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Photographer © Leon Sidik
© All rights reserved. Use without permission is illegal. Please do not use this image for any purpose (such as; do not use the image on your website, blog, or other media) without my express written permission. Contact me via my web site for permission or licensing information.
Dozens of handicaped people invaded the YPFB (national oil & gas company) compound in Santa Cruz, threatening to blow up 3 gas bottles in case of expulsion. In the morning of Aug. 12, clashes with the company's workers left various hurt on both sides, but the handicapped managed to stay.
Merci de lire les explications en début d'album / Please read the explanations at the beginning of the set
Part of Handicap in Bolivia (Recommended as a slideshow)
www.licoricesoul.com/lsd014-lloyd.php
grumpy old keith!
wins points for his version of "time is tight" and the "godfather" theme. the album was recorded in edgbaston - and is signed on the back by the man and his band.
"Keith Lloyd was a Birmingham based keyboard player who is known to have accompanied many top stars of the day as they made their way through the clubs of the West Midlands. The likes of Bob Monkhouse, Frankie Howard and Les Dawson all used Keith as musical director to their stage shows at some point during the late 1960s and early 1970s and Keith maintained a residency on the Woman Today BBC TV programme.
Unfortunately, apart from the information contained on the sleeve notes to his "This is My Life" album, little else is known about Keith Lloyd and his band, which featured Geoff Cox on drums, Barry Peacock on Bass and Mick Large on guitar. The album was recorded at Zella Studios in Edgbaston in 1974, and released on the label of the same name. This was owned and run throughout the 1960s and 1970s by Johnny Haynes, but alas is no more - Johnny having sold the studio to soft rock behemoths Magnum in the 1980s. During this time local Asian musicians were regular customers at Zella studios, and perhaps hundreds of traditional Asian recordings were produced there.
An early incarnation of Black Sabbath produced a 45 on Zella Records and a large number of aspiring beat combos and hard rock bands of the period are known to have made use of Zella Studios.
Hilo de la Fotohistoria en Pullip .es: VALENTINE'S DAY (1 of 3): Lenn at Home! /
EL DÍA DE SAN VALENTÍN (1 de 3): Lenn en casa!
(Read in order, this is: SHOT/FOTO 33 of 40) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40.
FOTOSTORY: In English / En Español
Shin: What? Now try with the red character and proof you can also play this level ¬¬
Frost: The red one? Who? Knuckles? Why is it named Dorian?
Shin: It's because it was the only player I could beat racing and I changed his name... It's something about me, forget it... XD
/
Shin: Que dices? Prueba con el rojo a ver quien es el paquete. ¬¬
Frost: Rojo? Quien? El Knuckles? Y por qué pone Dorian?
Shin: Porque es el único personaje al que podía ganar en las carreras y le cambié el nombre... historias mías... XD
LINKS:
- Sheryl Photostories at Flickr
- Las FOTOHISTORIAS de Sheryl en el Foro de Pullips: Pullip .es
- Hilo de las Fotohistorias de Shin y Yashiro en el Foro de Pullips: Pullip .es
via-hologram.com/x/index.php?/store/levis-48-hour-book/
On August 6 2010, a group of young Bay Area artists met to create content for this book. It was designed and produced the following day. The 48 hour project took place at 580 Valencia Street in San Francisco California, a Levi’s sponsored pop–up print shop.
It's a book about a time and a place. It's a book of observations.
via-Hologram has 15 copies for sale. Here are the details:
• $15 + $3 shipping and handling, click below
• Letterpressed cover
• 128 pages
• 75 copies produced
• 5.5" x 8.5"
• First 9 copies sold here are limited edition one-color photocopies
• First 9 copies sold here will include a limited edition letterpressed spaceship by Ian Cooley
• Everything after first 9 copies are b/w photocopy on various colored paper
• 30 copies are also available for sale at the Levis Workshop til the end of August.
This project was curated and designed by Zachary Gibson. Participating artists included: Ammo Eisu, David Kasprzak, Ian Cooley, Jake Sollins, Liam Devowksi, Nanci Ikejimba, Nick Demarco, Parker Ito, and Stephanie Mufson.
Un hombre es asesinado dentro de un teatro ante la presencia del público, que se convierte en sospechoso y testigo. La policía entra en escena para resolver el crimen. Dicho así parece muy simple, sin embargo la torpeza del teniente Martín y sus hombres, irán complicando una historia aparentemente sencilla convirtiendo la investigación de un crimen en una delirante comedia.
Esta es la sinopsis del estreno en el MundoMundial de la obra
SE HA ESCR!B!DO UN CR!MEN
que se producirá en el
Teatro Cánovas de Málaga los días 30 /31 de Octubre y el 1 de Noviembre.
ACTORES:
Juanma Lara...Teniente Martin
María José Parra....Inspectora Lorena
Álvaro Carrero ....Sargento Porras
Salva Reina ....Agente Bobby
MÚS!CA:
D!SEÑO GRÁF!CO:
FACEBOOK>Admiradores:
FOTOGRAF!A:
www.vipp.com/press/press_releases/index.php?nid=84
Vipp is celebrating its 70th anniversary by hosting a charity auction in New York City in collaboration with design retailer Design Within Reach (DWR). The auction will benefit DIFFA: Design Industries Foundation Fighting AIDS. The auction will feature Vipp pedal bins re-imagined by 35 leading creative personalities.
Public viewing and bidding from October 15 - 28 at DWR: Tools for Living located at 142 Wooster Street, New York City, during regular store hours (11am-7pm). Gala auction to be held October 28.
Danish design company Vipp is celebrating its 70th anniversary this October by hosting Can It!!! - a charity auction in New York City in collaboration with design retailer Design Within Reach (DWR). The auction will benefit DIFFA: Design Industries Foundation Fighting AIDS. Thirty-five leading figures in the worlds of architecture, art, design, fashion and entertainment have put their signature touch on the iconic Vipp bin for the occasion.
PUBLIC VIEWING AND BIDDING, OCTOBER 15 – 28
From October 15 – 28, the 35 customized Vipp bins will be on display for public viewing and bidding at DWR: Tools for Living located at 142 Wooster Street, New York City, during regular store hours (11am–7pm). Those who place bids on one or more of the customized Vipp bins, will be invited to a special gala auction on Wednesday, October 28, hosted by Veronica Webb, Vipp, DWR and DIFFA.
