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ملتقى الفجيرة الإعلامي الخامس يفتتح أعماله ياستعراض ماتواجهه المرأة من تحديات في ساحة الإعلام
محمود علام - الفجيرة - خاص بـ " وكالة أخبار المرأة "
wonews.net/ar/index.php?act=post&id=11613
بدأت صباح اليوم جلسات ملتقى الفجيرة الإعلامي في دورته الخامسة تحت رعاية سمو الشيخ محمد بن حمد الشرقي ولي عهد الفجيرة وبحضور سمو الشيخ الدكتور راشد بن حمد الشرقي رئيس هيئة الفجيرة للثقافة والإعلام التي تنظم الملتقى سنويا للنقاش حول قضايا الساحة الإعلامية في الوطن العربي حيث انعقدت الدورة الجديدة تحت عنوان :"المرأة والإعلام ... الصورة الأخرى" وتمت خلال جلستي اليوم الأول استعراض التحديات التي تواجهها المرأة العربية العاملة في المجالات الإعلامية
وحضر حفل الافتتاح الأميرة ريم العلي رئيسة المعهد الأردني للإعلام والمهندس محمد سيف الأفخم عضو مجلس إدارة هيئة الفجيرة للثقافة والإعلام وإبراهيم العابد مدير المجلس الوطني للإعلام وعدد من المسؤولين ونخبة من الإعلاميين والخبراء المتميزين من الدول العربية والأجنبية إضافة إلى حضور واسع لأبرز الوجوه الإعلامية والثقافية والفنية والمؤسسات الإعلامية.
وفي كلمة افتتاحية ألقاها سعادة المهندس محمد سيف الأفخم عضو مجلس إدارة الهيئة كلمة قال :" ها نحن نشهد الدورة الخامسة لملتقى الفجيرة الإعلامي الذي يحتفي بالمرأة ودورها الفعّال في وسائل الإعلام إدارةً وتنفيذاً، وإعداداً وتقديما،ً من خلال مجموعة من المحاور المهمة، التي ستكون مدار نقاش وتحليل من قبلكم خلال اليوم والغد، ولا سيما أن المرأة في دولة الإمارات، ولله الحمد، قد حققت الكثير من الإنجازات، ولها مكانتها الخاصة، ودورها المميز في المؤسسات الإعلامية، وفي مختلف مناحي العمل، وهنا نستذكر الدور الريادي لسمو الشيخة فاطمة بنت مبارك، أم الإمارات، وصاحبة المبادرات الخيرة والمشاريع الداعمة للمرأة الإماراتية في شتى القطاعات." وأضاف الأفخم : "إنه من يُمن الطالع أن ينعقد هذا الملتقى في ذكرى مرور أربعين عاماً على تولي صاحب السمو الشيخ حمد بن محمد الشرقي مقاليد الحكم في إمارة الفجيرة، فهو الراعي لمسيرة هذه الإمارة في شتى المجالات، ونخصّ هنا قطاع الثقافة والإعلام الذي وجد الدعم الكبير أيضاً، والمتابعة المستمرة من سمو الشيخ محمد بن حمد الشرقي ولي العهد الذي يحرص في كل دورة للملتقى منذ انطلاقته على الرعاية والحضور" .
وأشار الأفخم الى أن هيئة الفجيرة للثقافة والإعلام من خلال هذا الملتقى الإعلامي السنوي تركز على طرح موضوعات مثيرة للنقاش، وذات بعد حيوي ولها علاقة مباشرة بالحياة اليومية، بعيداً عن التنظير الأكاديمي، والجفاف البحثي المحصور بقاعات الدرس والكتب، إذ إنها من خلال استضافة نخبة من الضيوف المتخصصين، تحاول أن تثري الموضوعات المطروحة، وتتيح المجال لطلبة أقسام الإعلام بالتماسّ المباشر مع الإعلاميين المعروفين، والإستفادة من خبراتهم، لاسيما وأن إمارة الفجيرة، تتميز بوجود ثلاث كليات إعلام، تخرّج الطلبة الذين يساهمون في المشهد الإعلامي في دولة الإمارات، إضافة إلى وجود " مجموعة الفجيرة للإعلام " التي تضم عدداً كبيراً من الشركات والمؤسسات العاملة في هذا الحقل، كما أطلقنا جائزة الفجيرة للتصوير الصحفي "فيبكوم" الدولية في دورتها الأولى، والتي توجت العلاقة مع وكالة الصحافة الفرنسية " فرانس برس، وما يزال موقع " الفجيرة نيوز " الإخباري منذ أكثر من ثلاث سنوات فاعلاً وينقل صورة حية عما يجري في الإمارة من مشاريع وخطط وفعاليات متنوعة " .
وحول خطط الهيئة ومشاريعها المستقبلية ختم الأفخم بالقول " لقد توصلنا إلى مجموعة من الفعاليات ذات البعد العربي و الدولي، وفي الوقت نفسه لها الأثر في مسيرة المجتمع، ومن بينها على سبيل المثال: "مهرجان الفجيرة الدولي للمونودراما"، و " ملتقى الفجيرة للربابة " و " مهرجان المسرح المدرسي " فضلاً عن المسابقة الدولية لنصوص الموندراما باللغة العربية، "، وجائزة الفجيرة للتصوير الضوئي، كما أن ثمار شراكتنا الإعلامية مع معهد الإعلام الأردني قد أينعت ثمارها بتخرج أول طالبة ماجستير إعلام من الفجيرة في هذا المعهد مؤخراً، ومن جهة أخرى وبخصوص الخطة المستقبلية للهيئة فإننا سننظم " ملتقى الفجيرة الفكري الأول " قريباً، وسنصدر أيضاً العدد الأول من مجلة " الفجيرة الثقافية " الفصلية لتكون منبرا عربيا للفكر والإبداع والفنون تضاف إلى مثيلاتها من المجلات العربية المرموقة، وتشمل الخطط المستقبلية القريبة إقامة مهرجان الفجيرة للموسيقى، وملتقى الفنون التشكيلية والنحت بمشاركات عربية ودولية واسعة" .
كما تحدث في الجلسة الإفتتاحية للملتقى سعادة إبراهيم العابد مدير عام المجلس الوطني للإعلام موضحا أن دولة الإمارات العربية المتحدة لم تكن أبدا بمنآى عن النقاشات التي تدور عالميا حول المرأة والإعلام حيث كانت هذه القضية ولا تزال تحظى باهتمام كبير على مستوى القيادة العليا والأجهزة الإعلامية ومؤسسات التعليم العالي. فخلال العقدين الماضيين، وبرعاية كريمة من سمو الشيخة فاطمة بنت مبارك، رئيسة الاتحاد النسائي العام،الرئيسة الأعلى لمؤسسة التنمية الأسرية، رئيسة المجلس الأعلى للأمومة والطفولة، ، شهدت قضية المرأة والإعلام زخما كبيرا امتد إلى الساحتين العالمية والعربية مما ساهم في تدعيم حضور المرأة على الساحة الإعلامية وتمتعها بصورة ايجابية تليق بانجازاتها الكبيرة في مجالات الحياة المعاصرة،وهو ما مكّن من إطلاق العديد من المبادرات الوطنية والإقليمية للنهوض بالمرأة في القطاع الإعلامي سواء على مستوى تقديم صورة إعلامية منصفه لها أو مشاركتها المهنية في العمل الإعلامي"
وأضاف العابد " على الرغم من غياب التوثيق المنهجي المناسب للإنجازات المتحققة في تناول الإعلام الوطني لقضايا المرأة وحضور المرأة في الفضاء الإعلامي، فإننا نلاحظ مؤشرات على وجود اتجاهات إيجابية مبشرة في مجال تمكين المرأة من لعب دور أكثر فاعلية وتحقيق صورة أكثر إيجابية لها. فقد بتنا نلاحظ ارتفاع مستوى حضور المرأة في الإمارات في الساحة الإعلامية سواء على مستوى المناصب القيادية العليا، أو على مستوى العمل الصحفي أو الإعلامي في وظائفه المختلفة وكذلك وجود عدة دوريات متخصصة بقضايا المرأة تلاقي جمهورا عريضا من القراء ليس فقط في الدولة بل في العديد من الدول العربية الشقيقة .
وقد ساهمت وسائل الإعلام الوطنية في دولة الإمارات خلال السنوات الماضية في إبراز إنجازات المرأة من خلال صيغ وأشكال إعلامية وصحفية متنوعة مثل التغطيات الإخبارية للقضايا والفعاليات التي تشكل النساء عنصرا مهماً فيها، والتحقيقات والأعمدة الصحفية التي تبرز قضايا وتحديات تهم المرأة في الإمارات ، والبرامج الإذاعية والتلفزيونية.
كما خصصت معظم وسائل الإعلام الوطنية وخاصة الصحف اليوميه ملاحق وزوايا خاصة بشؤون المرأة تركز على إبداعاتها الفنية والأدبية والفكرية والتربوية، وتفتح لها المجال للتعبير عن رأيها في القضايا المختلفة.كما عملت المحطات التلفزيونية من خلال برامجها المخصصة للمرأة أو للقضايا الإجتماعية بعامة لاستضافة نساء من مختلف مشارب الحياة للتحدث حول قضايا تخص الشأن العام أو تتعلق أساسا بواقع المرأة في الدولة". صورة المرأة في الإعلام" مداخلات معمقة لكل من " : أ. صلاح الدين معاوي ( تونس) ، مدير عام اتحاد إذاعات الدول العربية ((ASBU ، (صورة المرأة في الإعلام العربي)،أ. كرم نعمة ( بريطانيا)، مدير تحرير صحيفة العرب اللندنية، (صورة المرأة في الإعلام الأجنبي)، د.حصة لوتاه (الإمارات) ، كاتبة واعلامية (تسليع المرأة في عالم الإعلان)، د. إبتهال الخطيب ( الكويت )، أكاديمية وكاتبة في جريدة الجريدة الكويتية. (صورة المرأة في الإعلام والتحديات التي تواجهها)، د. خيرية البشلاوي ( مصر)، ناقدة وكاتبة (صورة المرأة في الدراما العربية).
