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Hilo de la Fotohistoria en Pullip .es: TRIP TO IRELAND (1 of 9): Day 1 – Swords: Cíen's answer /
VIAJE A IRLANDA (1 de 9): Día 1 – Swords: Contestación de Cíen
(Read in this order) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22.
LETTER from SUN to CÍEN: In English / En Español
Cíen: (that's a real trouble... I consider myself a patient person but... this guy wins the golden medal... ·_·u)
/
Cíen: (menudo marrón... y yo mira que me considero una persona paciente... pero este se lleva la medalla de oro... ·_·u)
SHERYL LINKS:
- Pullip .es: Las Fotohistorias de Sheryl
- Sheryl's Flickr: Photostories 2011 - Sketches 2011 / Photostories 2012 - Sketches 2012
With all the great parts on the PaB walls right now I was planning another Small PaB Cup challenge ala Mantiskings's Single Set Challenge like the one I did last January, but after scoping out the wall, making a plan and buying the cupful of parts, I haven't had much time and I lost motivation.
A few days ago I sat down with the cup and started fiddling and this happened. I don't think I'm going to finish the challenge, but at least I got something from the cup. Once finished, it struck me how much it looked like a Poke Ball. HA!
Úbeda, Jaén (Spain).
ENGLISH
The main parish church of Santa María de los Reales Alcázares displays the most significant mixture of architectural styles, to be found in the city. The buildings historic and artistic patronage is complex and its solid external appearance is of a defensive fortification.
Built on an archaeological site where remains of bronze and Roman civilisations have been found, the Church rests of the foundations of the main mosque of Muslim Úbeda. According to tradition the Romans built a temple here dedicated to Diane. After the conquest of the town by Ferdinand II the Saint, in 1223, the Mosque was consecrated in the Catholic faith with the title High Parish Church of the Royal Alcazares and of Our Lady of the Ascension. In 1259 it achieved the rank of High Collegiate Church. In 1852 the Church's collegiate rank was withdrawn, reversing to the rank of High Parish Church. Being the principal temple of the city, it has preserved important archives and a multitude of treasures. The latter being donations and numerous priviledges bestowed by Popes, Kings and bishops.
Its external appearance blends Medieval and Classicist styles. Being built on to the ols walls of the fortress, Santa María church has been the main witness to the great changes and strife of Úbeda. Today it still offers a special attraction to the town which is due to its great historical character and the population's identification with its heritage.
Source: www.ubedainteresa.com/portal/
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CASTELLANO
Asentada sobre un subsuelo arqueológico de la Edad del Bronce, y con mínimas diferencias ocupando el emplazamiento dé la antigua mezquita mayor de la ciudad, la tradición dice que en el mismo sitio los romanos tuvieron un templo dedicado a Diana.
Tras la conquista de la ciudad en 1233 por el rey cristiano Fernando III el Santo, la entonces mezquita fue transformada al culto católico bajo la advocación de Iglesia Mayor Parroquial de los Reales Alcázares y de Nuestra Señora de la Asunción. Desde 1259 fue titulada Iglesia Mayor Colegial y desde 1852 ostenta el título de Iglesia Mayor Parroquial.
Iglesia principal de la ciudad, durante siglos ha conservado un importante archivo y multitud de obras de arte y joyas, fruto de donaciones y de numerosos privilegios concedidos por reyes, papas y obispos.
Con una imagen exterior entre medieval y clasicista, adosada al primitivo muro del alcázar, Santa María ha sido la iglesia que históricamente más movimiento y ajetreo ha tenido de toda la ciudad, y aún hoy sigue ofreciendo para el ciudadano de Úbeda una atracción especial que le viene dada por su fuerte carácter histórico y el grado de identificación conseguido con la ciudad y sus habitantes, al albergar desde los meses de mayo a septiembre a la Stma. Virgen de Guadalupe, patrona de la ciudad.
Fuente: www.ubedainteresa.com/portal/
Esta foto es muy parecida a una que subí anteriormente, y que os la recordaré en el primer comentario, en dicha foto, es más que nada para usarla como fondo de escritorio, y esta que os pongo es un encuadre similar pero esta vez en vertical, y cada vez que hago más fotos verticales sobre el mar, las rocas. Etc., mejor es el resultado, muchas veces le pregunto a mis amigos, que porqué no hacen fotos verticales, y la respuesta es porque no se ve bien en el ordenador, con el tiempo me he dado cuenta que las fotos verticales para sacarlas en papel también quedad muy bien, después de esta reflexión os explicaré el procesado:
Nota: El procesado como siempre, un doble revelado a partir de un mismo RAW, una foto para el cielo y otra para el reflejo, siempre estoy hablando con objetos inteligentes, cuando más o menos he tenido el resultado a mi gusto, he seleccionado la parte del cielo, le he creado una, máscara de capa, he desenfocado las máscara con un desenfoque gaussiano con unos parámetros a gusto del consumidor para unir las dos fotos.
Una vez terminado con el cielo, me he ido al reflejo, aplicando unos ajustes muy similares a los del cielo para que parezca aún más real, después procesado por zonas en la parte del reflejo para obtener más textura aún si cabe, y aplicando sus respectivos desenfoques, cuando más o menos he tenido la foto a mi gusto, he acoplado todo en una foto, luego he duplicado otra vez, le he aplicado un desenfoque gaussiano con un valor de 8 pixeles, y me he ido a capas y le he cambiado el modo de fusión a luz suave, y le he bajado la opacidad a un 20% más o menos, para eliminar un poco la mini aparición de ruido por la parte más oscura.
Cámara: D40
Modo De Exposición: Manual + Trípode
ISO: 200
Velocidad: 0.3
Focal: 19.0 mm
F/ 22.0
Filtro: PL
Objetivo: 18.0-55.0 mm F/ 3.5 -5.6
Procesado: Light room 2
Camera Raw 4.3
Photoshop Cs 3
Cakile maritima
From Wikipedia, the free encyclopedia
Cakile maritima, the European searocket, is a common plant in the mustard family. It is widespread in Europe, especially on coastlines, and it can now be found in other areas of the world where it has been introduced. It is an inhabitant of the west and east coasts of North America, where it has the potential to become a noxious weed. This is an annual plant which grows in clumps or mounds in the sand on beaches and bluffs. The shiny leaves are fleshy, green and tinted with purple or magenta, and long-lobed. It has white to light purple flowers and sculpted, segmented, corky brown fruits one to three centimeters long. The fruits float and are water-dispersed.
Eruca-marítima
Origem: Wikipédia, a enciclopédia livre.
A eruca-marítima (Cakile maritima) é uma planta da família das brassicáceas (antigas crucíferas, a que também pertencem as couves e os nabos) cujo habitat preferencial são zonas arenosas junto ao litoral, especialmente em dunas. É uma planta carnuda, que atinge de 1 a 4 dm de altura, com ramos a partir da base. Floresce de Março a Dezembro (no hemisfério norte), apresentando pétalas lilacíneas ou brancas. As flores estão dispostas em rácimos pouco densos. As folhas são sinuado-dentadas, compostas por vários segmentos que se apresentam inteiros ou com recortes arredondados minúsculos (isto é, margem crenulada).
Come from my buddy Tom. I'm not a "Christmas" guy and his work always brightens up an otherwise annoying time for me.
Tom does not use photo shop. He has a great eye and stumbles upon "scenes" like this Hasidic statuette in front of a Lawrence Welk boxset at flea markets, thrift shops etc. He's been sending me gems like this every year for the last ten or so. What a guy!
Check out his website for his "serious" work:
"Home baked pie" in classical soft focus and blurred vignette background treatment, this is my interpretation of the past; I made it a bit blurry as I may not know how the place may really looked like but in my vision, this is my own rendition.
Feel the melancholy of the past... Image taken at the Heritage Stewart farm house Circa 1894.
The house was beautifully restored by the city council... feel the nostalgia and find out how people lived in the 1800's....
You may say that we are lucky to be born in this modern era, where everything is ready and served and water source is readily available within our reach :o)
Photography © 2010, ™Lisa M., All Rights Reserved
It was Kim's turn to pick the theme this week. She loves bokeh so I was unsurprised when she said "you've got to be out of focus in the background somewhere." I really wondered what to do.
I had two trips to London on business last week. The head office is just next to St. Paul's Cathedral and I love the short walk out to the Millennium Bridge. On the train on the way down I thought of this shot and at an appropriate moment, snuck out of the office and quick took some shots. As I've so often found, it's not until I get the images onto my computer screen that I can really see what is going on and spend a little time reviewing the process and my thoughts. I took some good shots but none that were great. Fortunately I knew I had another opportunity for a reshoot.
On the train on the way down the second time I was worried, the weather was dull, grey and overcast and whilst the forecast predicted it would clear, one of the things I loved about the first shoot were the wonderful fluffy clouds and deep blue skies. When I did manage to get out of the office, the skies had cleared somewhat. What I did achieve though, were much better compositions. In the end it was an easy decision which way to go.
Just for fun, I've included below two situational shots from the first shoot and an outtake from the second shoot.
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Next week, Kim and I are doing our thing. However, I'm really loving the themes and I think we might come back to it again but we need some ideas. Anyone got any?
My self-portrait project involves taking a picture each week that I post the following week on a Thursday. Feel free to critique - I welcome it. Thanks
Watch for ricky martin and his gorgeous kids. For more ricky martin stills visit @ withfriendship.com/user/sithu77/ricky-martin-and-his-babi...
If you love a flower, don't pick it up. Because if you pick it up, it dies and it ceases to be what you love. So if you love a flower, let it be. Love is not about possession. Love is about appreciation - Osho.
Taken at Lake Calhoun, Minneapolis.
54/365 - Carolina Drama - The Raconteurs
Today was another really tough day of hard work.
It started badly with the viewing of our work on the "Tea or Coffee" weekly theme with our studio teacher, and the work we did was not what he was thinking about.
We were too late at noon to grab the equipment we needed for the work of the afternoon so we had to eat something as quickly as possible and get back to the studio to finally take away a Mamiya RB67, a studio flash and a 120 Superia 400 ISO film.
We had less then 3 hours to go to town and shoot the film in order to make portraits on location of people working.
I was with Loic, Hugo and Florent with only 1 medium format camera for all of us... 4 different places to go to, including time to meet the guys, set up, find the good light, the good settings, to shoot, and to pack all things again... And be on time at school for the economic course, the "finish to kill" last course of the day until 7.15PM...
Luckily we met Simon who's already done his job and he lend to Loic and I his own RB67.
Loic had a appointment at Corezone shop but first we went to Hurley shop to shoot my film.
I've been there several times to take some testing portrait for shool, and the guys over there are really too nice and cool ! A huge thanks to them !
So this was a testing shot we did with the 7D to test the light before shooting with the Mamiya. Can't wait to see the analog results, this was a test for our studio course and my teacher will judge me on this work.
Also Loic did some cool shot with the Corezone shop's crew who are awesome !
Today I've chosen to quote lyrics from a Jack White's band The Raconteurs because it's a huge song and it's also on the original soundtrack of an awesome surf movie with Rob Machado.
I'm a huge fan of The Raconteurs and Jack White's music in fact.
Rob Machado is the guy on the picture behind Loic, it's an awesome surfer sponsored by Hurley that you should watch surfing !
Link to the trailer of the movie "The Drifter" with Carolina Drama - The Raconteurs music on the OST.
Light :
- 1 flash Elinchrom D-Lite4 with Portalite softbox at min power on the left of the sofa, fired with PC synch cable
Canon EOS 7D - Sigma 24-70mm f/2.8 DG macro EX
Sébastien Huruguen
a quote by the lovely Eleanor Powell.
So, what WILL YOU become? (:
I have this journal that I bought at Barnes And Noble, and I love it.
Every single page has an inspiring quote along with a verse from the Bible
that matches the quote. Every time I write in it, I feel so inspired.
When I write about how bad I want to give up, I look up at the top of the page, and
i see a quote that tells me not to.
and at the bottom, there's a beautiful bible verse that tells me God has created plans for me.
I guard that journal with my life.
and I carry it everywhere I go.<333
I want to give God the greatest gift.
because he's blessed me, well, with my own life.
That is why i don't want to take my life for granted.
I want to make something out of it and please Him with it.
I want to be a photographer.
A photographer that through pictures, will show how lovely and merciful He is
to a world that lives and is lost in hopelessness, sadness, pain, death and fear.
and that He can change lives.
I want to be a person, that when people look at me, they can see clearly that Jesus lives
in my heart.
You are my reason for my joy. You are my reason for my happiness. Because of You I can rejoice. Because of you i treasure every breath, I owe this to You. For all that You do. To worship you in spirit and in truth. I live my life for You. I give you my heart. I give you my soul. Lord I give You my everything.
Note:
I might be a little silly, but the reason behind this picture was that
I was looking up, and when I saw the sky and the power lines
I was instantly reminded of a piece of paper (:
The sky, being the paper, and the power lines being the lines in which we write (:
It reminded me of my journal...<
Best viewed LARGE on Black: bighugelabs.com/onblack.php?id=5841453977&size=large&...
Inside the Walled Garden and a view of the tower of the 12th Century Church.
I've finished this set, arranged it in roughly chronological order following the route I took around the garden that morning, and have added a scan of the brochure and map/plan of the garden at the end of the set. If you have time, you can run the SLIDESHOW in FullScreen Mode and get an idea what the place was like in mid May.
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When Monty Don produced his television series for the BBC, Around the World in 80 Gardens, a few years ago, he chose only two English Gardens - Sissinghurst and Rousham. I had visited Sissinghurst on two of my earlier visits, but I decided I needed to see Rousham on this trip, so I took the 30 minute train trip from crowded, bustling Oxford one cloudy morning and then the easy 15 minute walk from the Heyford station, and was at the entrance to the gardens by 9:45.
