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I had just gotten back into the Jeep when I heard him coming so I thought I'd try.

 

Taken in the exhibition

  

Objects of Desire: Surrealism and Design 1924-Today

(October 2022 – February 2023)

 

Delve into the dreamlike relationship between Surrealism and design in this century spanning celebration of Surrealist objects of desire.

Curated with Vitra Design Museum, the exhibition explores design from the birth of surrealism in 1924 to the current day; spanning classic Surrealist works of art and design as well as contemporary Surrealist responses. 

The exhibition uncovers how one of the 20th century's most influential movements came to impact design through its questioning of the conventional and its commitment to exploring the mind, unconscious and mystical. 

It brings together the best in Surrealist design, from furniture, interior design, fashion, photography and world-renowned artworks from Surrealist pioneers such as Salvador Dalí, Dora Maar, Man Ray, Leonora Carrington and Lee Miller, through to contemporary artists and designs, such as Schiaparelli, Dior, Björk.  

The result is an exhibition filled with playful, curious and poetic objects that uncover the rich history of Surrealism and its fascinating influence on design.

[Design Museum]

Found an old set of road wheels next to a public trash receptacle. They were in bad shape including the Shimano 105 hubs. The front hub was seized up with rust, wouldn't even turn. The rear hub wasn't in much better shape. But I scored two good old style Shimano skewers.

objects found and photos taken for my material culture research paper

Makó, Hungary, 2013.

"You know you turn me on

Eyes so white and legs so long

But don't try to talk to me

I won't listen to your lies

You're just an object in my eyes

You're just an object in my eyes

 

Sophisticated smile

You seduce in such fine style

But don't try to fool me

'cause I can see through your disguise

You're just an object in my eyes

You're just an object in my eyes

 

But I don't mind

I just don't care

I've got no objection

To you touching me there

 

Object object

Object object

Object object

Object object

 

You know just what to do

Lick your lips

And I want you

But don't try to hold me

'cause I don't want any ties

You're just an object in my eyes

You're just an object in my eyes

 

But I don't mind

I just don't care

I've got no objections

To you touching me there

You're just an object object

Object object

You're just an object"

 

-The Cure

"Object"

 

I, on the other hand, happen to like ties. They make things all the more fun :) And trust me, you're not just an object. you could never be :)

 

I'm constantly questioning my mental sanity, but recently I've started questioning my physical sanity. My normality.

But in the sense, what is normal? Is there even a normal? Is "the norm" the total lack of individuality? Is normality the same as conformity? Because if it is, I want non of it.

 

Oh the change of subjects.

I do that a lot don't I?

Every subject I have has to change.

Can't make up my mind

 

I think I should mention my mind, the complicity of it. I question a lot of things. But I think overall I question myself. Will I ever be good enough to them? Could I possibly be good enough for him? Will I ever be good enough in my own eyes?

 

Do I doubt too much?

yes

Do I question too much?

definitely yes

Do I walk in circles too much?

mostly

Do I need to stop my nonsense?

100% yes

 

If you read this you're insane, because honestly I don't understand myself most of the time.

But try to figure me out, I'd appreciate it.

 

you got me :)

and I like it

 

Part of an activity in my Object's Photography's Class.

recycled leather composite

dimensions variable

 

© 2009 David Hamlin

www.submaterial.com

Menu Tactile Vase and Bottle Grinders by photographer Sharon Radisch via En Ville

36/365

Object

01/05/2011

Lucca, Tuscany, Italy

Character with outline material and mesh

Found objects at Reichenau Mission.

Nikon D3X

Chambre 6x9cm Graflex de 1937.

 

Objectif Angénieux 100mm f/3,5 de formule rétrofocus de 1952 monté sur obturateur Athoms.

 

Film Fomapan 100 @ 100 dans du rodinal (1+100) avec agitation toutes les 5 minutes.

 

Tirage sur Fomabrom 131 18x24cm dans de la chimie Kodalith (15ml A + 15ml B + 10ml Old Brown).

 

Sign seen in front of old church sanctuary.

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