كما شهد ت الجلسة الافتتاحية عرض فلم عن الفجيرة بمناسبة مرور اربعين عاما على تولي صاحب السمو الشيخ حمد بن محمد الشرقي عضو المجلس الأعلى حاكم الفجيرة مقاليد الحكم في الإمارة
كما قام سمو الشيخ ................ترافقه سمو الأميرة ريم العلي بافتتاح معرض التصوير الصحفي الخاص بجائزة الفجيرة للتصوير الصحفي " فيبكوم " والذي ضم ما يزيد عن الستين صورة ، وهو المعرض الذي تم افتتاحه في باريس سابقا بحضور سمو الشيخ محمد بن حمد الشرقي ولي عهد الفجيرة ، وتوزيع الجوائز على الفائزين من دول مختلفة.
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SOMA 13 + ESPANTAPAJARRACOS
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SALA EVEN – SEVILLA. 21.00 horas
VIERNES 7 ABRIL
JAMIROQUAI EXPERIENCE - Space Cowboys sp.
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SALA MALANDAR - SEVILLA. 22:00h
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MAFALDA + EL BASTÓN DE LA VIEJA
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DOMINGO 16 ABRIL
EL MAKA
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DISCOTECA KALEUCHE - VILLAMARTÍN. 21.00 horas
VIERNES 21 ABRIL
EL SUEÑO DE UNA NOCHE DE CABARET
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FESTIVAL DE TRIBUTOS ROCK: ZZTOP + BLACK SABBATH + MOTÖRHEAD
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PÁJARO BLANCO – HOMENAJE A TRIANA
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SALA LOS CLÁSICOS - TOLEDO. Apertura de puertas 21:30h. Inicio 22:00h
I never used to drink coffee. After I moved to Guelph a few years ago I tried it. Then I tried our local Planet Bean Coffee...... and it was all over. I now buy freshly roasted coffee every week or so.... and grind it in my new burr grinder right before I brew it in my french press. I have somehow become a coffee snob. Never saw it coming.
A bonus of drinking Planet Bean coffee is that it is Fair Trade and Organic!
Camera: Nikon D700 [ISO 200]:[5s] Lens:135mm 2.8 AIS [f4]
Strobist: SB900 @ 17mm 1/8th power, into 28" wescott softbox camera right. Used a whiteboard to attempt to reflect some of the light back to left side of subject.
Triggered by PWII's.
After the flash went off, I used a small pen flashlight and made quick circles in the air during the remainder of the 5 second exposure. I kind of like this one because the "halo" is all messed up. it sure is hard to draw a straight line while reaching over your setup in the dark. single exposure, no photoshop editing.
lui se n'era accorto.. come bisognava fare a intendersi...
ma poi.. non era un film..
........
where... "They're closing down the textile mill across the railroad tracks
Foreman says these jobs are going boys and they ain't coming back to your hometown
Your hometown
Your hometown
Your hometown"...
se Prato muore
muore la stoffa della fantasia
l'arte di riciclare dagli stracci
e di creare tessuti sempre nuovi
a rotoli a rotoli a rotoli
ma dentro di me
non muore
l'odore
delle mani sporche di grasso di mio padre
lui sentiva la meccanica dei telai come se fosse una musica
da riparare non appena qualcosa stonava
aveva imparato dal nonno
faceva dei fori su dei rotoli di plastica
e la stoffa ordiva e tramava colori
intrecciava disegni
mi sembravano magie...
mia madre preparava i fusi
avevo imparato anch'io, era un lavoro da ragazzi
e poi rammendava
mentre la stoffa scorreva sul tavolo illuminato verso la finestra
vedeva tutti i piccoli difetti dei fili
aveva imparato dalla nonna
le tele pronte erano montagne morbide di tutti i colori
..mi ci buttavo a tuffo e rotolavo rotolavo
tutto girava girava come una bambina sempre
quando ero stanca mi ci addormentavo
era la fabbrica dei sogni
che si potevano fare
l'altro giorno mio padre al telefono dalla Polonia si è commosso
per aver visto alla tv la fine di Prato..
e ora io da quaggiu'...vorrei essere Penelope
di una tela da fare lunga 1000km e disfare e continuare
finchè tutto torna a non finire...
gli stracci da riciclare sembra siano finiti
ma lo spirito non puo' morire
è tempo di riciclare quello
Production & Photography: Pablo Henríquez Palma
Model: Jesu
Styling and Clothes: Cote Bari
Make Up: Sole Donoso
Post: Nelson Muñoz - Pablo Henríquez Palma
We are manufacturer and World wide exporter of wooden handicrafts and wooden furniture Wooden Bed set, Captain Boxes,Chairs,Coffee Chairs, Dining Chairs, Couches, Fruit Trays, jewelry Boxes, Lamps, Magazine Racks, Rocking Chairs, Screen Partition, Sofa Set, Tables, Tea Carts, Wall Clock etc. in all over the World.
- All goods are made from premium quality solid Rosewood, unlike other manufacturers it has no mixing with plywood, chipboard or pasted wood.
- All goods are made with seasoned and fumigated wood leaving no doubts of pest infection or cracking etc.
- All items carry one year warranty. Home servicing is available with-in warranty and afterwards.
- How do we do it. www.rosewoodhandicrafts.com/carft.php
- If the required item is out of stock it will be ready with in 4 - 6 weeks of time depending on the order list. (upon order confirmation)
- When your ordered goods are ready, if you think this is not what you expected your advance money will be returned upon providing a valid reason.
- For custom made orders please send us your required item's photo or sketch along with prices ,descriptions and dimensions at : rosewoodcrafts@yahoo.com.
- For queries or suggestions please call +923225897829
- Shipping details (i.e freight charges, transit time etc..) can be obtained upon providing your complete postal address and nearest sea port details.
Best Regards
M.Tahir Shabbir
Skype: urbajwa
Mobile phone: +923225897829
Email id: rosewoodcrafts@yahoo.com
Address: CB-10 , Sector 27 Wah Cantt ,Province Punjab Pakistan
Website: www.rosewoodhandicrafts.com
copyright © 2007 sean dreilinger
view nick ran into his old preschool teacher, ms sara - _MG_3274 on a black background.
This would have been the synagogue of my grandparents before they emigrated. It's still standing because it was brick not wood. It's a barn now.
I traveled thousands of miles to this tiny agricultural village now in Belarus (formally part of the Soviet Union) to seek out my roots. My grandparents and their siblings fled from here early in the 20th c. and started life over in NY - lucky for me and all of my family.
Dolhinov is now a village in the Vileyka district of the Minsk Province of Belarus. It is located 51 miles north of Minsk, 25 miles ENE of Vilejka. Between the two World Wars it was part of Poland. Here's the whole Belarus set: www.flickr.com/photos/lithuania2008/sets/72157606149145442/.
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El viernes 06 de junio de 2014, de 8 a 18, tendrá lugar la 4º Jornada Nacional de Redes Sociales y Marketing Online, en el Centro Cultural Borges,
Galerías Pacífico, Sala Alberto Williams, Viamonte 525, 2º piso, Ciudad Autónoma de Buenos Aires, Argentina. Está dirigida a profesionales y
todas aquellas personas vinculadas al marketing, comunicación, relaciones públicas, publicidad, redes sociales; del sector privado, público y sin
fines de lucro; instituciones académicas, empresas, organismos gubernamentales y políticos, consultores, profesionales independientes,
emprendedores, fundaciones, asociaciones, cámaras y federaciones. Tiene como objetivo capacitarse y perfeccionarse en el uso de las nuevas
aplicaciones, plataformas, recursos y herramientas de las Redes Sociales e intercambiar experiencias con profesionales del sector. Para inscribirse
comunicarse al (00-54-11) 4953-8717, vía email a
o ingresar en
VALORES DE INSCRIPCIÓN
Valor inscripción temprana individual $1000 (hasta el 30/05/2014).
Posterior a esta fecha $1200.
Valor inscripción temprana por grupo $800 (Mínimo 3 inscriptos. Válido hasta el 30/05/2014).
Valor Estudiantes $700.
Valor asistentes del exterior U$S100.
SE OTORGAN CERTIFICADOS DE ASISTENCIA
DISERTANTES PROGRAMA Y TEMARIO
VIERNES 6 DE JUNIO
08:00 a 08:55 ACREDITACIONES – INGRESO A SALA
08:55 a 9:00 Apertura a cargo de Robin Laight, titular de Robin Laight –Jornadas y Eventos-
09:00 a 9:50
CECILIA NUÑEZ
Cómo planificar la Estrategia de Comunicación desde el Blog a las Redes Sociales
Fundadora de Bee! Comunicación, productora de contenidos web y estrategias en Redes Sociales. Licenciada en Comunicación Social por la Universidad
Católica del Uruguay, especializada en medios digitales. Se formó en comunicación web, marketing online, posicionamiento web y comunicación en
redes sociales. Trabaja desde hace más de 10 años en Comunicación para Internet, brindando consultoría, capacitaciones y charlas para Empresas,
Universidades y Organismos Gubernamentales en Argentina y el exterior.
9:50 a 10:40
VANESA GAMBIRAZIO
Youtube. Contenidos multimedia para potenciar tu estrategia en Redes Sociales
Es Fundadora de ID4you. Agencia Integral de diseño y desarrollos digitales. Diseñadora Gráfica de la Universidad de Buenos Aires, con posgrado en
imagen corporativa, medios digitales y gestión de proyectos. Trabajó en las agencias íconos en los inicios de la era digital como WebStorming,
Digital Entertainment, y Cybrel desarrollando sitios y campañas de marketing online para clientes como yeyeye.com, Unilever, Renault, José Cuervo y
Clean & Clear. Ha desarrollado campañas de lanzamientos de productos, servicios, aplicaciones mobile y rediseño de portales para empresas como
Telecom, Personal, Provincia Seguros, Arnet, Unilever y Techint. Su empresa colabora en la creación de imagen y campañas para ONGs y fundaciones
como Mujeres On lIne Latam, APSOT y Fundación Leer. Actualmente forma parte del programa el Programa Pymes 2.0 organizado por el Gobierno de la
Ciudad de Buenos Aires.