It was like entering a different world. I got my 5 Pound ticket from a vending machine in the courtyard, and had been wandering around the green landscape for almost an hour before I encountered even one other visitor.
According to the Wikipedia entry: "Rousham House is still the home of the Cottrell-Dormer family, who keep the garden and estate so uncommercialised that no book exists to guide the unwitting tourist, and no shop sells postcards or souvenirs. A visit to Rousham today is very similar to one enjoyed by a visitor in the 18th century. The gardens and buildings are superbly maintained but not manicured. The visitor is not made afraid to tread on the grass or to pause for thought on a rustic bench. In such a state a spirit of the 18th century survives at Rousham."
For a very well written history of the garden, begun by Charles Bridgman, and refined and completed by William Kent by 1741, here is a link to the entire entry:
en.wikipedia.org/wiki/Rousham_House
Here is the official link:
....
William Brouillard
www.cia.edu/faculty/directory.php?faculty_id=15
Artist Statement
The platters I have sent to this exhibition combine several ceramic traditions. The first is, The Palace Art Pot. Palace Art Pots were made to demonstrate wealth and power. They were made to tell a story, to commemorate an event or a person, and to demonstrate skill and challenge the abilities of the artisans who made them. The second tradition is the Fish Platter. Fish platters were a staple of the Neo Arts and Crafts Movement of the 1950s and 60s. The third and last tradition is the One-Line visual and verbal Pun, Platters of the ceramic Funk Movement.
Humor through the use of the visual pun was a mainstay of the California Funk movement. Humor in clay has a tradition as old as the use of the material. I have always felt that humor has been given short shift as a serious emotion. Art work that uses humor and has been actively excised from collections of serious art. It may be that we do not understand the function of humor as well as we understand the function of the other emotions.
In the work presented I have tried to inject some humor into the decorative / commemorative object. The platters are big to give them a slightly overblown sense of their own importance and to be able to be viewed from a distance . They are meant for the wall and the table. The large size to fit the importance of large gatherings.
I have tried to replace historical patterns with objects reduced to pattern. Some of the objects are extensions of my environment or reflections of personal interests. Images of turn of the century technology, (the Machine Age), are a personal favorite. Subject matter ranges from humorous depiction of everyday objects to gender stereotypes. My abilities as A draftsman are limited but seem to be adequate for the kind and quality of image that the subject requires. They have a cartoon look as opposed to the crisp complexity of fine china.
The clay body, a red earthenware, is heavily potted and makes no secrete of its variations and flaws. The glaze work is in the Majolica style and is done very much like a watercolor on soft paper. The pots are fired twice. They are bisqued to cone 05 and glazed to cone 04. Some may have an additional firing to Cone 018 for low temperature luster and enamels. They are fired in an oxidizing atmosphere using an electric kiln.
William Brouillard June, 22 1993
Resume
William Craig Brouillard
CURRENT POSITION:
Associate Professor of Art, Ceramics department, The Cleveland Institute of Art, Cleveland, Ohio, from 1980
EDUCATION:
M.F.A., Ceramic Art, The New York State College of Ceramics at Alfred University, Alfred, NY, 1976
University of Wisconsin, at Madison, Wisconsin, 1973
B.A., Art Education, State University of Wisconsin, Stout at Menomonie, Wisconsin, 1969
RELATED WORK EXPERIENCE:
Brouillard Studios, 2662 W14th st. Cleveland, OH 44113, production of pottery and ceramic commission work 1980-1993
Resident Craftsman at The Penland School of Crafts, Penland, North Carolina, as a full time self supporting studio artist in clay, with some related teaching duties, 1976 -1978
TEACHING EXPERIENCE:
Instructor, Teaching beginning intermediate and Graduate level ceramics, East Tennessee State University, Johnson City, TN. 1978-1979
Teaching Assistantship, teaching Kiln Design and Construction, to advanced and graduate level students at New York State College of Ceramics at Alfred University, Alfred, NY. 1974 - 1976
Teaching Assistantship, teaching Two and Three Dimensional Design to beginning and advanced Students, also instruction in materials and techniques of woodworking, at The New York State College of
GRANTS AND AWARDS
National Cup Show, purchase award, University of Southern IL. 1992
Ohio Designer Craftsmen, purchase award, Best of 92 exhibition, Columbus, OH. 1992
Excellence in Design Award Ohio Designer Craftsmen, Best of 92 Exhibition, 1992
American Craft Museum, Design Award , for Excellence in Design, in conduction with the Designed and made for use Exhibition, at The American Craft Museum, NY 1986
Purchase Award, The Clay Cup Show, Southern IL. University, 1986
Art Park , Lewiston NY. Summer work and travel grant 1980
COLLECTIONS REPRESENTED BY
The Detroit Museum of Art [DIA], Detroit MI.
The Cleveland Museum ofArt, Cleveland OH.
The Millard Collection, St Louis, MO
The Sinker Collection, Detroit, MI.
The Vincent Lim Collection,Philadelphia, PA
The Pfannebecker Collection, Lancaster, PA
University of Southern Illinois
Ohio Designer Craftsman, Columbus, OH
Ceramics Monthly, Columbus, OH
The Cleveland Art Association, Cleveland, OH
Alfred University, Museum of Ceramics, Alfred, NY
University Hospitals of Cleveland, Lerner Tower, Cleveland, OH
PUBLICATIONS, REF.
American Ceramics Magazine, Jan. 1994 Studio Potter Magazine, Jan, 1992, "The Language of the Lip" NCCECA Journal "Developing a Plastic Alphabet", volume 6, 1985 Studio Potter "Ohio Potters", October, 1983 Craft Horizons, December , 1978 Ceramics Monthly, "Penland Potters", October 1977 The Alfred Kiln Drawings, New York State College of Ceramics, Alfred University, Publication of The Department of Art and Design, 1976
GALLERIES REPRESENTED BY
-The Clay Place, 5416 Walnut St., Pittsburgh, PA. 15232, 1-412-682-3737
-The Pewabic Pottery, 10125 East Jefferson, Detroit, MI. 48214, 1-313-822-0954
-The Farrel Collection, 2633 Connecticut Ave., NW, Washington, DC 20008, 1-202-483-8334
-Objects Gallery, Chicago, IL
ORGANIZATIONAL MEMBERSHIP
-NCCECA, National Conference For Education in the Ceramic Arts
-SPACES, Arts Organization, Cleveland, OH
-OHIO DESIGNER CRAFTSMEN, North Central Area Represenitive, Columbus, OH
-AAUP, American Association of University Professors, Washington DC
Les fleurs sont belles en noir. Merci beaucoup
Je pourrais avoir une maison qui est plus haut que les arbres ...
Je ne pouvais avoir tous les cadeaux que je veux et ne jamais demander s'il vous plaît ...
je pourrais voler à Paris, oh that's à mon appel invitent ...
Pourquoi dois-je aller dans la vie avec rien du tout ...
Mais quand je rêve, je rêve de toi ....
Peut-être qu'un jour tu va se réaliser ....
Je peux être le chanteur ou le clown dans chaque chambre ....
Je peux même appeler quelqu'un pour me conduire à la lune ...
je peux mettre mon maquillage sur disque et les hommes fou ...
je peux aller seul au lit et ne jamais connaître son nom ...
Mais quand je rêve, je rêve de vous ...
Peut-être qu'un jour vous viendrez vrai ...
Mais quand je rêve, je rêve de vous ...
Peut-être un jour vous pourrez devenir réalité ...
When I Dream....By Carol Kidd
© Sion Fullana
All rights reserved.
Please do not use without my explicit written permission.
It was sunset hours.... and there, by will of destiny, a beauty competition was established without anyone but my camera noticing...
The beauty on the wall, out of reach, professional, trained...
vs. the beauty a few feet away, sweet, natural, radiant...
Who would you declare the winner?
High Line,
New York
PS: Like I said earlier, I'm leaving tonight on a 3 week trip to Spain... I'm not sure how much internet connection I'll have this time. So just in case I can't upload often or visit your photos either... have a great August and see you soon!!!! Though... now that I think of it, I might leave Anton in charge of uploading a few of my latest good photos, that lay processed on my desktop computer... :-)))
Benvenuti in casa della pazzia…
Questo è quello che mi son detto io, giusto giusto un anno fa, quando mi ritrovai davanti a questo ingresso.
Era la prima volta che mettevo piede in un manicomio e ancora in me non era chiara la mia strada, dopo di allora tutto era cambiato, io ero cambiato... la strada era chiara oramai…
Chi mi conosce bene sa cosa ha voluto dire quel viaggio, voi magari lo avrete potuto intuire ma comunque questa foto racchiude in me tutte le sensazioni di questo anno che sta per passare…
Un anno particolare, oserei definirlo “pazzo”, con persone importanti che son entrate nella mia vita, situazioni vissute, a volte assurde, ma momenti sempre comunque di crescita e anche con persone che bazzicano da queste parti.
Un anno in crescente, un anno di consapevolezza, un anno che ha dato tanto e che va a conclusione magari in discesa…
Ma si vede che era cosi che doveva andare, per poter dare la carica per un futuro 2008 incerto…
Si, incerto…
Ma comunque con la consapevolezza che non si può tornare indietro, ma solo e in ogni caso, sempre e comunque, avanti!
Auguri di un buon anno, Ragazzi!
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Welcome to crazy house...
This is what I have imagined, just right a year ago, when I find again to myself in front of this entrance.
It was the first time that put a foot in a mental asylum and I still was not clear my road, after everything had changed, I had changed ... The way was now clear…
Who know me well, know what he wanted to say that trip, perhaps you could have guessed it but this picture holds in me all the sensations of this year that it’s about to pass…
One particular year,I call it "crazy", with people who are important in my life revenue, experienced situations, sometimes absurd, but always moments of growth and also with people who frequent also here.
One year in growing, a year that has provided both going to Conclusion maybe down…
But we see that was so that had to go, to give the office for a future unsure 2008…
Yes, unsure…
But with the awareness that we can not go back, but in any case, always and still ahead...
Happy new year, guys
The Spanish brought chocolate to Europe when they conquered South America in the 16th century but in recent generations they have not been kown for their chocolate skills. That is, until now.
This small box is from a new chain of chocolate stores named Xocao. In two layers the upper layers contain: pistachio milk, green tea milk, cardomam white, and 4 spices white - each just as tasty as the other!
ISO 100 f/2 1/80s 1 SB-26 @ 24mm 1/32nd power Shoot through umbrella camera right just outside of the frame, and 1 SB-800 @ 14mm 1/16th power with omnibounce and Roscoe blue gel triggered with pocket wizard plus IIs.
After cutting my head off last week for the sake of photography, I figured I owed it to myself to take a picture with my head; even if it looks better behind the camera than in front of it. I actually had constructed this photo in my head a few weeks ago before going to Ocracoke, but never had the time to execute it. This is typically how I look on any given night with all my gear slammed into this yellow messenger bag with a flash stand strap to the back. I initially tried shooting this shot at f/1.4 for bigger Bokeh balls, but the depth of field was much to shallow. Even at f/2, the bag is slightly out-of-focus. I typically avoid out-of-focus elements in front of the subject, it is a photography rule I choose not to break. As always when doing self portraits and especially at night the greatest challenge is getting the autofocus to work properly. I tried shooting outside my normal method and triggered the camera with remote, but the camera never could focus in the dark before taking the picture. What I like to do in this case; is stand in my position with my camera and focus on the tripod, then switch to manual focus and set my shot up. I had fun setting this shot up and I was pleased to see the results after weeks of waiting to shoot this shot.
until tomorrow,
enjoy
"L'invitation au voyage"
Charles Baudelaire
Mon enfant, ma soeur,
Songe à la douceur
D'aller là-bas vivre ensemble !
Aimer à loisir,
Aimer et mourir
Au pays qui te ressemble !
Les soleils mouillés
De ces ciels brouillés
Pour mon esprit ont les charmes
Si mystérieux
De tes traîtres yeux,
Brillant à travers leurs larmes.
Là, tout n'est qu'ordre et beauté,
Luxe, calme et volupté.
Des meubles luisants,
Polis par les ans,
Décoreraient notre chambre ;
Les plus rares fleurs
Mêlant leurs odeurs
Aux vagues senteurs de l'ambre,
Les riches plafonds,
Les miroirs profonds,
La splendeur orientale,
Tout y parlerait
À l'âme en secret
Sa douce langue natale.
Là, tout n'est qu'ordre et beauté,
Luxe, calme et volupté.
Vois sur ces canaux
Dormir ces vaisseaux
Dont l'humeur est vagabonde ;
C'est pour assouvir
Ton moindre désir
Qu'ils viennent du bout du monde.
- Les soleils couchants
Revêtent les champs,
Les canaux, la ville entière,
D'hyacinthe et d'or ;
Le monde s'endort
Dans une chaude lumière.
Là, tout n'est qu'ordre et beauté,
Luxe, calme et volupté.
Recently I got a quick panning lesson from a very good photographer and I'm so addicted to it now. This is the most decent shot I've taken since then.
Some things about the image:
The red block in the background is a pile of bricks. There's a lot of construction going on in Vietnam from urban zones to rural areas. As a result, you can see construction materials everywhere.