PARTICIPATING DESIGNERS
Ami James, Avi Adler, Calvin Klein, Camilla Stærk, Cole and Garrett, David Rockwell, David Stark, Evette Rios, Helena Christensen, Izhar Patkin, James Charles, Jes Gordon, John Baldessari, Jonas Hecksher/E-types, Lady Bunny, Lady Pink, Magnus Berger, Michael Aram, Mike Perry, Nigel Barker, Olaf Breuning, Oscar de la Renta, Ralph Lauren, Kiril Kirov/Razortooth, Richard Colman, Rikke Korff/The Furies, Robert Geller, Robert Verdi, Shelly Sabel, Sune Rose Wagner/The Raveonettes, Swathi Ghanta/Kidrobot, The Selby, Veronica Webb, Yoko Ono, Yves Béhar/Fuseproject.
For more information call DIFFA @ 212-727-3100
imaginepeace.com/archives/8557
VIPP 70TH ANNIVERSARY AUCTION
Vipp is celebrating its 70th anniversary by hosting a charity auction in New York City in collaboration with design retailer Design Within Reach (DWR).
The auction will benefit DIFFA: Design Industries Foundation Fighting AIDS. Thirty-five leading figures in the worlds of architecture, art, design, fashion and entertainment have put their signature touch on the iconic Vipp bin for the occasion, including Yoko Ono, Calvin Klein, Ralph Lauren & David Stark.
From October 15 – 28, the 35 customized Vipp bins will be on display for public viewing and bidding at DWR: Tools for Living located at 142 Wooster Street, New York City, during regular store hours (11am–7pm). Those who place bids on one or more of the customized Vipp bins, will be invited to a special gala auction on Wednesday, October 28, hosted by Veronica Webb, Vipp, DWR and DIFFA.
Sign up to receive newsletter www.vipp.comletter
For further information, please write to tsp@vipp.com or call DIFFA @ 212-727-3100
Participating designers:
Ami James, Avi Adler, Calvin Klein, Camilla StÊrk, Cole and Garrett, David Rockwell, David Stark, Evette Rios, Helena Christensen, Izhar Patkin, James Charles, Jes Gordon, John Baldessari, Jonas Hecksher/E-types, Lady Bunny, Lady Pink, Magnus Berger, Michael Aram, Mike Perry, Nigel Barker, Olaf Breuning, Oscar de la Renta, Ralph Lauren, Kiril Kirov/Razortooth, Richard Colman, Rikke Korff/The Furies, Robert Geller, Robert Verdi, Shelly Sabel, Sune Rose Wagner/The Raveonettes, Swathi Ghanta/Kidrobot, The Selby, Veronica Webb, Yoko Ono, Yves BÈhar/Fuseproject.
DESIGN WITHIN REACH
110 Greene St
(between Spring St & Prince St)
New York, NY 10012
(212) 475-0001
Hours:
Monday-Saturday
11am-7pm
Sunday
12pm-6pm
Illustration to "Benchmarking Node.js - basic performance tests against Apache + PHP" article on Maciej Zgadzaj's Change(b)log : zgadzaj.com/benchmarking-nodejs-basic-performance-tests-a...
Map of Port Adelaide and Port River estuary showing land-based public access to the river and estuary waterfront:
Yellow line: public access to waterfront, beach, wharf or wetland
Dotted yellow line: access to waterfront at risk of being fenced off IMO
Blue line: wharfside/residential access, fishing now prohibited
Red line (2 sites): free launching ramp
Green line (2 sites): launching ramp with launching fee
Orange dotted line: fishing from the causeway to Torrens Island permitted by AGL TIPS
The estuary waterfront without marking is fenced off, mainly with barbed wire and razorwire, even if it is not an industrial site but wetlands, embankment or landfill. The next land-based access is off the map several kilometres to the north at St Kilda where you can access an embankment and a boardwalk.
Port Lincoln has a waterfront trail which follows the coast passing underneath grain conveyors, between silos, between the former power station and the cooling water inlet/outlet, between port buildings and wharfs, between the caravan park and the sea. It is possible.
-Access approximate and drawn from memory.
Ever since I was young, I've had a very special bond with my Grandpa Al. We decided when I was in my early teens that we were soul mates. Not in the way you traditionally understand that term, but in a way that we both understood. We've always been able to tap into each other's spirits in a way nobody else can. In many ways, I am just like my grandpa. I love to tell stories, and often times I run off on tangents that take longer than the original story itself ever would have taken to tell. I don't like people to rush me to my point. I'm proud. I'm passionate. I wear my heart on my sleeve. And it doesn't take much to make me tear up and get emotional. These are all traits I believe I've inherited from my grandpa.
Every year for probably the last twenty years, my grandpa writes me a special note for my birthday. He always includes some bits of wisdom. Perhaps a poem he wrote, perhaps the words of another poet. But he never ceases to pass along some idea to me that he believes (and rightly so) will help to shape me into a stronger, warmer, better woman. And every year I've tucked those notes away for safe keeping. I pull them out occasionally, and invariably wind up tearing up as I read them. But there are a few quotes that have stuck with me so firmly that I need not pull out the letters to be reminded of their sentiment. The title to this photo is an excerpt from a poem by Ella Wheeler Wilcox that my grandpa included in a letter to me during my junior year of college. It pops into my head at the most obscure times and fills me with warmth, love and comfort.
I can't think of anyone besides my parents who has influenced me in the way that my grandpa has. I hope that I have become the woman he always believed I would be. My gut tells me that I still have a ways to go. I'm sure my grandpa will weigh in on this at our 4th of July barbeque this year.
One Ship Sails East
One ship sails East,
And another West,
By the self-same winds that blow,
'Tis the set of the sails
And not the gales,
That tells the way we go.
Like the winds of the sea
Are the waves of time,
As we journey along through life,
'Tis the set of the soul,
That determines the goal,
And not the calm or the strife.
365 Days (self portraits): Day 88
TOTW: nostalgia
My second entry for The Rogue Olympics, Round 2. It contains exactly 101 pieces, again.
<< At least now I'll have time to read the news at the hospital x) >>
A few furnitures got inspired by two MOCs, both built by BrickDesigned, on Instagram. Even if the furnitures aren't exactly the same, it's actually very similar from the original MOCs, enough to be mentioned.