10:40 a 11:30
MARTÍN FUCHINECCO
Pinterest o Instagram ¿Cuál es la mejor opción?
Consultor y capacitador certificado en las herramientas Google AdWords y HootSuite. Experto universitario en marketing digital (UTN) y diplomado en
social media y comunicaciones digitales (Universidad Empresarial 'Siglo 21'). Emprendió los primeros pasos en el mundo del posicionamiento web y
campañas publicitarias en internet a comienzos del año 2007. También en este mismo año comenzó a investigar y ganar experiencia en Google AdWords
y casos de estrategias de reputación online orientada personas y empresas en internet. Ya en el año 2008 comenzó incursionar más profundamente en
el mundo de las redes sociales, la generación y curación de contenidos y tareas de community management. Actualmente dicta cursos para Nuevo Perfil
y se desarrolla como consultor independiente, brindando sus conocimientos a PYMES y empresas de proyección internacional.
11:30 a 12:00 Coffee Break y reingreso a Sala
12:00 a 12:50
CAROLINA MEDINA
Google + Plus. Cómo sacarle el máximo provecho
Speaker, Trainer and Consultant Online Marketing. Consultora de marketing online y nuevas tecnologías en todo tipo de empresas. (Más de 100
campañas gestionadas en Google Adwords.) Adquirió todo sus conocimientos bajo la tutela de Google España y Argentina. Desarrolló su experiencia
como instructora en Centro Latinoamericano de Educación y Asistencia Empresarial en Tecnologías de Google Advertising. Algunas empresas que
capacitó en la plataforma Google AdWords: Universal Mc Cann, Starcom, OMD, Havas Digital, Initiative, Carat, Leo Burnet, WSI, Ogilvy, Toyota,
Montpellier, Mercado Libre, MINI, P&G , Unilever, Ford Motor Company, Lenovo, Disney Channel, Movistar, FOX, HP, Direct TV, Despegar.com.
Especialidades: AdWords training (to self-manage in future), One-time account optimization, One-time account setup, Ongoing account management
services. Creative and design services, Marketing consultancy, New media (mobile & social networks), Online display advertising, Search engine
optimization, Website analytics.
12:50 a 13:40
JONATHAN BALDOVINO
Twitter. Como "Twitterizar" la actividad online
Chief Ideation Officer en Marketing Sense. Más de 10 años de experiencia en gerencia de negocios y desarrollo de productos especialmente en el
segmento de IT, Internet y medios de comunicación online. Director de la Especialización en Marketing Digital en ADEN Business School, Coordinador
del diploma en marketing Online de la Universidad ESEADE. Activo conferencista en Latinoamérica de temas de Marketing Online, Social Media y Email
Marketing. Profesor las universidades UP, ESEADE, UB, UADE, USAL, entre otras.
13:40 a 15:30 Almuerzo libre y reingreso a Sala
15:30 a 16:20
DIEGO LÁZARO
Linkedin. Aprenda a utilizarlo de forma efectiva
Publicitario y especialista en Marketing desde hace más de 10 años. Fundó hace 2 años su propia consultora, trabajando actualmente como Social
Media Strategist, realizando el posicionamiento estratégico en los últimos 2 años de más de 20 empresas en la Web 2.0, entre las que se cuentan
Vainillas Capri, Hotel Eolo Patagonia, Bodega Viña Las Perdices, vinotecas enoGarage, EspacioG y Gigared. Fue orador en las Primeras Jornadas
Nacionales de Marketing en Redes Sociales realizadas por Comunique, presentando la ponencia Community Manager. Director de Mighty Media, consultora de
redes sociales y online marketing.
16:20 a 17:10
GENOVEVA PURITA
Facebook. 10 Ideas para rentabilizar tu Fan Page
Socia Directora de CEO Soutions y Profesora en OBS (Escuela de Negocios Online de la Universidad de Barcelona). Licenciada en Marketing y
Comunicación en E.S.E.M Madrid, España. Se ha desempeñado como Gerente de Marketing en España (Borland, General Fosforera Española, Interalas
DM&M y Misco España) y en Argentina (Colorín, AVH Home Video y Synergex). Tanto a nivel corporativo como con sus clientes de consultoría, ha
desarrollado planes de marketing estratégico e implementado campañas de marketing táctico, basándose siempre en su permanente investigación sobre
las tendencias y uso de nuevas herramientas, así como de su experiencia en el desarrollo e implementación de estrategias de marketing directo e
interactivo. Ha dictado conferencias sobre Marketing Estratégico y Marketing Directo en la Asociación de Mujeres Empresarias de Madrid y Barcelona.
Se ha especializado en Posicionamiento ayudando a sus clientes a re-inventarse para lograr una adecuada articulación entre la estrategia deseada y
las nuevas reglas de juego del mercado.
17:10 a 18:00
GUSTAVO BLANCO
Aplicaciones. Plataformas. Recursos y Herramientas para el Community Management
Es cofundador de Nuevo Perfil que brinda servicios de capacitación en marketing digital, community management, herramientas digitales y visibilidad
corporativa y profesional en internet. Actualmente se desempeña como analista digital, community manager, redactor de blogs y capacitador. Es
licenciado en Sistemas de la Universidad CAECE con una especialización en Marketing Digital en la UTN y más de 15 años en el mercado de
capacitación y recursos humanos. Es docente en el Programa Ejecutivo de Community Management de la Universidad de Palermo. A lo largo de su carrera
ha trabajado como analista digital para clientes de cadenas de retail, moda, pymes y emprendedores. Actualmente orientado a la investigación e
implementación de la Identidad Digital Profesional (IDP) mediante estrategias de marketing social y de contenido.
Aviso Legal
Este mensaje se envía en acuerdo con la nueva legislación sobre correo electrónico: Por sección 301, párrafo (a) (2) (C) de S.1618. Bajo el
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I LOOK AT THE SKY HOLDING MY HANDS OVER MY EYES
Thu: I have noticed that assholes tend to come in groups! Days i can go with lovely people around me, then rest of the week is wanker overload! But i have decided that other peoples' crap is their problem not mine. I just need to let it wash over me and try to see the glass half full! My that was cheesy wasn't it?
SECRET #14: Don't let the sweet pink-haired girl stopping to smell the flowers fool you, she is a bitch! When my camel is getting tired and some random extra straw gets tossed on me i lose it hardcore. It is not something i am proud of and i always say sorry right after (well, unless they really deserved it). But that seems to be a family trait and not one that i wish to carry or pass on. I have seen what letting anger and discontent take over your heart can do to you and your family, not gonna let it be me.
www.japanvisitor.com/index.php?cID=406&pID=1355
Tenryuji Temple
Founded in 1339.
Located in northwest Kyoto.
A World Heritage Site.
Extensive grounds.
Located in lovely Arashiyama.
A must see.
Tenryuji, or as it is formally known Tenryu Shiseizen-ji, is the head temple of the Tenryu sect of Rinzai Zen Buddhism. Tenryuji was created in honor of Gautama Buddha, and was founded by Ashikaga Takauji. In 1994, it became a UNESCO World Heritage Site.
Prior to the founding of Tenryuji, the Empress Tachibana no Kachiko, who was the wife of the Emperor Saga, created a Buddhist temple named Danrin-ji on the exact same spot. In the mid-thirteenth century, however, Emperor Gosaga and his son Emperor Kameyama converted the grounds into an imperial villa.
Ashikaga Takauji later converted the villa into a temple in order to hold a memorial service for Emperor Go-daigo. Ashikaga’s younger brother, Tadayoshi, was alleged to have had a dream about a golden dragon flying in the nearby Hozu River. “Tenryu” means "dragon of the sky."
The temple was enormously successful and grew to contain 150 sub-temples. Fire, however, decimated the temple in 1358, 1367, 1373, 1380, 1447, and 1467. It was rebuilt following further destruction during the Onin War, again burned in 1815, and lost many temples and artifacts during the Hamaguri Rebellion in 1864.
Tenryu-ji contains various Important Cultural Properties, including portraits of the temple’s first priest Muso Soseki; a wooden carving of Gautama Buddha; illustrations; and a garden, created by Muso Soseki.
The Emperors Gosaga and Kageyama are buried here.
More detailed history and pics here-
www.japaneselifestyle.com.au/travel/kyoto_tenryuji_temple...
Ifty Hashmi Khan focuses on business development and project management at BLACK iz WEBs and is a company partner. His duties include building client relationships and guiding clients through the design development processes. Ifty Hashmi Khan studied business at Government Titumir college, earning degrees in Business Administration and in Marketing, with a minor in Graphic Design & Public Relations.iftyhashmiIfty Hasmi is another experienced teachers in BLACK iz IT Institute working on the first season of this institute. Along with Ifty Hasmi's teaching qualification holds in Bachelor of Business studies (BSS) .He Worked as Senior Executive at a multinational company. Now he is working as a trainer on Expert SEO, Web Design & Development and more.Ifty Hashmi’s interests include Online Market and Freelancing. His drive to pass his knowledge to students makes him a key asset to BLACK iz IT Institute.And Online Forex market. ifty hashi, iftyhashmi, Ifty hashmi khan, ifty, jibon, s a khan jibon, shafiul alam khan, SEO analyst, Web Developer, , SEO Analyst,SEO Expert, SEO Adviser in Bangladesh, Best odesk worker in Bangladesh ,top 10 Odesk earner in Bangladesh, Best Freelance In Bangladeshi,WebDevelopment,Databases Developer in bd, php Developer in Bangladesh, custom cms Developer in Dhaka, software Developer in Bangladesh,Web web design, Responsive site, Dynamic Web, Mobile Device, Static Site, php Base site, css, HTML5, HTML5, CMS Web Marketer in BLACK iz IT
Took this shot yesterday. Didn't spend too much time editing the shot besides running it through photomatix. I like the way it turned out. A little darker than I would like but it was pretty cloudy. I haven't been back to the Capitol in some time and it was nice to use my new equipment.