The bike is a 50cc Honda imported from Japan. People used to import a great number of used bikes like this in the 80s and 90s. This vehicle is still very popular in the countryside since it's cheap, reliable, fuel saving and very suitable for carrying goods on long bumpy roads : )
Just have a look at the blue container that she's carrying. There are a lot of containers like this for sale in Vietnam. Many were used to store chemicals or even hazardous waste in developed countries. Don't know how they get to markets in Vietnam. Due to ignorance, a lot of people buy them to store food and water without knowing how dangerous they are : (
As you probably notice, her shirt looks quite strange. Well, most Vietnamese women have several shirts like this as they help protect skin from the burning tropical sun : )
Last but not least, there's something special about her helmet. Since September 2007, people are required to wear helmet when riding a motorbike in Vietnam. The problem is Vietnamese women hate exposing their skin especially their face to the sun thus the brim made of cloth was born. It comes in many styles and colors to match all helmet designs on market. You can attach it to your helmet and take it off for washing when needed. Many girls even choose different brims to go with their clothes :D
Listen Archangel Chant Erik Berglund
The Monastery of Sant Benet de Bagés is a former Benedictine monastery, in the Catalan comarca of Bages. The Romanesque monastery was thoroughly restored at the beginning of the twentieth century by the Catalan architect Josep Puig i Cadafalch.
The monastery was founded about 950 by the noble Salla and his consort Ricarda, of the house of the viscounts of Osona . According to the founding legend, Salla traveled to Rome to have his institution authorized, and to have it depend directly on the Holy See, the usual method for preserving the community from interference from the bishop of Vic, in whose diocese it lay. The abbey church was consecrated 3 December 972, witnessed by a gathering of notables: Borrell II, Count of Barcelona, the bishops Frugifer of Vic, Guisad of Urgell and Pere of Barcelona, the viscount Guadald of Osona, and three of the four offspring of the recently deceased founder, his son Isarn and the sisters Quíxol and Ego, at the head of witnesses both laymen and priests, in a grand ceremonial recorded in the surviving act of consecration.
The community was dedicated to the Holy Trinity and to Benedict of Nursia (Sant Benét in Catalan) founder of the order, and Peter and Andrew, all guarantors of its future orthodoxy. The founder secured dispensations that the future abbots would be chosen from among their descendents, making the abbey a form of proprietary church, an agreement that would soon lead to disputes among the various branches of their lineage as to choice of abbots.
From 965, the abbey church held the supposed relics of Saint Valentine, enclosed in a wooden reliquary with plates of silver depicting miraclesa of Saint Valentine, rediscovered in 1863 in the church of Navarcles.At the beginning of the eleventh century the monastery passed under the direction of the Abbey of Saint Peter of Tomeras at Narbonne, from which the community freed itself in 1108. In 1125 Sant Benet de Bagés suffered from an attack by Moors that required a rebuilding, financed by local nobles who required in return the right to be buried in its consecrated ground.
The most splendid age of Sant Benet de Bagés was in the fourteenth century. The Black Death left the community with only two survivors, in a period that witnessed the beginning of its decline. On 9 November 1593, by order of Pope Clement VIII the community passed under the direction of the Abbey of Montserrat, and remained so until it was suppressed in 1820, serving as a place of retirement for Montserrat's community of monks. By the "law of desamortización" of 1835, all religious orders in Spain were required to render upo their possessions.The crumbling ancient structure attracted the interest of intellectuals who organised visits to it in the late nineteenth century. The architect Puig i Cadafalch and the painter Ramon Casas encouraged the mother of Casas to buy the property in 1907; in 1910 it passed into the hands of Casas, who commissioned Puig i Cadafalch to restore it. Since 2000, when it was purchased from Casas' heirs it has belonged to the Caixa de Manresa, a financial institution that has undertaken its maintenance.
Erik Berglund is a unique recording artist who like the troubadours of yore, combines his extraordinary musical talents with the Spirit and power of God's healing gifts. Erik sings like an angel with a refined tenor voice accompanied by the crystalline sounds of his Irish harp. He has 18 CDs available which bridge the world of angels and healing, and touch people deeply. As a sensitive healer, Erik's life has touched thousands via concerts, workshops, retreats, sacred journeys and private healing sessions. He shares his gifts throughout the United States, Canada, Europe, South America, Asia, Africa, the South Pacific and the Middle East.
In Wordpress In Blogger photo.net/photos/Reinante/ In Onexposure
View On Black,Large and better
Shot it at Gangasagar fair,Gangasagar Mela is the largest fair celebrated in West Bengal. This fair is held where the Ganga and the Bay of Bengal form a nexus. Hence the name Gangasagar Mela. The river Ganga which originates in the Gangotri glacier in the snow clad Himalayas, descends down the mountains, reaches the plains at Haridwar, flows through ancient pilgrimage sites such as Benares and Prayag, and drains into the Bay of Bengal. Sagar Island, at the mouth of the river Hooghly in Bengal where the Ganga breaks up into hundreds of streams, and drains into the sea, is honored as a pilgrimage site.
A dip in the ocean, where the Ganga drains into the sea is considered to be of great religious significance particularly on the Makara Sankranti day when the sun makes a transition to Capricorn from Sagittarius and this town becomes home to vast fairs, drawing visitors and recluses from all over the state. There is a common belief among the locals that the girls who take the holy dip get handsome grooms and the boys get beautiful brides. When they are done with the ritual obligations, they head towards the Kapilmuni Temple situated nearby, to worship the deity as a mark of respect.
For more photos,click MY SITE subirbasak.orgfree.com.....
P.S."Copyright © – Subir Basak.
The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
light | dark | expired agfacolor 200-n
The 2010 Traveling Panoramic Camera Adventure
A panorama camera was shared among 16 photographers throughout the USA and the UK and the resulting images and experiences are being shared on the long square project flickr group.
Specs for the camera are:
28mm fixed two element lens
1/125 shutter f/11
13 x 36 mm panorama mask
My fellow adventurers are:
Andy Schmitt NJ
Brian Krummel PA
Peter Schafer WV
Meredith Shinko Ensell OH
Angie Harris OH
David Lindley OH
Bill Bressler MI
Karen Taylor TX
Warren Harold TX
Randy Ray Cathey TX
Robert Williams NM
Steve Welch NM
Ariel Boston NM
Phil Bebbington UK
Shari Baker UK
What Mac and Bumble Has to Say About Heather"International glamour, lingerie and fetish model Heather Gates is well known for her captivating style and charisma. Heather Gates has eyes that will seduce your soul and have you salivating over her sensual curves in no time at all. All her fans know the power of Heather Gates and you can too inside Heathergates.com where she graces the pages of this web site with her stunning beauty and body that leaves men quaking in her wake.
She will embed herself deep into your fantasies. This stunning creature is the ultimate in feminine beauty and sensuality. With her alluring looks and a body to die for, this beauty has garnered a multitude of loyal fallowers who can attest to her rising success. If you are looking for a woman who captures both elegance and intelligence we knowyou won't be dissappointed. The beautiful Heather Gates is a true delight to behold - just ask any of her many fans and admirers across the globe.
Thousands of loyal followers can't be wrong!"Magazines
Adultcon is where fans go to buy autographs, photos, Polaroid's, DVD's & products
& meet the porn stars of tomorrow as well as the mega stars of today.
Adultcon has anything and everything to do with sex, sensuality, romance, health & body image.
Erotic photography is a style of art photography of an erotic, sexually suggestive and even sexually provocative nature. Though the subjects of erotic photography are usually completely or mostly unclothed, that is not a requirement. Erotic photography should be distinguished from pornographic photography, which is of a sexually explicit nature.
Artizen HDR Lock06
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. Founded in 1852 as the South Kensington Museum, the V&A has since grown to now cover some 12.5 acres[2] and 145 galleries. Its collection spans 5000 years of art, from ancient times to the present day, in virtually every medium, from the cultures of Europe, North America, Asia and North Africa.
The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum possesses the world's largest collection of post-classical sculpture, the holdings of Italian Renaissance items are the largest outside Italy. The departments of Asia include art from South Asia, Japan, China, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection, alongside the Musée du Louvre and Metropolitan Museum of Art, New York, is amongst the largest in the world.
Alongside other neighbouring institutions, including the Natural History Museum and Science Museum, the V&A is located in what is termed London's "Albertopolis", an area of immense cultural, scientific and educational importance. Since 2001, the Museum has embarked on a major £150m renovation program[3] which has seen a major overhaul of the departments including the introduction of newer galleries, gardens, shops and visitor facilities. Following in similar vein to other national UK museums, entrance to the museum has been free since 2001.
from wikipedia
This Julie's Pond or as more well known, The Heart Shaped Pond, please read the brief explanation
From Wikipedia
Prince's Lodge was named for the estate His Royal Highness Prince Edward, Duke of Kent resided in while in Halifax in the 1700s .In 1794, Prince Edward arrived to serve in Halifax.with his French mistress Julie St. Laurent. The Duke was often entertained at the "Friar's Cell" and liked it so much that Wentworth felt obliged to offer it to him during his stay in Halifax. Prince Edward accepted, and renovated the residence and developed the gardens around the estate by landscaper from England. The result was what is today Hemlock Ravine Park , 185 acres (0.75 km2) with a heart shaped pond known as Julie's Pond, and was constructed by the Duke in honor of his mistress.
The Wentworth's resumed living in the lodge When Prince Edward returned to England. Now called the Prince's Lodge, it was here that Sir John established the Rockingham Club. But after Sir John died, the estate was neglected. By 1870, in ruins, it was sold at auction and divided into building lots. All that remains of the original estate is the Rotunda,which the Nova Scotia Government acquired in 1959. It is a small, round music room that stands on a knoll overlooking the Bedford Basin.
This is a shot of a local horse farm (don't recall which one) from a couple of years back at about this same time of the year. It's a nice example of how good software can bring out the beauty of a shot that otherwise may not have made much impression. I used Lightroom to adjust the saturation, contrast, vibrance, and a few other things, and to push the yellows in the grass a bit more toward green. So it's probably not as realistic as the actual scene was, but the end-result is more pleasing and allows the lines of the fences and the hills to present a more pleasant image. Pretty much postcard Central Kentucky.
As always, comments, suggestions, constructive criticisms, etc., are welcomed and greatly appreciated. Thanks!
I went out scouting for shooting locations with Sandy today for our food bank photos (we are going to have a seriously dark and twisted shot going up in the next month or so). While we were out Sandy taught me a new photography technique. It's called "Through the Viewfinder" (or TTV). You take a high quality dSLR with a macro lens and shoot through the viewfinder of an old camera. It gives a very cool effect. Kind of a soft, noisy, vintage sort of feel.
This is my first attempt at this kind of photography. I think it has potential though. Now I just need to get a good MACRO lens...
Thoughts?
If you've got some time, here is Sandy's stream:
www.flickr.com/photos/sandyphimester/
It's excellent! Sandy's been kind enough to teach me lighting and all sorts of other stuff.
Canon Eos 450D 18-55mm f/3.5-5.6. IS
ISO 200, F10 , 1/250sec, 18mm
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«La più piccola parola è circondata da acri ed acri di silenzio, e perfino quando riesco a fissare quella parola sulla pagina mi sembra della stessa natura di un miraggio, un granello di dubbio che scintilla nella sabbia.»
Paul Auster
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Sagi Rei
...every day and every night
i always dream that you are by my side
oh, baby,
every day and every night
well i said every
thing's gonna be alright..
ie.youtube.com/watch?v=ihw_4wy1nWY&feature=related
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La spiaggia del Principe è una delle spiagge più belle della Costa Smeralda, lungo la costa nord orientale della Sardegna.
Il suo nome è legato ad una presunta preferenza del principe Aga Khan per questo angolo di mare. E' un grande arco di sabbia finissima delimitato da rocce e circondato dalla macchia mediterranea. Il colore e la limpidezza di questo mare si devono al particolare fondale in sabbia e granito. E' divisa in due parti da un gruppo di scogli che emerge sulla battigia.
Come arrivare: da Olbia seguire le indicazioni per la Costa Smeralda. Preso il bivio per Cala di Volpe, subito dopo l'omonimo Hotel, si gira a destro verso la località Romazzino. Dopo circa un km e mezzo si lascia l'auto e si procede a piedi per qualche centinaio di metri.
Strobist Info:
SB24 with Homemade Grid Camera Right High....Give Spotlight Effect
Nikon D300
Tokina 12-24mm
Pocket Wizards Plus II's
I have been a HUGE fan of this man's work for a very longtime. I have played at many of the theatres he has designed. He is a Theater Designer and has worked on some of the most recognized theatres in the WORLD. It was an honor to get to spend a few hours with him and get to see him work! He showed me ALL the work he has done in his lifetime, I got to sit with him at his desk where he creates and designs these masterpieces!!!!!! I kept having to stop and just take it all in, when you have followed a person's work, and then get to actually sit and see them work, it is breathtaking. He is an ARTIST in every sense of the world. He knew he wanted to design theatres at the tender age of 4, when his mom took him to see a show. The lights, colors, textures, patterns, dancers, actors, etc all left a lifetime impression on him that lasts till this very day! He has miniature 1/8 scale models of all of his work, the intricate details that he puts into his models is beyond AMAZING!!! I feel truly inspired, blessed, and privileged to be one of the few people that have taken his portrait. He has invited me over to do more and also he let me know I can use his studio to do photoshoots anytime I want to. His studio in itself is a work of art, I will be sharing more pics of his studio and models in the days to come. I hope you enjoy this picture as much as I do.
Hector
P.S. My Hard Drive crashed yesterday, which is a bummer, but all is not lost. I was able to retrieve ALL of my Raw files, however lost ALL of my post processed pics. I only was able to retrieve my web resolution shots. So I have A LOT of work to do, but it is ok. I get to wake up and do what I LOVE to do everyday!
Another scene for NYC a couple weeks ago. This is the little NYPD station in Times Square.
Not an HDR, but a little exposure blending in a couple places.
Have a good weekend and thanks for looking!
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Comments and constructive criticism always appreciated.
