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www.bibliaortodoxa.ro/carte.php?id=35&cap=4
5.Deci a venit la o cetate a Samariei, numită Sihar, aproape de locul pe care Iacov l-a dat lui Iosif, fiul său;
6.Şi era acolo fântâna lui Iacov. Iar Iisus, fiind ostenit de călătorie, S-a aşezat lângă fântână şi era ca la al şaselea ceas.
7.Atunci a venit o femeie din Samaria să scoată apă. Iisus i-a zis: Dă-Mi să beau.
8.Căci ucenicii Lui se duseseră în cetate, ca să cumpere merinde.
9.Femeia samarineancă I-a zis: Cum Tu, care eşti iudeu, ceri să bei de la mine, care sunt femeie samarineancă? Pentru că iudeii nu au amestec cu samarinenii.
10.Iisus a răspuns şi i-a zis: Dacă ai fi ştiut darul lui Dumnezeu şi Cine este Cel ce-ţi zice: Dă-Mi să beau, tu ai fi cerut de la El, şi ţi-ar fi dat apă vie.
11.Femeia I-a zis: Doamne, nici găleată nu ai, şi fântâna e adâncă; de unde, dar, ai apa cea vie?
12.Nu cumva eşti Tu mai mare decât părintele nostru Iacov, care ne-a dat această fântână şi el însuşi a băut din ea şi fiii lui şi turmele lui?
13.Iisus a răspuns şi i-a zis: Oricine bea din apa aceasta va înseta iarăşi;
14.Dar cel ce va bea din apa pe care i-o voi da Eu nu va mai înseta în veac, căci apa pe care i-o voi da Eu se va face în el izvor de apă curgătoare spre viaţă veşnică.
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4 Jesus had to go through Samaria. 5 He came to a Samaritan city called Sychar, which was near the land Jacob had given to his son Joseph. 6 Jacob’s well was there. Jesus was tired from his journey, so he sat down at the well. It was about noon.
7 A Samaritan woman came to the well to draw water. Jesus said to her, “Give me some water to drink.” 8 His disciples had gone into the city to buy him some food.
9 The Samaritan woman asked, “Why do you, a Jewish man, ask for something to drink from me, a Samaritan woman?” (Jews and Samaritans didn’t associate with each other.)
10 Jesus responded, “If you recognized God’s gift and who is saying to you, ‘Give me some water to drink,’ you would be asking him and he would give you living water.”
11 The woman said to him, “Sir, you don’t have a bucket and the well is deep. Where would you get this living water? 12 You aren’t greater than our father Jacob, are you? He gave this well to us, and he drank from it himself, as did his sons and his livestock.”
13 Jesus answered, “Everyone who drinks this water will be thirsty again, 14 but whoever drinks from the water that I will give will never be thirsty again. The water that I give will become in those who drink it a spring of water that bubbles up into eternal life.”
15 The woman said to him, “Sir, give me this water, so that I will never be thirsty and will never need to come here to draw water!”
lui se n'era accorto.. come bisognava fare a intendersi...
ma poi.. non era un film..
........
where... "They're closing down the textile mill across the railroad tracks
Foreman says these jobs are going boys and they ain't coming back to your hometown
Your hometown
Your hometown
Your hometown"...
se Prato muore
muore la stoffa della fantasia
l'arte di riciclare dagli stracci
e di creare tessuti sempre nuovi
a rotoli a rotoli a rotoli
ma dentro di me
non muore
l'odore
delle mani sporche di grasso di mio padre
lui sentiva la meccanica dei telai come se fosse una musica
da riparare non appena qualcosa stonava
aveva imparato dal nonno
faceva dei fori su dei rotoli di plastica
e la stoffa ordiva e tramava colori
intrecciava disegni
mi sembravano magie...
mia madre preparava i fusi
avevo imparato anch'io, era un lavoro da ragazzi
e poi rammendava
mentre la stoffa scorreva sul tavolo illuminato verso la finestra
vedeva tutti i piccoli difetti dei fili
aveva imparato dalla nonna
le tele pronte erano montagne morbide di tutti i colori
..mi ci buttavo a tuffo e rotolavo rotolavo
tutto girava girava come una bambina sempre
quando ero stanca mi ci addormentavo
era la fabbrica dei sogni
che si potevano fare
l'altro giorno mio padre al telefono dalla Polonia si è commosso
per aver visto alla tv la fine di Prato..
e ora io da quaggiu'...vorrei essere Penelope
di una tela da fare lunga 1000km e disfare e continuare
finchè tutto torna a non finire...
gli stracci da riciclare sembra siano finiti
ma lo spirito non puo' morire
è tempo di riciclare quello
Il paganello 2010
Il solito freddo da lupi, anche se da questa foto non sembrerebbe.
Poco tempo, quest'anno, da dedicare all'evento.
Condizioni meteorologiche critiche. Instabilità, sopra e dentro.
Le solite conferme di un evento che arriva ti prende e ti porta via... lasciandoti un martedì in cui puoi solo scrivere, guardare e ricordare, cercare e rielaborare.
Mi accadeva quando ci giocavo, ci lavoravo.
Ma accade anche oggi, che sono un mero utente di questo pezzo di vita.
Accade anche a chi, come me, non è dentro se non con lo spirito, e non ne succhia il midollo come andrebbe fatto in occasioni del genere.
Ma insomma, pur situato ai margini di un evento che concentra su una spiaggia l'eterogeneità del mondo, assistere al paganone è sempre bello. E' sempre una possibilità.
L'effetto del passaggio è questo. Da sempre.
Il Paganello è in grado di mettermi quella bella malinconia addosso. Ed è in grado di metterla prima che finisca, a volte, come quest'anno, prima che inizi. Ho convissuto con la malinconia da fine torneo da qualche giorno prima dell'inizio. Quando il rombo dei motori è talmente alto, prima della partenza, che non esiste altro, se non l'imminente welcome party.
Perché il paganello è troppo per quel poco tempo che dura.
O forse è il giusto, giacché le pause e l'aspettativa sono forse più importanti dell'azione che precedono.
Comunque, rivedere Thusar è stato fantastico ed assistere a quel mondo libero e semplice, pure.
Quest'anno, una novità fotografica.
Fra le foto standard del torneo, cercherò di raccontare il paganello 2010 pure con qualche ritratto, senza menzionare nell'immagine quel disco di plastica dura. Vediamo cosa ne uscirà fuori.
Ah, per chi non sapesse di cosa parlo
We all have some loads to carry -- that's the nature of life. And sometimes it's so heavy that it takes everything we've got to keep from dropping it or caving in beneath the weight. This might be one of those seasons of heavy burdens for you. I've got some good news for you -- news that's contained in our word for today from the Word of God in 1 Corinthians 10:13. Here's your Heavenly Father's promise: "God is faithful; He will not let you be tempted" -- that word can also be translated "tested" -- "beyond what you can bear. But when you are tempted, He will also provide a way out so that you can stand up under it."
Your Father in heaven who loves you infinitely and knows you completely. Everything that comes into your life as a child of God has to be Father-filtered first. Whether your Father sends it or allows it, no burden or temptation can come into your life unless He has first signed off on it. Now, will He allow burdens that take you to the limit? Yes. Ask any athlete who's ever used the weight room -- the only way you can get stronger is if you have to lift something heavier than you've lifted before. But God knows your limit, and while He may allow you to go the edge so you can experience His power, He will never allow you to go over the edge.
If you're having to carry something really heavy right now, realize that you're indeed being trusted by God with this burden. He believes you can handle it, with His unlimited power as your strength. He believes you won't let Him down. And He knows you will emerge from this struggle stronger and more valuable than you've ever been.
Your Father loves you. Your Father knows what you can handle. He knows what He can trust you with. There's something much bigger, something much more eternal going on here than you can possibly imagine -- maybe even a contest over you between the devil and God Himself. Carry your burden faithfully, with undiminished allegiance to your Lord and daily downloading of the mighty grace of God. And as your Father hands you today's load to carry, be sure that He knows how much you can handle -- and He'll never give you more than you can carry.
-gospel.com
Production & Photography: Pablo Henríquez Palma
Model: Jesu
Styling and Clothes: Cote Bari
Make Up: Sole Donoso
Post: Nelson Muñoz - Pablo Henríquez Palma
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This would have been the synagogue of my grandparents before they emigrated. It's still standing because it was brick not wood. It's a barn now.
I traveled thousands of miles to this tiny agricultural village now in Belarus (formally part of the Soviet Union) to seek out my roots. My grandparents and their siblings fled from here early in the 20th c. and started life over in NY - lucky for me and all of my family.
Dolhinov is now a village in the Vileyka district of the Minsk Province of Belarus. It is located 51 miles north of Minsk, 25 miles ENE of Vilejka. Between the two World Wars it was part of Poland. Here's the whole Belarus set: www.flickr.com/photos/lithuania2008/sets/72157606149145442/.
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Le parc naturel régional de la Brenne recense 11 des 37 espèces de reptiles autochtones protégées en France. Véritable animal emblématique de la Brenne, la Cistude d'Europe trouve ici un lieu de prédilection. Plusieurs dizaines de milliers d'individus font ainsi de la Brenne une des premières régions françaises pour cette espèce.