The Shot
Tripod, Canon 50d with Sigma 10-20mm, 3 bracketed RAW images
Photomatix
HDR with details enhancer
Photoshop
Applied layer 'levels'
Applied layer 'curves' for contrast
Applied layer 'hue/saturation' to increase colors (selective colors)
Dodged and burned with a 50% gray layer, blended in soft light
Applied unsharp mask after noise reduction to background layer
Blended with different exposures to get rid of ghosting.
Check some more work at www.coyaunephotography.com
All photographs © Richard Coy Aune Photography, please don't use them for anything without my permission. Thanks
www.earlychicago.com/monuments.php?letter=P
Pioneer Court Fountain - 1965 · 25 names of Chicago pioneers were set in bronze on the circular retaining wall of the fountain once on the east side of Michigan Avenue, just north of the Chicago River. They are: Jane Addams - Philip Danforth Armour - Daniel Hudson Burnham - Richard Teller Crane - John Crerar - Steven A. Douglas - Marshall Field - William Rainey Harper - Carter Henry Harrison - Gurdon Saltonstall Hubbard - William Le Baron Jenney - John Kinzie - Cyrus Hall McCormick - Joseph Medill - Walter Loomis Newberry - William Butler Ogden - Potter Palmer - George Mortimer Pullman - Julius Rosenwald - Martin Antoine Ryerson - Jean Baptiste Point Sable - Charles Henry Wacker - Aaron Montgomery Ward - John Wentworth - John Whistler. Among them are seven who arrived in Chicago before 1836, namely Hubbard, Kinzie, Newberry, Ogden, Point de Sable, Wentworth and Whistler. A 13.5"x31" concrete tablet [see monument] at the fountain was inscribed: "Pioneer Court - A project developed cooperatively by the Chicago Tribune and the Equitable Life Assurance Society of the United States in commemoration of the pioneers whose names, selected by the Chicago Historical Society for their contribution to Chicago`s birth, growth and greatness, are set in bronze in the base of the fountain. - Dedicated June 23, 1965. - By J. Howard Wood, president of the Tribune Company and publisher of the Chicago Tribune, James F. Oates, Jr., Chairman of the Board of Equitable Life Assurance Society of the United States, and by Mayor Richard J. Daley of behalf of the City of Chicago." [This fountain no longer exists at this location, 2004.]
A beautiful, small church near Sunderland that was dedicated in 685 AD. This is one of the Churches that "Founded" Christianity in England and holds a special place in history.
Bede the Venerable worked and lived here.
The "Codex Amiatinus" was written here, and is the oldest bible in the World. It is in a museum in Florence.
The church was sacked in 794 AD by the Vikings, then repaired and reopened in 1074.
The Church has been nominated for UNESCO "World Heritage" site status in 2010.
The Curch has the oldest stained glass window in the World.
For more history visit the Church website: www.stpaulschurchjarrow.com
Also, an excellent article here:
en.wikipedia.org/wiki/Monkwearmouth-Jarr ow_Abbey
The kind caretakers of the Church allowed me to wander around with my camera and tri pod taking pictures and generally making a nuisance of myself for a couple hours. What a beautiful Church!
A large Rococo console table
Estimate: PHP 50,000 - 60,000
Last quarter, 19th century
San Isidro, Nueva Ecija
Red narra
86 x 147.5 x 57 cm (34 x 58 x 22 in)
Lot 440 of the Salcedo Auctions auction on 21 September 2019. Please see salcedoauctions.com for more details.
A beautifully crafted, unusually large console table made in precious, heavy red narra wood in rich, lustrous patina, with strong stylistic affinities with Rococo Revival furniture popular in Europe in the second and third quarter of the 19th century. The serpentine front concaves at the sides, bulges in the middle, and rounds at the corners. Flowers, foliage, C-scrolls and elongated shell motifs delightfully carved adorn the frieze drawers and cabriole legs. The French-style shell hoof feet are strikingly beautiful and well executed. Interestingly, by design, there are no X-stretchers connecting the legs, thus presenting an uncluttered demeanor. Only an wealthy family with a stately house to keep it in could possibly own such a magnificent piece. Reputedly from a house in San Isidro, Nueva Ecija owned by relatives of nationalist Maximo Viola.
www.fai-asturies.org/principal.php?pag=lernot&id=79
201 años dempués de la declaración de soberanía de 1808 Fai! quixo recordar esti 25 de mayu como'l día nacional d'Asturies. Pa ello, entamóse una folixa que cuntó con un recital poéticu, la ellaboración d'un mural y un conciertu con 4 grupos asturianos que punxeron la banda sonora a una xornada reivindicativa pola soberanía popular asturiana.
Más d’un cientu de persones participaron esti sábadu 23 na I Folixa Nacional entamada por Fai! como reivindicación y celebración del Día de la Nación Asturiana, recuerdu de la xornada qu’abre la historia contemporánea d’Asturies, el 25 de mayu de 1808, día de la declaración de soberanía de la Xunta Xeneral.
Doscientos ún años depués d’esti fechu y de la creación de la bandera asturiana, la organización d'esquierda soberanista Fai! quixo ufrir un menú folixeru y combativu nel marcu del CSOA La Reflexón. Abriendo les actividaes, Sergio Gutiérrez Camblor, Carlos Suari, Pablo X. Suárez, Xabel Vegas y Xandru Fernández protagonizaron el recital poéticu “Poetes agresivos (disparen les sos obres contra los que se duermen)”, onde tuvo bien presente, de la mano de los sos versos, la crítica social y la ironía más característica de cinco poetes que representaron na Folixa’l presente y el futuru de la lliteratura nacional, al tiempu que nes paredes se proyectaben imáxenes subversives qu'afalaben l'ambiente combativu del recital.
De siguío, dellos artistes plásticos emprimaben a diseñar un mural que tenía la histórica fras como protagonista: “Asturies enxamás vencida”.
Dientro del CSOA, organización, delles puestos de material y músicos ultimaben tolos detalles pa que dende les siete y media, la música entamara a sonar na I Folixa Nacional con un escenariu enllenu d'asturines y de banderes d'otros pueblos en llucha como les de los Països Catalans, Castiella, el País Llionés, Andalucía, Euskal Herria, Palestina...K-Nalón yera’l grupu encargáu de romper el silenciu col so rap dinamiteru 100% n’asturianu.
Darréu Arma X y 13 Palabras xubíen al escenariu de La Reflexón pa que la revolución de rimes nun aparara.Metanes l'actuación, una pancarta xubió al escenariu pa denunciar la illegalización de les idées y pola derogación de la llei de partíos.
Al finar esta actuación los sones reivindicativos dexaron pasu al actu políticu, onde militantes de Fai! lleeron un manifiestu en favor del 25 de mayu como día nacional d'Asturies. Enantes, un representante del Comité de Sofitu a Iniciativa Internacionalista n'Asturies, que llamentablemente foi la única organización qu'acudió a la llamada que dende Fai! se ficiere a los partíos de la izquierda nacional asturiana pa dicir unes pallabres, agradeció'l convite y presentó la campaña que ta desendolcando'l comité nesti país, a pesar de les torgues y la criminalización que careció y carez esta y otres munches opciones polítiques d'esquierda soberanista nel estáu español.
Na segunda metada del conciertu Vinagre de Sidra abría capítulu pa les guitarres y el rock, que yá na fin de la nueche diba zarrar Gomeru, depués de cinco hores de música dende la trinchera más reivindicativa del país.
Dende Fai! nun queremos que s'escaeza la nuestra historia, la historia d'un pueblu combativu que siempre supo tar a l'altura de les circunstancies. Güei tócanos a nosotres y nosotros, les y los asturianes y asturianos del sieglu XXI siguir na llucha en busca de la soberanía popular d'Asturies.
[*+ ]
Beaumaris Castle, located in Beaumaris, Anglesey, Wales was built as part of King Edward I's campaign to conquer the north of Wales. It was designed by James of St. George and was begun in 1295, but never completed. Beaumaris has been designated as a World Heritage site.
Beaumaris castle was positioned to face Garth Celyn on the opposite shore of the Menai Strait and was intended, along with Conwy Castle and Caernarfon castle at either end of the Menai Strait, to overshadow the Welsh Royal home and centre of resistance to the English forces.
Beaumaris Castle (beau mareys - fair marsh) was the last of Edward I's fortresses in North Wales. Work started in 1295 and continued for 35 years, with over 3,500 workmen employed at the peak of construction. Finances and material ran out when King Edward turned his attentions towards Scotland, and the castle was not completed, although an impressive £15,000 was expended on its construction.
During the course of construction Edward I of England ordered that the inhabitants of nearby Llanfaes be evicted from their homes and relocated to the far side of the island at Newborough.
The King's architect, Master James of St. George, brought all his experience to bear in designing Beaumaris — its defences and lines of supply are superbly planned. It was constructed according to a concentric plan — the inner ward is completely surrounded by the outer ward. The castle has a tidal dock allowing it to be supplied directly by sea and is surrounded by a water-filled moat. The defences include numerous ingeniously sited arrow slits, and the entrances are protected by murder holes from which substances such as hot oil could be poured over enemy forces. Attackers of Beaumaris Castle would have met 14 separate obstacles and four lines of fortification resulting from the 'walls within walls' design.
The plan of the castle is nearly square, sharing much in common with Caerphilly and Harlech. The inner ward is rectangular with a round tower at each corner. On the north and south sides are massive gatehouses following the typical pattern of two D-shaped towers flanking the gate passage, while two more D-shaped towers defend the east and west walls. The great hall and other domestic buildings would have been constructed within this inner ward.