-The table, the teapot and the coat rack are from this MOC (No name).
-The cupboard is from this MOC (No name)
It seems to be safe enough for the duck to show the tip of its nose (or its beak?)
In this series I want to bring light to the forgotten.
Today in society we put so much worth on the objects that we all own. Who owns the most valuable objects? Objects that once had value to us, at times, end up in the corner collecting dust. Others are kept around because the value is more so sentimental. The idea that value comes from the perspective of the owner is an idea I want to bring attention to. Each and every object has a different level of sentimental value to each person. A small trinket could mean nothing to one and everything to another. In this series I want the objects that I have found in these abandoned areas to be hung and illuminated. I want them to have just as much importance as they once had when they had owners. In this series I want to bring light to the forgotten.
Each place I visited had piles of forgotten objects that had once been purchased and used. I decided to hang the objects that I believe to have meant something to someone at some point, whether it be a toy race car, a teddy bear, or a tea strainer, at some point these objects where of some use to someone. By hanging these items in the door ways of each house I am forcing you to see them if you wish to enter, to see what has been forgotten. All of these objects where also in fact left in these doorways so that the next person to visit will also be forced to see what has been left. With the diptychs I show a photo of the objects hung in what is clearly a doorway, then a close up to show the real detail of decay that some of the objects have been through. I found that with different places came different items. On the island of Little Gasparilla I found an abandoned fort that children used to play in, there I chose to hang a chess piece, a buoy, a pair of keys, a conch shell, and a wind chime. These items are so different from the usual house hold items and toys that I found int he rest of the homes. Also the use of a doorway changes, I instead hung them at what I believe to be the entrance to the secret hideaway.
These places all meant something to someone, the things left on the floor, they all were of some sort of value to some human being at some point. The burned charred toys were once shiny and new and enjoyed. The shoe was once keeping someones foot warm, the tools where once used, and the china doll was once displayed. Only to be left behind, I just don't want them to be left with no recognition of what used to be.
commons.wikimedia.org/wiki/File:Zvartnots4.jpg
De ruïne van Zvartnotz of de kerk van de engelen. In het midden van de 7de eeuw hebben, volgens de overlevering, onbekende meesters hier een kerk gebouwd waarvan de schoonheid de Bysantijnse keizer Constantijn II zo bekoorde dat hij besloot een dergelijke kerk in Bysantium te bouwen.
In 1930 stortte de kerk in ten gevolge van een aardbeving. De ruïne werd het symbool van de Armeense kerkarchitectuur.
Trying to shoot a macro shot of the blades of grass, I knelt down to focus on it with my gear. As my lens was hunting for the subject, this beautiful damselfly landed on the blade. Click. Click. Click
Photograph © Kausthub Desikachar.
Photographed with a Canon EOS 5D Mark II, and Sigma 150mm F2.8 APO Macro DG HSM lens with Sigma DG UV Filter. Handheld.
Please do not reproduce in any form without prior written consent from the copyright holder. Please contact the photographer through Flickrmail, to inquire about licensing arrangements.
Hilo de la Fotohistoria en Pullip .es: AFTER THE CONCERT (4 of 9): Lenn meets Nana /
DESPUÉS DEL CONCIERTO (4 de 9): Lenn conoce a Nana
(Read in order, this is: SHOT/FOTO 49 of 184) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99, 100, 101, 102, 103, 104, 105, 106, 107,108, 109, 110, 111, 112, 113, 114, 115, 116, 117, 118, 119, 120, 121, 122, 123, 124, 125, 126, 127, 128, 129, 130, 131, 132, 133, 134, 135, 136, 137, 138, 139, 140, 141, 142, 143, 144, 145, 146, 147, 148, 149, 150, 151, 152, 153, 154, 155, 156, 157, 158, 159, 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174, 175, 176, 177, 178, 179, 180, 181, 182, 183, 184.
FOTOSTORY: In English / En Español
Lenn: Ow! O_O And who's this hottie? Is friend of yours?
/
Lenn: Oh! O_O Y esta churri? Es amiga tuya?
LINKS:
- Las FOTOHISTORIAS de Sheryl en el Foro de Pullips: Pullip .es
Eagles over tomb of hero, 1918. Detail.
Gobelin/Tapestry
www.art-nouveau.hu/art.php?menuid=1&id=34
www.art-nouveau.hu/art.php?menuid=1&id=36
www.art-nouveau.hu/art.php?menuid=1&id=133
www.szecesszio.com/2008/11/02/the-influences-of-pre-rapha...
polarbearstale.blogspot.hu/2011/10/aladar-korosfoi-kriesc...
hu.wikipedia.org/wiki/K%C3%B6r%C3%B6sf%C5%91i-Kriesch_Ala...
bighugelabs.com/onblack.php?id=4204459337&posted=1
i've been beaten down
i've been kicked around
but she takes it all for me
and i lost my faith
in my darkest days
but she makes me want to believe
they all her love love love love love
i'm just starting to try out on black...and i figured this was the best picture to use with it.
don't go by its looks... this one is dangerous.. Spotted feasting on the wild berries in uttaranchal called 'Kafal'.
One of these bit my son at the start of the trip.. 10 days after that.. even today my son gets rashes on the body.. so if you spot one of these.. be careful.
Coming to the photo.. i am quite amazed how hairy it is and the black spots within its eye..
An imposing twelve-sided table
Estimate: PHP 1,200,000 - 1,400,000
First quarter, 20th century
Laguna
Narra and kamagong, kamagong inlays
83 x 224 x 224 cm (32 1/2 x 88 x 88 in)
Provenance:
Formerly from the family of Candelaria Moldes Santos, wife of Col. Leopoldo Santos, Philippine army and guerilla fighter during the Japanese occupation
Made in the Bilibid Prison which, from the early American colonial period until the end of the first half of the 20th century, manufactured high quality household and office furniture as part of its program to rehabilitate prisoners in preparation for their reintegration into mainstream society. Their outputs were arguably unrivaled in terms of craftsmanship, design and prolificity.