Cistudes ♀ (à gauche) et ♂ (à droite), Emys orbicularis. La Cistude est intégralement protégée en France, mais dans certaines aires de sa répartition ses effectifs diminuent fortement.
Cette petite tortue est essentiellement diurne. Plutôt méfiante et craintive, la tortue Bourbeuse est surtout active aux heures les plus chaudes dans la journée. Elle passe une grande partie de son temps posée sur des troncs émerfés ou à flotter à la surface de l'eau. C'est un animal très discret, elle est très farouche et plonge au moindre bruit, ce qui la rend très difficile à repérer.
Le grillage n'est là que pour empêcher les moutons de pénétrer dans l'étang.
Et voilà, encore une bonne raison d'avoir envie d'un zoom correct, mon vieux clou n'est vraimant pas performant.
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Ma galerie sur fluidr
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Très peu présente sur la toile en ce moment, je rendrai visite à votre galerie dès que possible.
A stately four-poster canopy bed
Estimate: PHP 180,000 - 200,000
Last Quarter, 19th century
San Isidro, Nueva Ecija
Red narra, cane / solihiya
260 x 215 x 134 cm
(102 x 84 x 92 in)
Lot 450 of the Salcedo Auctions auction on 21 September 2019. Please see salcedoauctions.com for more details.
A well-conceived bed with elaborate and very finely carved details, designed to impress. It may appear as a gallimaufry of Rococo and Renaissance Revival styles, but the impression is nothing short of stately and elegant. The imposing rectangular headboard, canopy and bed frame brackets are pierce-carved with acanthus leaves, scrolls, flowers, fruits (duhat or Java plum and chesa or canistel), and foliage. The crests rise and fall gracefully along the perimeters of the canopy like cascading waves. The legs and post supports have turned rings, spools, balls and vases; and the barley-twist posts are deeply carved. The bed frame, carved with long lunettes on the sides, is tenoned through the post supports carved with round cabochons. Such exquisite work! The superb craftsmanship and very good condition justifiably make this one of the best provincial beds we have handled.
Today I was with family for an early easter get-together/late birthday gift giving because my grandfather, aunt and I are the only ones that have birthdays at the beginning of the year and that always gets messed up. Nearly EVERYONE else's birthdays are around september, which used to make me sad as a kid because I would never get my gifts around the same time as everyone else, and I basically had to sit around when all of my cousins were getting things and be polite and shut my mouth. xD I don't mind it anymore at all (but i was a kid and i was a pouty little thing sometimes, haha!). I got more money for crafty stuff. Yay! Thank you Aunt Jane. =D
So anyway, off with that rambling. My step-grandmother took us to her "southern mansion" (as she calls it; it's more like an antique store gone wrong) to show us her reupholstering jobs. The outside is fabulous, though i totally spaced taking a decent picture. So the next few pictures will be from this place, along with the songs that have plagued me throughout the course of the day. xD
So! I found this little beauty (the necklace) on one of the walls in the place. AND I WAS ALLOWED TO KEEP IT. YAYYYY.
This one just happens to remind me of my lovely. =o
I was out of your league
And you were 20,000 underneath the sea
Waiving affections
You were out of my league
At a distance that I didn't wanna see
Down to the bottom
I wanted a junction and often there was one
You'd surface face first and we'd share our thought bubbles
And I still believe in the phrases that we breathed
But I know the distance isn't fair to cross
I was out of your league
And you were 20,000 underneath the sea
Waiving affections
You were out of my league
At a distance that I didn't wanna see
Wanted you nearer
Your depths made a pressure that punctured my works and all your fluids couldn't tolerate the force of my thirst
I love the place where we shared our tiny grace
But because it's real doesn't mean it's gonna work
I was out of your league
And you were 20,000 underneath the sea
Waiving affections
You were out of my league
At a distance that I didn't wanna see
Wanted you nearer
And true affection floats
True affections sinks like a stone
I never felt so close
I never felt so all alone
I was out of your league
And you were 20,000 underneath the sea
Waiving affections
You were out of my league
At a distance that I didn't wanna see
Wanted you nearer...
maorlando-God sustained me 2011 walking w/ me 2012's photostream
PLEASE AS I AM UNABLE TO RETURN COMMENT PLEASE JUST GO TO ANGELA'S STREAM AND WISH HER A MOST HAPPY BIRTHDAY
SHE IS A MOST LOVING AND WONDERFUL WOMAN AS MOST OF YOU ALREADY KNOW,
SHE IS A TRUE FRIEND AND I AM A WITNESS TO THAT FIRST HAND
LOVING YOU ANGELA
maorlando-God sustained me 2011 walking w/ me 2012's photostream
maorlando-God sustained me 2011 walking w/ me 2012's photostream
maorlando-God sustained me 2011 walking w/ me 2012's photostream
PLEASE STOP BY HER STREAM AND WISH HER A VERY HAPPY BIRTHDAY
'I WILL SEE YOU IN A COUPLE OF DAYS
HUGS AND LOVE
billie
Leven onder de as van de vulkaan, dag in, dag uit... alle hotels zijn leeg en verwoest. De stad lijkt heel hallucinant. Ook de huizen zitten onder de as. Nog één hotel blijft met staats-steun open voor de enkele verdwaalde toeristen. De lokale bevolking is erg uitgedund. Alleen heel arme mensen zijn genoodzaakt om te blijven wonen. Aan ons hotel is er elke dag een ploeg paraat om de as weg te scheppen, een heel ongezond werk. De as is heel zacht en voelt aan als losse zachte poeder. Er valt voortdurend as uit de lucht en na enkele uren zit je onder het stof. Veel mensen lopen voortdurend met een masker voor de mond, om de longen te beschermen. De rode tong en tanden bij veel mensen wordt veroorzaakt door het kauwen van 'betelnut'. Een mengsel van mosterdzaadjes, kalk en beetlenoot.
De Tavurvur is een actieve stratovulkaan nabij de Papoea-Nieuw-Guineaanse stad Rabaul op de noordoostelijke punt van het eiland Nieuw-Brittannië. Het vormt het meest actieve onderdeel de Rabaulcaldera (8 bij 14 km), waarbinnen het gelegen is aan de oostelijke rand. De vulkaan is binnen de stad Rabaul berucht om de vele verwoestende uitbarstingen.
Lees nog meer over de verwoestingen:
nl.wikipedia.org/wiki/Tavurvur
Tavurvur is an active stratovolcano near Rabaul in East New Britain province, Papua New Guinea. It is a sub-vent of the Rabaul caldera and lies on the eastern rim of the larger feature. The volcano is most well known for its devastating eruptions over Rabaul.
The volcano is the most active feature of the Rabaul caldera, and has erupted as recently as January 2009
uit:
On black — On blog — Slideshow
Part of a brief series of photos on the Rozanji, a temple credited as one of the places where Murakami Shikibu wrote, exactly a thousands years ago, the Genji monogatari. The house of his father, the courtier Fujiwara Tametoki, was here and, if not the building, this could be the place she was refering to as "home" when wrote in her Diary (as translated by Richard Bowring):
"What on earth are you doing in such cold weather?" asked His Excellency. "You are meant to be convalescing!" Nevertheless he brought her exquisite paper brushes and ink from time to time, an even an inkstone. When the women found out that Her Majesty had given it to me, they all complained loudly that I had obtained it by going behind their backs. Despite this, she made me another present of some excellent colored paper and some brushes.
Then, while I was busy in attendance, His Excellency sneaked into my room and found the copy of the Tale that I had had brought from home for safe-keeping. It seems that he gave the whole thing to his second daughter. I no longer had the fair copy in my possession and was sure that the version she had would hurt my reputation.
As the setsubun festivities were taking place, the garden was closed the day we payed our visit, but this man we made friends with managed to get us in there after a few words with the monks. Once there, he pointed out to the room at the corner, left side here, and said it was there where Murasaki Shikibu began writing her masterwork, while looking at the garden (now called Genji niwa, id est Genji's Garden). Oviously an exageration (the temple was rebuilt after the Great Fire of 1788) but the experience was moving all the same. And, after all, if not exactly there, it could be a few meters from there, huh?
Just a quick update ,
Casper( the budgie) is still weak and' very' wobbly but eating and playing with some of his toys:)
Joey (the dog) is brighter today but acting like a total spoilt 'wussbag'
Michael(husband).. is still sneezing with sore throat, and using up all our tissues but is 'alive'
Jules (me).. 'as above' plus restless and grumpy! '
Renae.(Joey's mother). , well she's the toughest of all of us here( She's been a mother a couple of times, what more can i say ! She's generally keeping an eye on all us and staying close by, just in case we should need her help in any way.
Black Cloud.( the bunny) ..he's off doing his own thing...burrowing and trying to make a tunnel to the other side of the world.
Merlin.. the other budgie is bit upset and fretting cause he's seperated from Casper, but keeping himself entertained with chatting to his mirror...and in between trying to work out strategies to get to Casper by wrecking his side of the cage.
