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ruralarts.museum.msu.edu/showcase/murinal.php
Garden Detail
The Ingham County Arts Commission and the Ingham County Fair partnered in this project which brought together professional and student artists, and community residents to conceive of the images, design and paint the mural. The "Murinal" remained a landmark at the fairgrounds for over a decade but has now been painted out.
South & West Views
The "Murinal" a 1981 community arts project created a mural around the four sides of a bathroom building at the Ingham County Fairgrounds. Known as "the murinal" this community artwork depicted the Mason County rural countryside of farmland and wetlands, the Mason county courthouse, and the fairgrounds.
Cow Detail
Moo. . .ving to create jobs and training
opportunities with visible results
The Popular Arts Workshop (PAW), a community muralist group provided the artistic direction and promoted the success of the project as an opportunity to employ artists and others in community beautification.
Gary Andrews - PAW Artist
Julie Nicol (Avery) Ingham County Arts Commissioner, project leader.
Rick Ross Live in Miami at King Of Diamonds Go to Facebook on.fb.me/kNaTaQ - Flickr bit.ly/jDFeoa
Palawan - Puerto Princess
We varen naar enkele eilanden met schitterende koraalriffen waar we heerlijk kunnen snorkelen ....
Pandan-island, Starfish-Island, Snake-Island ...
We verleiden de visjes met een beetje brood in de handen. Na enige tijd wemelt het rond je armen en benen van een wolk kleurijke visjes die kriebelen in je vingers of die vechten en elkanders stukje brood afpakken .... je vergeet er alles bij .... ook als de boot terug wilt vertrekken en je reisgenoten luid je naam roepen ... r i t a .... r i t a .... je hoort je naam, maar je reageert er niet op, je bent echt in vervoering door zoveel moois!
... een onvergetelijk moment tijdens de reis!
also this to read:
www.philippinecountry.com/philippine_beach/hondabay.html
For slideshow click here:
Jurong Bird Park, the largest one in the world. Taken with Nikon 70-200mm f/2.8 VRII.
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The Superb Starling (Lamprotornis superbus) is a member of the starling family of birds. It can commonly be found in East Africa, including Ethiopia, Somalia, Uganda, Kenya and Tanzania.
This species is 18 to 19 cm (7–7.5 inches) long. Adults have black heads and iridescent blue-to-green back, upper breast, wings, and tail. The belly is red-orange, separated from the blue breast by a white bar. The undertail coverts and the wing linings are white. Juveniles have duller plumage with no more than a suggestion of the white breast band. Their irises are brown, later grayish white, eventually the adult's cream-color.
The Superb Starling has a long and loud song consisting of trills and chatters. At midday it gives a softer song of repeated phrases. There are several harsh calls, the most complex of which is described as "a shrill, screeching skerrrreeee-cherrrroo-tcherreeeeeet."
This species feeds on the ground. (Wikipedia)
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This obelisk marks the spot where the body of Tommy Jones aged 5 was found. He lost his way between Cwm Llwch farm and the Login on the night of August 4, 1900. After an anxious search of 29 days his remains were discovered Sept. Erected by voluntary subscriptions. W Powell Price Mayor of Brecon 1901
ABOVE: Dress by ANELORE POPA (Anelore Designs)
HOSTED BY:
Juicy Communications & Promotions
Luxurious pampering, fun shopping and two fashion shows featuring designers:
ANELORE POPA (Anelore Designs) and NICOLE TOMNEY (N.R.T. Fashions)
BEAUTY SERVICES:
Face Mapping Skin Analysis by Dermalogica’s Skin Bar
Lash Teases & Brow Grooming by Wink Beauty Lounge
Manicures by Soulful Indulgence
Hair Styling & Manicures by Tech 1 Hair Design & Esthetic
Tarot Card Reading by Psychic Gina
Mobile Hair Styling by Emily Sarah Style
Makeup Applications by New Image College of Fine Arts
Luxurious Massages by Rejuvenate Zone Spa
ALSO,
Shop for sizzling sex toys by Sex Ed with a Twist
Pick up sexy lingerie by Queen Diva Lingerie
Purchase natural remedies by Earth 2 You
Taste delicious samples of Youth Juice
Experience deluxe hand scrubs by Arbonne International
MUSIC BY:
DJ Johnny Jover
PHOTOGRAPHY BY:
Davis Chu - www.davischu.com
Hilo de la Fotohistoria en Pullip .es:
THE PARK(3 of 3): Akari's suitors /
EL PARQUE (3 de 3): Los pretendientes de Akari
(Read in order, this is: SHOT/FOTO 83 of 95) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95.
FOTOSTORY: In English / En Español
Cíen: (I don't underdtand how is he that brave when he looks all the opposite from the outside... I should do like him... but not today... tomorrow... XD lol)
/
Cíen: (Yo no sé el chico este de donde saca tantos cojones con la poca cosilla que es... lo tiene super chungo con Akari y aún así se arriesga el tío... Debería tomar un poco de ejemplo... pero hoy no... mañana... yaoming)
LINKS:
- Las FOTOHISTORIAS de Sheryl en el Foro de Pullips: Pullip .es
View On Black, or View my most interesting stream ON BLACK!
Taking a stroll in downtown Vancouver is more than pleasing. Of course some streets, such as Granville or Robson Streets, are busier than others. More interestingly, I start to notice passageways or narrow alleys among buildings when I spend more time roaming around in the city. Take this space as an example, there is actually a stairway at the end of the open ground connecting to West George Street. Isn't it an amazing finding?
