditions/sky-bu...
This sky-burial location is next to the Papungka Monastery on the outskirts of Lhasa, Tibet.
Point Precise uses photogrammetry and your iPhone’s device sensors to convert your scans into precise 3D point clouds.
PRECISE PROJECTION: Celina Tragesser, Science Olympiad member and senior, measures angles on a projectile launcher for an event called Air Trajectory at a Science Olympiad work session on Feb. 24. Tragesser and several other members will compete in the Regionals competition at Butler University on Saturday. SARAH LIU / PHOTO
Ignore the white spot. Dust is evil. I had a lot of brush control, and my work is very precise. I really love this mini.
"Yagshemash" was the magic word that got my cousin Vlad to show me that smile!
For those who do not know why one would smile when I say "yagshemash", go to borat.tv. If you know, and still do not understand, then perhaps your sense of humor is...ehm, different from mine.
More fun facts:
I recently bought an SLR. A film SLR. A Canon EOS 10 to be precise. This is from my second film roll, and this is a scan from the photo rather then the negative...
Lens: Canon EF 50mm 1.8 II
The NYPD is trying a more precise gunshot detection system t.co/QhH3cKjEmF t.co/3IjPgFg1oY (via Twitter ift.tt/1GlT9EN)
Precise Garage Door Repair - Address: 14001 Astoria St, Sylmar, CA 91342; Phone: (818) 237-1113
www.hotfrog.com/business/ca/sylmar/precise-garage-door-re...
The precise manual focus, and beautiful optics make for pin point shallow depth of field. What great glass this lens is. I was a senior in high school when it was introduced.
Fitz Henry Lane - American, 1804 - 1865
Lumber Schooners at Evening on Penobscot Bay, 1863
West Building, Main Floor — Gallery 67
Near the center of the painting, a masted wooden ship floats against a vibrant sunset that fades from lilac purple to carnation pink along the horizon line, which comes about a quarter of the way up this horizontal landscape. The boat is angled away from us and to our left with one sail tied up near the top of one of the two tall masts. Four people stand on the lumber-filled deck and tie up other sails. A second boat floats in the distance, its rigging and masts silhouetted against the vivid pink sky. The water is deep blue along the bottom edge of the canvas and lightens where it meets the hills along the horizon. Slivers of wispy slate-gray clouds sweep across the sky.
Despite its meticulous draftsmanship and precise detail, Lane's work is far more than a simple inventory of harbor activity. The diminutive figures and carefully rendered vessels remain secondary to the vast expanse of sky, where shimmering light creates a tranquil, idyllic mood. Lane's rarefied landscapes epitomize man's harmonious union with the natural world.
Some scholars have used the term "luminism" to describe the artist's subtle use of light and atmospheric effects to convey nature's intangible spirit. Ralph Waldo Emerson, the foremost exponent of American Transcendentalism, believed that poets and painters should serve as conduits through which the experience of nature might be transmitted directly to their audience. With a similarly self-effacing artistic temperament, Lane minimized his autographic presence, using translucent glazes rather than heavily impastoed surfaces to underscore the scene's pervasive stillness. His elegiac paintings differ profoundly from the more explosive exuberance expressed by Cole and Church, though he shared these artists' reverence for nature and their belief in its inherent divinity.
More information on this painting can be found in the Gallery publication American Paintings of the Nineteenth Century, Part I, pages 412-415, which is available as a free PDF at www.nga.gov/content/dam/ngaweb/research/publications/pdfs...
Fitz Henry Lane was born Nathaniel Rogers Lane in the fishing port of Gloucester, Massachusetts on December 18, 1804; in 1831 he legally changed his first and middle names, becoming Fitz Henry Lane. Paralyzed as a young child, probably by infantile polio, Lane was obliged to use crutches. He learned the rudiments of drawing and sketching while in his teens and in 1832 worked briefly with a lithographic firm in Gloucester. Later that year he moved to Boston for formal training and an apprenticeship with William S. Pendleton, owner of the city's most important lithographic firm. Lane remained with Pendleton until 1837, producing illustrations for sheet music and scenic views.
While in Boston Lane became acquainted with the work of the English-born artist Robert Salmon (1775-c.1845), who was the most accomplished marine painter in the area. Salmon's paintings, with their meticulously detailed ships and crisply rendered effects of light and atmosphere had a decisive influence on Lane's early style. By 1840 he had produced his first oils; two years later he was listed in a Boston almanac as a "Marine Painter." His Scene at Sea (present location unknown) was exhibited at the Boston Atheneum in 1841 and, after 1845, his works were regularly shown there. During the mid-1840s Lane continued to produce both oils and lithographs, concentrating on landscapes, harbor views, and ship portraits. In 1848 he sold a painting to the American Art-Union in New York, which would subsequently purchase several more of his works. That summer he visited Maine with his life-long friend, the Gloucester merchant Joseph Stevens, Jr., whose family had a home in Castine. Lane would make many more visits to Maine during the rest of his life, and the distinctive scenery of the state became an increasingly important part of his artistic vocabulary.
