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Senior Pairs Free Program
This photo may not be used without the permission of Danielle Earl Photography. If you would like to use it, please contact me at photos@danielleearlphotography.com.
The Masked Lapwing (Vanellus miles), previously known as the Masked Plover and often called the Spur-winged Plover or just Plover in its native range, is a large, common and conspicuous bird native to Australia, particularly the northern and eastern parts of the continent. It spends most of its time on the ground searching for food such as insects and worms and has several distinctive calls. .. source Wikipedia
Two Aces of the suits of Hearts and Clubs surrounded by chips of differing values, commonly known as a pair. The pair is the same rank card but they are of different suits.
If you would like to use this image, please credit www.fulltiltpoker.com
K1, 62005, and A4, 60009 Union of South Africa, work the first train of the day past Beck Hole
Picture taken by my father
Cosplay (Costume roleplay) for Fantasy Frontier 18 Anime Expo at National Taiwan University Stadium (國立台灣大學綜合體育館) in Táipěi
Handmade art light in retro style lamp:
Refabricated vintage green glass serving plate with art nouveau or turkish brass candlestick base and top with clear glass ashtray in steampunky modern design.
2 c-7 bulb, commonly known as the smaller x-mas lights
18.5 inches tall.
Pair SOLD at www.matteroly.com
Stunning pair of solid brass framed mirrors with etched sheaf of wheat motif. Chapman Studios; c1970s. @manlyvintage.com
This ridiculous-looking vehicle is the Tactical Urban Patrol Craft (affectionately known as the "TUPCake" by the Police force and not-so-affectionately known as a "StutterBug" by the frequenters of such urban locales as Settlers' Waste and Grease Alley).
(also posted on MOCPages)
pair
stack
stars
rich (implied by the stack of chips)
bicycle
I was falling behind on the challenges and thought I catch up by tackling 5 at once.
Hamachi
Viet mignonette.
(Tim Cushman)
Paired with sparkling sake.
Twelve Days of Christmas: Tim Cushman
The Restaurant at Meadowood
Meadowood Napa Valley
St. Helena, California
(December 11, 2013)
the ulterior epicure | Twitter | Facebook | Instagram | Bonjwing Photography
I’m always on the lookout for a perching Buzzard, so I can have a chance at a close shot, and must have taken hundreds of photos of likely looking birds - only to find when I zoom in on the camera screen that I’ve captured yet another broken off tree bough (must get to Specsavers). But this time, it really was a Buzzard. I was so excited! The only slight problem was, as you can see from this uncropped photo taken with a telephoto lens, it was a long, loooong way away. The tree was actually in someone’s back garden and I briefly considered the idea of walking round and knocking on their door and saying, “So sorry to bother you, Complete Stranger, but would you mind me tramping through your house to take a photo of a bird?” but decided against it.
There was a hillside graveyard and, below it, a wide field of crop stubble surrounded by trees between me and the Buzzard. I managed to clear the graveyard at a running crouch, without startling too many mourners, and entered the field. Now, I don’t know if you’ve ever tried to move quietly over dried crop stubble and dead leaves, but it’s a bit tricky. The Buzzard was still perched, looking all around, but I knew he wouldn’t be there long so my dilemma was: stealth, or speed? I managed a compromise with a high-stepping lope, but had only circled half of the field when the Buzzard and his mate – who was also perched, but hidden from view - took off. They flew low over the field, but of course my camera settings were for bird-against-a-blue-sky and, by the time I’d fiddled about changing them for ground shots, they were both up in the blue sky! And way, way up, before I managed to change the settings back again. I turned, tilted the camera to the sky and took a few shots, even though I knew they wouldn’t be very good. But I was too embarrassed not to by then, as I could see, out of the corner of my eye, that I’d successfully managed to gather a small audience up at the graveyard.
I styled it out though, on the way back, stretching my lips into a ‘that’s one to put in the bank’ grin. I even nonchalantly took a snap of a Robin perched on a gravestone on my way out which, ironically, turned out quite good (if a little burnt out by the fact I was still on ‘sky’ exposure).
This Northern Pintail Pair were peacefully eating and resting together among the tules at Sacramento National Wildlife Refuge during our recent visit. The winter colors help to absorb the presence of the ducks where they seek shelter in the tules after long flights.
2 New custom built sofa's upholstered in a rich rusty red chenille, accented with toss pillows in floral and plaid fabrics.
This is an example of the stereo image pair that will spray-glue on the front of a stereopticon. This view west of Rock Creek is from the Taylor Overlook past the end of route #330.With the stereopticon slide layouts finished, I set out to create the hand made greeting cards for the same stereo pairs. The morning dawned clear and by sunrise I headed over to the closest overlook to shoot the the dawning on Meeker, Longs and the Divide. If it had not been for the tremendous chasm cut by Rock Creek Taylor, would have extended much farther to the west. The chasm is skinny because of the size of Rock Creek. At Ferncliff, one can simply hop over the stream at many spots. Here past the end of F.R. 330, the overlook rolls around to the west and south, leaving a tremendous view of Copeland, the Divide and Mahana to the west above Rock Creek. Here is a slightly different view. I waited for the sunlight to fill the cliffs across the chasm: I was shooting with the stereo jig at the same time.
This is the least preferred method to view the moonrise because of the strong colors. You need red-green or red-cyan 3D-glasses.
The red Moon on the rise comes from the long path through the atmosphere near the horizon, which attenuates the light and scatters away the blue and green rays. A stereo pair literally adds another dimension to this action on September 2, 2020. Most striking is the colorful orb well behind the cityscape, but the effect is made stronger with the full depth visible in the foreground. Binoculars give you some of the 3-D impression a mythological giant might get. To achieve this view Alister Ling and Luca Vanzella ventured to a freeway ramp about 11 km (7 miles) from downtown Edmonton Alberta, placing their cameras 12 m (13 yd) apart. With near-identical settings they created the composites at 5 minute intervals. Sterephotomaker from stereo.jpn.org/eng/stphmkr/ then took care of slight rotation and scale differences as it generated the final images.
Image Details
Dates: 2020 09 02, 21:07 to 21:17 MDT
Location:
Edmonton AB
Camera settings:
Alister Ling
Right Camera: Canon EOS 5D Mark III, ISO 400
Lens: Canon EF 300mm f/4L USM
Luca Vanzella
Left Camera: Canon EOS 60D, ISO 200
Lens: Canon EF 75-300mm f/4-5.6 USM