Zena and Zula the love birds who don't seem to be 'in love' with each other anymore.....well they are busy and noisly trying to break out of their avery as usual ... Try to imagine 'old squeaky wrought iron gates', well thats how they sound!!
Cinnamon the cockatiel, she's been ringing her huge copper bell loudly all day as she wants our attention as she is feeling rather neglected at the moment.
Karma the cat...has been meowing and having tantrums all day cause i won't drive to the shop and get her 'decent' food as i've run out of her normal stuff. She's very 'mad' at me !
Total Chaos i'm telling ya !
(and we don't even have kids! LOL)
+ info: beliomagazine.com/app/webroot/index.php/stories/view/5323
The Live, We Rise (Están Vivos, Nosotros Nos Sublevamos) es una edición especial totalmente distinta en su forma a nuestras publicaciones anteriores. Para sorpresa de muchos, nuestro nuevo Belio es un periódico comprometido con la situación social, económica y política de nuestros días.
Se trata de una edición física y digital inspirada en la película Están Vivos (They Live) de John Carpenter. Una especie de homenaje a la película para denunciar una sociedad conformista y lobotomizada. El diseño y contenido del periódico se basa en una de las celebres escenas de la película en que su protagonista descubre gracias a unas gafas los mensajes ocultos escondidos en la publicidad y en los medios de comunicación. Para leer nuestro periódico NO necesitarás dichas gafas... Pero en el pack a la venta hemos incluido unas gafas de 3D anaglíficas con las que podrás leer la edición digital We Rise que se puede descargar de forma gratuita desde www.beliomagazine.com. Todo va dentro de una funda de PVC transparente serigrafiada limitada a 1000 unidades, que podrás comprar mandando un mail a store@beliomagazine.com
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The Live, We Rise is a special edition absolutely different in form to all our previous publications. To the surprise of many, our next Belio is a newspaper compromised with the social, economic and political situation today.
This is a physical and digital edition inspired by John Carpenter's movie They Live. A short of homage to the film in order to expose a conformist and lobotomized society. The design and content of the newspaper is based in one of the famous scene from the movie where the protagonist discovers the hidden messages in advertising and the media with the help of some special glasses. To read our newspaper, you won't need those glasses... But we have included in the pack a special 3D anaglyph glasses that you will need to read the online edition We Rise which can be downloaded at www.beliomagazine.com. Everything is packed within a transparent PVC bag screenprinted and limited to 1000 units, that you can order directly to us by sending an e.mail to store@beliomagazine.com
i've always enjoyed playing around and learning different photography techniques. my first camera was very basic but that didn't stop me trying some long exposure shots. i've combined photos together in photoshop to different effect in multiple exposure shots and used other post processing tricks turning panoramas into little planets. since getting my slr camera i've been able to add hdr to my arsenal of techniques, and a remote control has changed the way i photograph the stars. a few months ago i learnt about a technique i'd never heard of - shaped bokeh. when you take a photo with a very shallow depth of field, the lens generally turns the out of focus light sources into circular shapes - like this - called bokeh. if you cut a different shape into a piece of (preferably black) paper and place this in front of the lens these circular lights adopt the new shape. i was anxious to test this out when i was in lima, so i bought some black paper at an art shop, cut some shapes with my pen knife, and headed down to the busy street below. this is one of the results of these tests. to get the best effect you need to set the focus to the foreground (accentuating the blurriess of the lights in the background) therefore a picture like this would work best if there was a subject in the foreground which i could focus on. i've been intending to get out again and try this, but haven't found the time. besides, there is something i still like about this early test, and the stars seem appropriate at this time of year. on which note... merry christmas.
here's the original
www.fai-asturies.org/principal.php?pag=lernot&id=79
201 años dempués de la declaración de soberanía de 1808 Fai! quixo recordar esti 25 de mayu como'l día nacional d'Asturies. Pa ello, entamóse una folixa que cuntó con un recital poéticu, la ellaboración d'un mural y un conciertu con 4 grupos asturianos que punxeron la banda sonora a una xornada reivindicativa pola soberanía popular asturiana.
Más d’un cientu de persones participaron esti sábadu 23 na I Folixa Nacional entamada por Fai! como reivindicación y celebración del Día de la Nación Asturiana, recuerdu de la xornada qu’abre la historia contemporánea d’Asturies, el 25 de mayu de 1808, día de la declaración de soberanía de la Xunta Xeneral.
Doscientos ún años depués d’esti fechu y de la creación de la bandera asturiana, la organización d'esquierda soberanista Fai! quixo ufrir un menú folixeru y combativu nel marcu del CSOA La Reflexón. Abriendo les actividaes, Sergio Gutiérrez Camblor, Carlos Suari, Pablo X. Suárez, Xabel Vegas y Xandru Fernández protagonizaron el recital poéticu “Poetes agresivos (disparen les sos obres contra los que se duermen)”, onde tuvo bien presente, de la mano de los sos versos, la crítica social y la ironía más característica de cinco poetes que representaron na Folixa’l presente y el futuru de la lliteratura nacional, al tiempu que nes paredes se proyectaben imáxenes subversives qu'afalaben l'ambiente combativu del recital.
De siguío, dellos artistes plásticos emprimaben a diseñar un mural que tenía la histórica fras como protagonista: “Asturies enxamás vencida”.
Dientro del CSOA, organización, delles puestos de material y músicos ultimaben tolos detalles pa que dende les siete y media, la música entamara a sonar na I Folixa Nacional con un escenariu enllenu d'asturines y de banderes d'otros pueblos en llucha como les de los Països Catalans, Castiella, el País Llionés, Andalucía, Euskal Herria, Palestina...K-Nalón yera’l grupu encargáu de romper el silenciu col so rap dinamiteru 100% n’asturianu.
Darréu Arma X y 13 Palabras xubíen al escenariu de La Reflexón pa que la revolución de rimes nun aparara.Metanes l'actuación, una pancarta xubió al escenariu pa denunciar la illegalización de les idées y pola derogación de la llei de partíos.
Al finar esta actuación los sones reivindicativos dexaron pasu al actu políticu, onde militantes de Fai! lleeron un manifiestu en favor del 25 de mayu como día nacional d'Asturies. Enantes, un representante del Comité de Sofitu a Iniciativa Internacionalista n'Asturies, que llamentablemente foi la única organización qu'acudió a la llamada que dende Fai! se ficiere a los partíos de la izquierda nacional asturiana pa dicir unes pallabres, agradeció'l convite y presentó la campaña que ta desendolcando'l comité nesti país, a pesar de les torgues y la criminalización que careció y carez esta y otres munches opciones polítiques d'esquierda soberanista nel estáu español.
Na segunda metada del conciertu Vinagre de Sidra abría capítulu pa les guitarres y el rock, que yá na fin de la nueche diba zarrar Gomeru, depués de cinco hores de música dende la trinchera más reivindicativa del país.
Dende Fai! nun queremos que s'escaeza la nuestra historia, la historia d'un pueblu combativu que siempre supo tar a l'altura de les circunstancies. Güei tócanos a nosotres y nosotros, les y los asturianes y asturianos del sieglu XXI siguir na llucha en busca de la soberanía popular d'Asturies.
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Llega fin de año, llega el momento de pensar y poner en la balanza lo ocurrido durante este año.
También fui taggeado por karla .
10 cosas (1 falsa) sobre mí:
1. El mejor libro de mi infancia fue Las Aventuras de Tom Sawyer. Gran historia y el primer libro que pude leer solo.
2. Mi película favorita es Volver al Futuro. Ya he perdido la cuenta de la cantidad de veces que la he visto.
3. Detesto jugar con mis hijos. :)
4. Me encanta viajar. Es una lastima que sea tan caro a veces.
5. Soy un fanático de la tecnología. Me gusta estar al tanto de la últimas novedades.
6. Necesito un corte de pelo.
7. La fotografía ha reemplazado este año mi tiempo para la lectura. Debo corregir eso el año que viene.
8. Me encanta cocinar. Hasta hace unos años atrás no sabía ni siquiera hervir una papa.
9. Me encanta la cerveza. Mi favorita por estos días es Corona.
10. Me encanta el "olor" de la lluvia.
--
New year arrives, it's time to think about what happened during this year.
I've also been tagged by karla.
10 things (1 is not true) about me:
1. The best book of my childhood was The Adventures of Tom Sawyer. Great story and the first book I could read alone.
2. My favorite movie is Back to the Future. I've lost count of how many times I've seen it.
3. I hate playing with my children. :)
4. I love to travel. It's a shame it is so expensive sometimes.
5. I'm a fan of technology. I like to keep up-to-date of the latest developments.
6. I need a haircut.
7. Photography has replaced this year my reading time. I need to fix that next year.
8. I love cooking. A few years ago I did not even know how to boil a potato.
9. I love beer. My favorite these days is Corona.
10. I love the "smell" of rain.
Strobist info: SB-900 1/32 power 24mm zoom against white wall camera left. Triggered by PW.
Resonance Events :: Trust Events present:
DJ COLLEEN SHANNON [USA] - World's Sexiest DJ - www.myspace.com/djcolleenshannon
© 2011 Davis Chu Photography - www.davischu.com - All rights reserved.
