View allAll Photos Tagged object

An exercise in colors and textures, one of the photo-ops at the last NECCC conference

 

An honorable mention at the 7th Metropolitan International Exhibition of Photography

**All photos are copyrighted**

Сrystals of acetylsalicylic acid in polarization. Cнято с объективом ЛОМО ОКС1-40-1 F=40 f2.5 в реверсном положении. Масштаб съёмки 4:1

Сrystals of acetylsalicylic acid in polarization. Cнято с объективом ЛОМО ОКС1-40-1 F=40 f2.5 в реверсном положении. Масштаб съёмки 4:1

Strange objects at Darling Harbour.

Looking east to the city from the western boardwalk.

Cockle Bay, Darling Harbour.

Sydney.

 

My Canon EOS 5D Mk IV with the Canon EF 16-35mm f/4L lens.

 

Processed in Adobe Lightroom and PhotoPad Pro by NCH software.

 

A Legacy 'Candy' filter from the Flickr Photo Editor.

“Unless someone like you cares a whole awful lot,

Nothing is going to get better. It's not.”

― Dr. Seuss, The Lorax

 

www.youtube.com/watch?v=7JBHyE18L3o

 

DwHc Punishment RP Mask - Paper Face

RKKN Quilted Leather Jacket

  

A well known "Natural Object" processed to the max became an “UnIdentified Object”

 

Who can identify this "Abstract" ?

 

😄 Happy Sliders Sunday to Everyone 😄

 

Taken, processed (using different filters, such as One Point Colour, Low Key and Increase of Saturation) and uploaded for Sliders Sunday

 

with a Panasonic Lumix DMC-FZ200

ƒ/2.8

4.5 mm

1/125 Sec

ISO 200

 

Dedicated to CRA (ILYWAMHASAM)

Something is going wrong when the camera with its impressive algorithms and countless AF options forces itself into the centre and, hence, between photographer and object. Ideally, I would think, we photographers ought to use the camera as if it was not there. Just focussing on the composition and the 'essence' of the object and having the settings run in the background. I am not advocating 'point and shoot', I am saying that a camera should be built in such a way that we can 'forget' about it and focus on taking the picture. I think my older cameras do that. My newer ones are much more sophisticated and what they are increasingly trying to do is take over decisions I could make myself. What is my reaction? Number one, I prefer using my older cameras. And two, when using my sophisticated ones, I turn off a lot of their computer-powered procedures. I wonder what you think.

Photo taken at Jackman Estate, need group :)

...this is a unique looking object growing in my garden...the dead base of the Trumpet flower...a Vine I have in the back yard.

 

HMM!

Did HE leave all those traces?

This week's Macro Monday's post is for the "oldest object I can find" theme.

There's not much old in my house - I can't really find much older than I am. However, my daughter did have some fossils, I love the translucency in this ammonite.

When one adopts the practice by means of which one's mind, which is restless like the wind, is made still, perpetually, then the purpose of taking birth as a human being is fulfilled.

 

youtu.be/ddi6CTtJu1A

Baumreihen im Schlosspark Schwetzingen.

 

Auswahlfoto:

 

Für“Smile on Saturday“

 

Thema:“Many Identical Objects“

 

Thanks for views,faves and comments:-)

Crazy Tuesday.

Heart Shaped Objects.

Cramond Island Causeway

 

Please see my other Photographs at: www.jamespdeans.co.uk

Phedora Boots @Uber and Angelberry @TheEpiphany

Check out the full outfit and info about everything HERE!

...are closer than they appear. How the hell do you work this thing? One of my very early digital pics, when I was still trying to decide between film and this new fangled thang.

(60.00N, 30.00E)MCMLXXI

.

What does not matter ?

1.What to photograph - Camera.

2.Where to photograph - Place.

3.When to photograph -Time.

.

What is important ?

1.Study and tune the camera.

2.Learn where you are going.

3.Study the lighting at different times.

.

What's the secret?‍♀️

1.Feel the instrument, hear what it says.

2.Feel the atmosphere of the place, catch the wave.

3.Switch on .Catch the moment!⚡️

.

Make a choice!

✨Finding the observer, comes awareness!✨

www.instagram.com/listenwave

m.facebook.com/oleg.pivovarchik.1971

listenwave.smugmug.com

Physalis skeleton, a shattered heart.❤️

 

Happy Crazy Tuesday

 

Thank you for your views, faves and or comments, they are greatly appreciated !!!

 

Don't use this image on websites, blogs or other media without my explicit permission !!!

 

© all rights reserved Lily aenee

Anyone got any idea what this metal object is supposed to be?

This was just made to replace the older award called Objects Award for Elite Artists Artistic Creation Arts Group, made this version into art style and VIVID colors mixing.

 

There will be one more new one coming later on that will go with real photo's better for that group since it has mixing of art and photo's, it will be more like something i did for World of Artistic and Photography Artists where the award goes to both real and artistic.

 

Artistic Creation Award Theme Codes Click Here

gaylon-yancy.pixels.com

 

Nikon D780

 

(C)Gaylon Yancy 2020

 

Please, No IMAGES in comments; TEXT only. Thanks.

Fuji X-E2 plus Helios 44M-7 at F11.

© WJP Productions 2025

Fuji X-E2 plus Helios 44M-7 at F11. I tend to think that I learn best (most thorough, that is) when I have to struggle with the matter. If the matter in hand does not put up resistance to understanding, there is nothing to learn. Can this relationship be transferred to photography? If it can, are those photos best where the photographer had to struggle with the resistance of the subject matter? Would this then exclude the "snapshot" - something that (quite unintentionally) might turn out as pretty good. It is at this stage that the issue of objectification pops up. Turning something or someone into a camera object means that photographers force their will upon a subject - breaking its resistance. Photography then becomes a oneway street and there is no communication or dialogue between photographer and subject. The result could be sentimental, even Kitsch, the proliferation of cliches and the like. Should we then apply a golden rule to photography, namely to treat our subject the same way we ourselves would like to be treated?

This came second in the current Found Objects Exhibition at the Decagon Gallery www.decagongallery.com/found-objects

I made the faces from clay & cast them in plaster. They were burnt black in the studio fire in 2019, so I left them outside in the rain which has cleaned them up nicely.

 

1 3 4 5 6 7 ••• 79 80