To me, I just love the layers of stairsteps between the buildings. :-)
歡迎點閱我最新的文章「活在當下」，或是我的部落格 光影、色彩、我，關於攝影二三事！
__________________________________________________
~溫哥華, 英屬哥倫比亞省~
Downtown Vancouver, Canada
- ISO 320, F16, 30 sec, 16mm
- Canon 5D Mark II with EF 16-35mm f/2.8 L lens
- Sunset @4.14pm (234º) / Shot @ 4.44pm
© copyright 2011 Hsiang Wei Chao
.|| This image may not be used for any purposes without the expressed, written permission of the photographer.
Madrid (Spain).
ENGLISH
Lavapiés is a barrio of the city of Madrid, centred on Plaza de Lavapiés.
It was the Jewish quarter of the city until the expulsion of the Jews in 1492, the church of San Lorenzo being built on the former site of the synagogue. The name literally means "wash feet", and seems to refer to the ritual washing of one's feet before entering the temple, possibly in the fountain in Plaza de Lavapiés.
It has long been a neglected area of the city. An inscription on a fountain in Plaza de Cabestreros is the only monument to the Spanish Republic in Madrid, such mentions having been systematically removed elsewhere during the Franco regime. The ruins of Escuelas Pías, a religious school, were left to stand for many years after it was burned down by supporters of the Popular Front in 1936. Only in 2002 the ruins were converted into a university library.
In the late 1980s and 1990s, Lavapiés had acquired a reputation as a "vertical slum", with its tenement blocks either empty or occupied by older people paying low rents. As a result, it became the most important location for okupación, or squatting, in Madrid.
More recently, it has become the focal point for immigrant populations, particularly Chinese, Arabs and people from the Indian subcontinent. It has been estimated that around 50% of the population is of foreign origin.
More info: en.wikipedia.org/wiki/Lavapi%c3%a9s
-----------------------
CASTELLANO
Lavapiés es el nombre de una plaza del centro de Madrid (España). Ha dado nombre también a una calle, un barrio y una estación de metro.
En su origen Lavapiés fue la judería o barrio judío de la ciudad. La actual Iglesia de San Lorenzo ocupa el solar que antaño ocupaba la sinagoga, que se comunicaba con la plaza de Lavapiés a través de la calle que hoy se llama de la Fe, llamada entonces calle de la Sinagoga. A partir de 1391 se reconstruyó la aljama y, por orden de los Reyes Católicos, fue rodeada de una muralla que cerraba sus puertas al anochecer. El motivo, según los historiadores, era proteger a sus habitantes más que aislarlos, pues la relación entre la judería y el concejo era por entonces excelente.
Muchas familias judías vivieron en el barrio de Lavapiés hasta los días de la expulsión, en 1492. Sólo algunos judíos madrileños notables (especialmente los médicos) estaban autorizados a vivir fuera de Lavapiés, para que pudiesen auxiliar a sus enfermos durante la noche. La expulsión decretada por los Reyes Católicos dejó a Lavapiés y a Madrid sin judíos. Muchos años después, llegarían de nuevo algunos judíos de Lisboa, Egipto, Túnez y otros lugares de África.
Cerca de la calle del Salitre, en la ladera de Buena Vista, mirando al Santuario de Atocha, aparecieron vestigios de lo que pudo ser un cementerio hebreo (ya que no se encontraron en él objetos cristianos) previo a la expulsión de 1492.
Parece que el nombre de Lavapiés podría proceder de una fuente que había en la plaza, donde se hacía el lavado ritual de las extremidades inferiores antes de acudir al templo. En cualquier caso, sí es cierto que en la plaza hubo una importante fuente hasta finales del siglo XIX. Lavapiés es el nombre original del barrio: la denominación El Avapiés, antigua, es en realidad una ultracorrección de Lavapiés, nombre más antiguo que el anterior.
La denominación manolo y manola que se da a los castizos madrileños procede de Lavapiés, y se dice que tiene su origen en la profusión del nombre Manuel, con el que se bautizaron muchos judíos para escapar a la expulsión en 1492. Los manolos rivalizaban con los chulapos y chulapas, procedentes éstos del barrio de Malasaña. Hoy en día se suelen emplear ambos términos indistintamente para referirse a la gente vestida con el atuendo tradicional madrileño.
A finales de los años 1980 Lavapiés era un barrio habitado exclusivamente por gente mayor, típicamente en casas viejas y de pequeñas dimensiones construidas alrededor de un patio (lo que se llama corrala, aunque su denominación correcta es la de casa de corredor). Por eso se ha hablado de chabolismo vertical. La abundancia de casas abandonadas y de viviendas de renta baja atrajo en los años 80 y 90 a multitud de jóvenes con pocos recursos, entre ellos numerosos okupas: Lavapiés ha sido, probablemente, la zona de Madrid con mayor densidad de casas ocupadas, y en ella tuvieron lugar las primeras experiencias de ocupación de la capital. Hoy en día la okupación casi ha desaparecido, pero sigue siendo el barrio con mayor cantidad de asociaciones y movimiento vecinal de Madrid.
En una segunda oleada, y por las mismas razones, acudieron al barrio centenares de inmigrantes. Se calcula que alrededor del 50% de la población del barrio es de origen no español. De hecho, eventos como el año nuevo chino o el ramadán tienen casi más resonancia en Lavapiés que, por ejemplo, la navidad.