Follow me on Twitter - \w/-d[-.-]b-\w/
English: Angled Loofah, Ridged Lufah, Vegetable Gourd, Silk Squash, Sin Qua
Scientific: Luffa acutangula var. amara
Arabic: اللوفة المتعرجة
Dhofari Jibbali: إيشي، حشبا جيلهوتي
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English: Sycamore Fig, Fig-mulberry or Mulberry Fig, Sycomore
Scientific: Ficus sycomorus sycomorus
Arabic: تين الجميز، الجميزة
Dhofari Jibbali: غيضيت
Taken on 15-Sep-2010 in wadi Darbat, Taqah, Dhofar Governorate, Sultanate of Oman. (For more information, check it out on the map)
This photo belongs to DHOFAR ظفار group:
*Camera: Panasonic Lumix DMC-FZ35
*Edited by ACDSee Pro 3.0
archive.org/search.php?query=subject:%22%20Undersea%20Kin...
Starring Ray “Crash” Corrigan, Lee Van Atta, C. Montague Shaw, Monte Blue, Lois Wilde, John Merton, William Farnum.
Undersea Kingdom begins with a protracted introduction to our hero, US Navy lieutenant “Crash” Corrigan (Ray Corrigan), in a series of sequences that establish his athletic prowess. After Crash has excelled at football, wrestling, and other strenuous sports, the main plot gets underway when Corrigan is assigned to accompany scientist Professor Norton (C. Montague Shaw) on a submarine expedition to the bottom of the ocean. Norton is convinced that a recent series of earthquakes are emanating from the lost land of Atlantis–which, according to his theory, was not destroyed when it sank to the ocean floor but instead preserved by a protective dome. Norton, Corrigan, newspaper reporter Diana Compton (Lois Wilde), and Norton’s young son Billy (Lee Van Atta) discover the truth of Norton’s theory when their undersea journey brings them to Atlantis–a country that culturally and sartorially resembles Ancient Greece, but possesses technology never seen in the ancient or modern world. There, they find that the Atlantean tyrant Unga Khan (Monte Blue) has been causing the earthquakes, which are mere test runs for his planned conquest of the “surface world” with his arsenal of destructive weapons. Norton is taken prisoner by Khan, who makes the professor his scientific lackey after after technologically brainwashing him, while Crash is captured by Sharad (William Farnum), the high priest of Poseidon and the leader of an Atlantean faction that opposes Unga Khan. Eventually, Crash convinces Sharad that they share a common enemy, and is given command of the high priest’s “White Robe” army. He takes command of Sharad’s campaign against Unga Khan’s “Black Robes,” while Khan assiduously prepares for an invasion of the unsuspecting surface world.
Undersea Kingdom is invariably compared to Universal’s Flash Gordon, which was released two months earlier in 1936; in fact, it’s often cited as a direct imitation of the Universal chapterplay. Given the closeness of the two serials’ release dates, this is unlikely–although Republic did begin producing Kingdom when Universal announced Gordon, no doubt hoping to steal a little of Gordon’s thunder with a sci-fi adventure of their own. Thematically, however, Undersea Kingdom owes more to Phantom Empire, released two years earlier by Republic’s predecessor Mascot, than it does to Flash Gordon. Among the two serials’ points in common are an alien kingdom that is still part of the good old Earth, a child co-hero, and a villainous robot corps. Also like Empire, Kingdom lacks any of the otherworldly atmosphere of Flash Gordon; Atlantis’ locales and inhabitants never come alive the way Mongo’s do. The troubles of Atlantis never becomes involving in their own right; the struggle between Unga Khan and Sharad is a mere backdrop to Khan’s plan to conquer the surface world; (in fact, the final destruction of Sharad’s city is only a side effect of Khan’s attempt to recapture Professor Norton).
However, while Undersea Kingdom is no Flash Gordon, it has much to recommend it. As already mentioned, the writers (John Rathmell, Oliver Drake, Maurice Geraghty, and Tracy Knight) don’t succeed in making Atlantis seem very colorful (although they give the supposedly Greek Atlanteans a wild potpourri of names that hail from Mongolia, ancient Persia, Phoenicia, and many other places), but they keep their plot moving swiftly. The final chapter is unusually exciting, with Unga Khan confidently preparing to blast opposing Navy ships from the ocean as Crash and Norton work frantically to cripple his defenses from within his impregnable tower.
While the serial’s principal outdoor location (Iverson’s Movie Ranch) doesn’t look very otherworldly, both Sharad’s Sacred City (a disguised version of Republic’s Spanish fort, enlarged by some excellent matte work) and Unga Khan’s laboratory are decorated in properly peculiar style, while the serial’s various miniatures (the Atlantean “Volplane,” Norton’s submarine, Khan’s rocket-powered tower) are very well-designed by Howard and Theodore Lydecker. The Juggernaut, a tank-like vehicle that anticipates the Jungle Cruiser in Tim Tyler’s Luck, is similarly impressive, while a squad of robots (called “Volkites” here) will only impress those (like myself) who don’t object to the water- heater-like appearance of the robot in the later Mysterious Doctor Satan; the Volkites are near-duplicates of that automaton.
The serial features few of the fistfights common to Republic’s later serials, but compensates by including some truly unique action sequences, chief among them the large-scale attacks on Sharad’s Sacred City by the Black Robes; these battle scenes are beautifully staged by directors Joseph Kane and B. Reeves Eason (Eason directed many similar sequences in silent and sound “spectacles” like 1925’s Ben-Hur and 1936’s Charge of the Light Brigade). The serial’s smaller-scaled swordfights are also well-handled, as are several chariot chases, Crash’s tightrope-walking escape from Khan’s tower, and the wrestling matches between Crash and various opponents (although his repeated success in overpowering two villains at once somewhat stretches credibility). The serial’s chapter endings are interesting (particularly the ones involving Crash’s fall down an elevator shaft, his apparent crushing by the Juggernaut, and the good guys’ failed escape in the Volplane that ends in their being shot down), but too many of them–including the famed Juggernaut cliffhanger–are resolved by blatant “cheats” in the following chapter.
The serial’s cast is uneven in terms of acting. Ray Corrigan, excellent as a laid-back but determined cowboy hero in Republic’s Three Mesquiteers films, seems slightly uncomfortable as a swashbuckling near-superhero (with a rather embarrassing outfit); he delivers most of his lines hurriedly in rather stone-faced fashion and lacks the dash that helped Buster Crabbe put across the similarly difficult role of Flash Gordon. Monte Blue is also a bit miscast as the warlord Unga Khan. While Blue was good as more prosaic villains like the evil Yellow Weasel in Hawk of the Wilderness, his appearance and voice aren’t “bravura” enough for such a larger-than-life part. He voices Khan’s megalomaniacal ravings in a harsh monotone, with none of the measured staginess someone like Charles Middleton or Bela Lugosi would have given them.
The lovely Lois Wilde has very little to do as the leading lady, but delivers her lines with a breathless enthusiasm almost unparalleled among serial actresses. Lee Van Atta is good as the capable, if somewhat cocky, Billy Norton, in effect the serial’s co-hero. John Merton features prominently as a tough Black Robe soldier named Moloch who switches over to the good guys’ side and provides Crash with loyal support; Merton handles this change-of-pace part with plenty of vigor and conviction. Lon Chaney Jr. is properly snarling and aggressive as Captain Hakur, the leader of Unga Khan’s Black Robe army, while Raymond Hatton–surprisingly cast as a villain–is his second-in-command. Boothe Howard makes a slick aide-de-camp for Monte Blue, and Lane Chandler is William Farnum’s stalwart lieutenant. Farnum himself handles the role of Sharad with his customary dignity and theatricality, glowering angrily over Unga Khan’s aggression and ringingly declaring his faith in Poseidon. The most refined and assured performance in the serial, however, comes from C. Montague Shaw as Professor Norton. Shaw is calm, dignified, and authoritative as the pre-transformation Norton and whining, crafty, and obsequious as the transformed Professor. His evil chuckling when he’s decoyed Crash into a trap is memorable, and his simple but startling transition back to his previous manner when his mind is restored is excellent.
Smiley Burnette and Frankie Marvin, accompanied by a parrot named Sinbad, are the serial’s designated comic relief, but aren’t given anything amusing in the way of material. Fortunately, they make only a few token appearances throughout the serial. A scrutiny of their scenes shows that their characters were inserted in post-production, apparently to pad out a few chapters’ running time; they never interact with any of the other principals and are never referred to by them (except in one obviously-looped scene). Jack Mulhall and Lloyd Whitlock play naval officers in the first and final chapters, and John Bradford overacts wildly as Joe, Norton’s hysterical assistant who goes berserk at the prospect of descending to the ocean depths. George DeNormand doubles for Ray Corrigan in the action scenes and plays various Atlantean guards, along with fellow stuntmen Eddie Parker, Tom Steele, and Bill Yrigoyen.
Undersea Kingdom, while not as slick as later Republics or as colorful as its contemporary Flash Gordon, is a definite step up from Mascot predecessors like Phantom Empire when it comes to production values and smoothness of plotting. The serial belongs to a developmental stage in Republic Pictures’ history, but is no less appealing because of that; while few fans or critics (this author among them) would rate it as one of Republic’s best serials, it usually holds a warm spot in their esteem.