I was tagged by Anna.Teresa, sooo:
1. I HATE gum and eggs; the mere smell of both make me want to gag. Lol.
2. I can drink milk with ANYTHING edible, seriously<3
3. I like the left side of my body (face and all) better than my right.
4. I used to have size 00 gauges, but then figured out they were completely pointless.
5. I have the best memory for the smallest, most random things.
6. I may not look it, but I'm Hispanic (Colombian and Puerto Rican) and speak/read/write fluent Spanish. My hips (don't lie) and curves are proof of my Latin blood.
7. Despite that, I'm actually quite petite; 5'2" and 105 lbs.
8. I have this super obsession with sunrises, sunsets, the sky in general, stars, and anything space-related. And Taylor Swift. Lol
9. 7 is my absolute favorite number. It's everywhereee, and in the Bible tons! Next is 11. I don't like even numbers at ALL.
10. I'm Christian; part of The Church of Jesus Christ of Latter-Day Saints aka LDS aka Mormon (:
BTW- I am discontinuing my 365 project. I'm a little disappointed in myself because I feel as though I never commit to anything, but it really IS so hard some days to take and upload good shots when you're busy 24/7. I'll probably still upload almost every day, but I'd rather not have the 365 pressure.
Guillaume Cuypers en Louis Hennen schenken een grote verzameling foto's van oud Heerlen aan Gemeente Archivaris P. Peters. de Foto's werden afgestaan door
A. Baumans-Severens, Joh. Cohnen, Dr. J. Duysens, Henri Hennen, mevr. Hertzdahl-Baumgarten, Willem Lindelauf, W. te Poel, Mej. M. Grootjans, Nic. Grootjans en Em. Kaufmann. Limburger Koerier van 25-3-1933: resolver.kb.nl/resolve?urn=ddd:010349906:mpeg21:a0085
Genealogie Hennen: www.rijckheyt.nl/sites/rijckheyt/files/pdf/genealogie/Hen...
genwiki.nl/limburg/index.php?title=Hennen
Henricus Joseph (Henri) Hennen, ged. Voerendaal 31-5-1784, horlogemaker, koopman, winkelier, ovl. Heerlen 25-12-1851, tr. Heerlen 4-6-1813 Maria Gertrudis Eijmael, ged. Heerlen 7-12-1790, ovl. Heerlen 19-10-1880, dochter van Joannes Wilhelmus Eijmael en Maria Theresia Roebroeck.
Hun dochter Maria Theresia Hennen, geb. Heerlen 18-5-1814, ovl. Heerlen 28-4-1887, tr. Heerlen 12-7-1837 Herman Jozef Ross, geb. Heerlen 21-5-1798, bierbrouwer, grondeigenaar, griffier/kantonrechter te Heerlen, ovl. Heerlen 8-4-1858, zoon van Johan Frederik Ross en Maria Gertruda Starmans.
Huis en brouwerij "De Tesch" in de Geleenstraat in Heerlen: imstenrade.nl/bouw-villa/
Hun zoon Lodewijk Hubert Antoon Joseph (Louis) Hennen, geb. Heerlen 14-3-1826, horlogemaker, organist, componist, ovl. Heerlen 2-5-1878, tr. Heerlen 9-8-1852 Maria Jozefa Merckelbach, geb. Heerlen 22-7-1829, ovl. Heerlen 18-10-1909, dochter van Arnold Merckelbach en Anna Elisabeth Schils.
Huis Hennen. Gebouwd in 1872: www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Huis en brouwerij "de Tesch" van de familie Ross-Starmans, in de Geleenstraat, recht tegenover het oude Gemeentehuis, nabij de huizen Hennen en Canter:
www.flickr.com/photos/hans_r_van_der_woude/32535107237/in...
www.rijckheyt.nl/cultureel-erfgoed/canter-camil-gentleman
www.rijckheyt.nl/sites/rijckheyt/files/pdf/persoonsdocume...
Schilderij van de huizen ca. 1890, door Mathias Ross: heemkundeverenigingheerlenstad.nl/wp-content/uploads/2012/02/Hart-van-Heerlen-nr-8-maart-2011.pdf
Geleenstraat ca. 1890. Foto naar een schilderij van Mathias Ross. Links het huis De Tesch, stamhuis van de familie Ross. Op de achtergrond, vooruitspringend, het huis Hennen, met daarachter het huis Canter. Boven de huizen de toren van de St. Pancratiuskerk:
www.archieven.nl/nl/zoeken?mivast=0&mizig=95&miad...
"De Tesch een vergeten plek in het centrum van Heerlen deel IV". "Hart van Heerlen", informatiebulletin nr. 9, 4e jaargang 2011: heemkundeverenigingheerlenstad.nl/wp-content/uploads/2012...
"De Tesch een vergeten plek in het centrum van Heerlen deel Vl": heemkundeverenigingheerlenstad.nl/wp-content/uploads/2013...
Afbeelding Emmaplein ca. 1885. Rechts (A) bazar Hennen in de Geleenstraat en (B) de voormalige pastorie van de St. Pancratiuskerk. Links herberg In den Prins van Oranje: www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Emmaplein 1898: www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Emmaplein ca. 1904. Links café Zur Stadt Aachen in de Geleenstraat. Rechts huis Canter: www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Emmaplein ca. 1906: www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Foto Geleenstraat 1905. Rechts achtereenvolgens de gevel van huis Hennen, de waterpomp en het huis de Gouden Klok. Links achtereenvolgens apotheek Vrancken, het kantoor van de rijksontvanger van de belastingen, en het woonhuis van dhr. Jaegers, arts en burgemeester van Heerlen:
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Emmaplein ca. 1910. Van links naar rechts: huis Canter, huis Savelberg, St. Pancratiuskerk en postkantoor: www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Foto Bazar Hennen, naast het huis P. de Hesselle, ijzerwaren en huishoudelijke artikelen (1913): www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Bazar Hennen. Rechts ijzerhandel P. de Hesselle. Links slagerij Oostwegel (ca. 1919): www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Foto van de musici Hubert Frederik Hennen, Charles Marie Arnold Hennen en Maria Frans Johan August Hennen, ca. 1895: www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Huis Hennen met op het dak de tekst "Glück Auf Brau Kerkrade":
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Huis Hennen is gesloopt t.b.v. de nieuwbouw van Vroom en Dreesman. Het pand Oostwegel zal nog worden afgebroken en herbouwd.
De architect van Vroom & Dreesman is Johannes Theodorus Aloysius Kuijt Wzn (1884-1944): zoeken.hetnieuweinstituut.nl/nl/personen/detail/56a02bec-...
zoeken.hetnieuweinstituut.nl/nl/projecten/detail/1623fd61...
Limburgsch Dagblad van 26-2-1931: resolver.kb.nl/resolve?urn=ddd:010930280:mpeg21:a0126
Onze pleinen. Limburgsch Dagblad van 6-1-1920: resolver.kb.nl/resolve?urn=ddd:010934023:mpeg21:a0055
"Uitverkoop in overjassen. Amsterdamsch Koophuis", Geleenstraat 7. Limburgsch Dagblad van 9-11-1918: resolver.kb.nl/resolve?urn=ddd:010415097:mpeg21:a0020
G. Hanssen, Electr. Varkensslagerij, Geleenstraat 7. Limburger Koerier van 31-12-1927: resolver.kb.nl/resolve?urn=ddd:010988826:mpeg21:a0279
J. Janssen, Café "Zur Stadt Aachen". Geleenstraat. Limburgsch Dagblad van 31-12-1918: resolver.kb.nl/resolve?urn=ddd:010415130:mpeg21:a0078
Bodehuis Café "Zur Stadt Aachen", Geleenstraat 2. Limburgsch Dagblad van 25-5-1921: resolver.kb.nl/resolve?urn=ddd:010934642:mpeg21:a0011
Café "Zur Stadt Aachen", Geleenstraat 2. Limburgsch Dagblad van 27-12-1924: resolver.kb.nl/resolve?urn=ddd:010933205:mpeg21:a0170
Café "Stadt Aachen, Geleenstraat 2, van Fr. Jaegers. Limburgsch Dagblad van 31-12-1929: resolver.kb.nl/resolve?urn=ddd:010931232:mpeg21:a0075
Café "Zur Stadt Aachen", Geleenstraat 2, van Godfried Huntjens. Limburger Koerier van 30-12-1922: resolver.kb.nl/resolve?urn=ddd:010975146:mpeg21:a0233
P. Pluymaekers & Zoon, Rijwielen en reparatie-inrichting, verplaatst van de Geleenstraat 4 naar de Geleenstraat 54, hoek Schinkelstraat. Limburger koerier van 5-6-1930: resolver.kb.nl/resolve?urn=ddd:010350067:mpeg21:a0231
Rijwielen P. Pluymaekers. Limburgsch Dagblad van 31-12-1920: resolver.kb.nl/resolve?urn=ddd:010934201:mpeg21:a0037
Foto Geleenstraat ca. 1921. Op de voorgrond rechts het voormalige pand P. De Hesselle. Verder van rechts naar links: warenhuis Vroom & Dreesmann, slagerij Oostwegel en herenmodezaak Ferd. Busch. Op de hoek Saroleastraat/Geleenstraat herenkledingzaak Mij Holland. Op de andere hoek modezaak Ritzen-Penders. Het huis met het spitse torentje is kunsthandel Hennen-Lintzen: www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Slager H. Oostwegel, Geleenstraat. Limburgsch Dagblad van 31-12-1920: resolver.kb.nl/resolve?urn=ddd:010934201:mpeg21:a0037
Slagerij G. Hanssen, Geleenstraat 4. Telefoongids 1915: www.geneaknowhow.net/script/dewit/tel1915/
Groot Bal bij Café Souren, Geleenstraat 6. Limburgsch Dagblad van 10-7-1920: resolver.kb.nl/resolve?urn=ddd:011027020:mpeg21:a0043
Ferd. Busch, Heeren Mode-Magazijnen, Geleenstraat 10. Limburgsch Dagblad van 18-11-1920: resolver.kb.nl/resolve?urn=ddd:010416499:mpeg21:a0011
Rijksveearts J.J.W. Urlings, Geleenstraat 10. Telefoongids 1915: www.geneaknowhow.net/script/dewit/tel1915/
Later woonde hij naast het oude Stadhuis in de Geleenstraat: www.flickr.com/photos/hans_r_van_der_woude/46606368205/in...
Politiebureau Gemeentepolitie. Geleenstraat 12: Telefoongids 1915: www.geneaknowhow.net/script/dewit/tel1915/
Te Koop drie goed onderhouden Rijwielen met nieuwe banden, Jos. Pasmans, Geleenstraat 8. Limburgsch Dagblad van 7-10-1920: resolver.kb.nl/resolve?urn=ddd:011027095:mpeg21:a0021
Vroom & Dreesman komt naar Heerlen en heeft het pand Geleenstraat 6 gekocht. Limburgsch Dagblad van 6-1-1920:
resolver.kb.nl/resolve?urn=ddd:010934023:mpeg21:a0055
Pand van Oostweegel stort in en valt in bouwput van Vroom en Dreesman. Limburger Koerier van 22-4-1920: resolver.kb.nl/resolve?urn=ddd:010346273:mpeg21:a0051
Vroom & Dreesman in Heerlen geopend. Limburgsch Dagblad van 21-12-1920: resolver.kb.nl/resolve?urn=ddd:010934193:mpeg21:a0031
Vroom & Dreesman koopt de panden van Rijwielzaak Pluymaekers en van Café "Zur Stadt Aachen" van de Gulpener Bierbrouwerij in de Geleenstraat. Limburgsch Dagblad van 25-2-1930: resolver.kb.nl/resolve?urn=ddd:010931078:mpeg21:a0048
Nieuwbouw Vroom & Dreesman. Gevaarlijk bouwwerk. Limburgsch Dagblad van 29-3-1930, 15-11-1930 en 26-2-1931: resolver.kb.nl/resolve?urn=ddd:010931106:mpeg21:a0085
resolver.kb.nl/resolve?urn=ddd:010930918:mpeg21:a0079
resolver.kb.nl/resolve?urn=ddd:010930280:mpeg21:a0126
Er komt een Passage van de Geleenstraat naar de Markt als de electriciteitstarieven voor Vroom & Dreesman worden verlaagd. De Tijd van 4-2-1930: resolver.kb.nl/resolve?urn=ddd:010531191:mpeg21:a0155
Doorgang tussen het warenhuis Vroom & Dreesmann (links) en het huis Canter (rechts), gebruikt als verbindingsstraatje tussen de Bongerd en het Emmaplein, ca. 1937: www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Afbeeldingen Geleenstraat 1930, 1933 en 1938. Winkel van Vroom & Dreesmann. Rechts huis Canter:
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proxy.archieven.nl/0/2D77C1D6EF185BA7E054001A4B08D327
J.G. Dröge en G.H.J. van Tongeren, Tandartsen, Geleenstraat 16. Limburger Koerier van 3-1-1921: resolver.kb.nl/resolve?urn=ddd:010345882:mpeg21:a0006
Mr. M. Bakhuis Roozeboom, Advocaat & Procureur, Geleenstraat 18. Telefoongids 1915: www.geneaknowhow.net/script/dewit/tel1915/
"Goedkoope Winkel. Fa. H. te Poel sr", Geleenstraat 20. Limburger Koerier van 2-7-1921: resolver.kb.nl/resolve?urn=ddd:010346484:mpeg21:a0214
Etsen van W. Rietra omstreeks 1890-1900 met "In een Prins van Oranje", het Wilhelminaplein, de Geleenstraat, en de Bongert met vijver. Limburgsch Dagblad van 10-01-1975: resolver.kb.nl/resolve?urn=ddd:010560761:mpeg21:a0276
"Bekend café van Heerlen in „jonge handen”. Café Beckers krijgt nieuwe exploitant". Café Beckers aan het Emmaplein dateert van 1885 en heette vroeger "De Prins van Oranje". Limburgsch Dagblad van 17-5-1978: resolver.kb.nl/resolve?urn=ddd:010563262:mpeg21:a0227
Afbeelding Geleenstraat ca. 1890. Foto naar een schilderij van Mathias Ross. Links het huis De Tesch, stamhuis van de familie Ross. Op de achtergrond, vooruitspringend, het huis Hennen, met daarachter het huis Canter. Boven de huizen de toren van de St. Pancratiuskerk: proxy.archieven.nl/0/F80A579D4F775AE6E044001A4B08D326
Hendrik Hubert Adam Robert Hennen, kolenhandelaar, koopman in de firma Hennen & Co, schouwburgdirecteur, geb. Heerlen 19-6-1874, ovl. Heerlen 18-3-1950, man van Marie Thérèse Celine Graindor, geb. Luik 30-11-1874, ovl. Heerlen 24-3-1919, zoon van Lodewijk Hubert Antoon Jozef Hennen, horlogemaker, organist, componist, geb. Heerlen 14-3-1826, ovl. Heerlen 2-5-1878, en van Maria Jozefa Merkelbagh, geb. Heerlen 22-7-1829, ovl. Heerlen 18-10-1909.