Más info: es.wikipedia.org/wiki/Lavapi%c3%a9s
Anecdote of the Jar
I placed a jar in Tennessee,
And round it was, upon a hill.
It made the slovenly wilderness
Surround that hill.
The wilderness rose up to it,
And sprawled around, no longer wild.
The jar was round upon the ground
And tall and of a port in air.
It took dominion every where.
The jar was gray and bare.
It did not give of bird or bush,
Like nothing else in Tennessee.
--Wallace Stevens--
If you drive north from Kansas City, towards Platte County, you'll cross the Broadway Bridge over the Missouri River, and then you'll go past the old municipal airport. The road continues alongside the river for a ways, and in just a mile or so you can see some strange hulking structures on the river banks. I have never known what they were, and I still don't know.
But now I have pictures. A photograph of the building that sits just south of this structure is also in my photostream, just above: "Down By the Riverside 2."
Thanks to NinianLif for a texture layer.
Each nation used to provide its country with security
with factories providing arms for their country
Now multinational companies compete in the arms trade
to serve any customer, maximising the money to be made
So just as farms compete to provide fruit for other countries
so people can live to enjoy the taste of nature
National warehouses compete to provide arms around the world
to aid death
and all hell unfolds.
Our gracious queen
should grasp her crown
and take a good fucking swing at Blair and Brown
for leading her countries to illegal warfare
and trying to pass it off that we're doing 'cause we care.
Now prudence of wars are a redemptive cause
I've never heard such nonsense under international laws
We think we have the right to enforce democracy
when we're weakening ours everyday
What hypocrisy.
We'll be together against this
We'll be forever against this
Fuck man
I just woke up to a land where killing is part of every day
and every mind in this intelligent species
is then blinded into the battlefield
like it's natural for us to break instead of build
Unities intrinsic the only cause worth fighting for,
all religions, colours and creeds
Now we are the world and we are the people
We are the world and we are the people
and we will be heard.
el cielo me ayudo a darle colores a mi vida!!
hacia tiempo que no salia!!
y bueno hay que empezar a vivir otra ves!!
Vamos Gus me digo por dentro!!
es hora de ponerse de pie otra ves!!
vamos loco!!
serie amores que matan nunca mueren
Lulunta Maipú Mendoza Argentina
Tibu = Gusty = Seba @
En soled busco mi libertad!!!
Yo no quiero un amor civilizado, con recibos y escena del sofá; yo no quiero que viajes al pasado y vuelvas del mercado con ganas de llorar. Yo no quiero vecínas con pucheros; yo no quiero sembrar ni compartir; yo no quiero catorce de febrero ni cumpleaños feliz. Yo no quiero cargar con tus maletas; yo no quiero que elijas mi champú; yo no quiero mudarme de planeta, cortarme la coleta, brindar a tu salud. Yo no quiero domingos por la tarde; yo no quiero columpio en el jardin; lo que yo quiero, corazón cobarde, es que mueras por mí. Y morirme contigo si te matas y matarme contigo si te mueres porque el amor cuando no muere mata porque amores que matan nunca mueren. Yo no quiero juntar para mañana, no me pidas llegar a fin de mes; yo no quiero comerme una manzana dos veces por semana sin ganas de comer. Yo no quiero calor de invernadero; yo no quiero besar tu cicatriz; yo no quiero Madrid con aguacero ni Rosario sin tí. No me esperes a las doce en el juzgado; no me digas "volvamos a empezar"; yo no quiero ni libre ni ocupado, ni carne ni pecado, ni orgullo ni piedad. Yo no quiero saber por qué lo hiciste; yo no quiero contigo ni sin ti; lo que yo quiero, muchacha de ojos tristes, es que mueras por mí. Y morirme contigo si te matas y matarme contigo si te mueres porque el amor cuando no muere mata porque amores que matan nunca mueren
www.brooklandsmuseum.com/index.php?/explore/vickers-fb27-...
The Vickers Vimy was designed as a long-range bomber capable of delivering a one ton payload to central Germany. Deliveries to the RAF began in October 1918, just too late to see operational use in World War One. However, pioneering flights across the Atlantic, from England to Australia and London to Cape Town would ensure its place in aviation history.Brooklands Museum - Explore
This modern reproduction was commissioned by Peter McMillan in 1994 to re-enact the type’s three long distance flights of 1919-20. Its first flight was made in California on the 30th July 1994. In 1994 it flew the epic 75th anniversary flight to Australia, piloted by Peter McMillan and Lang Kidby. In 1999 it successfully flew to South Africa, piloted by Mark Rebholz and John LaNoue and on 2nd -3rd July 2005, the Vimy achieved the ultimate goal when Steve Fossett and Mark Rebholz successfully re-enacted Alcock & Brown’s trans-Atlantic flight from St Johns, Newfoundland to Clifden, Ireland, in just under 19 hours.
In 2006 ownership passed to the American ISTAT Foundation and the aeroplane was maintained to airworthy standards at Dunsfold Park by Brooklands Museum volunteers. It was finally donated to Brooklands Museum Trust on 26th August 2006.