A rare 12-sided top, made of solid one-piece narra wood, framed by precious kamagong wood carved around the edges with acanthus gadrooning. To harvest wood with a girth this size - over 7 feet across when finished - the felled giant tree must be well over a hundred years old. Each conforming side of the frieze is carved with foliated scrolls centering an anthemion flower inscribed with C-volute. The heavy base is made of two crossed curule seat-shaped legs carved with foliated scrolls bordered by broad kamagong inlays, and undulate with winged rosettes, connected to a huge, turned central cylinder with flutings surmounted by scrolled arches and a finial. The lion’s paws with winged extensions embody immense strength and power.
Overall, the workmanship is quite remarkable, displaying great detailed carvings and decorations alluding to the Italian Neoclassical style that was popular in the early 19th century. A classic, timeless statement piece that will surely draw exclamations of surprise and admiration. Found in Santa Rosa, Laguna.
Lot 189 of the Salcedo Auctions auction on 18 March 2023. Please see www.salcedoauctions.com for more information.
Much better seen large!
Pollination is an important step in the reproduction of seed plants: the transfer of pollen grains (male gametes) to the plant carpel, the structure that contains the ovule (female gamete). The receptive part of the carpel is called a stigma in the flowers of angiosperms and a micropyle in gymnosperms. The study of pollination brings together many disciplines, such as botany, horticulture, entomology, and ecology. Pollination is important in horticulture because most plant fruits will not develop if the ovules are not fertilized. The pollination process as interaction between flower and vector was first addressed in the 18th century by Christian Konrad Sprengel.
in wikipedia, Pollination
Yesterday I was a bit sad. Several news on friends too early departed made me think about life in general, my life in particular. So, honoring my friends, in the name of life, I decided to look around. This one I got in Sta Cruz, a very special place where I have written in the past, where I plan to return to go on writing. And photographing. And go on with life. There, somewhere, everywhere. Life is one. One life. Your life. My life. Cheers!
ps: thanks to Raul on the advise about the 105mm lens, it's superb!
back in early 2000 i bought my first DVD
even tho i was mad that Vhs was going out,because i had over 1,500 of them.
as you can see i didnt slow down as my collection is over 2,000 dvds now.
To be fair, some of these are my brothers as well, probably about 1/4.
im not quite THAT crazy.
I love movies. i love watching them,
examining them, and yes... collecting them.
if its a 2-disc directors cut, or a re-released special edition
with 5 extra minutes, i probably have it.
Im a Cine-phile, and im ok with that.
this is most of the collection.. about 100 are either not in this shot, or are lent out to friends.
for anybody wishing to know ...
the very top shelf is the older, cardboard cover dvds.
the next shelf is all tv series or boxed sets.
the next shelf is Independent / foreign films.
the next 4 1/2 shelves are alphabetical.
then theres a Jackie chan shelf.
then theres a special edition/directors cut shelf next to last.
and the last is my johnny depp collection.
BRAGS:
My files from yesterday were all recovered ... so the apocolypse has
been postponed. WHEW.
big thanks to all that tried to help last night, i appreciate it.
all it took was a $29 program to recover from the card,and about 5 hours of wait time.
i didnt feel like doing anything big today,
and i almost wasnt even in this shot, but
i figured i might as well be in it to show scale.
www.madeintrujillo.com/turismo/canoncillo.php
En los Caseríos de Santonte y Tecapa del distrito de San Pedro de Lloc, en la provincia de Pacasmayo, existe un oasis que juntamente con el de Huacachina, en Ica, tienen todos los requisitos para clasificarlos como tales, tan igual que a los oasis del desierto del Sahara en Africa, de donde se origina esta palabra y que alude a un afloramiento acuífero en medio de un desierto colmado de dunas y poblado por plantas del lugar. El oasis de Cañoncillo está rodeado de dunas de formas caprichosas y vírgenes al amanecer, debido a las caricias de vientos que vienen de la costa, tiene un bosque relicto de algarrobos (Prosopis pallida) de unas 100,000 plantas que cubren más de 1300 Has que constituyen el hábitat de una rica fauna silvestre y encierra a tres lagunas: Gallinazo, Larga y Cañoncillo que también han propiciado ecosistemas ricos en especies animales y vegetales.
El Origen del Nombre
Santote es topónimo chimú que figura en documentos de 1800 como “Santont” y hace alusión a un “potrero cerca de Tecapa” (Zevallos Quiñones), pero que el Directorio del INEI lo registra como “Santonte” con el código 021005. Hoy lo conocemos como Santonte muy castizo, y se trata de un apacible pueblito con su iglesia, su plazuela central y unas pocas casas cuyos 500 habitantes son guardianes de esta joya ecocultural, única en la región La Libertad.
La gente sampedrana y pacasmayina, desde antaño sólo han admirado al hermoso bosque de algarrobas y por tradición mal interpretado, le llamado “bosque El Cañoncillo”, sin tener en cuenta que se trata de un perfecto oasis que incluye al bosque.
El Oasis de Cañoncillo abarca a todo el conjunto paisajístico que contiene al bosque de algarrobas “El Cañoncillo” zoónimo que alude a este reptil (Dicrodon guttulatum) conocido también como azulejo, algarrobera o guitarrero, el cual ha servido de alimento a los antiguos habitantes de estos montes costeros.
¿Quiénes viven en Cañoncillo?
El hábitat de Cañoncillo alberga diversas especies de aves como pericos, tordos, chiscos, cuculas, picaflores, lechuzas, águilas y gallinazos.
El visitante se sorprenderá al descubrir debajo de centenarios y añosos algarrobos cuyos troncos parecen reptar y retorcerse cual monstruos desbocados en medio de espinos, uñas de gato, chilcos y zapotes; puedan cruzarse un silencioso zorro, un maloliente añaz, una mimética lagartija o tal vez, una perezosa boa o el infaltable cañán que sale a tomar sol en las primeras horas del día, con el revoloterar de las abejas. Aunque la ictiofauna es pobre representada por charcocas, zarras y picolones; en cambio en sus bordes hay juncales y totorales muy pródigos, mientras que parte de la superficie está adornada por helechos, lentejas de agua y hermosas ninfas que forman una especie de alfombra visitada por patos, garzas y gallaretas que suman encanto y belleza a esta joya natural.
¿Qué más ofrece Cañoncillo?