Zijn neef Charles Marie Arnold Hennen, geb. Londen 3-12-1861, ovl. in de Weltermolen aan de Weltervijver in Welten (Heerlen) 21-8-1953, was musicus en directeur van de Heerlense Muziekschool. Zijn vader Frederik Hennen, violist en concertmeester in Parijs en Londen, overleed op 10-4-1909 in de Weltermolen aan de Weltervijver:
www.rijckheyt.nl/cultureel-erfgoed/hennen-henri-schouwbur...
www.rijckheyt.nl/cultureel-erfgoed/hennen-charles-vioolvi...
"De Musicus Charles Hennen vertelt. Een onderhoud met den directeur der Heerlensche Muziekschool". Limburger Koerier van 9-10-1931: resolver.kb.nl/resolve?urn=KBDDD02:000216539:mpeg21:a0065
Portretfoto van de violist Frederik Hennen. Limburgsch Dagblad van 24-1-1930: resolver.kb.nl/resolve?urn=ddd:010931057:mpeg21:a0121
"Een muzikale Heerlensche familie. Bij de honderdsten geboortedag van den violist Frederik Hennen". Limburgsch Dagblad van 24-1-1930: resolver.kb.nl/resolve?urn=ddd:010931057:mpeg21:a0137
Afbeelding Geleenstraat ca. 1910. Links (vooruitspringend) het hoekpand Saroleastraat/Geleenstraat. Verderop het huis Hennen. Op de achtergrond het huis Canter met links daarvan de toren van de St.Pancratiuskerk:
proxy.archieven.nl/0/F80A579D4E445AE6E044001A4B08D326
Overlijdensbericht Hubert Dyonis Lodewijk Maria Hennen, eigenaar firma Koophuis Mercurius Hennen-Lintzen, geb. Heerlen 31-12-1866, ovl. 15-9-1927, oud 60 jaar en 9 mnd, zoon van Lodewijk Hubert Antoon Jozef Hennen en Maria Jozefa Merkelbach.
Afbeelding Koophuis "Mercurius": proxy.archieven.nl/0/F80A579D4F205AE6E044001A4B08D326
Bijeenkomst Schinkelstraat 102. Limburger Koerier van 17-9-1927: resolver.kb.nl/resolve?urn=ddd:010988739:mpeg21:a0116
www.archieven.nl/mi/1540/?mivast=1540&miadt=38&mi...
Hub Hennen, wandelend in de Geleenstraat, plotseling overleden. Limburgsch Dagblad van 16-9-1927: resolver.kb.nl/resolve?urn=ddd:010930538:mpeg21:a0140
Overlijdensbericht Anna Maria Hubertina Louisa Lintzen, ovl. Villa Via Nova te Valkenburg, 5-8-1938, oud 77 jaar, weduwe van Hubert Hennen. Limburger koerier van 6-8-1938: resolver.kb.nl/resolve?urn=ddd:010362749:mpeg21:a0157
H. Hennen-Lintzen, Koophuis Mercurius Markt/Bongerd, Kolonialenwaren, Conserven, Delicatessen, Vleeschwaren, Zuidvruchten, Wijnen, Likeuren, Heiligenbeelden, Glas, Porselein, Huishoudelijke artikelen (1904):
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
H. Hennen-Lintzen, Koophuis Mercurius, Markt-Kerkplein 10, Groot en kleinhandel Koloniale waren etc. (1915).
H. Hennen-Lintzen, Kerkplein 10-Markt 10, Koloniale waren, van Nelle, Ant Jurgens Margarine (1922).
H. Hennen-Lintzen, Schinkelstraat 102, Grossierderij, Agentuur en Commissiehandel (1926):
Huis Hennen met op het dak de tekst "Glück Auf Brau Kerkrade":
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Café Zur Stadt Aachen (links) en huis Hennen (rechts) in Heerlen: www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Huis Hennen. Huis Ross. Op de achtergrond de St.Pancratiuskerk, 1885: www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Geleenstraat. Rechts achtereenvolgens de gevel van huis Hennen, de waterpomp en het huis de Gouden Klok. Links achtereenvolgens apotheek Vrancken, het kantoor van de rijksontvanger van de belastingen, en het woonhuis van dhr. Jaegers, arts en burgemeester van Heerlen: www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Geleenstraat. Op de voorgrond rechts het voormalige pand P. De Hesselle. Verder van rechts naar links: warenhuis Vroom & Dreesmann, slagerij Oostwegel en herenmodezaak Ferd. Busch. Op de hoek Saroleastraat/Geleenstraat herenkledingzaak Mij Holland. Op de andere hoek modezaak Ritzen-Penders. Het huis met het spitse torentje is kunsthandel Hennen-Lintzen: www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Café annex slijterij "Miel Boost aggen Bruck". Rechts het pand van rijtuigenschilder G.J.Konsten. Emmaplein/hoek Geleenstraat ca. 1910: proxy.archieven.nl/0/F80A579D4E975AE6E044001A4B08D326
Sebastiaan Hubert Joseph (Jos) Seelen, geb. Venlo 18-10-1871, ovl. Heerlen (Valkenburgerweg 22) 16-10-1951, de eerste gemeente-architect te Heerlen. Zijn eerste woonhuis en kantoor bouwde hij aan de Valkenburgerstraat 22, nabij het kruispunt Valkenburgerweg-Geleenstraat-Geerstraat en Kruisstraat. Venloosche Courant van 13-3-1904: resolver.kb.nl/resolve?urn=MMGAVL01:000004184:mpeg21:a0004
www.heerlenvertelt.nl/2016/05/de-eerste-gemeentearchitect...
Aanbesteding R.K. Jongensschool te Heerlen door architect Jozef Seelen, Valkenburgerweg 14. Nieuwe Venlosche Courant van 26-8-1915: resolver.kb.nl/resolve?urn=MMGAVL01:000011504:mpeg21:a0016
Aanbesteding van de bouw van de Huishoud- en Industrieschool aan de Gasthuisstraat, in Hotel de la Poste in de Geleenstraat op 16-4-1920, door architect Josef Seelen, Valkenburgerweg 14: resolver.kb.nl/resolve?urn=ddd:010346261:mpeg21:a0013
NV Algemeen Technisch Installatie Bureau (ATIB), Valkenburgerweg 18. Limberger Koerier van 16-12-1920: resolver.kb.nl/resolve?urn=ddd:010346470:mpeg21:a0050
Official Service Station Ford, Kuyser, Hoogveld & Co., Valkenburgerweg 18: resolver.kb.nl/resolve?urn=ddd:010932559:mpeg21:a0023
Centraal Bureau van Arbeidsrecht NVV, Valkenburgerweg 10 (1930) en 18 (in 1944).
Meubelschrijnmakerij en het Meubelmagazijn van J. Gerards in de Geleenstraat 64.
Vervolgens het woonhuis van veekoopman M. Savelsberg (nr. 62). Daarnaast het huis Quanjel (nr. 60).
Het huis met het kleine torentje verderop is kunsthandel Hennen-Lintzen:
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Pariser Chic: www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Tegenover Gerards brood- en banketbakkerij Martens:
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
Jan Leonard Hubert, ovl. Heerlen 3-3-1928, oud 37 jaar, man van Anna Hubertina Kicken, zoon van Jan Leonard Gerards en Anna Catharina Stollman:
www.archieven.nl/mi/1540/?mivast=1540&miadt=38&mi...
www.archieven.nl/mi/1540/?mivast=1540&miadt=38&mi...
Voortzetting Meubelfabriek J. Gerards in de Geleenstraat 64, door de Wed. J. Gerards. Limburgsch Dagblad van 10-3-1928: resolver.kb.nl/resolve?urn=ddd:010931646:mpeg21:a0018
Bakker H. Martens, Geleenstraat 51.
Nieuwe Venlosche Courant van 16-9-1915: resolver.kb.nl/resolve?urn=MMGAVL01:000011517:mpeg21:a0021
Limburger Koerier van 5-8-1921 en 28-4-1925:
resolver.kb.nl/resolve?urn=ddd:010346512:mpeg21:a0010
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Christiaan Hubertus Martens, geb. Margraten 30-10-1872, ovl. Heerlen 17-9-1957, oud 84 jaar, man van Joanna Hubertina Josephina Dexters, geb. Maastricht, ovl. Heerlen 28-10-1949, oud 77 jaar:
www.archieven.nl/mi/1540/?mivast=1540&miadt=38&mi...
Gebrs. Savelbergh, Veehandel, Geleenstraat 62. Limburgsch Dagblad van 3-2-1940: resolver.kb.nl/resolve?urn=ddd:010948218:mpeg21:a0025
Overlijdensbericht Henricus Wilhelmus Quanjel, brigadier der marechausee (1887), geb. Bergen, ovl. Heerlen (Geleenstraat 60) 2-8-1940, oud 81 jaar, man van Maria Leonardina Louisa Constantina Bindels, geb. Gulpen, schoonzoon van caféhouder Willem Hendrik Bindels. Limburgsch Dagblad van 3-8-1940: resolver.kb.nl/resolve?urn=ddd:010948308:mpeg21:a0131
Hun zoon Alfred Jean Eugène Quanjel, geb. Gulpen 11-3-1892, ovl. Schaesberg 6-12-1968, was banketbakker.
De Vereenigde Banketbakkers te Heerlen, o.a. met Hub. Alberts in de Geleenstraat, de Wed. Jos. Wiertz, hoek Geleenstraat en Geerstraat, en Emil Constant Henri Quanjel in de Emmastraat 25/26 en de Akerstraat. Limburgsch Dagblad van 24-7-1920: resolver.kb.nl/resolve?urn=ddd:011027032:mpeg21:a0066
Verband- & Ziekenverplegingsartikelen A.H. Pannenberg, Geleenstraat 88, hoek Geerstraat. Limburgsch Dagblad van 28-8-1924: resolver.kb.nl/resolve?urn=ddd:010933105:mpeg21:a0036
Patisserie en Lunchroom Emil Constant Henri Quanjel en Anna Thérèse Baur, Emmastraat 25/26. Limburgsch Dagblad van 7-7-1931 (met tekening): resolver.kb.nl/resolve?urn=ddd:010930683:mpeg21:a0065
Overlijdensberichten Emil Constant Henri Quanjel, Heerlen Emmastraat 23, 5-7-1973, oud 85 jaar, geb. Thorn 25-4-1888, zoon van Hendrik Willem Quanjel en Maria Leonardina Louisa Constantia Bindels. Limburgsch dagblad
7-7-1973: resolver.kb.nl/resolve?urn=ddd:010560994:mpeg21:a0432
Overlijdensbericht Anna Thérèse Bauer, Heerlen, Emmastraat 26, 20-1-1979, oud 86 jaar. Limburgsch Dagblad van 22-1-1979: resolver.kb.nl/resolve?urn=ddd:010563880:mpeg21:a0126
Bakkersknecht Bartholomeus Lodewijk Wiertz, geb. Kerkrade
28-7-1919, zoon van Frans Lodewijk Wiertz en Elisabetha Hanneman, Geleenstraat 38:
www.archieven.nl/mi/1540/?mivast=1540&miadt=38&mi...
Limburgsch Dagblad van 2-8-1940: resolver.kb.nl/resolve?urn=ddd:010948307:mpeg21:a0109
Verzoek om naturalisatie van Jan Joseph Wiertz, bakker, geb. Vaals 26-5-1864, zoon van Martin Joseph Wiertz en Elisabeth Einmahl, wonende te Aken. Nederlandsche Staatscourant van 1-8-1908: resolver.kb.nl/resolve?urn=MMKB08:000174551:mpeg21:p007
Overlijdensbericht Hubert Dyonis Lodewijk Maria Hennen, ovl. 15-9-1927, oud 60 jaar en 9 mnd, zoon van
Lodewijk Hubert Antoon Jozef Hennen en Maria Jozefa Merkelbach. Bijeenkomst Schinkelstraat 102. Limburger Koerier van 17-9-1927: resolver.kb.nl/resolve?urn=ddd:010988739:mpeg21:a0116
www.archieven.nl/mi/1540/?mivast=1540&miadt=38&mi...
