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Jar that is about 30cm tall and has a piece of paper in it that has a digital print out of a picture taken in the Açores islands over 50 years ago.
The CUSP bus.
Made by Bradford based papier-mache artist John Shanks.
We have taken commissions for many of these over the years to be made to commemorate births, Christenings, weddings and retirements.
After nearly 13 years trading Cusp will close tomorrow.
We had a good ride.
Bed Linen & Bedding Sets Mockup by goner13
graphicriver.net/item/bed-linen-bedding-sets-mockup/11203004
graphicriver.net/user/goner13/portfolio?ref=goner13
Create a realistic Bed Linen & Bedding Sets in few seconds. Bed Linen & Bedding Sets Mockup is a pack of 8 PSD files, perfect for show – up your design. Simple structure and replacing via Smart Objects make your work easier.
Features
- 4 PSD with different shoots and angle
- 4 PSD with premade interior
- day and night scene
- bedside table ON/OFF (not available in interior scene)
- replacing via Smart Objects
- easy to cut out – all mask included
- photorealistic look
- fully layered PSD
- easy for compositing shadows
- easy file structure with help file
- 3500×2500 px, 150 DPI
This mockup was created using Adobe Photoshop CC. For realistic look it use Liquify, Displacement, Puppet Warp and also Perspective Warp Tool. Some of this feature is available only in CC – so I’m strongly recommend to use CC version.
This images is used only to generate previews. Designs and fonts in the preview image are used for presentation purposes only – and it’s not included. All trademarks are property of their respective owners.
We had a conversation about the bits and pieces that collect in our house and the objects that map how you live. Great idea lets gather some of them together and see what they look like as a whole. With little thought other than this here is the resulting image. Yep, it's just so much c--p, but then, what about the... this could run for some time as an idea.
3-4. Terracotta dogs.
5. Terracotta divinity sitting on a throne, holding a pomegranate.
Ca.725 BC
Athenian Agora Museum
model: object
designer: David Brill
folder: David Brill
I met with David Brill second time at the convention in Poland this year (Kazimierz 2010). He was so kind and borrowed to us several of his folds. This is pointed cube. Thank David very much!
4 octobre 2013, 7h14 heure locale
Aujourd'hui, l'objectif est l'ascension du Piton de la Fournaise, l'un des volcans en activité dans le monde.
Au programme, 5h30 de marche et d'ascension dans un environnement difficile et avec un sac photo de 7kg sur le dos.
Les vacances, c'est pas toujours de tout repos.
Objectivity, truth, are tricky. There's the linguistic complexity and the abstracts.
I used to work for an organisation who called themselves 'neoplatonist', simplistically considering that Plato's Ideals existed in the real world, somewhere, and applied themselves to material objects in various ways. Maybe I misrepresent them - but I didn't buy much of their philosophy. One Idea was that there was an Ideal Science. I read the booklet (generated may years before by the Leader of the time, a prolific man, but a man of libraries, archives and words) but made neither head not tail of it in scientific terms. There was no understanding of the Method, or Process, Ideal Science was just a static thing, so - no spiralling round the 'Truth' to get closer to it.
This Order also placed high value on the Will as an aspect of Mind/Intellect. They did indeed show remarkable willpower and staying power since 1947. But each individual Willed towards slightly different objectives, according to character. This could, at times, generate considerable conflict, especially with employees! I thought they paid insufficient attention to the physical body and the 'heart's' emotions. These three (or two if you consider the mind a strange emergence of the body) in fluctuating balance is what is required in my life, sometimes more, sometimes less.
The objective lens of a microscope is the one closer to the Object, the other is the eyepiece, maybe there's something in that. The Eye is further from the real thing which is too small to see unaided. The eye gives perspective, two eyes give distance, the mind extrapolates with imagination.
I like the upper case and the lower case, they can be so subtly expressive.
There is value in examining the past, enjoying or at any rate dealing with the present and speculating about the future.
This is an image of an icy puddle, now employed as background on my laptop. It froze, melted and sank into the mud ages ago, cycling and re-cycling itself. I'm looking at it in a different way, now, and I'm feeling that I could work.
model: object
designer: David Brill
folder: David Brill
I met with David Brill second time at the convention in Poland this year (Kazimierz 2010). He was so kind and borrowed to us several of his folds. This is very special piece - the cube with parts of the sphere piked on its apexes. The major of the arranging city was especially fascinated by this object. Thank David very much!
