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found object flowers made from junk found on the streets and in the scrap yards. www.etsy.com/shop/IndustrialBloom for more
On Friday, August 7, 2015, a few lucky tweeters joined @amhistorymuseum and @SILibraries to tour "Object Project," "Fantastic Worlds," and the Dibner Library.
Play the best hidden object games at Fenomen-Games.com. Sharpen your sleuthing skills. Hidden Object Games are highly addictive - when you started you won't give up till the last item is found!
Victorinox Infantry Watch.
I'm 46 on Friday by which time I'd have had this 6 years.
It has been constantly reliable, quietly comforting & reassuringly accurate.
Unlike me.
Canon EOS 550d avec objectif 60mm macro.
Flash sur la droite avec un "snoot" à 1/16ème.
La photo n'a pas été retouchée, juste sur les ombres pour avoir un fond parfaitement noir. Qui peut m'expliquer pourquoi j'ai du bruit sur la fumée, en ayant travaillé en ISO 100?
Merci ;)
website: www.chezsam.net
I wanted to make sure that the subject was filling up most of the frame and I wanted to make sure the camera was high enough to see the shadow in the back as well. The most interesting part of this photo would be the gold reflection of the cart. I thought that it was cool to see both the dark shadow and bright reflection from the same subject. The emotion/feeling that I wanted to convey through this photo would be a feeling of richness, since it is a gold colored cart on something that I tried to make look like the red carpet. I had a low f stop because I especially wanted the cart to be in focus and a high shutter speed because of how bright the sun was.
Playground has faded - the last ones are dancing on the horizon - in search of new exciting places - objects and subjects
Simultaneously
"Tiny"
"Palo"
"Is that a tear in your eye, Palo"
"uhuh ... just {sniff} dust ..."
"yeah ... I've got a bit of dust too"
162/365 Toy Project
162/365 One Object 365 Project
!static static! BB to star commander .. final report ... my job is done, over
Maker: Edward S. Curtis (1868-1952)
Born: USA
Active: USA
Medium: gelatin silver print
Size: 4 1/8 x 3 1/4 in.
Location:
Object No. 2017.922
Shelf: N-1
Publication:
Other Collections:
Provenance: apple13
Rank: 65
Notes: Born in Wisconsin in 1868, Curtis came to Seattle in 1887 at the age of 19. He soon established a highly successful photography studio in downtown Seattle and as time progressed, became known for the images he captured of local Puget Sound tribes. In 1906, Curtis received funding from J.P. Morgan to begin work on "The North American Indian," a twenty volume set of photographs and text documenting Native American tribes throughout the western United States. It took Curtis 24 years to complete the project and in the process, his personal life, health and finances suffered greatly. The project that had once hailed great publicity and excitement at its start received little fanfare with the release of the final volume in 1930. Around 1922, Curtis moved to Los Angeles and opened a new photo studio. To earn money he worked as an assistant cameraman for Cecil B. DeMille and was an uncredited assistant cameraman in the 1923 filming of The Ten Commandments.
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Title: Catspaw objects
Artist: Sykes, Charles Henry, 1882-1942
Date Created: 1941-09
Publishing Note: Cartoon was published in the Evening Public Ledger (Philadelphia) on September 18, 1941.
Subject(s): Coal miners -- United States; Strikes and lockouts -- Coal mining -- United States; Coal miners -- Labor unions -- United States -- Political activity; Labor unions -- United States -- Officials and employees; United Mine Workers of America; Lewis, John Llewellyn, 1880-1969
Rights Management: © VCU. Licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported License (creativecommons.org/licenses/by-nc-sa/3.0/). Acknowledgement of the Virginia Commonwealth University Libraries as a source is required.
Collection: Sykes Editorial Cartoon Collection
Reference URL: dig.library.vcu.edu/u?/syk,7
Note de la rédaction: Je trouvais la description très drôle et l'auteur m'a permis de la publier. La voici donc:
"Image un peu atypique dans le sens où ce n'est pas une photo dédiée tout spécialement à l'animal mais où celui-ci fait partie d'un ensemble, tout en étant le sujet principal de la photo. Il s'agit d'un simple chien, qui n'a rien de particulier, pas spécialement beau, pas spécialement bien éclairé, pas particulier en rien du tout, mais il est le seul à être vivant, présent, attentif, actif presque, à l'écoute de son environnement. On s'attend à le voir bouger, aboyer, alors que tout dans son environnement est immuable, immobile et anonyme. J'ai "vu" cette photo avant de la prendre et je dois admettre que je l'aime bien. Évidemment, je ne suis absolument pas objectif dans mon analyse, et je comprends que celle ci puisse paraître un brin "capillo-tractée", mais c'est pourtant ce que j'y vois.
Côté technique :
- Canon 550 D
- 18-135
- shoot en RAW, développement et traitement sous Lightroom 5 + Silver Efex pro
- exifs : iso 100, 100 mm, f/5,6, 1/100s
- Lieu : Le Château d'Oléron, France."