Since 2006 the Vimy has represented Brooklands at a number of occasions including the Farnborough Airshow, the Goodwood Revival and the 2009 Connemara Airshow in Ireland to commemorate the 90th Anniversary of Alcock and Brown flying the Atlantic. The decision was taken to retire the aircraft from flying (see the full reasons on our Vimy Retirement page) and on the 15th November 2009, its last flight was to the grass landing strip at Mercedes-Benz World. See a 10 minute film by Andy Lambert of the arrival at www.youtube.com/watch?v=hHPe79Bhvb4. The Vimy was subsequently taken by road to the Wellington Hangar at the Museum on the 19th November - see Andy Lambert’s film of this at www.youtube.com/watch?v=bjepleZp7vI. The Vimy Exhibition was formally opened by Peter McMillan at the Museum’s Vimy Day on the 21st November 2009.
Ecocentro Danaus (<-- video) is located a couple miles east of La Fortuna Costa Rica. It's a fairly small reserve, 600 meters of walking trails, but boy, do they pack a LOT in such a small area. Danaus was created about 13 years ago when some forward thinking people decided it might be better to grow life than cut it down. Danaus is like a mini oasis since it's completely surrounded by pasture and cattle land. Here's what Ecocentro Danaus says about itself: 'Ecocentro Danaus is an ecological reserve that preserves a natural regenerating secondary forest. Many different biological processes take place here and there is a great biodiversity of flora and fauna in its natural state.'Danaus is worth a look if your in the La Fortuna area and you need something to do for a couple hours.
For more helpful travel information on Costa Rica make sure you check out our website and our blog.
Our Travel Tip Website on Costa Rica
michael alan's blog about our travels in Costa Rica
Our Flickr photostream from around Costa Rica
Our Gay Travel Tip Webpage - Gay Costa Rica
michael alan's gay blog - Gay Costa Rica
Lots more travel tips on video by us - Costa Rica Videos.
My boyfriend is better than yours :)
So basically, here's my last week:
-Monday: hung out with my biffle Nicole until my boyfriend and I could meet up. He had "errands" to run for his "mom". He shows up at my house with a single, yellow, long-stemmed rose because of our four month anniversary (unnecessary, but adorable). The three of us hang out for about an hour or so until Nicole leaves and Tim (bf) stayed for dinner. When I was standing out by his car, he gave me a rubber duck (I used to collect them) and I thanked him and we talked for awhile but right before he got in his car, he says "Remember, ducks come in flocks".
-Tuesday: I'm freaking out because this giant essay (a quarter of my final grade) is due Wednesday and my essay SUCKED. So I spent the whole day attempting to fix it. I go to dance class and was tired and not really on my A-game and then I hurt my knee coming out of a jete. My dad comes to pick me up, and I gripe the whole way home. We pull up in the driveway and "Alicia, Winter Ball?" is spelled on the window in yellow and rubber ducks everywhere. Tim's in my livingroom with a boquet. He also sat down with me and stayed for like an hour helping me revise my essay and gave me some really good ideas to switch up the organization for a more logical progression. I think it's pretty good now.
-Wednesday- It was a half day, and I had a free third period, so I was painting in the art room. I look over and Nicole and Tim peek through the door (Nicole goes to a different school so I was very confused) and they asked me if I wanted to go on an epic adventure. I told them I couldn't because I had studio time scheduled at noon, so they said they would find me after. I got home after the shoot, and they showed up at my door. Nicole wanted a cookie, so we drove like 40 minutes to this one mall, got a cookie, turned around. We dropped Nicole off and Tim and I went to his house. We hung out for awhile and went to dinner with his family and then to the bookstore.
-Thursday: I drove to Portland to visit family for Thanksgiving. Delicious, relaxing, fun.
-Friday: We went to Powells (ginormous bookstore) before we left, and ate at PF Chang's. Very relaxing. We drove home.
-Saturday: I did my first set of Senior Portraits at two. Got home around four (we went out for lunch). Talked on the phone with Tim (who's at his lakehouse) for like an hour and then edited photos until like 2 AM.
-Sunday. Today I woke up and got coffee and Raisin Bran, and watched my favorite episode of scrubs on youtube. It makes my heart all melty. I love today, I love this week. I'm perfectly relaxed, perfectly happy, and perfectly in love.
The Ticketing Business Forum at Emirates Old Trafford, Manchester. Picture by Paul Heyes, Thursday December 02, 2021.
The Internet is here seen as the new mirror in which we search our own likeness and identity.
The central figure, at the computer, [a self-portrait] has been toned down following the comment below by dou_ble_you, to whom, as always, my thanks for his critique. It was also, subsequently, removed, and then replaced, on a smaller scale, as here seen.
This work grew out of several earlier ones (see: flickr.com/photos/walford/2695328110/ , and flickr.com/photos/walford/2690757479/ ), with the idea of a juxtaposition with elements from two different works by the English 18th c. painter, Joseph Wright of Derby, inspired by the comments of Lensk / Paolo Avalle [see flickr.com/photos/63587066@N00/ for Lensk / Paolo Avalle], as found below the second of the two earlier versions [see www.flickr.com/photos/walford/2695328110/in/photostream/ ]. I am most grateful to Lensk for pointing me in that direction, as had forgotten Wright's Alchemist, though am most familiar with his work.
This piece was only possible with the initial inspiration from Idea-Listic [Robert Marinkovic] 's diabolical self-portrait on his profile page, and a great deal of help from dou_ble_you, who transformed my original into something far more creative and imaginative, which, I, in turn, have re-appropriated back onto my two original computer display screens.