Surrounding the inner bailey (in accordance with the concentric ideal) is an outer wall defended by towers and its own two gatehouses. These are not aligned with the inner gatehouses and would have denied attackers the advantage of a straight path through the gates. The dock wall extends from the south wall near the gatehouse so also serves as a defensive firing platform. Unlike the simple outer walls at Caerphilly and Harlech, the walls here are very thick and have internal passages to allow defenders access to protected arrow slits.
The plan was nearly perfect, but the castle was never completed. The Welsh conquest was practically complete at the time of construction, and the immense cost of completing such a massive fortress would have drained funds needed for the Scottish campaigns. Neither the towers of the inner ward nor the great gatehouses were built to full height and many buildings of the inner ward were left unfinished when large scale work ceased in 1298. Small-scale work was carried out in the early 14th century. However, the outer walls were crenelated, and unlike many other castles Beaumaris did not suffer slighting during the Civil War — the extant castle is very well-preserved.
This is my dear friend John, who has been fighting a brain tumor, and went right to the brink, early December, and then made a remarkable rally. He is here seen laughing with my wife, Maria. After visiting him, his wife and parents today, I have also written [very briefly] about his incredible odyssey in my blog entry for today, January 9, 2008, and how my recent tree series, and the set, "Stricken, But Not Vanquished," is also interwoven with John's story. If interested, here is the link:
This is Antenna Structure Registration 1000626, built in 2018 for WTCM/103.5 in Traverse City. It's 34.42 km (21.4 mi) south of town. Details on the tower...
Structure Type: GTOWER (guyed)
Structure Coordinates: 44-27-33.0 N 85-42-2.0 W (NAD 83)\
Structure Address: Rt 37 2.4 Mi N
Structure City: Sherman, MI
Structure County: Wexford County
Remarks: OM&L to remain the same as prior study = A HIGH-DUAL SYSTEM
Remarks: PRIOR STUDY 2009-AGL-2627-OE
Remarks: OM&L to remain the same as prior study = A HIGH-DUAL SYSTEM
Elevation Info
Site Elevation: 324.4 meters (1064 ft)
Height of Structure: 303.6 meters (996 feet)
Overall Height Above Ground: 304.9 meters (1000 feet)
Overall Height Above Mean Sea Level: 629.3 meters (2065 feet)
WTCM details...
Class C0
Effective Radiated Power: 100 kW
Transmitter Output Power: 23.5 kW
Antenna Center HAAT: 302 m (991 ft.)
Antenna Center AMSL: 614 m (2014 ft.)
Antenna Center HAG: 291 m (955 ft.)
Site Elevation: 323.1 m. (1060 ft.)
Height Overall*: 303.8 m (997 ft.)
Omni-Directional Antenna
Antenna Make/Model: PHD Phelps Dodge CFM HP-10 (10 bay)
Also on the tower is an auxiliary antenna for WTCM...
Effective Radiated Power: 0 kW Horiz. ; 13 kW Vert.
Transmitter Output Power: 7.39 kW
Antenna Center HAAT: 0 m Horiz.; 195.6 m Vert.
Antenna Center AMSL: 0 m Horiz.; 511.9 m Vert.
Antenna Center HAG: 0 m Horiz.; 187.5 m Vert.
Calculated Site Elevation: m.
Height Overall*: 304.9 m (1000 ft.)
Omni-Directional Antenna
Antenna Make/Model: Electronics Research Inc. P300-3AE
According to the latest Nielson ratings at this writing (late May 2020), WTCM is the top-rated station in the Traverse City-Petosky-Cadillac market (#159 in the US) with a 10.9 share.
archive.org/search.php?query=subject:%22%20Undersea%20Kin...
Starring Ray “Crash” Corrigan, Lee Van Atta, C. Montague Shaw, Monte Blue, Lois Wilde, John Merton, William Farnum.
Undersea Kingdom begins with a protracted introduction to our hero, US Navy lieutenant “Crash” Corrigan (Ray Corrigan), in a series of sequences that establish his athletic prowess. After Crash has excelled at football, wrestling, and other strenuous sports, the main plot gets underway when Corrigan is assigned to accompany scientist Professor Norton (C. Montague Shaw) on a submarine expedition to the bottom of the ocean. Norton is convinced that a recent series of earthquakes are emanating from the lost land of Atlantis–which, according to his theory, was not destroyed when it sank to the ocean floor but instead preserved by a protective dome. Norton, Corrigan, newspaper reporter Diana Compton (Lois Wilde), and Norton’s young son Billy (Lee Van Atta) discover the truth of Norton’s theory when their undersea journey brings them to Atlantis–a country that culturally and sartorially resembles Ancient Greece, but possesses technology never seen in the ancient or modern world. There, they find that the Atlantean tyrant Unga Khan (Monte Blue) has been causing the earthquakes, which are mere test runs for his planned conquest of the “surface world” with his arsenal of destructive weapons. Norton is taken prisoner by Khan, who makes the professor his scientific lackey after after technologically brainwashing him, while Crash is captured by Sharad (William Farnum), the high priest of Poseidon and the leader of an Atlantean faction that opposes Unga Khan. Eventually, Crash convinces Sharad that they share a common enemy, and is given command of the high priest’s “White Robe” army. He takes command of Sharad’s campaign against Unga Khan’s “Black Robes,” while Khan assiduously prepares for an invasion of the unsuspecting surface world.
Undersea Kingdom is invariably compared to Universal’s Flash Gordon, which was released two months earlier in 1936; in fact, it’s often cited as a direct imitation of the Universal chapterplay. Given the closeness of the two serials’ release dates, this is unlikely–although Republic did begin producing Kingdom when Universal announced Gordon, no doubt hoping to steal a little of Gordon’s thunder with a sci-fi adventure of their own. Thematically, however, Undersea Kingdom owes more to Phantom Empire, released two years earlier by Republic’s predecessor Mascot, than it does to Flash Gordon. Among the two serials’ points in common are an alien kingdom that is still part of the good old Earth, a child co-hero, and a villainous robot corps. Also like Empire, Kingdom lacks any of the otherworldly atmosphere of Flash Gordon; Atlantis’ locales and inhabitants never come alive the way Mongo’s do. The troubles of Atlantis never becomes involving in their own right; the struggle between Unga Khan and Sharad is a mere backdrop to Khan’s plan to conquer the surface world; (in fact, the final destruction of Sharad’s city is only a side effect of Khan’s attempt to recapture Professor Norton).
However, while Undersea Kingdom is no Flash Gordon, it has much to recommend it. As already mentioned, the writers (John Rathmell, Oliver Drake, Maurice Geraghty, and Tracy Knight) don’t succeed in making Atlantis seem very colorful (although they give the supposedly Greek Atlanteans a wild potpourri of names that hail from Mongolia, ancient Persia, Phoenicia, and many other places), but they keep their plot moving swiftly. The final chapter is unusually exciting, with Unga Khan confidently preparing to blast opposing Navy ships from the ocean as Crash and Norton work frantically to cripple his defenses from within his impregnable tower.
While the serial’s principal outdoor location (Iverson’s Movie Ranch) doesn’t look very otherworldly, both Sharad’s Sacred City (a disguised version of Republic’s Spanish fort, enlarged by some excellent matte work) and Unga Khan’s laboratory are decorated in properly peculiar style, while the serial’s various miniatures (the Atlantean “Volplane,” Norton’s submarine, Khan’s rocket-powered tower) are very well-designed by Howard and Theodore Lydecker. The Juggernaut, a tank-like vehicle that anticipates the Jungle Cruiser in Tim Tyler’s Luck, is similarly impressive, while a squad of robots (called “Volkites” here) will only impress those (like myself) who don’t object to the water- heater-like appearance of the robot in the later Mysterious Doctor Satan; the Volkites are near-duplicates of that automaton.
The serial features few of the fistfights common to Republic’s later serials, but compensates by including some truly unique action sequences, chief among them the large-scale attacks on Sharad’s Sacred City by the Black Robes; these battle scenes are beautifully staged by directors Joseph Kane and B. Reeves Eason (Eason directed many similar sequences in silent and sound “spectacles” like 1925’s Ben-Hur and 1936’s Charge of the Light Brigade). The serial’s smaller-scaled swordfights are also well-handled, as are several chariot chases, Crash’s tightrope-walking escape from Khan’s tower, and the wrestling matches between Crash and various opponents (although his repeated success in overpowering two villains at once somewhat stretches credibility). The serial’s chapter endings are interesting (particularly the ones involving Crash’s fall down an elevator shaft, his apparent crushing by the Juggernaut, and the good guys’ failed escape in the Volplane that ends in their being shot down), but too many of them–including the famed Juggernaut cliffhanger–are resolved by blatant “cheats” in the following chapter.
The serial’s cast is uneven in terms of acting. Ray Corrigan, excellent as a laid-back but determined cowboy hero in Republic’s Three Mesquiteers films, seems slightly uncomfortable as a swashbuckling near-superhero (with a rather embarrassing outfit); he delivers most of his lines hurriedly in rather stone-faced fashion and lacks the dash that helped Buster Crabbe put across the similarly difficult role of Flash Gordon. Monte Blue is also a bit miscast as the warlord Unga Khan. While Blue was good as more prosaic villains like the evil Yellow Weasel in Hawk of the Wilderness, his appearance and voice aren’t “bravura” enough for such a larger-than-life part. He voices Khan’s megalomaniacal ravings in a harsh monotone, with none of the measured staginess someone like Charles Middleton or Bela Lugosi would have given them.