Around the BERLINALE
64th Internationale Filmfestspiele BERLIN
8 February 2014
Spotting of different numbers, remarkable letters, catchy colours or conspicuous displays/panels/banners/objects
Jack and his friend Alex unearthed this in the back garden. Jack says it's part of a lamp, Alex thinks its part of an old plough.
I think it's a boring old hinge from a gate.
What do you think?
Found this scene while playing with a combination of a Holga lens and Olympus Art Filter
Olympus E-M1 + Holga 25mm f:8 HL(W)-PLG
My family collects stuff. Stuff travels with them. Poking around in my family's stuff unearths treasures. I am trying to photograph things and preserve them that way, as there is already too much stuff travelling with me, like tiny little lampreys.
Maker: Edouard Baldus (1813-1889)
Born: Germany
Active: France
Medium: heliogravure
Size: 6 1/4 in x 9 1/8 in
Location: Paris
Object No. 2016.1135ar
Shelf: J-42
Publication: Palais de Versailles, grand et petit Trianon, motifs de decoration interieure et exterieure, Paris, A. Morel et Cie, Libraires editeurs. 1876
Other Collections:
Provenance: Hotel des Ventes d'Enghein, Photographies, Autographes, Fond Max Nordau, November 16, 2016, Lot 13
Notes: Beginning in the mid 1860s, and lasting until the early 1880s, Baldus primary commercial activity centered on the production of photogravures, a process he first explored in 1854. This plate is part of his first major publication in gravure form, a series of 100 heliogravures published in 1866 reproducing ornamental engravings of past masters, including Aldegrever, Master IB, Beham, Boyvin, de Bry, Delanne, Durer, Ducerceau, Holbein, Jansz, Lepaurtre, van Leyden, Marot, Solis, Vico and Woeiriot. This work had nothing to do with promoting artistic photography or his own photographic work; instead it was an industrial application of photography that brough credit and financial gain to Baldus as an inventor and entrepreneur rather than an artist. Printed by Delatre. Originally trained as a painter and having also worked as a draughtsman and lithographer before switching to photography in 1849, Édouard Baldus (1813–1889), became a central figure in the early development of French photography and acknowledged in his day as a pioneer in the still-experimental field, was widely acclaimed both for his aesthetic sensitivity and for his technical prowess. Establishing a new mode of representing architecture and describing the emerging modern landscape with magnificent authority, he enjoyed high patronage in the 1850s and 1860s. Yet, despite the artist's renown during his lifetime, his name is all but unknown today, his work savored only by connoisseurs. Baldus made his reputation with views of the monuments of Paris and the south of France, with dramatic landscapes of the Auvergne, with photographs of the New Louvre, and with a poignant record of the devastating floods of 1856. But it is his two railroad albums—the first commissioned in 1855 by Baron James de Rothschild for presentation to Queen Victoria, the second in 1861 by the Paris-Lyon-Mediterranee railroad company—that are his greatest achievement. Here he brought together his earlier architectural and scenic images with bold geometric views of the modern landscape—railroad tracks, stations, bridges, viaducts, and tunnels—to address the influence of technology (of which both the railroad and the camera are prime examples). In so doing, Baldus anticipated the concerns of Impressionist painters a decade later and those of many artists of our own day, meeting his task with a clarity and directness not since surpassed. (source: MET).
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
My first products in 3D printed ceramics were the Ceramic Coasters and this time I wanted to create more of classical and beautiful product with a simple purpose.
Inspired by the curves, flowing surfaces and gentle ridges found on sea shells, I created a shape that is a continous surface which is curls around and inside itself to create an object that naturally holds a candle.
The candle holder is made to fit the IKEA Jubla crown candles and most other crown candles.
Visit my shop at www.shapeways.com/shops/hansen to order and see more of my products.
I have always enjoyed table top RPGs (think Dungeons and Dragons). I wanted to capture the anticipation and uncertainty in rolling a die that would have an impact on the story and game you are playing in. For this object photo I also wanted to experiment with some photo editing software. I used GIMP, a free Photoshop like program, to manipulate "color balance" and "hue saturation" in order bring out the purples, greens, and blues in what was originally a clear, somewhat bland, die. I took the photo on a piece of felt with all the lights turned off in my house, using only the flash.
An 11 is not a great roll when you can get a 20, but the imperfect roll of the die, with the tantalizing prospect of seeing a perfect 20, makes this a meaningful image to me.
Aperature: f/7.1
Shutter Speed: 1/125
ISO: 800
Auto Flash
Auto Focus
Focal Length: 55.0 mm
Raw to JPEG edited with GIMP
Original Photo: flic.kr/p/yJ6k8f