En realidad, el atractivo no solamente es el bosque y la laguna, sino todo el entorno que se inicia en San José y culmina con Cerro Cañoncillo. Los pintorescos pueblos de Tecapa y Santonte conservan aún tradiciones y costumbres ancestrales y ante la eventual explotación turística de Cañoncillo se convertirán en anfitrionas del oasis, por lo que sus habitantes deben ser sensibilizados y capacitados para ofrecer servicios a los visitantes.
Investigadores, aventureros y artistas tienen en Cañoncillo un verdadero fortín ecológico. El Trekking y campismo deben ser las actividades predominantes y potencialmente el sandboard, y escalamiento en los cerros aledaños, así como ala delta y parapente aprovechando las corrientes de aire.
Bosque en peligro
A pesar de la belleza incomparable de Cañoncillo, las autoridades no hacen mucho por conservar este recurso. Los desechos orgánicos acumulados a orillas de la laguna, los taladores furtivos y la inexistencia de planes para mejorar el entorno inmediato dan fe de ello.
Foundation and expansion
After ascending the throne of Cambodia in 1181 A.D., Jayavarman VII embarked on a massive program of construction and public works. Rajavihara ("royal temple"), today known as Ta Prohm ("ancestor Brahma"), was one of the first temples founded pursuant to that program. The stele commemorating the foundation gives a date of 1186 A.D.
Jayavarman VII constructed Rajavihara in honor of his family. The temple's main image, representing Prajnaparamita, the personification of wisdom, was modelled on the king's mother. The northern and southern satellite temples in the third enclosure were dedicated to the king's guru and his elder brother respectively. As such, Ta Prohm formed a complementary pair with the temple monastery of Preah Khan, dedicated in 1191 A.D., the main image of which represented the Bodhisattva of compassion Lokesvara and was modelled on the king's father.
The temple's stele records that the site was home to more than 12,500 people (including 18 high priests and 615 dancers), with an additional 80,000 souls in the surrounding villages working to provide services and supplies. The stele also notes that the temple amassed considerable riches, including gold, pearls and silks.Expansions and additions to Ta Prohm continued as late as the rule of Srindravarman at the end of the 13th century.
www.vipp.com/press/press_releases/index.php?nid=84
Vipp is celebrating its 70th anniversary by hosting a charity auction in New York City in collaboration with design retailer Design Within Reach (DWR). The auction will benefit DIFFA: Design Industries Foundation Fighting AIDS. The auction will feature Vipp pedal bins re-imagined by 35 leading creative personalities.
Public viewing and bidding from October 15 - 28 at DWR: Tools for Living located at 142 Wooster Street, New York City, during regular store hours (11am-7pm). Gala auction to be held October 28.
imaginepeace.com/archives/8557
VIPP 70TH ANNIVERSARY AUCTION
Vipp is celebrating its 70th anniversary by hosting a charity auction in New York City in collaboration with design retailer Design Within Reach (DWR).
The auction will benefit DIFFA: Design Industries Foundation Fighting AIDS. Thirty-five leading figures in the worlds of architecture, art, design, fashion and entertainment have put their signature touch on the iconic Vipp bin for the occasion, including Yoko Ono, Calvin Klein, Ralph Lauren & David Stark.
From October 15 – 28, the 35 customized Vipp bins will be on display for public viewing and bidding at DWR: Tools for Living located at 142 Wooster Street, New York City, during regular store hours (11am–7pm). Those who place bids on one or more of the customized Vipp bins, will be invited to a special gala auction on Wednesday, October 28, hosted by Veronica Webb, Vipp, DWR and DIFFA.
Sign up to receive newsletter www.vipp.comletter
For further information, please write to tsp@vipp.com or call DIFFA @ 212-727-3100
Participating designers:
Ami James, Avi Adler, Calvin Klein, Camilla StÊrk, Cole and Garrett, David Rockwell, David Stark, Evette Rios, Helena Christensen, Izhar Patkin, James Charles, Jes Gordon, John Baldessari, Jonas Hecksher/E-types, Lady Bunny, Lady Pink, Magnus Berger, Michael Aram, Mike Perry, Nigel Barker, Olaf Breuning, Oscar de la Renta, Ralph Lauren, Kiril Kirov/Razortooth, Richard Colman, Rikke Korff/The Furies, Robert Geller, Robert Verdi, Shelly Sabel, Sune Rose Wagner/The Raveonettes, Swathi Ghanta/Kidrobot, The Selby, Veronica Webb, Yoko Ono, Yves BÈhar/Fuseproject.
DESIGN WITHIN REACH: TOOLS FOR LIVING
142 Wooster Street
New York, NY 10012
Phone: 212.471.0280
Hours:
Monday-Saturday 11am-7pm
Sunday noon-6pm
Hundreds of dogs and puppies, purebred and mixed breeds fill in the cages of shelters nation wide. Pets deserve so much better than what they are given. Although living in cage at an animal shelter is not the worst thing that can happen to this pup, it shouldn't have to even need to be here. If people who bred dogs for the fun of it or the financial gain truly understood what hundreds of homeless but well deserving dogs have to go through, I wonder if they'd stop?
Unless you are breeding for top-quality show/pet animals, breeding should not be taken lightly! There are many things to consider when breeding for the health of the babies and parents. Responsible breeders don't just stick two pure bred dogs together then sell the pups to the first person that wants one. They go through extensive genetics testing to ensure the overall and lifelong health of their puppies. They want their pups to live long and healthy lives. They interview their potential adopters extensively and educate them about the breed. Many will require you sign a contract along with a spay/neuter contract. They consider their pups as part of their family and don't give their dogs away to just any body. They go through this process to prevent their puppies from ever ending up as a homeless pet.
Although this guy found safety at this animal shelter and an adoptive home there are many others that aren't so lucky. Over 300 adoptable yet homeless animals are euthanized weekly in San Antonio, TX alone. Please be a responsible pet owner and help end pet over population one animal at a time- Spay/neuter your pet. Not only does it greatly help with pet over population but it increases your pets health and well being. It reduces risk of cancer, relieves your pet of the urge to breed, reduces aggression tendencies and can help to keep your pet wondering off to find a mate.