Hub Hennen, wandelend in de Geleenstraat, plotseling overleden. Limburgsch Dagblad van 16-9-1927: resolver.kb.nl/resolve?urn=ddd:010930538:mpeg21:a0140
Overlijdensbericht Anna Maria Hubertina Louisa Lintzen, ovl. Villa Via Nova te Valkenburg, 5-8-1938, oud 77 jaar, weduwe van Hubert Hennen. Limburger koerier van 6-8-1938: resolver.kb.nl/resolve?urn=ddd:010362749:mpeg21:a0157
H. Hennen-Lintzen, Koophuis Mercurius Markt/Bongerd, Kolonialenwaren, Conserven, Delicatessen, Vleeschwaren, Zuidvruchten, Wijnen, Likeuren, Heiligenbeelden, Glas, Porselein, Huishoudelijke artikelen (1904):
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
H. Hennen-Lintzen, Koophuis Mercurius, Prins Hendriklaan 13-Markt-Kerkplein 10, Groot en kleinhandel Koloniale waren etc. (1915).
H. Hennen-Lintzen, Kerkplein 10-Markt 10, Koloniale waren, van Nelle, Ant Jurgens Margarine (1922).
H. Hennen-Lintzen, Schinkelstraat 102, Grossierderij, Agentuur en Commissiehandel (1926):
www.heemkundeverenigingheerlenstad.nl/Firmalijst.htm
Gevel met opschrift "Restauration & Handlung H. Lafaire" in de Geleenstraat:
www.flickr.com/photos/hans_r_van_der_woude/40534103813/in...
Waterpompen in Heerlen: www.schumulder.nl
Geleenstraat, Heerlen, rond 1900: helletocht.wordpress.com/2018/10/08/geleenstraat-heerlen-...
Hubert Lafaire, geb. Heerlen 18-1-1870, Stalhouderij en Café-Restaurant, Geleenstraat 28 in Heerlen:
heemkundeverenigingheerlenstad.nl/publicaties/artikelen-e...
www.wiewaswie.nl/nl/detail/62536730
Fa. J.W. Savelbergh, Technische Groothandel, Geleenstraat 24 en 26 (vernieuwd). Limburgsch Dagblad van 28-5-1955 en 30-10-1956:
resolver.kb.nl/resolve?urn=ddd:011027524:mpeg21:a0102
resolver.kb.nl/resolve?urn=ddd:010418610:mpeg21:a0042
Vrouwenraets & Co, Rijtuigverhuurder, Geleenstraat 32 (Telefoongids 1915).
"Historie Vrouenraets, Rijtuigenverhuurder, Begrafenisonderneming", door
R.M.J. Vrouenraets en J.J.M.L.Teunissen, September 2013: limburgseondernemersgeschiedenis.nl/wp-content/uploads/20...
W. Hambeukers, Hotel "De Valk", Goede Keuken, Vollenhoven bieren, Geleenstraat 34. Limburger Koerier van
15-2-1924: resolver.kb.nl/resolve?urn=KBDDD02:000197489:mpeg21:a0023
Te Huur: Hotel Café-Restaurant "De Valk", Geleenstraat 34.
1 café te Staatsmijn Emma en 1 café te Bleyerheide. Bierbrouwerij "De Gekroonde Valk", voorheen Van Vollenhoven en Co, filiaal Heerlen, Laanderstraat 39. Limburger Koerier van 18-7-1923 en 21-8-1925:
resolver.kb.nl/resolve?urn=ddd:010346045:mpeg21:a0105
resolver.kb.nl/resolve?urn=ddd:010347735:mpeg21:a0117
Afbeelding met de aaneengesloten panden van Hotel de la Poste, Geleenstraat 30/32, Pieters-Dortu, Geleenstraat 34/36, Th. Crijns-Dreessen, Geleenstraat 38, en Kantoorboekhandel Van Hooren: www.heerlenvertelt.nl/2013/05/overnachten-in-hotel-de-la-...
www.rijckheyt.nl/archief/resultaat?mivast=62&mizig=95...
De Automobiel-Maatschappij Canton Reiss CV, Official General Motors Dealer, was gevestigd in de Geleenstraat 66-68. Limburgsch Dagblad van 6-8-1952: resolver.kb.nl/resolve?urn=ddd:010417236:mpeg21:a0057
Aan de overkant, Ingang poort Geleenstraat 51a, was de Motor-Unie met brommers gevestigd.
Te Huur: De welbekende zaak in koloniale waren der fa. Ebben en Co., alsmede de rijtuigverhuurderij voorheen Lafaire, beide zaken gelegen te Heerlen, Geleenstraat, Voor verdere inlichtingen Schoolstraat 9 (Café Hub. Lafaire).
Limburger Koerier van 5-11-1921: resolver.kb.nl/resolve?urn=ddd:010346589:mpeg21:a0145
Koopman Hubert Lafarre (56) te Heerlen, en hotelhouder Jules Hanssen (40) te Heerlen, waren op 6-5-1926 in Heerlen getuigen bij het huwelijk van Bernardus Schaafsma (37), distillateur, geb. Haarlemmerliede en Spaarnwoude, woonachtig te Heerlen, ovl. Heerlen 6-9-1955, oud 66 jaar, en bij het huwelijk van Jan Pieter Lafarre, zoon van Nikolaas Lafarre, geb. Richterich 5-12-1835, kleinzoon van Joseph Lafarre:
www.wiewaswie.nl/nl/detail/30192805
www.wiewaswie.nl/nl/detail/62536730
www.wiewaswie.nl/nl/detail/62536734
Overlijdensbericht Bernardus Schaafsma. Limburgsch Dagblad van 8-9-1955: resolver.kb.nl/resolve?urn=ddd:011027610:mpeg21:a0108
Jos. Hanssen, Café Restaurant, Geleenstraat, vis-a-vis het gemeentehuis (1904).
J. Hanssen, Café, Geleenstraat. Limburgsch Dagblad van 31-12-1918: resolver.kb.nl/resolve?urn=ddd:010415130:mpeg21:a0078
Weduwnaar zoekt meisje/weduwe. J. Hanssen, Geleenstraat 50 in Heerlen. De Zuid-Willemsvaart van 25-6-1910: resolver.kb.nl/resolve?urn=MMRHCE01:000037587:mpeg21:a0054
Julius Hubert Hanssen, bankwerker, later caféhouder en hotelhouder, geb. Heerlen 15-2-1886, ovl. Heerlen 11-5-1971, zoon van Hendrik Jozef Hanssen, metselaar, geb. Schaesberg 17-9-1851, en van Johanna Meisters, geb. Hüls (Dld) 26-4-1856, ovl. Heerlen 18-12-1895, tr. Heerlen 25-7-1911 Maria Barbara Louisa Crijns, geb. Heerlen 30-11-1883, ovl. Heerlen 29-12-1955, dochter van Anton Lodewijk Crijns en Johanna Maria Gerards:
www.archieven.nl/mi/1540/?mivast=1540&miadt=38&mi...
Overlijdensbericht Maria Barbara Louisa Crijns. Rouwhuis Geleenstraat 28. Limburgsch Dagblad van 31-12-1955: resolver.kb.nl/resolve?urn=ddd:010418356:mpeg21:a0349
James Last en de deftige Ballroom in Parijs en in Café Hanssen in de Geleenstraat. Limburgsch Dagblad van 20-2-1971: resolver.kb.nl/resolve?urn=ddd:010541272:mpeg21:a0103
Hotel Restaurant J. Hanssen, Geleenstraat 28. Telefoonboek 1950: www.geneaknowhow.net/script/dewit/tel1950/
Wed. J. Hansen, Sigarenmagazijn, Geleenstraat 26.
Nieuwe Venlosche Courant van 18-5-1918: resolver.kb.nl/resolve?urn=MMGAVL01:000007539:mpeg21:a0016
Limburgsch Dagblad van 31-12-1918: resolver.kb.nl/resolve?urn=ddd:010415130:mpeg21:a0078
Limburger Koerier van 31-12-1924: resolver.kb.nl/resolve?urn=KBDDD02:000197035:mpeg21:a0069
J.H. van Es, voorheen Wed. J. Hansen, Sigarenmagazijn, Geleenstraat 26.
Limburger Koerier van 31-12-1940: resolver.kb.nl/resolve?urn=ddd:010327499:mpeg21:a0200
G. Hanssen, Slager, Geleenstraat (Kad. E 2883).
Limburgsch Dagblad van 31-12-1920 en 9-2-1924: resolver.kb.nl/resolve?urn=ddd:011027165:mpeg21:a0025
resolver.kb.nl/resolve?urn=ddd:010932940:mpeg21:a0080
Slager G. Hanssen, Geleenstraat 7. Limburgsch Dagblad van 27-5-1930: resolver.kb.nl/resolve?urn=ddd:010930396:mpeg21:a0049
G.J. Hanssen, Slagerij, Cafetaria, Willemstraat 5: Telefoonboek 1950: www.geneaknowhow.net/script/dewit/tel1950/
Overlijdensbericht Anna Maria Josefina Hochstenbach, ovl. Heerlen (Willemstraat 13) 29-12-1956, oud 77 jaar, vrouw van Gerard Jozef Hansen, zoon van Hendrik Jozef Hanssen en Johanna Meisters, broer/zwager van hotelhouder Julius Hubert Hanssen en Maria Barbara Louisa Crijns. Limburgsch Dagblad van 31-12-1956:
resolver.kb.nl/resolve?urn=ddd:010418660:mpeg21:a0165
www.archieven.nl/mi/1540/?mivast=1540&miadt=38&mi...
Antoon Jozef Lodewijk Hanssen, slager, zoon van hotelhouder Julius Hubert Hanssen en Maria Barbara Louisa Crijns, en Jan Theodoor Crijns, bakker, zijn getuigen bij het huwelijk van bloemist Wilhelmus Koster uit boskoop, en
Maria Josephina Louisa Hanssen, dochter van hotelhouder Julius Hubert Hanssen en Maria Barbara Louisa Crijns:
www.rijckheyt.nl/archief/resultaat?mivast=62&miadt=62...
Harddraven voor landbouwpaarden, H. Lafaire, Heerlen. Het nieuws van den dag van 31-7-1895: resolver.kb.nl/resolve?urn=ddd:010092160:mpeg21:a0057
Overlijdensbericht Nicolaas Lafaire (ook Lafarre), koopman, herbergier, Locht, Heerlen, 14-10-1922, oud 87 jaar, begr. Spekholzerheide, geb. Richterich (Duitsland):
www.archieven.nl/mi/1540/?mivast=1540&miadt=38&mi...
Limburger Koerier van 17-10-1922: resolver.kb.nl/resolve?urn=ddd:010975085:mpeg21:a0093
Te Huur: Winkelhuis, met Bergplaats en 2 Garages, in de Geleenstraat. Te bevr. bij Café H. Lafaire, Schoolstraat 9 in Heerlen.
Limburgsch Dagblad van 23-11-1929: resolver.kb.nl/resolve?urn=ddd:010931202:mpeg21:a0040
Opheffing: H. Lafaire, paardenkoopman, Geleenstraat. Limburgsch Dagblad van 24-10-1934: resolver.kb.nl/resolve?urn=ddd:010928639:mpeg21:a0100
Café Lafaire te Locht. Limburgsch Dagblad van 16-9-1933: resolver.kb.nl/resolve?urn=ddd:010929583:mpeg21:a0043
Café Lafarre, Locht 28, Heerlerbaan, Heerlen. Limburgsch Dagblad van 14-11-1953: resolver.kb.nl/resolve?urn=ddd:010417835:mpeg21:a0039
Café Restaurant Jos. Hanssen, Vis-à-vis het gemeentehuis in de Geleenstraat in 1904: heemkundeverenigingheerlenstad.nl/publicaties/artikelen-e...
Café Jules Hansen en Sigarenmagazijn Wed. J. Hansen in de Geleenstraat. Limburgsch Dagblad van 31-12-1921: resolver.kb.nl/resolve?urn=ddd:010934525:mpeg21:a0032
Lokaal van Jules Hanssen in de Geleenstraat tegenover het Raadhuis. Limburger Koerier van 7-9-1927: resolver.kb.nl/resolve?urn=ddd:010988730:mpeg21:a0137
Scheidsrechtersgroep "De Mijnstreek" bijeen in Hotel Hanssen in de Geleenstraat. Limburgsch Dagblad van 8-5-1948: resolver.kb.nl/resolve?urn=ddd:010416008:mpeg21:a0137
Vogelkwekers in Hotel Hanssen in de Geleenstraat 28. Limburgsch Dagblad van 15-10-1955: resolver.kb.nl/resolve?urn=ddd:011027413:mpeg21:a0077
Grote brand te Heerlen bij Lafaire, Souren en Savelberg. Het Volk: dagblad voor de Arbeiderspartij van 24-10-1921: resolver.kb.nl/resolve?urn=ddd:011082090:mpeg21:a0066
Vleeschhouwer Antonius Franciscus Maria Camps (1889-1964), Geleenstraat 49. Limburger Koerier van 22-5-1920: resolver.kb.nl/resolve?urn=ddd:010346298:mpeg21:a0205
Limburgsch Dagblad van 3-4-1928: resolver.kb.nl/resolve?urn=ddd:010931666:mpeg21:a0021
Fa. Ant. Camps, Geleenstraat 52, hoek Schinkelstraat. Limburgsch Dagblad van 1-10-1937, 22-9-1950:
resolver.kb.nl/resolve?urn=ddd:010935017:mpeg21:a0031
resolver.kb.nl/resolve?urn=ddd:010417765:mpeg21:a0034
Fa. Ant. Camps, Geleenstraat, hoek Honingmanstraat. Limburgsch Dagblad van 9-10-1953: resolver.kb.nl/resolve?urn=ddd:010417799:mpeg21:a0067
Overlijdensbericht Antonius Camps, geb. Venray
22-4-1889, ovl. Heerlen (Ds. Jongeneelstraat 24), 19-7-1964, oud 75 jaar, man van Maria Johanna Hendrika Havens, zoon van Peter Camps en Josephine Johanna Delhougne. Limburgsch Dagblad van 20-7-1964: resolver.kb.nl/resolve?urn=ddd:010525895:mpeg21:a0134
Huwelijk Antonius Camps: www.bhic.nl/memorix/genealogy/search/deeds/c3131ada-07c4-...