The lovely Lois Wilde has very little to do as the leading lady, but delivers her lines with a breathless enthusiasm almost unparalleled among serial actresses. Lee Van Atta is good as the capable, if somewhat cocky, Billy Norton, in effect the serial’s co-hero. John Merton features prominently as a tough Black Robe soldier named Moloch who switches over to the good guys’ side and provides Crash with loyal support; Merton handles this change-of-pace part with plenty of vigor and conviction. Lon Chaney Jr. is properly snarling and aggressive as Captain Hakur, the leader of Unga Khan’s Black Robe army, while Raymond Hatton–surprisingly cast as a villain–is his second-in-command. Boothe Howard makes a slick aide-de-camp for Monte Blue, and Lane Chandler is William Farnum’s stalwart lieutenant. Farnum himself handles the role of Sharad with his customary dignity and theatricality, glowering angrily over Unga Khan’s aggression and ringingly declaring his faith in Poseidon. The most refined and assured performance in the serial, however, comes from C. Montague Shaw as Professor Norton. Shaw is calm, dignified, and authoritative as the pre-transformation Norton and whining, crafty, and obsequious as the transformed Professor. His evil chuckling when he’s decoyed Crash into a trap is memorable, and his simple but startling transition back to his previous manner when his mind is restored is excellent.
Smiley Burnette and Frankie Marvin, accompanied by a parrot named Sinbad, are the serial’s designated comic relief, but aren’t given anything amusing in the way of material. Fortunately, they make only a few token appearances throughout the serial. A scrutiny of their scenes shows that their characters were inserted in post-production, apparently to pad out a few chapters’ running time; they never interact with any of the other principals and are never referred to by them (except in one obviously-looped scene). Jack Mulhall and Lloyd Whitlock play naval officers in the first and final chapters, and John Bradford overacts wildly as Joe, Norton’s hysterical assistant who goes berserk at the prospect of descending to the ocean depths. George DeNormand doubles for Ray Corrigan in the action scenes and plays various Atlantean guards, along with fellow stuntmen Eddie Parker, Tom Steele, and Bill Yrigoyen.
Undersea Kingdom, while not as slick as later Republics or as colorful as its contemporary Flash Gordon, is a definite step up from Mascot predecessors like Phantom Empire when it comes to production values and smoothness of plotting. The serial belongs to a developmental stage in Republic Pictures’ history, but is no less appealing because of that; while few fans or critics (this author among them) would rate it as one of Republic’s best serials, it usually holds a warm spot in their esteem.
Above: Unga Khan (seated) tells Professor Norton and Diana of his schemes of conquest. Boothe Howard as Ditmar is on the far left.
Workshop fotografico alle Tre cime di Lavaredo - Dolomiti
Speciale Workshop-trekking fotografico delle Tre Cime di Lavaredo
Le Tre Cime di Lavaredo sono uno dei “monumenti” delle Dolomiti, il nostro tour prevede di visitarle da ogni prospettiva, offrendo cosi un tour fotografico unico attorno a queste montagne uniche e affascinanti. Insieme alle Dolomiti di Sesto e del Cadore che le circondano questi monti formano un quadro che ha pochi eguali nelle Alpi e probabilmente nel mondo. Nei due giorni percorreremo due trekking in modo da poter fotografare con le luci migliori le calde pareti di queste montagne, cercando sempre lo scatto inedito, personale, descrivendo in stile reportage l’ambiente di questi luoghi. Il Trekking delle Tre Cime di Lavaredo a differenza degli altri prevede l’assistenza di due fotografi professionisti in modo da seguire meglio il gruppo che verrà diviso di due fra chi desidera fare più trekking e chi si vuole dedicare più alla fotografia ed è già esperto.
Difficoltà fotografiche: ***
Difficoltà escursionistica: **
Focus del corso
Briefing sull’attrezzatura ideale per la fotografia in montagna, comportamento da tenere in natura, l’etica del fotografo naturalista.
L’esposizione in digitale ottimizzata per il file RAW.
Regole di composizione, la grammatica della fotografia e l’arte di comunicare.
Uso creativo degli obbiettivi dal super grandangolo a tele per il paesaggio.
Uso corretto dell’iperfocale.
Fotografare al tramonto e alba.
Fotografia notturna – astronomica.
Il controluce e il fill-flash.
La composizione delle immagini panoramiche (stitching).
Esercitazioni.
Attendees participate in Pollinator Habitat Planting Event on Saturday, June 1, 2019 in Plymouth, Ind. (Kamil Krzaczynski/AP Images for National 4-H Council)
A rare Batangas 'Olympic' altar table
Estimate: PHP 1,000,000 - 1,200,000
19th century
Batangas
Balayong, kamagong and lanite inlays, brass hardware
92.5 x 129 x 63 cm (36 x 50 x 25 in)
Provenance:
Formerly from the family of Rosita Mercado of Lemery, Batangas
A type of decorative running ornament that features two intertwining bands that repeat in a pattern of crossing intervals was found in ancient Assyrian architecture, continued through the classical world of Greek and Roman culture, then became known in 18th century France as guilloche and spread through the Georgian period in England. It symbolized unity and eternity. In furniture, they were often botanically inspired, but also appeared as waves, snowflakes, ribbons and - in the case of this altar table - as interlocking rings colloquially known in the Philippines as ‘Olympic’ motif, in reference to Olympic ring symbol originally created in 1913 by Pierre de Coubertin.
Positioned in the most prestigious place in the main living room of a colonial house, it was on altar tables like this wherein the family’s venerated santo images were enshrined and prayed upon; prayer books, rosaries, candles, santo vestments, and other important paraphernalia were kept in the drawers. It is made entirely of dark balayong wood (Afzelia Rhomboidea), a type of highly prized rosewood. It has a reddish brown color that tends to darken even more with age and has natural luster. Very difficult to carve due to its durability and interlocking grain. A solid one-piece top sits on a carcase composed of two smaller drawers above one larger drawer, all fitted with silver escutcheons and hand-hammered iron drop bail handles, and inlaid with fine borders of kamagong and lanite wood looping below the keyhole and acutely concaving at the corners. The Olympic motif carved exceptionally in low-relief is featured on all four side flanges that attenuate downward with an ogee shaped extension, and is reprised on the front and side aprons to create a perfectly elegant piece of colonial furniture. The sides have carved raised center panels - another feature of high quality craftsmanship. All raised on square tapered legs.
Lot 188 of the Salcedo Auctions auction on 18 March 2023. Please see www.salcedoauctions.com for more information.
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Author: Mario Fallini
Photo: Enzo Bruno
Web:http://www.flatusvocis.eu/index.php/archivio-opere/eros-e-thanatos/separazione-dei-beni
opera si presenta come un dittico, un cuore e un sacco di denaro alati si fronteggiano sul fondo blu di un cielo piatto e irreale. Il colore azzurro rammenta il costume di Superman, le forme sono quelle del fumetto e della cultura pop. Viene in mente zio Paperone che, quando inesorabilmente costretto a pagare qualcosa (spesso è lo scellerato nipote Paperino, a chiedergli prestiti), immagina i propri sacchi di quattrini volare fuori dalla finestra del suo immenso deposito dorato. Si tratta della riproposizione di immagini popolari, ben note alla memoria comune perchè immediatamente riconoscibili. Esse hanno il valore simbolico ed estetico dei cartelli stradali o dei monogrammi. Fallini ci parla di divorzio e crisi coniugali con il consueto afflato canzonatorio, di qui l'uso del linguaggio del fumetto e delle streep americane. Il cuore infranto precipita mentre il sacco di denaro decolla, verso la libertà. "Fiduciosa e ottimistica" rappresentazione dell'amore coniugale ad opera di un cinico misantropo..? O forse si tratta di un artista, travestito da misantropo, mascherato da giornalista di cronaca rosa...? La domanda resta ma è indubbio che, come ci insegna Antoine Doinel: "L'amore fugge". (Francois Truffaut 1978)
[scheda di Camilla Bertolino]
高雄市玩美攝影協會 / 拍攝
『玩美是人生追求完美境界的過程，完美是生活過程中的成果，攝影人在乎過程中的進行。因此，玩美幾乎是攝影人所追求的程序，意即尚在進行中，永無止息，故取名之。』
協會會址:台灣 高雄市新興區尚信街29號
捷運O7文化站 1號出口(步行約1分鐘)
協會服務電話：07-2231345
E-mail：wm2231345@gmail.com
red-net.it/index.php/comunicati-red-net/627-unoperazione-...
Il 26 gennaio in tutta Italia si sono verificate 52 perquisizioni che hanno portato a 26 arresti e 16 denunce a piede libero per le mobilitazioni contro la costruzione della linea ad alta velocità Torino-Lione (TAV). Le accuse sono resistenza, violenza, lesioni a pubblico ufficiale e riguardano in particolare i fatti di Chiomonte del 3 luglio, quando una grandissima manifestazione si era opposta alla costruzione del “fortino”, creato per proteggere il cantiere di questa grande opera.
Ma alla popolazione della Val Susa, come a tutti noi, un modello di sviluppo incentrato su devastazione del territorio e sempre maggiori profitti per speculatori e padroni vari, non serve.
Dal 1991 in Val Susa i comitati popolari NoTav si battono contro questa linea ferroviaria sulla quale si giocano enormi interessi economici; interessi che sono in antitesi con i bisogni e le condizioni di vita reali della maggior parte della popolazione. In questo modo il capitalismo italiano cerca di rilanciare il proprio ruolo all’interno dell’UE, diventando una piattaforma di transito-merci e manodopera, e imponendo alla popolazione i costi economici, sociali, ambientali e militari dell’operazione. In Val Susa abbiamo visto una lotta partecipata, condivisa che ha travalicato i confini della valle, contribuendo a palesare i limiti di questo modello sociale.
Mentre la Tav passa sulla testa delle popolazioni, è in atto l’ulteriore smantellamento dei diritti nel mondo del lavoro annunciato dal governo tecnico.
In questi ultimi mesi, e anni, si sono moltiplicate le lotte dei lavoratori contro la chiusura delle fabbriche, lo sfruttamento, la continua precarizzazione dei contratti di lavoro, la mercificazione dell’istruzione.
Ne sono un esempio le aziende occupate, i presidi permanenti dei lavoratori, le mobilitazioni degli studenti, o dei comitati territoriali che si oppongono a progetti di devastazione territoriale attraverso la creazione di discariche (Chiaiano) o infrastrutture (ponte sullo stretto, TEM).