In 1848 Lane moved permanently back to Gloucester, and with his sister and brother-in-law designed and constructed an impressive granite home overlooking the harbor. Although he traveled in the 1850s to such locations as Baltimore, New York, and, possibly, Puerto Rico, the scenery of Gloucester and Cape Ann would remain, with that of coastal Maine, at the very center of his artistic production. Although Lane's inconsistency in dating his works makes determining a strict stylistic evolution difficult, he seems to have reached a new maturity in the early 1850s. In an important series of images of Boston harbor, presumably from the mid-1850s, Lane perfected a style characterized by carefully balanced, calmly ordered compositions and radiant effects of light and atmosphere. Some modern historians have seen these paintings as part of a "luminist" style said to have been employed by many other American artists of the 1850s and 1860s. Whatever the case, Lane's art seems to have been primarily personal in nature, and there is little evidence he took notice of other painters' works or was much involved in larger artistic circles.
During the 1860s Lane produced what are perhaps his most poignant paintings, again focussing primarily on familiar scenes around Gloucester and in Maine. He left little in the way of written or otherwise recorded statements about his art, but these later works are markedly different from works of just a few years earlier. Highly reductive in format, refined in execution, and intense in effect, these works suggest some new expressive intent on Lane's part, the nature of which has been the subject of much modern speculation.
In 1864 and 1865 Lane was in poor health and, following a bad fall in August 1865, apparently suffered a heart attack or stroke; he died in Gloucester on the 13th of that month. Although one Boston paper characterized his passing as "a national loss," Lane's reputation during his lifetime was primarily local; following his death he and his works were largely forgotten outside Gloucester. With the revival of interest in nineteenth-century American painting during the 1940s, and, particularly with the large number of fine works by Lane presented to the Museum of Fine Arts, Boston by Maxim Karolik in 1948, he was gradually reinstated as a key figure. (At some point in the early twentieth century the artist's middle name began to appear erroneously as "Hugh," and he subsequently became well known as Fitz Hugh Lane. Archival research conducted in 2004-2005 irrefutably proved that his name was, in fact, Fitz Henry Lane; see "appendix" in John Wilmerding, Fitz Henry Lane, Glouchester, Massachusetts, 2005).
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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Minimalist sophisticated style, precise cuts, timeless, elegant and tailored. Whether it is the catwalk, office or a night out with friends GothiCatz Equinox is not just perfect, its a must have for the contemporary man.
From the museum label: Canaletto was at the peak of his powers when he created this view of the sun-drenched palaces lining the Grand Canal and reflected in its shimmering water. With precise brushwork, he also evoked the effects of soot and crumbling stucco disfiguring the facades. Canaletto's highly finished treatment and silvery tonality stand in marked contrast to Francesco Guardi's view of the same location (nearby).
I know the quality of this image isn't precise, but now I think of it, the slight blur is something which makes this image that much more sweeter for me. I had to wait for quite a lot many people to pass before I could take this shot, and he was obviously amused to see me sitting there, just waiting!
"I don't like these cold, precise, perfect people who, in order not to speak wrong, never speak at all, and in order not to do wrong, never do anything."
Point Precise uses photogrammetry and your iPhone’s device sensors to convert your scans into precise 3D point clouds.
Stunning appearance, precise design, high quality and excellent work performance of this case makes it outstanding in similar products. It is designed for iPhone 4 4s,opens to all the buttons, controls and camera lens. With it, the device can enjoy comprehensive protection and have the trendy outlook.
www.applehour.com/White-Very-Cute-Plastic-Hard-Cover-Case...
This precise spot (in front of Notre Dame de Paris cathedral) is where all distances to Paris are measured from, i.e. if you're on the road to Paris and you see a sign that says, for example: 2 KM TO PARIS, it's measured from THIS exact spot. Legend says that standing on the POINT ZERO will guarantee that you will return to Paris again in the future.
Precise Monoblock Axes
Healthy Machine Standard Head System
Push Button Needle Change Type
Quick Coupler
Sterilization can be done with High-temperature and High-pressure repeatedly
One Year Manufacturer Warranty
Allows precise control of growing conditions for seeds and cuttings.
Variable temperature control - choose precise temperature between 12C and 28C.
Automatic re-set thermostat automatically returns to previous setting after and loss of power.
Includes "A guide to successful propagation".
Energy efficient 50 watt heater.