Above: Unga Khan (seated) tells Professor Norton and Diana of his schemes of conquest. Boothe Howard as Ditmar is on the far left.
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La costumbre de reunirse en bandos, muy extendida en invierno, desaparece al llegar la época de cría, cuando las parejas de calandrias se reparten para anidar en campos abiertos, cultivados o baldíos, así como en pastizales o entre plantas halófilas. Allí los machos se elevan a veces a considerable altura y vuelan en círculos emitiendo un canto parecido al de la Alondra Común, pero fuerte y con frecuencia imitativo, que dura varios minutos, tras lo cual se lanzan a tierra con un vuelo en picado. El reclamo es un grito nasal característico. El nido está situado en una depresión del suelo, generalmente oculto por una planta. Realizada la cría de los cuatro a seis pollos, cuando éstos pueden volar, se reúnen con los adultos en bandos más o menos numerosos. La Calandria Común es una especie característica del Mediterráneo, y aunque su área se extiende por el este hasta las regiones del Caspio y Aral, falta en las Baleares, donde ha sido observada, al parecer, rarísima vez. En cambio, en la Península es bastante común en terrenos apropiados, faltando en una ancha franja norteña y en Galicia. Identificación: Es la mayor de las alaúdidas; macho: robusto pico pardo-amarillento; por encima, pardo negruzco con bordes posteriores de las alas pardo-grisáceos; por debajo, blancuzco, con pecho ocráceo algo listado de pardo, y una gran mancha negra en forma de cuerno a cada lado de la base del cuello; en la hembra, manchas más pequeñas. Nidificación: Nido, de hierbas secas, en tierra, junto a alguna planta, en sembrados de cereal o barbechos; puesta, de abril a junio, de 4 a 6 huevos blanco sucio, muy manchados de pardo y de gris; incubación, por la hembra, de unos 16 días; los pollos vuelan tras unos 12 días; a veces dos crías. Alimentación: Especialmente hierbecillas; también insectos, como coleópteros y dípteros. Hábitat: Matorrales y campos baldíos
Eindhoven, Strijp, Philipsdorp: Wingerdlaantje 1918
zie Eindhoven in Beeld:
www.eindhoveninbeeld.com/foto.php?foto=9060
Karel Petrus Cornelis de Bazel (Den Helder, 14 februari 1869 - Amsterdam, 28 november 1923) was een Nederlandse architect, graveur, tekenaar, meubelontwerper, tapijtontwerper, glaskunstenaar en boekbandontwerper. Hij was de leraar van Adriaan Frederik van der Weij en de eerste voorzitter van de Bond van Nederlandse Architecten (BNA).
Karel de Bazel was een zoon van Karel Pieter Cornelis de Bazel, conciërge van het Ministerie van Marine, en Petronella Elisabeth Koch. De Bazel kwam uit een eenvoudig milieu en bezocht slechts de lagere school. De Bazel begon zijn loopbaan als leerjongen bij een timmerman.
Na zijn avondopleiding bouwkunde aan de Koninklijke Academie van Beeldende Kunsten in Den Haag werd hij in 1888 aangesteld als tekenaar bij een Haags architectenbureau. In 1889 werd De Bazel benoemd tot tekenaar op het bureau van P.J.H. Cuypers in Amsterdam. Bekend uit deze periode zijn onder andere zijn perspectieftekeningen van de Sint-Vituskerk te Hilversum en de Sint-Bavokathedraal in Haarlem. Cuypers, die zeer onder de indruk was van dit werk, bevorderde De Bazel tot opzichter en later tot chef de bureau. Nadat De Bazel in 1894 lid was geworden van de Theosofische Vereniging kwam het tot een breuk met de katholieke Cuypers. In 1895 vormde De Bazel samen met Johannes Ludovicus Mathieu Lauweriks een eigen firma..... lees verder op Wikipedia:
Ifty Hashmi Khan focuses on business development and project management at BLACK iz WEBs and is a company partner. His duties include building client relationships and guiding clients through the design development processes. Ifty Hashmi Khan studied business at Government Titumir college, earning degrees in Business Administration and in Marketing, with a minor in Graphic Design & Public Relations.iftyhashmiIfty Hasmi is another experienced teachers in BLACK iz IT Institute working on the first season of this institute. Along with Ifty Hasmi's teaching qualification holds in Bachelor of Business studies (BSS) .He Worked as Senior Executive at a multinational company. Now he is working as a trainer on Expert SEO, Web Design & Development and more.Ifty Hashmi’s interests include Online Market and Freelancing. His drive to pass his knowledge to students makes him a key asset to BLACK iz IT Institute.And Online Forex market. ifty hashi, iftyhashmi, Ifty hashmi khan, ifty, jibon, s a khan jibon, shafiul alam khan, SEO analyst, Web Developer, , SEO Analyst,SEO Expert, SEO Adviser in Bangladesh, Best odesk worker in Bangladesh ,top 10 Odesk earner in Bangladesh, Best Freelance In Bangladeshi,WebDevelopment,Databases Developer in bd, php Developer in Bangladesh, custom cms Developer in Dhaka, software Developer in Bangladesh,Web web design, Responsive site, Dynamic Web, Mobile Device, Static Site, php Base site, css, HTML5, HTML5, CMS Web Marketer in BLACK iz IT
This is Antenna Structure Registration 1000626, built in 2018 for WTCM/103.5 in Traverse City. It's 34.42 km (21.4 mi) south of town. Details on the tower...
Structure Type: GTOWER (guyed)
Structure Coordinates: 44-27-33.0 N 85-42-2.0 W (NAD 83)\
Structure Address: Rt 37 2.4 Mi N
Structure City: Sherman, MI
Structure County: Wexford County
Remarks: OM&L to remain the same as prior study = A HIGH-DUAL SYSTEM
Remarks: PRIOR STUDY 2009-AGL-2627-OE
Remarks: OM&L to remain the same as prior study = A HIGH-DUAL SYSTEM
Elevation Info
Site Elevation: 324.4 meters (1064 ft)
Height of Structure: 303.6 meters (996 feet)
Overall Height Above Ground: 304.9 meters (1000 feet)
Overall Height Above Mean Sea Level: 629.3 meters (2065 feet)
WTCM details...
Class C0
Effective Radiated Power: 100 kW
Transmitter Output Power: 23.5 kW
Antenna Center HAAT: 302 m (991 ft.)
Antenna Center AMSL: 614 m (2014 ft.)
Antenna Center HAG: 291 m (955 ft.)
Site Elevation: 323.1 m. (1060 ft.)
Height Overall*: 303.8 m (997 ft.)
Omni-Directional Antenna
Antenna Make/Model: PHD Phelps Dodge CFM HP-10 (10 bay)
Also on the tower is an auxiliary antenna for WTCM...
Effective Radiated Power: 0 kW Horiz. ; 13 kW Vert.
Transmitter Output Power: 7.39 kW
Antenna Center HAAT: 0 m Horiz.; 195.6 m Vert.
Antenna Center AMSL: 0 m Horiz.; 511.9 m Vert.
Antenna Center HAG: 0 m Horiz.; 187.5 m Vert.
Calculated Site Elevation: m.
Height Overall*: 304.9 m (1000 ft.)
Omni-Directional Antenna
Antenna Make/Model: Electronics Research Inc. P300-3AE
According to the latest Nielson ratings at this writing (late May 2020), WTCM is the top-rated station in the Traverse City-Petosky-Cadillac market (#159 in the US) with a 10.9 share.
www.japanvisitor.com/index.php?cID=406&pID=1355
Tenryuji Temple
Founded in 1339.
Located in northwest Kyoto.
A World Heritage Site.
Extensive grounds.
Located in lovely Arashiyama.
A must see.
Tenryuji, or as it is formally known Tenryu Shiseizen-ji, is the head temple of the Tenryu sect of Rinzai Zen Buddhism. Tenryuji was created in honor of Gautama Buddha, and was founded by Ashikaga Takauji. In 1994, it became a UNESCO World Heritage Site.
Prior to the founding of Tenryuji, the Empress Tachibana no Kachiko, who was the wife of the Emperor Saga, created a Buddhist temple named Danrin-ji on the exact same spot. In the mid-thirteenth century, however, Emperor Gosaga and his son Emperor Kameyama converted the grounds into an imperial villa.
Ashikaga Takauji later converted the villa into a temple in order to hold a memorial service for Emperor Go-daigo. Ashikaga’s younger brother, Tadayoshi, was alleged to have had a dream about a golden dragon flying in the nearby Hozu River. “Tenryu” means "dragon of the sky."
The temple was enormously successful and grew to contain 150 sub-temples. Fire, however, decimated the temple in 1358, 1367, 1373, 1380, 1447, and 1467. It was rebuilt following further destruction during the Onin War, again burned in 1815, and lost many temples and artifacts during the Hamaguri Rebellion in 1864.
Tenryu-ji contains various Important Cultural Properties, including portraits of the temple’s first priest Muso Soseki; a wooden carving of Gautama Buddha; illustrations; and a garden, created by Muso Soseki.