All’interno di queste lotte si sono mossi fino ad oggi gli arrestati. Le misure restrittive, coadiuvate dalla spettacolarizzazione mediatica, criminalizzano le lotte cercano di isolare questi compagni dal tessuto sociale in cui sono inseriti. Ma il movimento Notav è una lotta popolare con una esperienza ventennale che attraverso un senso di partecipazione attiva alla lotta ha sviluppato dei validi anticorpi alla distinzione tra buoni e cattivi.
Le lotte di oggi, per quanto frammentarie e parziali, pongono una critica profonda al capitalismo, e rappresentano un’anticamera concreta allo sviluppo di un diverso sistema sociale. Proprio questa alternativa preoccupa la classe dirigente. Nel tentativo di riproporre lo spauracchio degli infiltrati nei movimenti sociali (siano essi terroristi o blackblock), la toga rossa Caselli ha affermato che “questo non è un attacco alla Valsusa”. Infatti non lo è. E’ un attacco contro tutti i movimenti sociali in lotta.
Libertà per tutte e tutti!
Red-Net; Assemblea Scienze Politiche- Milano; C.D.U.P Ingegneria- Napoli; Collettivo 20 Luglio- Palermo; Collettivo 808- Padova; Collettivo Aula R- Pisa; Collettivo Autorganizzato Univeritario- Napoli; Collettivo Break Out- Napoli; Collettivo Lavori In Corso- Roma; Collettivo Politico- Firenze; Studenti Comunisti- Bologna; Studenti Federico Secondo- Napoli.
The wall of lights is made of hundreds of car lights, and was used during "The Giant" show by Royal de Luxe.
Part of "Le Grand Répertoire", a set on this exhibition at the Grand Palais in Paris.
Taken at Butterfly World Ft. Lauderdale Florida
The Green Violet ear (Colibri thalassinus) is an attractive hummingbird that is a resident breeder in highlands from south-central Mexico, (the Trans-Mexican Volcanic Belt), to western Panama and in the Andes from northern Venezuela to Bolivia. It shows seasonal movements and wanders to the United States and even Canada.
In flight
The male Green Violetear is grass green above and becomes a bronze color on the rump and uppertail coverlets and is 11 — 11.5 cm (4.25 — 4.5 in) in length.[2] The tail is square and slightly notched with a broad dark blue subterminal band.[2] It has a large violet central breast spot on the upper breast and a violet-blue band along the chin that often connects to the violet-blue "ear," giving the bird its name.[2] The female is similar to the male, but averages smaller and slightly duller, with a narrower violet band on the chin.[2] The juvenile is a much duller version of the adult. Its plumage is generally olive green overall with dull gray wash to the underparts. The violet breast spot is either indistinct, incomplete, or absent.[2] A molting juvenile may show bright metallic color in patches, particularly on the throat or breast.[2]
The habitat is open upland country with trees and scrubs. It apparently avoids very humid rainforest.[3] The nest is a substantial cup of plant material 1-3m high in a tree, into which two white eggs are laid.
The Green Violet ear's song is a vigorous CHEEP-chut-chut, chip CHEET which is repeated interminably through the day. The call a dry chut. These birds visit flowers of many species of herbs, trees and scrubs for nectar.
Únete al grupo de Facebook de AFECTADOS POR LAS MUTUAS, haz oír tu voz.... LA UNIÓN HACE LA FUERZA.
Ojo si tienes un alta con la mutua, y ya no estás trabajando...pero continuas con la dolencia... acude al médico de cabecera, sin dejar ni un solo dia de por medio, que te de la baja, y búscate un abogado sindicalista, (que tampoco esperes milagros), si la lesión te impide el desempeño de tus tareas habituales... no dejes pasar ni un dia, pues al segundo día van a decir que a sido una recaida pues no estabas trabajando. Artículo 222 del Seguridad Social en España, así están las cosa; y en que repercute esto... PUES QUE SI AL FINAL SE ENTIENDE QUE FUE UN ACCIDENTE DE TRABAJO Y OBLIGAN A LA MUTUA AL ABONO DE TODO EL TIEMPO QUE ESTUVISTE EN PARO LO HARAN DESDE LA FECHA DE LA BAJA que te dio el INSS, (TU MEDICO) y no la fecha del alta improcedente que te dieron en la mutua, así SI HAY MAS DE UN DIA ENTRE LA FECHA QUE TE DIERON EL ALTA Y LA BAJA QUE OBLIGAN a la mutua a retomar SERÁ RECAIDA Y TENDRÁS QUE DEVOLVER EL DINERO que te abone la mutua AL INEM Y HABRÁS PERDIDO TODOS LOS MESES DEL PARO QUE PASARON y EL DINERO... Y ESTO GOBERNANDO O MALGOBERNANDO LOS SOCIALISTAS DE ZAPATERO
Te lo contarán de otra manera en el MINISTERIO DE TRABAJO E INMIGRACIÓN (SERVICIO DE EMPLEO ESTATAL) DESDE LA UNIDAD DE LETRADOS Y te contestarán lo que ellos quieran, para entretenerte mas... y te contarán alguna milonga... SE LAS SABEN TODAS... Pero este es el resultado El paro lo pierdes, aunque pagues los meses con el abono de la mutua. Una autentica barbaridad, CONCEBIDA por el estado, dificil de llevar a juicio, según me cuentan los abogados... (ESTAMOS PEOR QUE EN LOS AÑOS 60; alguno ya lo ha hecho y yo fuí detrás (como un convidado de piedra, callado... sin dejarme presentar testigos, sin poder hablar; mientras escucho la palabras que manipulan el médico de la mutua FREMAT... la abogada del INSS y el abogado de esta mutua; (mutua que presume de tener el premio Reina Sofia a la reinserción social de los accidentados; por no hacer nada) porque ademas durante todo ese tiempo estas de baja absoluta, ni tan siquiera puedes hacer un cursillo de informatica sentado, por que el medico no te firma el consentimiento... PORQUE PARA ESTAR EN EL PARO NO PUEDES ESTAR DE BAJA, SIN EMBARGO LA SEGURIDAD SOCIAL EN ESPAÑA TE PAGA POR DELEGACIÓN... Y TE ENGAÑA, """HACIENDO EL NEGOCIO CONTIGO"""" Y HUNDIENDOTE... CUANDO LA MUTUA CORRESPONDIENTE TE ABONE LOS MESES DE LA BAJA... AUN SIENDO POR ACCIDENTE LABORAL... QUE ES UN CASO DE ENTIDAD SUPERIOR A UNA GRIPE TAN COMUNES... TE LO VAN A DESCONTAR DE LOS MESES QUE TENGAS EN EL PARO... Y QUE NO TE ENGAÑEN... ESTA ES UNA DE LAS LINDEZAS CONSENTIDAS POR EL GOBIERNO SOCIALISTA... DE ZAPATERO... EN BENEFICIO DE LOS OBREROS QUE LEVANTAMOS ESPAÑA CADA DIA; CUANDO NOS CAEMOS AL SUELO NOS REMATA LITERALMENTE PARA QUE NO NOS LEVANTEMOS MAS. Así te encontrarás con una tarjeta del paro que dice que llevas 22 meses en el paro... siendo mentira, pues en realidad 14 de estos, estuviste de baja por accidente legalmente reconocido; pero no importa... así engañados (para estar en el paro, tienes que tener disponibilidad de trabajar, lo cual no cabe en ninguna cabeza si estás de baja, más aún de accidente y te lo reconocen), pero te lo quitan, exigiéndote ... el dinero y los meses de paro pasados que los perderás... sin que puedas reaccionar y pasan los dias y los meses sin defensa y sin poder recuperar un derecho que te ganaste trabajando, EL PARO. Y sin indemnización por el accidente convirtiendote poco a poco en una escoria de la sociedad, sin trabajo... lisiado... sin dinero... sin crédito...(ve al banco y pideles algo en estas condiciones), poco importa que anteriormente recorrieras todo el país, luchando por lo tuyo y tu familia, tu país... para llevar fuerza y que se monten empresas, y se encientran las vitrocerámicas de todos nosotros.... maldito estado traidor que te sube y luego te corta las piernas (malditos políticos ladrones y estafadores) que hacen las leyes y dejan lagunas legales, para que alguien se beneficie si caemos en una. DE TODOS MODOS NO TE PREOCUPES TE PAGARÁN EL SUBSIDIO DE 420 EUROS PARA QUE NO PUEDAS SACAR EL FONDO DE PENSIONES QUE TIENES DESDE HACE 15 AÑOS... OTRA TRAMPA ... LEGAL PARA HACER SU CORRALITO... Legalmente ahora puedes recuperarlo, pero algunos directores de banco se hacen los locos... ve al paro y que te pongan que lo que cobras es una pensión no contributiva y que te devuelvan lo tuyo... que no te vacilen como en mi caso. ASÍ ESTÁ EL PAIS QUE TAMPOCO NOS DEVUELVEN NUESTROS AHORROS CUANDO LOS NECESITAMOS... Y A ESTAS ALTURAS... REPITO NI SE TE OCURRA PEDIR CREDITO AL BANCO,DONDE ADEMAS PASAS DE TENER 12000 DE VISA ORO... A QUITARTELA DIRECTAMENTE.
Me llamó la atención el maniqui por lo claro que se puede ver, en esta reproducción a tamaño real... la hernia discal en una tienda de ortopedia del Barrio Gotico de Barcelona. La causa de miles de dolencias de espalda diarias, y de tantas bajas laborales; que quede como muestra claramente visible de tantos desahuciados por las mutuas, porque esto no se hace trabajando... ¿para qué tantos cursos sobre seguridad en el trábajo? Dicen que ojos que no ven... AH... Y OLVIDATE DE ENGAÑAR A LA MUTUA, ELLOS TE ENGAÑARÁN A TI... están especializados en ello, los que hemos sufrido un accidente lo hemos sufrido en nuestras carnes... y lo tienen todo perfeccionado para echar balones fuera a base de pruebas inservibles y o fraudulentas...