For the original work by Idea-Listic, that triggered this idea, see: www.flickr.com/people/53959560@N00/
And for dou_ble_you's version, made for me, see: flickr.com/photos/dou_ble_you/2694068334/
And for my original version, see here below: flickr.com/photos/walford/2690757479/
The annual Tickting Business Forum at Emirates Old Trafford, Manchester. Piucture by Paul Heyes, Wednesday April 19, 2023.
Buscan estandarizar, facilitar y acelerar el desarrollo de aplicaciones web complejas usando este lenguaje.
So the other day one of my good friends Rachel contacted me and asked me to take some photos for her. And of course I accepted the offer.
So this morning (Saturday) I woke up at 7 AM with a light headache from the cheap beer from last night. (damn you bud light!) Went out to Walmart to grab some foam white boards and batteries. I was all set for the shoot.
We started to shoot at around 8 AM. The sun wasn't as strong as I thought it would be, although I kinda wished that we would have scheduled it a little bit earlier. But then again, all of us wouldn't even show up.
The group consisted of 5 lovely girls, each one with their own personalities. I had a great time and so did they. Having fun when taking photos makes it so much easier. Also when they are comfortable around me and not shy or anything. That helps a lot!
Overall I had a blast!
I'll post a few more photos from the shoot. I hope you enjoy them!
I guess you can say this is my first "official' shoot.
Another pic from my Night time shoot. Model Mayhem newbie model Devon.
So the problem was I dragged the shutter and the darn Mercury Vapor light also cast a shadow on her left arm. Any "post" clues to remove? I love the shot and learned I prolly could have used an umbrella camera left. Oh well, it was 11:00 PM at this point.
Read about the shoot on my blog: antipordaphotography.com
Strobist Info:
Single SB-900 with CTO Gel in mini-softbox camera right TTL Mode in front of Sodium Vapor light
D700 Commander mod e -.07 E/V
As you may know, I love doing my own photo equipment like my trust worthy homemade Remote control.
This shot was taken while building another photographic rig that I'm hoping on using for several shots I have in my head for quite a while. When I started cutting the screw with my dremel power tool, I saw all the sparks flying out so I had to try and photograph it. 3 hours later this was the result.
You can see to the right the led light I used to illuminate the thread. This is the light I use daily when commuting in my bicycle. I used two perfume boxes to direct the light so it wouldn't illuminate the vise holding the thread. Directly in front of it you can see the vise with the thread in it's place. On the foreground is the dremel power tool I used for the job. On the background there is a black cloth for the background. Finally you can see the final result in the computer screen.
PS: Soon I will show you the finished rig and hopefully some nice shots.
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You have to check this out large and on a black background by clicking here
Went out shooting with:
Karen... www.flickr.com/photos/kvonk/
Lynn... www.flickr.com/photos/lynn_mcfulton/
Carol... www.flickr.com/photos/callieian/
And we hooked up with Scott... www.flickr.com/photos/39928120@N03/
Our tour took us to Valley Inn, the Hamilton Bay and then off to an abandoned home on Highway 6 near Puslinch...
I thought i would start with my favorite bird shots of the day and then post some of the abandoned shots when i get to them this weekend.
Thanks for the day everyone... and Scott, thanks for taking us to the abandoned house and barn
Check out this Cherry '55 Chevy On Black
He wore black denim trousers and motorcycle boots
And a black leather jacket with an eagle on the back
He had a hopped-up 'cicle that took off like a gun
That fool was the terror of Highway 101
Well, he never washed his face and he never combed his hair
He had axle grease imbedded underneath his fingernails
On the muscle of his arm was a red tattoo
A picture of a heart saying "Mother, I love you"
He had a pretty girlfriend by the name of Mary Lou
But he treated her just like he treated all the rest
And everybody pitied her and everybody knew
He loved that doggone motorcycle best
He wore black denim trousers and motorcycle boots
And a black leather jacket with an eagle on the back
He had a hopped-up 'cicle that took off like a gun
That fool was the terror of Highway 101
Mary Lou, poor girl, she pleaded and she begged him not to leave
She said "I've got a feeling if you ride tonight I'll grieve"
But her tears were shed in vain and her every word was lost
In the rumble of an engine and the smoke from his exhaust
Then he took off like the Devil and there was fire in his eyes!! He
said "I'll go a thousand miles before the sun can rise." But he hit a screamin' diesel
that was California-bound" And when they cleared the wreckage, all
they found
Was his black denim trousers and motorcycle boots
And a black leather jacket with an eagle on the back
But they couldn't find the 'cicle that took off like a gun
And they never found the terror of Highway 101
So, as alluded to in the last post, I’m one of a decreasingly shrinking (i.e. it’s getting bigger) group of photographers who has never done film before. Ever. Shot it, developed it, paid for it, et cetera. That is, until a couple weeks ago when I bought my Holga 120N. And I’ve got to admit, I thoroughly enjoy it.
Since I am not Thomas Hawk and have no desire to publish a million photographs before I leave this world, going back in time to the [somewhat] long-gone days of film isn’t much of a hindrance on some larger task. Having gotten used to digital where I can take a shot, see if it’s exposed properly, and shoot it again, using film was- let’s face it- absolutely bizarre. What do you mean I have to wait to see what I just shot?! I want to see it now!
What’s more, it’s a Holga! I have no earthly idea how the final photograph’s going to look, focus is dependent on one person, three people, a group of people, or a MOUNTAIN. Aperture is a lie and there is only one shutter speed. The viewfinder doesn’t even frame the shot! The only thing I really control is the film (in this case, Ilford Delta 400).