The Emperors Gosaga and Kageyama are buried here.
More detailed history and pics here-
www.japaneselifestyle.com.au/travel/kyoto_tenryuji_temple...
Explore SAGADA
Php 3,600/person
BEST DEAL: Php 3,200/pax for a group of FIVE!
Travel dates: Every Friday, Saturday and Sunday of the month
Target Slots: 12 clients
Van Capacity: 16 Seater Nissan Urvan/Toyota Commuter/Toyota Hi-Ace
Inclusions:
*Roundtrip Van Transfer (Paramount-Sagada-Baguio- Paramount)
*3days/2nights accommodation at Residential Lodge, Yabami, George Inn, Gecko
Inn (whichever is available)
*2 Days Tour at Kiltepan, Echo Valley, St Mary's Church, Big Falls,Pottery House,
Sagada Weaving, --Sumaguing Cave and Orange Farm.
*Entrance Fees and Permit
*Tour Guide Fees except at Sumaguing Cave (Php 200/person for min of 4persons).
If guests decides to do cave connection, rate would amount to Php 400/person.
*Toll Fee, Gas, Driver's Meal and Accommodation
*Taxes and Surcharges
**Please note that the above quoted price is for a minimum of 3 pax in a room and
that rates and availabilities are not guaranteed until purchased. For couples rate,
Php 3800/person.
Travel Period: July–September 2010
Contact Information:
ST. MICHAEL EXPLORER TRAVEL AND TOURS
Rm 4 2nd Flr. 98 Nat’l Hi-way Brgy. Nueva San Pedro Laguna
Landline: (02) 214-1225/408-0506
Mobile #: 09163269699/09085824899 (Mike)
Email Ad: lanz29mike@yahoo.com / stmichaelexplorer@gmail.com
Website address: www.stmichaelexplorer.multiply.com
Background - eirian-stock.deviantart.com
horses - colourize-stock.deviantart.com
sky - dawnallynnstock.com
A Horse With No Name By America
On the first part of the journey
I was looking at all the life
There were plants and birds and rocks and things
There was sand and hills and rings
The first thing I met was a fly with a buzz
And the sky with no clouds
The heat was hot and the ground was dry
But the air was full of sound
I've been through the desert on a horse with no name
It felt good to be out of the rain
In the desert you can remember your name
'Cause there ain't no one for to give you no pain
La, la ...
After two days in the desert sun
My skin began to turn red
After three days in the desert fun
I was looking at a river bed
And the story it told of a river that flowed
Made me sad to think it was dead
You see I've been through the desert on a horse with no name
It felt good to be out of the rain
In the desert you can remember your name
'Cause there ain't no one for to give you no pain
La, la ...
After nine days I let the horse run free
'Cause the desert had turned to sea
There were plants and birds and rocks and things
there was sand and hills and rings
The ocean is a desert with it's life underground
And a perfect disguise above
Under the cities lies a heart made of ground
But the humans will give no love
You see I've been through the desert on a horse with no name
It felt good to be out of the rain
In the desert you can remember your name
'Cause there ain't no one for to give you no pain
La, la ...
Must View Large On Black for Detail
They say giving someone a smile can always change someone's day for the better, well how about getting a smile from this guy.
This is some species of Argiope Spider, a spider that is very well known for there incredible web's. There web's typically feature a zig zag shape or "x's" and can easily be spotted. I have yet to be able to find the exact name of this species.
Typically this species spider is found on its web or close to it, with this guy the closest web from him i could find was about 10 feet away, this stick he was standing on was pushed slightly into the water in a big mangrove area were tiny little crabs roamed the ground. When i saw him on the stick i knew it would make for a excellent photo opportunity.
This was taken in Fort Lauderdale Florida at Hugh Taylor Birch State Park
Crochet Scarf in Brick on Etsy
This is one of my favorite scarves. It is beautiful and comfortable.
This scarf was made with two strands of soft yarn held together while stitching, which makes the scarf thick without any stiffness.
This color and style is unisex. The classic crochet stitch gives this scarf a beautiful style for men or women. It looked great on my husband who graciously gives me feedback on wearability, style and comfort of my scarves.
This is a lovely color for Autumn and Winter: A warm brick red with a reddish brown/rust hue.
Measures 61" X 5"
red-net.it/index.php/comunicati-red-net/627-unoperazione-...
Il 26 gennaio in tutta Italia si sono verificate 52 perquisizioni che hanno portato a 26 arresti e 16 denunce a piede libero per le mobilitazioni contro la costruzione della linea ad alta velocità Torino-Lione (TAV). Le accuse sono resistenza, violenza, lesioni a pubblico ufficiale e riguardano in particolare i fatti di Chiomonte del 3 luglio, quando una grandissima manifestazione si era opposta alla costruzione del “fortino”, creato per proteggere il cantiere di questa grande opera.
Ma alla popolazione della Val Susa, come a tutti noi, un modello di sviluppo incentrato su devastazione del territorio e sempre maggiori profitti per speculatori e padroni vari, non serve.
Dal 1991 in Val Susa i comitati popolari NoTav si battono contro questa linea ferroviaria sulla quale si giocano enormi interessi economici; interessi che sono in antitesi con i bisogni e le condizioni di vita reali della maggior parte della popolazione. In questo modo il capitalismo italiano cerca di rilanciare il proprio ruolo all’interno dell’UE, diventando una piattaforma di transito-merci e manodopera, e imponendo alla popolazione i costi economici, sociali, ambientali e militari dell’operazione. In Val Susa abbiamo visto una lotta partecipata, condivisa che ha travalicato i confini della valle, contribuendo a palesare i limiti di questo modello sociale.
Mentre la Tav passa sulla testa delle popolazioni, è in atto l’ulteriore smantellamento dei diritti nel mondo del lavoro annunciato dal governo tecnico.
In questi ultimi mesi, e anni, si sono moltiplicate le lotte dei lavoratori contro la chiusura delle fabbriche, lo sfruttamento, la continua precarizzazione dei contratti di lavoro, la mercificazione dell’istruzione.
Ne sono un esempio le aziende occupate, i presidi permanenti dei lavoratori, le mobilitazioni degli studenti, o dei comitati territoriali che si oppongono a progetti di devastazione territoriale attraverso la creazione di discariche (Chiaiano) o infrastrutture (ponte sullo stretto, TEM).
All’interno di queste lotte si sono mossi fino ad oggi gli arrestati. Le misure restrittive, coadiuvate dalla spettacolarizzazione mediatica, criminalizzano le lotte cercano di isolare questi compagni dal tessuto sociale in cui sono inseriti. Ma il movimento Notav è una lotta popolare con una esperienza ventennale che attraverso un senso di partecipazione attiva alla lotta ha sviluppato dei validi anticorpi alla distinzione tra buoni e cattivi.
Le lotte di oggi, per quanto frammentarie e parziali, pongono una critica profonda al capitalismo, e rappresentano un’anticamera concreta allo sviluppo di un diverso sistema sociale. Proprio questa alternativa preoccupa la classe dirigente. Nel tentativo di riproporre lo spauracchio degli infiltrati nei movimenti sociali (siano essi terroristi o blackblock), la toga rossa Caselli ha affermato che “questo non è un attacco alla Valsusa”. Infatti non lo è. E’ un attacco contro tutti i movimenti sociali in lotta.
Libertà per tutte e tutti!
Red-Net; Assemblea Scienze Politiche- Milano; C.D.U.P Ingegneria- Napoli; Collettivo 20 Luglio- Palermo; Collettivo 808- Padova; Collettivo Aula R- Pisa; Collettivo Autorganizzato Univeritario- Napoli; Collettivo Break Out- Napoli; Collettivo Lavori In Corso- Roma; Collettivo Politico- Firenze; Studenti Comunisti- Bologna; Studenti Federico Secondo- Napoli.
Quelle:
www.kalenderblatt.de/index.php?lang=de&what=thmanu&am...
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"Der Kalender ist die Festlegung der Zeitrechnung in Jahre, deren Unterteilung in Monate mit Bestimmung der Monatslängen in Tagen sowie die Wochen-Unterteilung. Das Wort „Kalender“ entstammt dem lateinischen Calendarium (Schuldbuch, siehe Verbindlichkeit); dies ist ein Verzeichnis der Kalendae, der jeweils ersten, auszurufenden (calare „ausrufen“) Tage der Monate, an welchen Darlehen ausgezahlt und Darlehensrückführungen sowie Zinsforderungen fällig wurden." Quelle und weitere Informationen: Wikipedia: Kalender
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weiterführende Links:
Homepage: de.wikipedia.org/wiki/Ewiger_Kalender
45info:
eyeplorer: eyeplorer.com/map/de/Kalender
Taken at Butterfly World Ft. Lauderdale Florida
The Green Violet ear (Colibri thalassinus) is an attractive hummingbird that is a resident breeder in highlands from south-central Mexico, (the Trans-Mexican Volcanic Belt), to western Panama and in the Andes from northern Venezuela to Bolivia. It shows seasonal movements and wanders to the United States and even Canada.