"Heerlens centrum 50 jaar geleden": www.landvanherle.nl/editie/1979/197901.pdf
Mr. J.M.W. Camps, Advocaat en Procureur, Geleenstraat 55, later Akerstraat 38. Hij maakte deel uit van het Rooms-Katholieke establishment. Hij was actief in de Katholieke Volkspartij (KVP). Limburgsch Dagblad van 29-9-1923: resolver.kb.nl/resolve?urn=ddd:010935170:mpeg21:a0064
Lintje voor Mr. J. Camps:
Limburgsch Dagblad van 7-9-1963: resolver.kb.nl/resolve?urn=ddd:010526057:mpeg21:a0396
www.rijckheyt.nl/sites/rijckheyt/files/pdf/persoonsdocume...
"Verdiensten in sociaal verenigingswerk. Mr. Camps Heerlen 40 Jaar advocaat". Limburgsch Dagblad van 3-9-1963: resolver.kb.nl/resolve?urn=ddd:010526053:mpeg21:a0222
Camps' tegenpool was Jonkheer mr. Marinus van der Goes van Naters van de SDAP, en later van de PvdA, geb. Nijmegen 21-12-1900, ovl. Wassenaar 12-12-2005; bijnaam de rode baron. Hij was advocaat in Nijmegen. In 1930 vestigde hij zich in Heerlen (Molenberglaan 76) als juridisch adviseur van de moderne arbeidersbeweging in Limburg. Hij kreeg de leiding over het Centraal Bureau voor Arbeidersrecht in Limburg.
"De Mijnwerkersbond congresseert. Pleidooi voor betere sociale verzekering. Krachtige actie voor pensioenregeling. Kapitalistische onmacht. De internationale positie van den mijnbouw. Een nieuwe orde van zaken noodig". Het Volk: dagblad voor de Arbeiderspartij van 17-8-1931: resolver.kb.nl/resolve?urn=ddd:011116208:mpeg21:a0039
"Socialistische propaganda in Limburg. De nieuwe stuurman op de brug. Zal de nadere Kennismaking tot wederzijdsche Waardeering leiden?". De Tijd van 1-10-1930: resolver.kb.nl/resolve?urn=ddd:010528059:mpeg21:a0001
"Moeilijkheden in de mijnindustrie. Buitengewoon congres van den modernen mijnwerkersbond". In "Ons Huis", Valkenburgerweg 10 in Heerlen. Het Volk: Dagblad voor de Arbeiderspartij van 30-8-1932: resolver.kb.nl/resolve?urn=ddd:011117027:mpeg21:a0199
"Centr. Bureau voor Arbeidsrecht in Limburg. Onder leiding van mr. Van der Goes van Naters". Het Volk: Dagblad voor de Arbeiderspartij van 30-9-1930: resolver.kb.nl/resolve?urn=ddd:011116041:mpeg21:a0094
Voorwaarts: Sociaal-Democratisch Dagblad van 1-10-1930: resolver.kb.nl/resolve?urn=ddd:010212896:mpeg21:a0008
Na zijn verkiezing tot de Tweede Kamer der Staten Generaal in 1937 verliet hij Heerlen.
Goes van Naters werd in Heerlen opgevolgd door mr. Leendert Vooys, geb. Amsterdam 25-12-1905, ovl. Heerlen (Oliemolenstraat 12) 7-3-1978, man van Petronella Maria Treffers, geb. Vreeswijk 7-8-1913, ovl. Heerlen 6-10-2000, later woonachtig in de Oliemolenstraat 21 in Heerlen. Limburgsch Dagblad van 31-8-1937: resolver.kb.nl/resolve?urn=ddd:010933918:mpeg21:a0028
Limburgsch Dagblad van 29-6-1937: resolver.kb.nl/resolve?urn=ddd:010933864:mpeg21:a0036
www.biografischwoordenboekgelderland.nl/bio/6_Marinus_van...
De SDAP en de rode Mijnwerkersbond "Ons Thuis" aan de Valkenburgerweg 10 in Heerlen (later 18). Limburgsch Dagblad van 30-11-1938: resolver.kb.nl/resolve?urn=ddd:010933412:mpeg21:a0089
"Mijnwerkers congresseerden in Heerlen. „Aan de geestelijke vrijheid ontbreekt in Limburg veel!” Tegenwerking van een karakter, dat wij in de rest van het land niet kennen. Protest tegen Duitse nazi-actie". Utrechts Volksblad: Sociaal-Democratisch Dagblad van 15-5-1939: resolver.kb.nl/resolve?urn=ddd:010941392:mpeg21:a0070
Mr. Vooys neemt afscheid in het bondskantoor van de Algemene Bond van Werknemers (ABW) in de Ververstraat 2 in Heerlen, en wordt opgevolgd door mr. H.M.A. Dumont, die kantoor houdt in de Caumerdalsestraat.
Limburgsch Dagblad van 30-12-1976: resolver.kb.nl/resolve?urn=ddd:010563605:mpeg21:a0263
Overlijdensbericht m. Leendert Vooys. NRC Handelsblad van
10-3-1978: resolver.kb.nl/resolve?urn=KBNRC01:000026211:mpeg21:a0126
De Rooie advocaat uit Eindhoven was mr. George Joseph Paul Cammelbeeck (1919-1997): www.parlement.com/id/vg09lkz3c9yu/g_j_p_george_cammelbeeck
Het Bureau van Arbeidsrecht hervatte in 1944 zijn zittingen aan de Valkenburgerweg 18. Het kantoor van de Bestuurdersbond zat ook op nr. 18 (ten hoogte van het kruispunt Geleenstraat-Geerstraat-Kruisstraat. Limburgsch Dagblad van 5-10-1944: resolver.kb.nl/resolve?urn=ddd:010419211:mpeg21:a0009
In 1962 werd Johan van der Woude (1919-1997) de eerste PvdA wethouder van Heerlen (in 1955 raadslid). Hij gaf eerder al leiding aan het Bureau voor Arbeidsrecht:
www.flickr.com/photos/hans_r_van_der_woude/33565068916/
"De carrière van Joh. v.d. Woude. Heerlens nieuwe wethouder werd raadslid tegen wil en dank!"
Limburgsch Dagblad van 5-9-1962 en 7-9-1962:
resolver.kb.nl/resolve?urn=ddd:011027838:mpeg21:a0238
resolver.kb.nl/resolve?urn=ddd:011027840:mpeg21:a0148
Gebr. J. en G. Gerards, Brood- en Banketbakkerij, Geleenstraat 48. De oudste bakkerij van Heerlen. Opgericht 1875. Limburgsch Dagblad van 12-11-1937: resolver.kb.nl/resolve?urn=ddd:010934971:mpeg21:a0033
Bakker Jan Hubert Gerards, geb. Heerlen 18-8-1864, ovl. Heerlen 15-3-1937, oud 72 jaar, man van Maria Jozefina Arnoldina Korbach, zoon van Jan Pieter Gerard, ovl. Heerlen 31-7-1899, oud 67 jaar, en van Maria Katharina Keulertz, ovl. Heerlen 24-3-1897, oud 68 jaar: www.archieven.nl/mi/1540/?mivast=1540&miadt=38&mi...
Overlijdensbericht van Maria Jozefina Arnoldina Hubertina Horbach, weduwe van bakker Jan Hubert Gerards, Geleenstraat 3=48. Limburgsch Dagblad van 29-8-1950: resolver.kb.nl/resolve?urn=ddd:010417670:mpeg21:a0132
Josephus Gerardus Maria Hubertus Gerards, banketbakker, zoon van bruidegomJan Hubert Gerards en Maria Jozefina Arnoldina Horbach: www.rijckheyt.nl/archief/resultaat?mivast=62&miadt=62...
Gerard Jozef Gerards, bakker, geb. Heerlen 11-2-1867, zoon van Jan Pieter Gerards en Maria Katharina Keulertz: www.wiewaswie.nl/nl/detail/62537810
Huis "de Tesch" van de familie Ross-Starmans, in de Geleenstraat, recht tegenover het Gemeentehuis, nabij de huizen Hennen en Canter:
www.rijckheyt.nl/cultureel-erfgoed/canter-camil-gentleman
www.rijckheyt.nl/sites/rijckheyt/files/pdf/persoonsdocume...
Schilderij van de huizen ca. 1890, door Mathias Ross: heemkundeverenigingheerlenstad.nl/wp-content/uploads/2012/02/Hart-van-Heerlen-nr-8-maart-2011.pdf
www.archieven.nl/nl/zoeken?mivast=0&mizig=95&miad...
Ross in de 18e en 19e eeuw in de Geleenstraat in Heerlen. "Drie tegen één, dat is geen partij! Nachtelijke vechtpartij in oud Heerlen na stevige dronk". Simon, Nicolaas en Alexander Ross, zonen van Cornelis Ross en Cathrijn Schils, maken in 1722 in de Gasthuisstraat ruzie met Peter Keularts, bekend van het "Keulartsputje" (waterput Kolisfontaine) bij de ingang van het Aambos nabij de Groene Boord; het pand op de hoek Emmastraat-Gasthuisstraat heette "De Helm".
Waterpompen in Heerlen:
www.schumulder.nl/theo/waterpompen Heerlen.htm
Limburgsch Dagblad van 24-8-1950: resolver.kb.nl/resolve?urn=ddd:010417666:mpeg21:a0077
Johan Frederik Ross, ovl. Heerlen 6-7-1822, oud 58 jaar, zoon van Herman Joseph Ross, man geweest van Maria Sibilla Heesen en van Maria Geertruida Starmans, ovl. Heerlen 29-12-1836, oud 61 jaar, dochter van Theodoor Starmans en Johanna Margaritha Schils: www.archieven.nl/mi/1540/?mivast=1540&mizig=236&m...
Maria Gertrude Starmans, weduwe Frederic Ross, bierbrouwster. Journal de la province de Limbourg van 3-12-1824: resolver.kb.nl/resolve?urn=ddd:010045241:mpeg21:a0011
Frederik Ross, geb. Heerlen 28-2-1790, ovl. Voerendaal 7-9-1821, zoon van Nicolas Willem Ross en Maria Josepha Aloijsia Pijpers, tr. Heerlen Maria Catharina Josepha Geijlekerken, geb. Voerendaal 1-10-1792, dochter van Johan Geijlekerken en Maria Sijbilla Hennen: www.archieven.nl/mi/1540/?mivast=1540&miadt=38&mi...
Sieur Ross, koopman in paarden te Heerlen, verkoopt paarden in Hoesselt. Journal de la province de Limbourg van 17-12-1824: resolver.kb.nl/resolve?urn=ddd:010045253:mpeg21:a0009
Herman Joseph Ross, Griffier, geb. Heerlen 21-5-1798, zoon van Jean Fredric Ross en Mari
The Austin Strobist group did a Frank Frazetta Tribute Shoot. Frank Frazetta is/was a comic book and fantasy artist. This image was loosely inspired by Frazetta's "Cat Girl" print (warning: nudity). I'm thinking it looks more like a Rembrandt given the spot lighting. I shot for Frazetta and hit Rembrandt. Oh well!
Model: Sarah Snell
Lighting: Canon 580 EX II on full power camera left and slightly above the model. 1/2 inch gridded snoot.
Composition: Many, most, all (?) of Frazetta's paintings are composed with the subject dead center, from a wide angle, and with the viewer looking up at the subject. I went for that look here as well.
Post Processing: Most of the lighting in this shot was done "in camera". I did the following in post:
- Slight saturation adjustment to bring out the color of her skin, hair, and the color of the leaves.
- Very slight curves adjustment to increase contrast.
- Added some vignetting around the corners to draw the viewer into the frame.
Location: Balcones District Park, Austin TX
The Cat & Fiddle Inn is at the summit of the road between Buxton (Derbyshire) and Macclesfield (Cheshire) and is the second highest inn in England, at 515 m (1,689 ft) above above sea level.
The view looks NNW to Shining Tor (559 m) and its summit is a border point between Cheshire (to the L) and Derbyshire (to the R). It is the highest point in Cheshire.
The inn was originally built in 1813 and is just inside Cheshire by a few metres, Derbyshire being not far behind the building. The inn is completely surrounded by bleak Pennine moorland typical of much of the Peak District National Park. Apart from its own outbuildings, it's completely on its own. The bleak gloomy aspect is how it really was (heavy cloud and rain) when I took the photo - at midday! Also, the inn is constructed of local gritstone, with local gritstone on the roofs, and these have weathered almost to black. The inn was also shut for the Christmas/Boxing Day holiday so there were also no lights in the windows or illuminations.
CAT & FIDDLE PASS
The road here (A537) is popularly known as the 'Cat & Fiddle Road' because the inn is one of the few landmarks and significant buildings along its uppermost stretches. Although not usually referred to as a pass, it is one of several pass-like roads over the high moors between Buxton (Derbyshire) and the towns of the Cheshire lowlands to the W, and I like to refer to it as the 'Cat & Fiddle Pass'.
This road has long stretches of irregular tight bends and twists on both approaches to the summit especially on the Macclesfield side (in the direction of the camera), and is a challenging drive at the best of times, let alone in winter at night. It is a favourite road amongst motorcyclists but has been voted the most dangerous stretch of road on Britain mostly on account of its frequency of motorcycling accidents. However, recent safety measures have reduced the accident rate.