But regardless, I have to admit- it’s a helluva experience.
I actually developed two rolls of film the other day when I developed this roll. The first, as mentioned, was a roll of Ilford FP4+ 125. And I absolutely botched it. I couldn’t get the damned thing onto the steel reel, and with the exception of half of one shot, nothing came out as more than a milky white blob. Not a big deal as it was the first roll I ran through the Holga and didn’t really have anything spectacular on it anyways.
Anyways, as for the actual developing, I was hoping that the darkroom on campus would have Rodinal (I heard it was forgiving) or Diafine (I like the contrast I’ve seen in shots using Delta 400 and Diafine), and took some numbers with me for both of those, but alas, they only had D-76. Again, no worries- I don’t really have preferences yet. This particular reel was soaked for 10.5 minutes, with 60 seconds of continuous agitation and an additional 3 inversions every 30 seconds. I used water as a stop bath (30s continuous agitation), and some unknown fixer for 6 minutes (same agitation as developer) followed by 8 minutes of washing. I actually skipped the Photoflo altogether, but that was due more to forgetfullness than intent, but there it is.
Now, the local photo store didn’t have any archival sheets for 120, so for the time being, I scanned in the shots and rerolled the film back in between the paper that 120 comes backed with and put that into the box. So much for preservation. It shall continue to live digitally at the least. (*knock on wood*) What can I say? I live in the digital age, and even when doing something analog like film, it’ll end up in the realm of the digital anyways.
So what are my thoughts? I think I love it. Or at least, I could, and will, given that the reeling process gets easier. You can’t see it in these scans, but even this second roll was imperfectly reeled. And I totally manhandled the film in the process. The whole process after reeling is quite enjoyable; I get to talk to other people in the darkroom with me all while shaking a metal can and eyeing a clock- we must seem ridiculous to a casual observer. Also, it’s probably the only bit of chemistry I’ll ever actually enjoy, so there’s that.
Holga 120N
Ilford Delta 400 Pro, D-76 (stock), 10.5min
Epson 4490
เครื่องพ่นหมอกเพิ่มความชื้นโรงเรือนเพาะเห็ด เครื่องพ่นหมอก ทำงานด้วยระบบแรงเหวี่ยงหนีศูนย์กลาง (Centrifugal Humidifier) ไม่ใช้ใบพัด ปลอดภัยในการใช้ ไม่มีปัญหาการอุดตัน ผสมสารละลายได้โดยตรงในถาดน้ำ ช่วยสร้างความชื้น และลดอุณหภูมิได้อย่างดี ในระยะเวลอันสั้น เหมาะสำหรับโรงเรือนเห็ดถั่งเช่า และโรงเรือนเห็ดทั่วไป รวมทั้งบ้านนก
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cktravelblog.wordpress.com/2009/03/09/takao-firewalking-f...
It all started with a pyromaniac magician, he was trying to use his black magic with three finger vulcan grip to start a fire, but all he was getting was smoke.
Eventually this unimpressed monk who harbored great disdain for vulcans bust out his giant match he had painstakingly crafted by hand over the last century. He lit it and…
You should ask my wife if it is a good idea to go to a bonfire the size of a house while wearing a puffy down jacket.. Only a few holes burned into it before we backed away.
We arrived on time for the beginning of the event, but that was an hour or two too late for a front row spot, which would have been perfect for taking pictures without heads, arms, cameras, little Japanese guys standing on step ladders, and 8 foot tall tripods in the way. My height advantage in Japan proved useless and I ended up with barely in clean shots without any of the aforementioned items in my pictures. We will definitely make sure this does not happen next year! I highly recommend anyone in Tokyo checking this out due to the amazing photographic potential you could have if you claimed a spot in front of the crowds.
Als Gast in der Glashütte Eisch arbeitete Mare Saare im Rahmen des „Artist in Residence“-Programms vier Wochen in Frauenau. Während dieser Zeit konnte sie alle Möglichkeiten der Hütte für die Herstellung ihrer Kunstwerke nutzen. Hier entstanden Objekte, die, neben aktuellen Werken aus Ihrem Atelier in Tallinn, vom 19. August bis 7. November 2009 in der Galerie am Museum in Frauenau gezeigt werden.
Als „Tor zwischen Ost und West“ wurde die Estin Mare Saare von ihrer belgischen Kollegin Sandra De Clerck auf der Vernissage zur aktuellen Frauenauer Ausstellung vorgestellt; und tatsächlich ist der Name der vielgereisten und vielseitigen Glasprofessorin von der Kunstakademie in Tallinn fest verknüpft mit dem Ankommen der facettenreichen estländischen und baltischen Glaskunst in der Internationalen Studiobewegung.
Mare Saares Arbeiten öffnen dabei nicht nur den Blick auf eine fern gerückte Glas- und Kunstszene, sondern vor allem auf den flüchtigen Zauber der Ostseelandschaft, und auf eine Persönlichkeit, in der Vitalität und Verwundbarkeit zusammen wirken.
Das Glas, seine Fragilität und seine Herkunft aus körnigem, leicht verwehtem Sand benutzt sie mit genialer Virtuosität: Ein vielfarbiger, schwingender Kelch entspringt einem noch zerbrechlicher wirkenden Grund aus körnig verschmolzenem Glas, er nährt sich von ihm, bis dieser gleichsam bröckelt und schließlich inexistent, zu Sand wird.