An 18th century gargoyle ‘Dinemonyo’ altar table
Estimate: PHP 1,800,000 - 2,000,000
1st half, 18th century
Manila
Balayong wood, engraved metal mounts
84 x 109 x 72 cm (33 x 43 x 28 1/2 in)
Provenance:
Formerly from a prominent family in Manila
Called colloquially as dinemonyo table, it is one of the most elusive pieces of early Hispano-Filipino furniture, considered arguably as the pinnacle object to many serious furniture collectors and connoisseurs. An authentic example with original members is an extremely rare find. The earliest altar tables made by Chinese artisans residing in Batangas were copied from Ming dynasty tables as they both shared the same simplistic, rectilinear profile – a product of pragmatic design and simple joinery based on practical rather than aesthetic considerations. Later on, masks that resemble gargoyles on the knees above the legs and ball-and-claw feet were added as ornamentals. At first commissioned by friars for exclusive use in churches, later emulated by the affluent principalia and ilustrado families on which to display their venerated ivory santos. In other cultures, as from 6th century Japan, roof ornaments made from fired clay, stone, or wood called Onigawara gargoyles have been used in Buddhist temples to stop leaks. In European architecture, medieval cathedrals have had carved grotesque creatures with spouts to redirect water from the roof away from the side of the building to prevent the erosion of the mason work. The gargoyles are supposedly illustrated evil as they are intended to turn away evil and harm. Among the Chinese, guardian lions made of stone were placed in front of imperial palaces and tombs, temples, and government offices as they were believed to have powerful protective benefits.
The rectangular paneled top is enclosed by a frame with ice-plate edge to soften the edges and disguise its thickness. Below are two large drawers fitted with umbrella bosses, ornate protective key plates, and O-ring pulls. Reinforced at the sides by flanges with billowing, cloud-like outlines, so do the aprons that connect the gargoyle or ‘demonyo’ masks on all four corners. These demonyo masks have raised fluted top hair, bulging eyes, prominent nose, mouth agape revealing some teeth and fangs, and scrolling facial hair, striking a menacing and powerful demeanor. The cabriole legs show the delineations of the lion’s lower leg before terminating in deep, highly detailed ball and claw foot grasping a ball, resting on round-edged stretchers surmounted on ogee feet. Assembled using ancient Chinese mortise and tenon (closed and through types), as well as dovetail, the joints remain firm and strong.
Made of highly prized indigenous rosewood known as balayong (Afzelia rhomboidea), it has reddish brown color that tends to darken even more with age and has natural luster. Very difficult to work on due to its durability and interlocking grain. The craftsmanship and condition of this table is comparable to, if not better, than some similar tables kept in museums and top-notch private collections.
Lot 120 of the Salcedo Auctions auction on June 25, 2022. Please see salcedoauctions.com for more information.
natural light.
I had a fun little mini-shoot after work today with my photog friend Jennifer and some friends. This is Jennifer's little sister Shelby. Thursday is Shelby's 17th birthday!! So, we took some fun shots of her in Jackson today. We also took some Urbany Bridals that I am excited to get to editing. After tomorrow I am going to be out of commission a few days, but I will be back with lots of time to catch up on your streams and update you guys on my status. I might be around some tomorrow evening, but just in case I don't get to speak to you or what not, I'll catch you on the flipside. Take care everyone.
mwah.
Hilo de la Fotohistoria en Pullip .es:
THE PARK(3 of 3): Akari's suitors /
EL PARQUE (3 de 3): Los pretendientes de Akari
(Read in order, this is: SHOT/FOTO 86 of 95) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95.
FOTOSTORY: In English / En Español
Take: If you need a friend for whatever, you can count me in. ^^
Akari: Hehe, thanks a lot! You are very nice. ^^
Take: I'm Takefumi but you can call me Take if you want.
Akari: Nice to meet you Take! :D
Take: #^__^# ...Do you want to go somewhere else? We could do something...
Akari: Well... right now it's impossible. ^_^u I hafta go back home to ask new clothes to my mom. ^^
Take: How is that? You already look pretty with what you are wearing...
Akari: Well... I have a kind of date this Saturday and I want to look fine. ^^
/
Take: Oye, pues si necesitas un amigo para lo que sea, puedes contar conmigo. ^^
Akari: Jeje, pues muchas gracias! Que majo eres. ^^
Take: Me llamo Takefumi, pero puedes llamarme Take si quieres.
Akari: Encantada Take! :D
Take: #^__^# … Te... te apetece dar una vuelta?
Akari: Bueno... ahora mismo no puedo ^_^u Debería irme a casa porque tengo que hablar con mi madre para que me compre ropa nueva. ^^
Take: Y eso? Si estás preciosa con esta...
Akari: Bueno... es que este sábado tengo una cita y quiero estar guapa. ^^
LINKS:
- Las FOTOHISTORIAS de Sheryl en el Foro de Pullips: Pullip .es
Info:
Exposure: 1/1000 Sec.
Aperture: f/5.6
ISO-Speed: 100
Focal Length: 20 mm
Lens: SIGMA 10-20mm 1:4-5.6 DC HSM
A while back I bought an Ansco Pix Panorama camera at a thrift store. It cost me four dollars, and it could be argued that I paid too much for it. It's a pocket-size all-plastic 35mm camera with a 28mm wide-angle plastic lens. On the back it has a note that says "Notify Photofinisher: Develop film and print in panoramic format."
It would be very cool if this camera took panoramic shots by producing really wide negatives, but it doesn't do that; instead, it produces really short negatives. It achieves its panoramic effect by means of a removable insert in that masks the top third and bottom third of each frame, essentially "letterboxing" the negative. So the first thing I did after I discovered the mask insert was remove it. If I want the top third and bottom third of my shot cropped off, I'd rather do that after exposing the frame, thank you very much.
I finally decided to give this camera a try with a roll of Kodak 400TX that had taken a couple of trips through the X-ray scanner airports use on checked baggage. A bit of Googling revealed that the Pix Panoramic has a fixed aperture of f/11 and a fixed shutter speed of 1/125 second, but I didn't give much thought to correct exposure while shooting the roll. I just pointed the camera at stuff and clicked, hoping that luck combined with the magic of stand development would produce a few halfway-decent shots.
And the results were a pleasant surprise. I got more "keeper" shots than I expected, and rest were at least interesting in one way or another. Given its small size and light weight, the Pix may end up being a carry-around-at-all times camera.
Ansco Pix Panorama with "panoramic" mask removed. Kodak 400TX, stand developed in Rodinal 1+100 at 19ºC for 70 minutes.