In flight
The male Green Violetear is grass green above and becomes a bronze color on the rump and uppertail coverlets and is 11 — 11.5 cm (4.25 — 4.5 in) in length.[2] The tail is square and slightly notched with a broad dark blue subterminal band.[2] It has a large violet central breast spot on the upper breast and a violet-blue band along the chin that often connects to the violet-blue "ear," giving the bird its name.[2] The female is similar to the male, but averages smaller and slightly duller, with a narrower violet band on the chin.[2] The juvenile is a much duller version of the adult. Its plumage is generally olive green overall with dull gray wash to the underparts. The violet breast spot is either indistinct, incomplete, or absent.[2] A molting juvenile may show bright metallic color in patches, particularly on the throat or breast.[2]
The habitat is open upland country with trees and scrubs. It apparently avoids very humid rainforest.[3] The nest is a substantial cup of plant material 1-3m high in a tree, into which two white eggs are laid.
The Green Violet ear's song is a vigorous CHEEP-chut-chut, chip CHEET which is repeated interminably through the day. The call a dry chut. These birds visit flowers of many species of herbs, trees and scrubs for nectar.
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Photos from Chicago strike
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#829strike #strikeFor15 #fightFor15 #829strikeOak #UpThePayEastBay #FastFoodStrike
#RaiseTheWage #fastfoodfwd #oakland #protest #minimumwage #fastfood
During the Inca Empire, the Inti Raymi was the most important of four ceremonies celebrated in Cusco, as related by Inca Garcilaso de la Vega. The celebration took place in the Haukaypata or the main plaza in the city.
The Inti Raymi ("Festival of the Sun") was a religious ceremony of the Inca Empire in honor of the god Inti, one of the most venerated gods in Inca religion. It really was the celebration of the Winter Solstice - the shortest day of the year in terms of the time between sunrise and sunset. In South America, which falls below the equator, the months of June & July are Winter months.
According to chronicler Garcilaso de la Vega, Sapa Inca Pachacuti created the Inti Raymi to celebrate the new year in the Andes of the Southern Hemisphere. Since 1944, a theatrical representation of the Inti Raymi has been taking place at Sacsayhuamán (two km. from Cusco) on June 24 of each year, attracting thousands of tourists and local visitors. The ceremony was also said to indicate the mythical origin of the Incas. It lasted for nine days and was filled with colorful dances and processions, as well as animal sacrifices to ensure a good cropping season. The last Inti Raymi with the Inca Emperor's presence was carried out in 1535, after which the Spanish conquest and the Catholic Church share it.
In 1944, a historical reconstruction of the Inti Raymi was directed by Faustino Espinoza Navarro and indigenous actors. The first reconstruction was largely based on the chronicles of Garcilaso de la Vega and only referred to the religious ceremony.
Inti Raymi is still celebrated in indigenous cultures throughout the Andes. Celebrations involve music, colorful costumes (most notable the woven aya huma mask) and the sharing of food. In many parts of the Andes, this celebration has been connected to the festivals of Saint John the Baptist, which falls on the day after the summer solstice (June 21).
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View On Black------------------------------------------ Clika aquí para ver Mejor
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.En las salinas los flamencos recorren las aguas someras, chapoteando incansablemente aquí y allá en busca de comida, con su curvado pico sumergido para filtrar del agua cualquier partícula orgánica aprovechable. Con sus largas patas rosadas y su desmesurado cuello semejan extrañas aves trasplantadas de una laguna africana. De repente, el bando se alarma y comienza a elevar pausadamente el vuelo, rasando el agua; una llamarada rojiza alegra el azul del cielo y se deja escuchar una fuerte algarabía.
Muy sensible a las condiciones externas, la reproducción de estas aves está constantemente amenazada y con frecuencia no llega a buen fin; la acción humana, la amenaza de otras aves, el mal tiempo, el ruido de los aviones y otras variadas causas son factores que pueden provocar el fracaso de la reproducción e incluso el abandono de ésta una vez iniciada. Por tal razón se conocen en España muchos intentos fallidos de nidificación.
Extremadamente gregarios, en las colonias de cría pueden llegar a anidar miles de parejas cuyos pollos se agrupan en bandos bajo la vigilancia de algunos adultos.
Identificación: Gran ave zancuda blanca y rosa; parte anterior de las alas roja y parte posterior negra; cuello muy largo; patas rosas; pico corto, grueso y curvado hacia abajo, rosa con punta negra; los jóvenes son pardo-grisáceos sin rosa; sexos iguales.
Nidificación: Anida en colonias sobre orillas, islotes de lagunas o salinas; nido de barro aparentemente construido por ambos sexos, en forma de tronco de cono y ligeramente cóncavo por arriba; puesta, de mayo a junio, 2 huevos blancos;la incubación, es relizada por ambos sexos,y es de unos 30 días; los pollos dejan los alrededores del nido al cabo de 2 semanas, y reunidos en guarderías son vigilados por los adultos.
Alimentación: Materia orgánica del limo, algas, pequeños moluscos, crustáceos, insectos y larvas.
Hábitat: Marismas y zonas palustres.
Fallow Deer Bucks ~ Richmond Park ~ Richmond ~ London ~ England ~ Sunday October 19th 2014.
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Purchase some of my images here ~ www.saatchionline.com/art/view/artist/24360/art/1259239 ~ Should you so desire...go on, make me rich..lol...Oh...and if you see any of the images in my stream that you would like and are not there, then let me know and I'll add them to the site for you..:))
You can also buy my WWT cards here (The Otter and the Sunset images) or in the shop at the Wetland Centre in Barnes ~ London ~ www.wwt.org.uk/shop/shop/wwt-greeting-cards/sunset-at-the...
Well, I finally made it back to Richmond Park yesterday, it's only taken me FIVE YEARS!!! Not been there since 2009!!! and I nearly didn't go yesterday either, because of initial bad weather and engineering works on the railway...it was a Sunday I guess, that's power for the course!!!
Anyhoo, I was rewarded with my FIRST ever Fallow deer Rut, which was pretty intense for 5 minutes!!
Hope everybody had a great Weekend..:)
From Wikipedia, the free encyclopedia ~ This article is about the deer genus. For other uses, see Dama (disambiguation).
Description ~ The male fallow deer is known as a buck, the female is a doe, and the young a fawn. Adult bucks are 140–160 cm (55–63 in) long with a 85–95 cm (33–37 in) shoulder height, and typically 60–100 kg (130–220 lb) in weight; does are 130–150 cm (51–59 in) long with a 75–85 cm (30–33 in) shoulder height, and 30–50 kg (66–110 lb) in weight. The largest bucks may measure 190 cm (75 in) long and weigh 150 kg (330 lb). Fawns are born in spring at about 30 cm (12 in) and weigh around 4.5 kg (9.9 lb). The life span is around 12–16 years.
The species has great variations in the colour of their coats, with four main variants, "common", "menil", melanistic and leucistic – a genuine colour variety, not albinistic. The white is the lightest coloured, almost white; common and menil are darker, and melanistic is very dark, sometimes even black (easily confused with the sika deer).
Common: Chestnut coat with white mottles that are most pronounced in summer with a much darker, unspotted coat in the winter. Light-coloured area around the tail, edged with black. Tail is light with a black stripe.
Menil: Spots more distinct than common in summer and no black around the rump patch or on the tail. In winter, spots still clear on a darker brown coat.
Melanistic (black): All year black shading to greyish-brown. No light-coloured tail patch or spots.
Leucistic (white, but not albino): Fawns cream-coloured, adults become pure white, especially in winter. Dark eyes and nose, no spots.
Most herds consist of the common coat variation, yet it is not rare to see animals of the menil coat variation. The Melanistic variation is rarer and white very much rarer still.
Only bucks have antlers, which are broad and shovel-shaped (palmate) from three years. In the first two years the antler is a single spike. They are gazing animals; their preferred habitat is mixed woodland and open grassland. During the rut bucks will spread out and females move between them, at this time of year fallow deer are relatively ungrouped compared to the rest of the year when they try to stay together in groups of up to 150.
Agile and fast in case of danger, fallow deer can run up to a maximum speed of 30 mph (48 km/h) over short distances (being naturally less muscular than other cervids such as roe deer, they are not as fast). Fallow deer can also make jumps up to 1.75 metres high and up to 5 metres in length.