Die in Frauenau ausgestellten, blumenartigen Objekte der Serie „Fragile Circuit“, gearbeitet in pâte de verre-Technik, stehen für einen zerbrechlichen Kreislauf, der gleichwohl ewig ist wie Ebbe und Flut. Sand ist bei Mare Saare nicht nur ein künstlerisches Bild für Erneuerung und Wiederkehr, sondern dient – neben gemahlenem und gekröseltem Glas – tatsächlich auch als technisches Ausgangsmaterial und als immer wieder verwendbare Auflage im Formprozess der zarten Objekte.
Ihr individuelles Herstellungsverfahren für diese Objekte verwendet Sand als technische Hilfe, als Form und Auflage im Schmelzprozess. Sand ist unendlich wiederverwendbar und steht auch dadurch für die Idee der Erneuerung und Ewigkeit. Der Boden der Arbeiten wird in Glas gegossen, der Blütenkelch ist aus verschmolzenen Glaskröseln in pâte de verre-Technik hergestellt.
Die Künstlerin selbst beschreibt Ihre Werke so:
„Meine Arbeiten sind oft extrem zerbrechliche, offene Tellerformen. Ich arbeite gerne mit Farben, selten aber mit völliger Transparenz. Ich versuche das Zerbrechliche, Zarte, das Verletzliche und das Flüchtige im Glas zu vereinigen, indem ich farbige Glaspulver in Formen aus Sand fuse.“
Diocese of Manchester Ordination of Deacons service at Manchester Cathedral. Picture by Paul Heyes, Sunday July 02, 2017.
edition code: live1927
price:
size 2 to 6 - Php 815
size 7 - Php 845
size 8 - Php 875
For orders and inquiries, kindly text 0917 5875665. Thank you
INSTAGRAM – thevaultsuperoutlet
FB – The Vault Super Outlet Store (links of other sites only)
FB – Mister Le Croc (with pictures)
NOTE: The shirts were measured while laid flat on a surface. Best to compare the measurements with your existing shirts.
HOW TO MEASURE:
shoulder width - from the top edge of the shirt's shoulder point going to the opposite side.
chest width - from the shirt's left armpit going to the right armpit
length - from one top shoulder point all the way down to the shirt's edge
Film needed to be rewind by hand. There was a rewind room up on the top floor.
Hidden and decaying above an amusement arcade In Batley, West Yorkshire is the former Regent Picture House. Above a suspended ceiling are the remains of the old cinema, built just after the end of the Great War in 1919. Originally it could hold 800+ patrons who would have paid to see the films of the day.
Today, it is derelict; its projectors and spools of film left in the projection room. Although the tiered flooring remains in the circle, many of the seats have long gone. Two rows of original seats are left. The ornate plaster work of the ceiling remains as do wonderful traces of the old cinema.
Plans are in the pipeline to convert the upstairs of the venue, but keeping many of the original features.
The Blackmagic Ultra Lite does a lot with a little! It is a combination of our Blackmagic Top Handle with a pair of rods running above the camera. It mounts with a 5” Z-rail that attaches to the top of your camera via two ¼ 20 screws. The Blackmagic Top Handle and each of the 7” male/female threaded rods attach independently across the 5” rail with a Zacuto quick release ratcheting lever. The rods and the handles can freely slide side to side on the Z-rail for balance and can be set facing backwards or forwards. You can set the 7” rods lightweight spaced (60mm) over the camera lens to hold a follow focus or matte box. You can also attach accessories to each rail and to the rod running through the handle using a Zacuto Z-release mount. This kit has endless possibilities!
Zacuto dovetail accessories are adjustable to work with Z-Rail, NATO, SWAT, RED, PICATINNY, and WOODEN CAMERA rails.
Kit Includes:
2x Z-rail to Rod Mount connectors
.
This is for Dennis, a collector of lighthouses, who is about to undergo a long and difficult operation this morning.
This one on Coquet Island off the coast of Northumberland was built in 1841 at a cost of £3268 to the design of James Walker. The first keeper appointed to Coquet lighthouse was William Darling, elder brother of local heroine Grace Darling. He was in fact the second of her brothers to become a keeper in the Trinity House Service, as was her father. It has been said that it was probably a boat trip to see her brother at Coquet Island in the summer of 1842 that led to a chill which eventually proved fatal to her. In fact Grace Darling died from tuberculosis ("consumption") in 1842 at the age of 27.
Almost the silhouette of a nuclear submarine, this island also serves as a protected bird sanctuary.
Height Of Tower: 22 Metres
Height Of Light Above Mean High Water: 25 Metres
Automated: 1990
Electrified: 1976
Optic: AGA PRB 21
Lamp: 12 X 200 WATT Sealed Beam Lamp Units
Optic: 1st Order Catadioptric Fixed Lens
Character: White And Red Flashing 3 Times Every 30 Seconds
Intensity: White 155,000 Candela, Red 21,830 Candela
Range Of Light: White 21 nautical miles; red 16 nautical miles
Fog Signal Character: One 3 Second Blast Every 30 Seconds
Fog Signal Range: 2 nautical miles
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World War I, a.k.a. First World War -
The Great War
"The War to End All Wars"
It was a total war which left millions dead and helped to shape the modern world.
At 11:00am on November 11, 1918 —
eleventh hour
eleventh day
eleventh month —
A ceasefire came into effect and the opposing armies on the Western Front began to withdraw from their positions.