P.S. The title of this shot has nothing whatsoever to do with the TV show "Mad Men", which I've never seen but have heard good things about.
You have to love the Drama of Opera….
There is a live broadcast of Puccini’s …..Tosca
today at the met in NYC….
Mozart The Magic Flute….. Queen Of The Night Aria
The Magic Flute (German: Die Zauberflöte, K. 620) is an opera in two acts composed in 1791 by Wolfgang Amadeus Mozart
The deranged Queen commands her daughter Pamina to slay her father:
The Queen sings:
You will avenge my suffering from his scorning.
Death to Sarastro!
I have endured disdain and been reviled
You must obey!
I give this awesome warning If you defy me, you're no more my child.
You must be bold!
Do exactly as you're told!
Or …..
I'll no longer claim you as my child.
You don't know how I hate him I so abominate him!
You must assassinate him! or you will pay the price.
I'll spurn you...renounce you... I'll disown you
My heart will turn to ice.
Yes, my heart...the heart that loved you will turn cold.
Be brave!
Be bold!
Sarastro shall be slaughtered Kill! Kill! Kill! Kill him quickly...
Do as you've been told..........
In de straten van Brussel - centrum.
Het "levende standbeeld" van de schilder Vincent Van Gogh.
Vincent Willem van Gogh (Zundert, 30 maart 1853 – Auvers-sur-Oise, 29 juli 1890) was een Nederlands kunstschilder. Zijn werk valt onder het postimpressionisme, een kunststroming die het negentiende-eeuwse impressionisme opvolgde. Van Goghs invloed op het expressionisme, het fauvisme en de vroege abstractie was enorm en kan worden gezien in vele andere aspecten van de twintigste-eeuwse kunst. Het Van Gogh Museum in Amsterdam is gewijd aan het werk van Van Gogh en zijn tijdgenoten.
Van Gogh wordt tegenwoordig gezien als één van de grote schilders van de 19de eeuw. Deze erkenning kwam echter pas laat. Tijdens zijn leven werd maar één schilderij verkocht: De rode wijngaard (Poesjkinmuseum in Moskou). Anna Boch, een Belgische kunstenares en zus van zijn vriend Eugène Boch kocht het voor 400 toenmalige frank op de expositie van de Brusselse Les XX in 1890, een paar maanden voor Van Goghs dood.
Er verliepen maar drie jaar tussen zijn zwaarmoedige De Aardappeleters (1885) en de kleurenexplosie in het zuidelijke Arles (1888). Van Gogh produceerde al zijn werk in slechts tien jaar, voordat hij begon te lijden aan een zenuwziekte en zelfmoord pleegde. Zijn roem groeide na zijn dood snel.
uit:
nl.wikipedia.org/wiki/Vincent_van_Gogh
and:
Português
Gosto de ti calada porque estás como ausente
e me ouves de longe, e esta voz não te toca.
Parece que os teus olhos foram de ti voando
e parece que um beijo fechou a tua boca.
Como todas as coisas estão cheias da minha alma
tu emerges das coisas cheias da alma minha.
Borboleta de sonho, pareces-te com a minha alma
e pareces-te com a palavra melancolia.
Gosto de ti calada e estás como distante
E estás como queixando-te, borboleta em arrulho.
E ouves-me de longe, e esta voz não te alcança:
vais deixar que eu me cale com o silêncio teu.
Vais deixar que eu te fale também com o teu silêncio
claro como uma lâmpada, simples como um anel.
Tu és igual à noite, calada e constelada.
O teu silêncio é de estrela, tão longínquo e tão simples.
Gosto de ti calada porque estás como ausente.
Distante e dolorosa como se houvesses morrido.
Uma palavra então, um teu sorriso bastam.
E eu estou alegre, alegre porque não é verdade.
Español
Me gustas cuando callas porque estás como ausente,
y me oyes desde lejos, y mi voz no te toca.
Parece que los ojos se te hubieran volado
y parece que un beso te cerrara la boca.
Como todas las cosas están llenas de mi alma
emerges de las cosas, llena del alma mía.
Mariposa de sueño, te pareces a mi alma,
y te pareces a la palabra melancolía.
Me gustas cuando callas y estás como distante.
Y estás como quejándote, mariposa en arrullo.
Y me oyes desde lejos, y mi voz no te alcanza:
déjame que me calle con el silencio tuyo.
Déjame que te hable también con tu silencio
claro como una lámpara, simple como un anillo.
Eres como la noche, callada y constelada.
Tu silencio es de estrella, tan lejano y sencillo.
Me gustas cuando callas porque estás como ausente.
Distante y dolorosa como si hubieras muerto.
Una palabra entonces, una sonrisa bastan.
Y estoy alegre, alegre de que no sea cierto.
Français
J'aime quand tu te tais, parce que tu es comme absente,
et tu m'entends au loin, et ma voix ne t'atteint pas.
On dirait que tes yeux se sont envolés,
et on dirait qu'un baiser t'a clos la bouche
Comme toutes les choses sont remplies de mon âme,
tu émerges des choses pleine de mon âme.
Papillon de rêve, tu ressembles à mon âme
et tu ressembles au mot : mélancolie.
J'aime quand tu te tais et que tu es comme distante.
Et tu es comme plaintive, papillon que l'on berce.
Et tu m'entends au loin, et ma voix ne t'atteint pas:
laisse-moi me taire avec ton silence.
Laisse-moi aussi te parler avec ton silence,
clair comme une lampe, simple comme un anneau.
Tu es comme la nuit, silencieuse et constellée.
Ton silence est d'étoile, si lointain et si simple.
J'aime quand tu te tais, parce que tu es comme absente,
distante et dolente, comme si tu étais morte.
Un mot alors, un sourire suffisent,
et je suis heureux, heureux que ce ne soit pas vrai.
English
I like For You to be Still
I like for you to be still: it is as though you were absent,
and you hear me from far away and my voice does not touch you.
It seems as though your eyes had flown away
and it seems that a kiss had sealed your mouth.
As all things are filled with my soul
you emerge from the things, filled with my soul.
You are like my soul, a butterfly of dream,
and you are like the word Melancholy.
I like for you to be still, and you seem far away.
It sounds as though you were lamenting, a butterfly cooing like a dove.