--- www.youtube.com/watch?v=2vSzV-50utA
GEOLOGICAL NOTE
Shining Tor (skyline L) is underlain by Carboniferous Chatsworth Grit, the uppermost grit of the Millstone Grit Series (Namurian).
--- information from British Geological Survey Sheet 111: Buxton (solid edition) 1:50,000 (1978) and www.bgs.ac.uk/discoveringGeology/geologyOfBritain/viewer....
----------
Photo
Brian Roy Rosen
Uploaded to Flickr December 26, 2015
© Darkroom Daze Creative Commons.
If you would like to use or refer to this image, please link or attribute.
ID: DSC_5495 - Version 2
2015台灣高校制服大賞結果
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Built for SW Factions on Eurobricks. Original Post: www.eurobricks.com/forum/index.php?/forums/topic/180378-j...
Iridonia, the gateway to the Outer Rim.
The red sphere was a dry, harsh world, the home to the hardy Zabrak. The Zabrak had a centuries-long tradition of hyperspace trade, rivalries with the Duros, and a shareholder’s slice of the pie when it came to making decisions about hyperspace tariffs. Their homeworld’s placement provided leverage, leverage that the current regime was glad to exploit.
The House of Kesh had ruled Iridonia for decades. Lord Kesh had proven himself a violent, unstable, vain tyrant who murdered outsiders and made his own people slaves. The rest of the galaxy might have ignored this, but Kesh also made a habit of choking the Coruscant-Dantooine hyperlanes. Hitting people’s bottom lines was a good way to draw their attention.
For over a month, a growing team of CFS diplomats had been hunkered down on Iridonia to try to negotiate a deal with its government, working to arrive at some sort of agreement, both among themselves and the Iridonian leadership. Everyone in the room had different priorities: some represented the CFS Merchant Core and just wanted to relax tariffs, others had the plight of the people in mind. Some wanted to take Kesh before a trial, deal with things peacefully. Others at the table would rather see him dead.
A sandstorm of intrigue surrounded the diplomats since the moment they arrived. Spies hung on every corner and doorway: CFS spies and Iridonian spies, and spies working for individual diplomats, advancing causes unbeknownst to their colleagues. While the gears of diplomacy grinded on, some had initiated more direct action.
Forgun Bohani had been the third diplomat to arrive in the Iridonian court. He was a clever old man, always watching and listening, who found himself on the side of a peaceful transition of power. He had listened to the bickering in the court long enough to decide a fresh voice was needed. He knew exactly who to summon: a young diplomat who had negotiated terms at Kril’Dor after the Pyerce insurrection, a rising star named Lan Honn. Honn seemed intelligent, studious, and honorable, precisely what was needed here. Bohani sent a message asking for Honn’s help, offering himself as a sponsor.
When the message arrived, Lan Honn was struck speechless. Once he had composed himself, calmed his excited nerves, and closed his gaping jaw, he jumped at the opportunity with appropriate seriousness. He became a tireless student of the Iridonian situation as he traveled, pouring over not only the current stakes of the negotiation, but Iridonian culture, art, and history. Anything that might help him understand their point of view. He stared out the viewport of his transport at the grim, dust-red planet’s surface.
Though he would soon join the CFS entourage, he chose to mask his arrival by docking at a swoop slum far from the city center. He traveled in plainclothes accompanied only by his bodyguard, the dangerous Esno Bo’Barbi.
The landing pad was deserted. The only people in sight were offworlders who looked more than worse-for-wear. As Honn and Bo’Barbi walked down the gangplank, a fat, bearded Lannik approached.
Honn turned to his companion. “Here comes Dak Sirah, a rogue if ever there was one, true and merry-faced though he be.”
“Aye,” replied the gruff Bo’Barbi. “Untiring after his own interest. Though if his and ours overlap, he becomes a useful fellow.”
Honn smiled at Sirah. “Dak! It’s good to see you. Live you on borrowed credits, or your own?”
“Lan Honn!” cried the bearded man. “Prince among men! Don’t you look…discrete. For once, I’m the handsomer of us two! For a diplomat, you make a lousy first impression, y’know. Don’t jest about my finances, I try to do my best.”
Honn grinned. “You’ve never once succeeded, though you’re not without other merit.”
Sirah peered at him. “Honest for a diplomat, too. Let’s put aside the squabbling, eh? I’m here on Bohani’s behalf, he got your message and sent me to lead you to the courts. I’d say welcome, but there’s nothing welcoming about Iridonia at present. What do you know about the situation, Honn?”
“I’ve read up on my way.”
“Ah! Of course you have. I should’ve known.”
“But pretend I haven’t. I want to hear it from your perspective.”
Dak sighed. “It’s a port of wolves, Honn. The Iridonians waste no pity or kindness on their own people, much less the Duros or offworlders. Both sides watch each other, constant with their spies. Yours truly, in fact, does some work on the side for Lord Bohani! Though, come to think of it, I wasn’t meant to let on to that.”
“I would think Bohani would bring on tighter-lipped spies. Though he’d be hard-pressed to find one more likable.”
“Ahhh, that’s my trick, there. No one suspects a guy like me to do anything more subtle than a public one-man-show! Keeps ‘em off the scent. It’s a good thing you’re here, Honn. It’s all been infighting and circling so far. Every day new proposals, new amendments, but nothin’ seems to stick. They’ve needed some fresh ideas, I think you’re just the one for it.”
“Thank you, Dak. I mean to be of service.”
Sirah scoffed. “You seem nervous. You kidding me? You’ll do great, you’re a bright guy. A lot brighter than some of the statues they’ve got at the table right now. Scaft, I nearly forgot to greet your bodyguard. Mister Bo’Barbi, the most dangerous man in the galaxy, enemy to nere’do’wells! A title I hope I don’t merit.”
Bo’Barbi raised an eyebrow. “An enemy to flatterers, too, mister Sirah.”
“Ah . . . Point taken. Lovely to make your acquaintance, sir! Ol’ Dak means no harm, no harm at all.” Sirah crinkled his jolly face. “Not unless you’re a bottle of Mantelli Scotch, anyway.”
"My girlfriend's got a boyfriend, funny
He doesn't make a dime all day
And all her girlfriends' boyfriends with money
What more can i say?
It's true
He never made it through a day of school
The only thing he studied was you
He knows your body better than you do
Maybe i'm your mr. right
Baby, maybe i'm the one you like
Maybe i'm a shot in the dark
And you're the morning light
Whoa
Maybe this is sad but true
Baby, maybe you've got nothing to lose
You could be the best of me
When i'm the worst for you
My girlfriend's got a boyfriend, running
To catch the bus to meet
To meet up with the boyfriend's girlfriend
Who's stunning
she's such a sight to see
It's true
The moment he layed eyes on you he knew
The only wish he wanted came true
He knows he's lucky that he met someone like you."
--"Mr. Right" by A Rocket To The Moon
--------------------------------------------------------------------------------
This is Russell Sweet. Some of you have seen him before in my photos. He's such a good model. I have so many pictures from today. I can't wait to share them.
This is part of a series. = )
The series Home Town Boy is about a local boy who is stuck in a small town. The series consists of photos all around his small town. It is nostalgic and he is just looking back on his small town existence, because now that he has graduated he is going off to bigger and better things.
This particular shot is at our local Snack Bar. A tiny little fast food joint that almost all of the teens in our town have worked at. haha
VIDEO： www.youtube.com/watch?v=NRP0bkxDuOg
Buying link：http://www.52longhair.com/bbs/viewthread.php?tid=4407&extra=page%3D1
So ... didn't I swear myself that I won't crawl around in the wet grass after the rain, not me? ---
Severe thunder storms, hail and a tornado in the Lower Austria yesterday afternoon; the storms claimed two lives even (an older Herr died at an heart attackt, a 52-years old woman drowned in a creek that had grown to a raging river in the shortest time). Here, we had just rain.
Kas ma mitte ei lubanud endale, et ma ei lähe pärast vihma märja rohu sisse roomama, mina mitte ... ? ---
Eile olid Ida-Austrias rängad äiksetormid, rahe tegi Weinviertelis ja Künklikus Maailmas palju pahandust ning Klosterneuburgi kandis möllas isegi üks tornaado. Üks vanem mees sai erutusest infarkti ja üks 52-aastane naine uppus ojja, millest oli hetkede jooksul saanud märatsev jõgi (tahtis veepumpa kohendada). Lugematud keldrid said jälle ujutada.
Meil siin kuiva koha peal oli ainult päev otsa õhk väga raske ja pärastlõunal sadas põhjalikult. Vihmase ilma lõpp ei paista.
This was a shoot from my first air show put on by the Navy Blue Angels. A fantastic show. These planes (for the show) are flying at speeds ranging from 150-450 mph, so high shutter speed is important to get sharp images and is not really difficult to achieve on sunny days like this one. The Blue Angels have a predetermined spot at which they perform some of their maneuvers like this one in which they pass by one another at a very close distance (remarkable) so here, shutter speed, aperture, steady camera and knowing that sweet spot where they pass is important to get sharp images. Here, I didn't know where that center point was so I panned with the number six plane and shot at 5 frames a second hoping to get the image I got, but because of my panning the number five plane became blurred (traveling the opposite direction of the pan). The show was wonderful and I learned a lot.
This image was shot with a 70-200VR lens at 5.6 and a shutter speed of 1/2500 sec.
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The Atlantis is a German tourist steamer, which was from the HADAG - Hamburg Steamship Corporation - for the Helgoland service between Cuxhaven and Heligoland ordered by Bremer Rolandwerft. Following the bankruptcy of the shipyard, the ship was towed to Kiel, where it was finished from the HDW shipyard .
The keel laying took place on 15 May 1971, the launching on 19 February 1972 and the completion of the ship in July 1972.
After a change of ownership and many years in the Baltic Sea, the ship is now on the route Cuxhaven - Heligoland. Owner of the ship, the shipping company Cassen Eils, Cuxhaven.
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Die Atlantis ist ein deutsches Seebäderschiff, das von der HADAG - Hamburger Dampfschiff Aktiengesellschaft - für den Helgolanddienst zwischen Cuxhaven und Helgoland bei der Bremer Rolandwerft bestellt wurde. Nach dem Konkurs der Werft wurde das Schiff nach Kiel geschleppt und dort von der HDW-Werft fertiggestellt und ausgeliefert.
Die Kiellegung fand am 15. Mai 1971, der Stapellauf am 19. Februar 1972 und die Fertigstellung des Schiffes im Juli 1972 statt.
Nach einem Eignerwechsel und langjährigem Einsatz in der Ostsee verkehrt das Schiff nun in Charter der Förde Reederei Seetouristik (FRS) in Flensburg erneut auf der Route Cuxhaven - Helgoland. Eigner des Schiffes ist die Reederei Cassen Eils in Cuxhaven.
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Flagge: Deutschland
Ex Namen: First Lady,Helgoland
Heimathafen:Cuxhaven
Eigner: Reederei Cassen Eils,Cuxhaven
Bauwerft: Rolandwerft Bremen,Deutschland
Stapellauf: 19. Februar 1972
Länge: 75,69 m
Breite: 12,00 m
Tiefgangmax. 3,25 m
BRZ: 1525 t
NRZ: 525 t
Maschine: 2 Dieselmotoren
Maschinenleistung: 2 x 1962 kW
Geschwindigkeit:max. 18 kn (33 km/h)
Propeller: 2
Besatzung: 8
Zugelassene Passagierzahl1000
RufzeichenDHDS
IMO 7214545
Gracias a nuestros amigos de Brasil de AFNatura, en especial a Rosane Marques y a Emídio Bastos por su cariñosa acogida y difusión de la exposición LA VIDA OCULTA DEL AGUA ¡ Un gran abrazo !
Ahora en Biodiversidad virtual y hace poco en El País -en pdf- gracias a Elisabet Sans.
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Pediastrum biradiatum, es como todas sus hermanas un alga estrella, estrella que en ésta aparece redoblada, joya multiplicada en sí misma. Pediastrum flota como una estrella frente a la estrella del Sol, cara a cara, reflejándose en quien le da la vida con su luz.
En arte de magia, quizá de magia celta del lugar de donde procede, Pediastrum biradiatum va creando en simetría estas joyas de equilibrio. Armonía de una unión que les permite volar sosteniendo su cuerpo de doble sol en las aguas de las lagunas. Ocho, dos o treinta y dos células, individuos, son los números cabalísticos de esta magia de equilibrio que como un rosetón gótico se abre en el muro fluyente del agua.
En Pediastrum biradiatum los individuos centrales aparecen profundamente recortados, dejando amplias lagunas entre ellos, y los dos lóbulos de cada célula del margen están divididos por una hendidura poco profunda. Nadie dijo que se colocaran así, lo hicieron ellos, lo hizo su magia celta, esa misma magia que les hace volar.
Pediastrum biradiatum vive en zonas con pequeñas acumulaciones de agua y aparece de manera dispersa en estos lugares en los que flota extendiendo su doble corona de radios. Joya celta de las lagunas, Pediastrum biradiatum procede de la localidad bretona de Ille et Vilane, próxima a Rennes y ha sido fotografiada a 400 aumentos, empleando la técnica de contraste de interferencia
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☁ la nube negra de una justicia pervertida en nuestro país, movida por la envidia y la venganza, permanecerá aquí, hasta que soplen los vientos limpios que todos necesitamos. La Justicia es uno de los cimientos necesarios para la Paz. Desde aquí todo nuestro apoyo al Juez Baltasar Garzón -el buen Juez de Saramago- y a las personas de buena voluntad como él que trabajan por la Justicia.