In Flanders Fields
In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved, and were loved, and now we lie
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
— Lt.-Col. John McCrae
The poem "In Flanders Fields" by the Canadian army physician John McCrae remains to this day one of the most memorable war poems ever written. It is a lasting legacy of the terrible battle in the Ypres salient in the spring of 1915.
"This poem was literally born of fire and blood during the hottest phase of the second battle of Ypres. My headquarters were in a trench on the top of the bank of the Ypres Canal, and John had his dressing station in a hole dug in the foot of the bank. During periods in the battle men who were shot actually rolled down the bank into his dressing station.
Along from us a few hundred yards was the headquarters of a regiment, and many times during the sixteen days of battle, he and I watched them burying their dead whenever there was a lull. Thus the crosses, row on row, grew into a good-sized cemetery.
Just as he describes, we often heard in the mornings the larks singing high in the air, between the crash of the shell and the reports of the guns in the battery just beside us.
I have a letter from him in which he mentions having written the poem to pass away the time between the arrival of batches of wounded, and partly as an experiment with several varieties of poetic metre." Lieutenant Colonel Edward Morrison
.
Provided by another: www.youtube.com/watch?v=AtXO5QDXUbU
.
Today, My Mothers Boyfriend, my mom, my brother, and I went to the greek festival. I had a freaking horrible time.
My moms boyfriend basically didn't wana do anything and made us have a shit ass time.
Hopefully tomorrow when We go again we'll have a better time without him
I didn't get to even take pictures on the ferris weel because he took my camera the entire time and was taking pictures of stupid random shit and people.
And they all sucked!
And my mom won me this really cute banana with a face and her boyfriend burned a hole in it with his ciggarette and ripped a hole in it and all the sstuffing fell out.
Today sucked ass.
"Get up on your hands and knees
Underneath the poplar trees
Digging through the sticks and stones
Looking for store bought bones
Waiting on the rising sun
Clutching at your holstered gun
Praying on a shooting star
That I can be wherever you are
Looking through a telescope
Maybe there's a sign of hope
Leaving everything behind
Stirring a store bought mind
Sitting at the edge of the seat
Wishing you were here by me
Sifting through the mud and the bricks
Looking for a store bought fix
You can't buy what you can't find."
--"Store Bought Bones" by The Raconteurs
-------------------------------------------------------------------------------------------
This is Russell Sweet. Some of you have seen him before in my photos. He's such a good model. I have so many pictures from today. I can't wait to share them.
This is part of a series. = ) Read the description on the set page.
Facebook Event: Pizza Tour NYC
Event Info
Name:Pizza Tour NYC
Tagline: for friends and family
Host:Vladimir Cole (Facebook / LinkedIn / Twitter)
Type:Other - Carnival
Time and Place
Date: Wednesday, November 21, 2007
Time: 10:00am - 10:00pm
Location: NYC
City/Town: New York, NY
Description
Purpose: Tour some of the best Pizza in NYC. Now that I’m on the West Coast, this is a very important “keeping it real” event for me. I mustn’t forget what real pizza tastes like. Seattle’s pie sucks, for the most part.
Timing: Start at 10am and end at 10pm. Feel free to join in at any point by calling me (212.281.1090) for current location and next stop. Also, you can follow along via Twitter (twitter.com/vladcole).
Itinerary (in rough order):
DONE .... Rose & Joe's Bakery (31st St near Ditmars Blvd, Astoria)
DONE .... Rosario's (31st St near Ditmars Blvd, Astoria)
DONE .... Joe’s (7 Carmine Street, West Village) … walk to:
DONE .... Grandaisy Bakery (73 Sullivan St., SoHo) … walk to:
DONE .... Lombardi’s (32 Spring St., SoHo) … walk to:
DONE .... Luzzo's (1st Ave. & 12th St.) …
DONE .... Fornino (187 Bedford Ave., Brooklyn)
DONE .... Franny’s (295 Flatbush Ave., Prospect Heights, Brooklyn)
Google Maps: Brooklyn Section: Pizza Crawl by Brian Carp (Facebook)
Franny's Guests
+ Dr Sam
+ Jane Doe
© 2007 See-ming Lee (Blog / Facebook / Flickr / LinkedIn / Network / Orkut / Twitter / Wiki)
ruralarts.museum.msu.edu/showcase/murinal.php
Garden Detail
The Ingham County Arts Commission and the Ingham County Fair partnered in this project which brought together professional and student artists, and community residents to conceive of the images, design and paint the mural. The "Murinal" remained a landmark at the fairgrounds for over a decade but has now been painted out.
South & West Views
The "Murinal" a 1981 community arts project created a mural around the four sides of a bathroom building at the Ingham County Fairgrounds. Known as "the murinal" this community artwork depicted the Mason County rural countryside of farmland and wetlands, the Mason county courthouse, and the fairgrounds.
Cow Detail
Moo. . .ving to create jobs and training
opportunities with visible results
The Popular Arts Workshop (PAW), a community muralist group provided the artistic direction and promoted the success of the project as an opportunity to employ artists and others in community beautification.
Gary Andrews - PAW Artist
Julie Nicol (Avery) Ingham County Arts Commissioner, project leader.
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The strange sutra chanting and other peculiarities of esoteric rituals during New Year's Eve ceremony at the impressive Manpukuji, headquarters of the Obaku school of zen buddhism in Uji, south of Kyoto, can be explained at the light of this temple's Chinese origins. This short (but growing) set of photos will give you a slight idea. As usual, try first the slideshow.