Kung kailan pinakamadilim
Mga tala ay mas nagniningning
Gaano man kakapal ang ulap
Sa likod nito ay may liwanag
Ang liwanag na ito
Nasa ting lahat
May sinag ang bawat pusong bukas
Sa init ng mga yakap
Maghihilom ang lahat ng sugat
Ang nagsindi nitong ilaw
Walang iba kundi ikaw
Salamat sa liwanag mo
Muling magkakakulay ang pasko
Salamat sa liwanag mo
Muling magkakakulay ang pasko
Tayo ang ilaw sa madilim na daan
Pagkakapit bisig ngayon higpitan
Dumaan man sa malakas na alon
Lahat tayoy makakaahon
Ang liwanag na ito
Nasa ting lahat
May sinag ang bawat pusong bukas
Sa init ng mga yakap
Maghihilom ang lahat ng sugat
Ang nagsindi nitong ilaw
Walang iba kundi ikaw
Salamat sa liwanag mo
Muling magkakakulay ang pasko
Salamat sa liwanag mo
Muling magkakakulay ang pasko
Kikislap ang pagasa
Kahit kanino man
dahil ikaw bro 3x
Ang star ng pasko
Salamat sa liwanag mo
Muling magkakakulay ang pasko
Salamat sa liwanag mo
Muling magkakakulay ang pasko
Ang nagsindi nitong ilaw
Walang iba kundi ikaw
Salamat sa liwanag mo
Muling magkakakulay ang pasko
Salamat sa liwanag mo
Muling magkakakulay ang pasko
(Repeat verse 2x)
Dahil ikaw bro (3x)
Ang star ng pasko
View Large On Black Some people equate the terms bad and evil but there is a difference in the way these two terms are commonly used. As they are most commonly used, evil is the subset of all that is bad delineated from what is merely bad by a conscious intent to do harm. Something is bad if it causes harm but is only evil if some conscious being intended the harm. Evil carries a moral punch. The evil is in the intention. There are therefore bad things or events that are not definitively evil, at least as these two terms are commonly used. If a mudslide destroys a village and people die in their sleep, what has happened is very bad but not evil for it is merely an act of nature, but if somebody had a chance to warn them but didn’t because they wanted them to die, then their failure to warn them would be evil. The evil is in the intent to do harm or allow harm to be done.
The above photo is highly manipulated but is “based on reality”. The reality rests in the two photos that I took within thirty hours of each other. On the first day, I was driving around the beltline on the east side of my home town when I saw this vehicle with the sign, “CAUTION, DO NOT TAILGATE, SHOW GOAT SEMEN ON BOARD.” I quickly grabbed my camera and captured the image you see above, well, most of that image. There was another image that formed in my mind, an image based on but differing from the reality of the photograph that I had just taken. I wanted to make a point. The next day, I spotted a car that was rather ordinary, but it displayed what I wanted to complete the image that had formed in my mind, an Obama bumper sticker. I quickly photographed the back of that car.
After I downloaded the two images from my camera onto my computer, I changed the name of the company printed on the truck to “Superboy Semen”, the license plate number to 666-OWW and removed the owner’s phone number and other identifying information. Then I added the Obama’ 08 sign to the back. The Obama’08 sign was on the back a parked car to my right and the photo was taken from a different angle than the back of the goat semen truck which was to my left. I first changed the perspective (angle) of the Obama’08 bumper sticker to match what it would have been on the back of the truck and then resized it. Then I transferred it to the truck, erased the sticker part of it and changed the color and blur of the lettering to somewhat match the “CAUTION, DO NOT TAILGATE . . . ” sign immediately above it. Finally, after a few more minor changes, I photoshopped seven layers of the altered image and merged them into a final composite which you see above.
The result is a photo I can truthfully say is “based on the truth” because the truck really existed as did the Obama’08 sticker. Now it was not my intention to pick on Obama, I actually admire the guy, but to make this point. I don’t like underhanded, manipulated news reporting on any issue. How can I vote my conscious if I‘m being mislead? How can I know what or who to support if I am being fed partial lies? My purpose in posting this photo is to show graphically what members of JournoList did verbally and graphically on a regular basis to manipulate the news to support their candidates and causes. The big difference is that I am telling you what I did openly and out front. What they did, they did it in secret, never intending to tell their readers and listeners. Did they do evil? Did they intend to harm anybody? Well they harmed the voters right to know the whole truth and they conspired to harm opponents with spurious news stories that they released separately, but in unison. I’ve always admired (not) the ability of the liberal media to be outraged in lockstep. Now we have proof how they do it. One thing we can be sure, what these JournoList members did was a bad way to report the news. This is not a minor problem.
Manchester Cathedral, Diocese of Manchester ALM ceremony. Picture by Paul Heyes, Sunday September 26, 2021.
FileMaker and Understanding PHP | PART 1 | FileMaker Pro 16 Videos | FileMaker 16 Training Most Recent Upload https://goo.gl/Dbn9fm Get up to speed with the FileMaker Pro 16 Video Training Course! Top Rated Course by FileMaker Expert, Richard Carlton. http://learningfilemaker.com/fmpro16.php Experience Richard's dynamic and exciting teaching format, while learning both basic, intermediate, and advanced FileMaker development skills. With 26 years of FileMaker experience and a long time speaker at FileMaker's Developer Conference, Richard will teach you all the ins and outs of building FileMaker Solutions. The course is 50 hours of video content! Richard has been involved with the FileMaker platform since 1990 and has grown RCC into one of the largest top tier FileMaker consultancies worldwide. Richard works closely with RCC's staff: a team of 28 FileMaker developers and supporting web designers. He has offices in California, Nevada, and Texas. Richard has been a frequent speaker at the FileMaker Developers Conference on a variety of topics involving FileMaker for Startups and Entrepreneurs, and client-server integration. Richard is the Product Manager for FM Starting Point, the popular and most downloaded free FileMaker CRM Starter Solution. Looking for FM Starting Point free software download: http://www.fmstartingpoint.com Richard won 2015 Excellence Award from FileMaker Inc (Apple Inc) for outstanding video and product creation, leading to business development. RCC, Filemaker Videos, and LearningFileMaker.com are headquartered in Santa Clara, CA. http://www.rcconsulting.com/ Please feel free to contact us at support@rcconsulting.com FileMaker Pro is simply a powerful software used to create custom apps that work seamlessly across iPad, iPhone, Windows, Mac, and the web Transform your business with the FileMaker Platform Free FileMaker Training Videos Channel https://www.youtube.com/user/FileMakerVideos 50 Hour FileMaker Pro 16 Video Training Course-FileMaker 16 News-Online FileMaker 16 Training Videos https://www.youtube.com/watch?v=KpQqLLDcZ8I Playlist https://www.youtube.com/watch?v=KpQqLLDcZ8I&list=PLjTvUZtwtgBTMCfjM6LLwBAwGf_yXfvd_&index=13 Top 10 New Features in FileMaker 16-FileMaker 16 News-FileMaker 16 Instructional Videos-FileMaker 16 https://www.youtube.com/watch?v=urh8iHOCxkg Playlist https://www.youtube.com/watch?v=urh8iHOCxkg&t=130s&index=1&list=PLjTvUZtwtgBTMCfjM6LLwBAwGf_yXfvd_ Sharing your Database with Other Devices and Users-FileMaker 16 News-FileMaker 16 Database Sharing https://www.youtube.com/watch?v=GF82vkYtCtA Playlist https://www.youtube.com/watch?v=GF82vkYtCtA&index=8&list=PLjTvUZtwtgBTMCfjM6LLwBAwGf_yXfvd_ Introduction to FileMaker WebDirect 16-FileMaker 16 News-Online FileMaker 16 Training Videos https://www.youtube.com/watch?v=uaZKIpBjMAM Playlist https://www.youtube.com/watch?v=uaZKIpBjMAM&list=PLjTvUZtwtgBSVV1-4pFG4SHAhCIP3Yy-I&index=17&t=10s FileMaker Behavior Change-Go To Object-FileMaker 16 Video Training-FileMaker 16 News-FileMaker Video https://www.youtube.com/watch?v=MFwFjZem3AM Playlist https://www.youtube.com/watch?v=MFwFjZem3AM&index=15&list=PLjTvUZtwtgBQVDIUvoRkcvrMLi7sTZmj5 A database management system (DBMS) is a computer software application that interacts with the user, other applications, and the database itself to capture and analyze data Official site provides the SDK, Developer's Guide, Reference, and Android Market for the open source project http://learningfilemaker.com/FIAS.html Here is a video introduction to iOS App Training https://www.youtube.com/watch?v=cVxQe_yAshw For more Free FileMaker videos check out ...http://www.filemakervideos.com Download the FileMaker Pro 16 & FileMaker GO 16 for mobile devices training videos at http://www.learningfilemaker.com Download FileMaker Go 16 video training at http://learningfilemaker.com/FMGO-16/fmgo16.php Download FileMaker 16 Full Video Training Bundle at http://learningfilemaker.com/subscription.php FileMaker Video Training Review-FileMaker 16 Video Course Review-FileMaker Pro 16 101 Course Review https://www.youtube.com/watch?v=mF6Uor0KmKo Playlist https://www.youtube.com/watch?v=mF6Uor0KmKo&list=PLjTvUZtwtgBT8tNHuzF6cOKC_37zCTQl6&index=18 Learn how to use FileMaker to create an app with the FileMaker Training Series FileMaker Pro is a cross-platform relational database application from FileMaker Inc. Please Comment, Like & Share All of Our Videos. Feel Free to Embed any of Our Videos on Your Blog or Website. Follow Us on Your Favorite Social Media https://www.facebook.com/FileMakerVideos https://twitter.com/filemakervideos https://plus.google.com/+FileMakerVideos/videos #WhatisFileMaker16 #FileMakerPro16Training #FileMaker16VideoTutorial #FileMakerPro16Videos https://www.youtube.com/watch?v=8sZ9O7948ko&list=PLjTvUZtwtgBQVDIUvoRkcvrMLi7sTZmj5&index=28