And you hear me from far away, and my voice does not reach you:
Let me come to be still in your silence.
And let me talk to you with your silence
that is bright as a lamp, simple as a ring.
You are like the night, with its stillness and constellations.
Your silence is that of a star, as remote and candid.
I like for you to be still: it is as though you were absent,
distant and full of sorrow as though you had died.
One word then, one smile, is enough.
And I am happy, happy that it's not true
Hilo de la Fotohistoria en Pullip .es:
LENN HAS COMPANY(1 of 1) /
LENN TIENE VISITA (1 de 1)
(Read in order, this is: SHOT/FOTO 05 of 89) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50,51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89.
FOTOSTORY: In English / En Español
Cien: That was not the treat. You are trying to fool me again.
Lenn: What are you talking about?? When did I fool you?
Cíen: ¬¬ Better ask, when didn't you...
/
Cien: No fue así como quedamos. Ya me estás intentando timar.
Lenn: Pero que hablas?? Cuando te he timado yo a ti?
Cíen: ¬¬ Mejor di, cuando no me has timado...
LINKS:
- Las FOTOHISTORIAS de Sheryl en el Foro de Pullips: Pullip .es
- Sheryl Photostories at Flickr
- Hilo de las Fotohistorias de Lenn y Gwen en el Foro de Pullips: Pullip .es
The first Ashcombe Scuffle was a success... not one got out of the bog / extreme section without a winch to claim the £100 prize! www.facebook.com/home.php?sk=group_144895325564512&ap...
Burra Goods Shed with damage caused by lack of white ant treatment which has resulted in the decay of timber supports and partial collapse of the building. The Burra Railway Goods Shed was constructed in 1870 of timber and iron using Gospel Oak corrugated iron manufactured in England. Although the shed has been painted silver on the outside, the entire corrugated iron cladding is still the original 1860s Walker's Gospel Oak CGI. In 1870, the goods shed was the site of the luncheon to inaugurate the opening of the Northern Extension Railway to Burra which was attended by 3,000 people. In the 100 years following the opening, the goods shed played a major role in the region's transport system.
Nombre científico o latino: Orobanche spp.
- Nombre común o vulgar: Jopo, Orobanque.
- Familia: Orobanchaceae.
- Vivaz o anual.
- Planta parásita que no posee clorofila, por tanto, no puede sintetizar sus propios alimentos y parasita a otros vegetales.
- Se fijan a las raíces de la planta que parasitan mediante los chupadores.
- En los cultivos agrícolas parasitan a ciertas plantas como habas, girasol de pipa, zanahoria, etc., causando graves problemas en muchos casos. Se combaten con aplicaciones del herbicida Glifosato en campo a una dosis 10 veces menor de la normal en planta pequeña.
- En jardines se evita la infestación tronchando los tallos antes de que tiren las semillas.
- Existen numerosas especies, cada una de ellas parasita un tipo determinado de planta.
- Altura: 15-30 cm.
- Follaje: pequeñas hojas escuamiformes, alternas, lanceoladas, en la base de un tallo cubierto de pelos glandulosos.
- Floración: final de primavera o principios de verano; espiga terminal formada por flores tubulares, con 2 labios lobados, pubescentes.
- Color: blanco azulado o crema con venas azul violáceo; la base de la corola, ensanchada, es clara.
- Luz: sol o semisombra.
- Suelo: pedregoso, seco o fresco, bien drenado; puede ser pobre en nutrientes.
- Multiplicación: produce muchísimas semillas. los pequeños frutos esféricos contienen multitud de semillas diminutas.
"Rendez-vous à Berlin" Figures résolues de parachutistes juste avant le décollage pour l'assaut initial du jour J. Le parachutiste du premier plan vient de lire le message du Général Eisenhower (réf. 51 766 AC)
Le message d'Eisenhower :
www.6juin1944.com/assaut/annexe.php?id=2
Voir ici un cadrage plus large de meilleure qualité :
www.archivesnormandie39-45.org/specificPhoto.php?ref=p013152
Légende plus approfondie ici :
Photo © 2009, 2010, 2011 Angela A. Stanton, All rights reserved. Contact: angela@stantonphotostudios.com for further information.
I honestly did not know what a healthy occupation being a photographer is! Imagine to have to lift that for 8 hours a day all through a wedding and a reception!! My goodness... what have I signed up for?!
What you are looking at is a bracket that allows the flash to stay up and vertical even when I flip the camera sideways. It is quite a genius of a design. The semi-circle you see on the left swings in its rail so the camera moves effortlessly from the horizontal to the vertical position and anywhere in between. It is quite cool. However.. the weight of the entire thing is a real killer! I think I am holding over 10 lbs (over 4 kilos) of goods here at some distance out from a fully bent arm.. so with torque and all.. it is HEAVY!!
I will have to exercise from now on until the wedding I was hired to shoot--or the engagement of the same couple actually! So up the couch and a 1-2-3 and a 1-2-3 and a 1-2-3.. lol.
I will visit your pictures today as much as possible! Looking forward to seeing what wonders you have all captured!
Hilo de la Fotohistoria en Pullip .es:
LENN HAS COMPANY(1 of 1) /
LENN TIENE VISITA (1 de 1)
(Read in order, this is: SHOT/FOTO 27 of 89) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50,51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89.
FOTOSTORY: In English / En Español
Lenn: Nooooooo, I'll behave, I swear! I'll never try to cheat on you again and I'll tidy up from now on!!!! T^T But please you have to assembly a room for me!!! T_T_T
/
Lenn: Nooooooo, me portaré bien, te lo prometo! No intentaré timarte nunca más y lo recogeré todo a partir de ahora!!!! T^T Pero por favor móntame un cuarto!!! T_T_T
LINKS:
- Las FOTOHISTORIAS de Sheryl en el Foro de Pullips: Pullip .es
- Sheryl Photostories at Flickr
- Hilo de las Fotohistorias de Lenn y Gwen en el Foro de Pullips: Pullip .es
yesorganicfood.com/index.php/my-recipes/cookies-and-desse...
Semolina is an Italian word that means flour, its made from durum wheat, and found in white or yellow color, depending of the wheat it was made from. Its very healthy desert that is rich in fibers.
So in this easy recipe you will enjoy a light, sweet, healthy, organic and tasty deserts that will fill your tummy and make you happy.