In Zulu it is ilanga liya shona (v) ukuShona kweLanga (n); langa being sun, liya being 'it is' and shona meaning going down...Thus meaning sunset under African sky.
We had our Christmas/Team building here today. What an awsome place. Please have a look at the series and choose your favourite photo.
Also see a website: www.sa-venues.com/ga/fact-sheet/shonalanga.php
Facebook Event: Pizza Tour NYC
Event Info
Name:Pizza Tour NYC
Tagline: for friends and family
Host:Vladimir Cole (Facebook / LinkedIn / Twitter)
Type:Other - Carnival
Time and Place
Date: Wednesday, November 21, 2007
Time: 10:00am - 10:00pm
Location: NYC
City/Town: New York, NY
Description
Purpose: Tour some of the best Pizza in NYC. Now that I’m on the West Coast, this is a very important “keeping it real” event for me. I mustn’t forget what real pizza tastes like. Seattle’s pie sucks, for the most part.
Timing: Start at 10am and end at 10pm. Feel free to join in at any point by calling me (212.281.1090) for current location and next stop. Also, you can follow along via Twitter (twitter.com/vladcole).
Itinerary (in rough order):
DONE .... Rose & Joe's Bakery (31st St near Ditmars Blvd, Astoria)
DONE .... Rosario's (31st St near Ditmars Blvd, Astoria)
DONE .... Joe’s (7 Carmine Street, West Village) … walk to:
DONE .... Grandaisy Bakery (73 Sullivan St., SoHo) … walk to:
DONE .... Lombardi’s (32 Spring St., SoHo) … walk to:
DONE .... Luzzo's (1st Ave. & 12th St.) …
DONE .... Fornino (187 Bedford Ave., Brooklyn)
DONE .... Franny’s (295 Flatbush Ave., Prospect Heights, Brooklyn)
Google Maps: Brooklyn Section: Pizza Crawl by Brian Carp (Facebook)
Franny's Guests
+ Dr Sam
+ Jane Doe
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Vivid Sydney - Macquarie Visions
The Vivid Festival ran from May 27 to June 21.
Highlights inclided a light display on Macquarie Street and the return of the fire waters performance at Darling Harbour, a song summit in Sydney and a creative industries X Media Lab.
Last year's festival attracted more than 200,000 people to events at the Rocks and Circular Quay.
Macquarie Visions, a free public event celebrating in immersive light displays, the 200th anniversary and story of two visionary leaders, Governor Lachlan Macquarie and his wife Elizabeth.
Taking approximately one hour, the walk starts with a dazzling light spectacle at St Mary’s Cathedral and moves onto installations at Hyde Park Barracks Museum, The Mint, Parliament House, The State Library of New South Wales, The Royal Botanic Garden’s Palace Garden Gate and Sydney Conservatorium of Music, with special features including the spectacular Downer Macquarie Arch and the stunning illumination of the Opera House sails fulfilling the amazing Vivid Light experience.
The Sydney Opera House is a multi-venue performing arts centre in Sydney, New South Wales, Australia. It was conceived and largely built by Danish architect Jørn Utzon, who, in 2003, received the Pritzker Prize, architecture's highest honour.
The Sydney Opera House was made a UNESCO World Heritage Site on 28 June 2007. Currently, it is the most recently constructed World Heritage Site to be designated as such, sharing this distinction with such ancient landmarks as Stonehenge and the Giza Necropolis. It is one of the 20th century's most distinctive buildings and one of the most famous performing arts centres in the world.
The Sydney Opera House is situated on Bennelong Point in Sydney Harbour, close to the Sydney Harbour Bridge. It sits at the northeastern tip of the Sydney central business district (the CBD), surrounded on three sides by the harbour (Sydney Cove and Farm Cove) and neighboured by the Royal Botanic Gardens.
The Opera House was formally completed in 1973, having cost $102 million.
Waldhäuser ist eine Streusiedlung in der Gemeinde Neuschönau im Landkreis Freyung-Grafenau.
Das ausgedehnte Bergdorf liegt in einer Höhenlage von etwa 840 bis zu 1050 Metern am Nordwesthang des Waldhäuserriegels mitten im Nationalpark Bayerischer Wald.
1611 errichtete die Stadt Grafenau dort zur Förderung des Salzhandels an der Gulden Stras ein Rast- und Übernachtungshaus für die Säumer, das Haus am Wald. 1614 erhielt die Stadt den Erbrechtsbrief für dieses Haus, 1617 die bürgerliche Gerichtsbarkeit. Es bestand nur aus einem einzigen Raum von etwa 30 Quadratmetern.
Wenige Jahre später baute die Stadt Grafenau das untere Haus im Wald. 1637 waren schon sieben untere Waldhäuser vorhanden. Das Weiderecht der Bewohner von Waldhäuser umfasste 1800 Tagwerk. Um das obere Waldhaus herum weidete das Vieh der Grafenauer Bürger während der Sommermonate. Die Bewohner der Waldhäuser lebten vor allem von der Herstellung hölzerner Teller, Schaufeln, Rechen, Löffel und anderer Holzbitzlerwaren, die sie den Bauern in tiefer gelegenen Orten verkauften. Getreideanbau war wegen des Klimas nicht möglich.
1774 errichtete der kurfürstliche Holzförster Muckenschnabel aus Bruchsteinen den mehrgeschossigen Ameishof. Das gegenwärtig als Jugendherberge dienende Gebäude mit weit heruntergezogenem Walmdach erhielt seinen Namen davon, dass die Bewohner der Waldhäuser auf dem großen Dachboden sogenannte „Ameiseneier“ (in Wirklichkeit Ameisenpuppen in ihrem Kokon) trockneten und dann als Fisch- und Vogelfutter verkauften.
Noch dem Ende des 18. Jahrhunderts hatte der Wirt in Waldhäuser als Überbleibsel des ehemaligen Salzhandels das Recht zum Verkauf von Salz. Seine böhmischen Gäste schmuggelten jährlich 15 bis 20 Scheiben Münchner Mäßerei über die Grenze. 1838 verkaufte die Stadt Grafenau das obere Waldhaus mit dem dazugehörigen Weiderecht um 5238 Gulden und 41 Kreuzer an das Königreich Bayern. 1846 gab es in den oberen und unteren Waldhäusern insgesamt 19 Häuser.
Waldhäuser ist ein wichtiger Ausgangspunkt für Wanderungen, besonders auf den Gipfel des nahe gelegenen Lusen.
- aus Wikipedia
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View Large On Black Some people equate the terms bad and evil but there is a difference in the way these two terms are commonly used. As they are most commonly used, evil is the subset of all that is bad delineated from what is merely bad by a conscious intent to do harm. Something is bad if it causes harm but is only evil if some conscious being intended the harm. Evil carries a moral punch. The evil is in the intention. There are therefore bad things or events that are not definitively evil, at least as these two terms are commonly used. If a mudslide destroys a village and people die in their sleep, what has happened is very bad but not evil for it is merely an act of nature, but if somebody had a chance to warn them but didn’t because they wanted them to die, then their failure to warn them would be evil. The evil is in the intent to do harm or allow harm to be done.
The above photo is highly manipulated but is “based on reality”. The reality rests in the two photos that I took within thirty hours of each other. On the first day, I was driving around the beltline on the east side of my home town when I saw this vehicle with the sign, “CAUTION, DO NOT TAILGATE, SHOW GOAT SEMEN ON BOARD.” I quickly grabbed my camera and captured the image you see above, well, most of that image. There was another image that formed in my mind, an image based on but differing from the reality of the photograph that I had just taken. I wanted to make a point. The next day, I spotted a car that was rather ordinary, but it displayed what I wanted to complete the image that had formed in my mind, an Obama bumper sticker. I quickly photographed the back of that car.
After I downloaded the two images from my camera onto my computer, I changed the name of the company printed on the truck to “Superboy Semen”, the license plate number to 666-OWW and removed the owner’s phone number and other identifying information. Then I added the Obama’ 08 sign to the back. The Obama’08 sign was on the back a parked car to my right and the photo was taken from a different angle than the back of the goat semen truck which was to my left. I first changed the perspective (angle) of the Obama’08 bumper sticker to match what it would have been on the back of the truck and then resized it. Then I transferred it to the truck, erased the sticker part of it and changed the color and blur of the lettering to somewhat match the “CAUTION, DO NOT TAILGATE . . . ” sign immediately above it. Finally, after a few more minor changes, I photoshopped seven layers of the altered image and merged them into a final composite which you see above.
The result is a photo I can truthfully say is “based on the truth” because the truck really existed as did the Obama’08 sticker. Now it was not my intention to pick on Obama, I actually admire the guy, but to make this point. I don’t like underhanded, manipulated news reporting on any issue. How can I vote my conscious if I‘m being mislead? How can I know what or who to support if I am being fed partial lies? My purpose in posting this photo is to show graphically what members of JournoList did verbally and graphically on a regular basis to manipulate the news to support their candidates and causes. The big difference is that I am telling you what I did openly and out front. What they did, they did it in secret, never intending to tell their readers and listeners. Did they do evil? Did they intend to harm anybody? Well they harmed the voters right to know the whole truth and they conspired to harm opponents with spurious news stories that they released separately, but in unison. I’ve always admired (not) the ability of the liberal media to be outraged in lockstep. Now we have proof how they do it. One thing we can be sure, what these JournoList members did was a bad way to report the news. This is not a minor problem.
1. Gnomes by Multiple Personality
2. Camel/Red Gnome Cushion Cover by Pixelknit
3. Garden Gnome Softie by sew sew suck ur toe
4. Gnome Book Plates - Set of 8 by Art by Lisa Loo
5. Three Woodland Gnomes by painting pixie
6. 2 Inch Light Gnome Rubber Stamp by nikoart
7. Gnome Postcard Pack (6 cards) by isabell's umbrella
8. Wee Gnome. Preppy. by humbleBea's
9. Gnome on mushroom with cake and ladybug - Giclee Print by Steve Morris Art