Objects
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An exercise in colors and textures, one of the photo-ops at the last NECCC conference
An honorable mention at the 7th Metropolitan International Exhibition of Photography
Сrystals of acetylsalicylic acid in polarization. Cнято с объективом ЛОМО ОКС1-40-1 F=40 f2.5 в реверсном положении. Масштаб съёмки 4:1
my window and my Fender bass
my window no. 39
a photo project:
1 photo per week of the same object/2021
.. become a member of our group:
Сrystals of acetylsalicylic acid in polarization. Cнято с объективом ЛОМО ОКС1-40-1 F=40 f2.5 в реверсном положении. Масштаб съёмки 4:1
Strange objects at Darling Harbour.
Looking east to the city from the western boardwalk.
Cockle Bay, Darling Harbour.
Sydney.
My Canon EOS 5D Mk IV with the Canon EF 16-35mm f/4L lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
A Legacy 'Candy' filter from the Flickr Photo Editor.
“Unless someone like you cares a whole awful lot,
Nothing is going to get better. It's not.”
― Dr. Seuss, The Lorax
www.youtube.com/watch?v=7JBHyE18L3o
DwHc Punishment RP Mask - Paper Face
RKKN Quilted Leather Jacket
A well known "Natural Object" processed to the max became an “UnIdentified Object”
Who can identify this "Abstract" ?
😄 Happy Sliders Sunday to Everyone 😄
Taken, processed (using different filters, such as One Point Colour, Low Key and Increase of Saturation) and uploaded for Sliders Sunday
with a Panasonic Lumix DMC-FZ200
ƒ/2.8
4.5 mm
1/125 Sec
ISO 200
Dedicated to CRA (ILYWAMHASAM)
tune: www.youtube.com/watch?v=mHaXDWqpHy8
The woman watching tv at the right is from deposit photos.
textures and color washes are mine.
When one adopts the practice by means of which one's mind, which is restless like the wind, is made still, perpetually, then the purpose of taking birth as a human being is fulfilled.
Baumreihen im Schlosspark Schwetzingen.
Auswahlfoto:
Für“Smile on Saturday“
Thema:“Many Identical Objects“
Thanks for views,faves and comments:-)
...are closer than they appear. How the hell do you work this thing? One of my very early digital pics, when I was still trying to decide between film and this new fangled thang.
Phedora Boots @Uber and Angelberry @TheEpiphany
Check out the full outfit and info about everything HERE!
Physalis skeleton, a shattered heart.❤️
Happy Crazy Tuesday
Thank you for your views, faves and or comments, they are greatly appreciated !!!
Don't use this image on websites, blogs or other media without my explicit permission !!!
© all rights reserved Lily aenee
(60.00N, 30.00E)MCMLXXI
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What does not matter ?
1.What to photograph - Camera.
2.Where to photograph - Place.
3.When to photograph -Time.
.
What is important ?
1.Study and tune the camera.
2.Learn where you are going.
3.Study the lighting at different times.
.
What's the secret?♀️
1.Feel the instrument, hear what it says.
2.Feel the atmosphere of the place, catch the wave.
3.Switch on .Catch the moment!⚡️
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Make a choice!
✨Finding the observer, comes awareness!✨
This was just made to replace the older award called Objects Award for Elite Artists Artistic Creation Arts Group, made this version into art style and VIVID colors mixing.
There will be one more new one coming later on that will go with real photo's better for that group since it has mixing of art and photo's, it will be more like something i did for World of Artistic and Photography Artists where the award goes to both real and artistic.
Artistic Creation Award Theme Codes ➪ Click Here
Object: Cederblad 214 (2024) (SHO Palette)
Ced 214 or Cederblad 214 is an emission nebula contained within the larger star forming complex called NGC 7822 in the northern part of the constellation of Cepheus. It contains the star cluster Berkley 59 whose stars illuminate the nebula. It is estimated to be about 3000 light years away from Earth. The area also contains many dark nebulae listed below.
Lynds Dark Nebulae (LDN):
- LDN 1267
- LDN 1269
- LDN 1270
- LDN 1271
- LDN 1272
- LDN 1275
Details:
- Acquisition Date: 10/12/2024 to 10/24/2024
- Location: Western Massachusetts, USA
- Imaging Camera: QHY600PH-M -10°C - Mode 1(High Gain) Offset:15 Gain:56
- Telescope: Celestron EdgeHD 11 Celestron 11" Edge HD @f/7
- Focal reducer: Celestron .7x Focal Reducer, for 11 HD
- Mount: Astro-Physics AP1100 w/GTO4
- Guide scope: Celestron Off Axis Guider
- Guide Camera: ASI174m mini
- Software: Adobe Photoshop CS5, Sequence Generator Pro, PixInsight 1.8 Ripley, Aries Astro Pixel Processor
Filters:
- Chroma Ha 3nm 50mm
- Chroma OIII 3nm 50mm
- Astrodon SII 3nm 50mm
Exposure Times:
- Hydrogen Alpha (Ha): 40x 10min. (400min) bin 1x1
- Oxygen III (OIII):20 x 10min. (200min) bin 1x1
- Sulfur II (SII):20 x 10min. (200min) bin 1x1
Total Exposure:800min. (13.33hr)
Sky Quality:
-Magnitude: 19.71
-Bortle Class 5
-1.41 mcd/m^2 Brightness
-1234.6 ucd/m^2 Artificial Brightness
I suppose you would call these baffles (the crashpad part on the mooring). There was an array of them for the ferry to moor between. It looked kind of like a cheerful robot to me. We were crossing the Bay to help my parents move into their new place in Point Lonsdale.
This came second in the current Found Objects Exhibition at the Decagon Gallery www.decagongallery.com/found-objects
I made the faces from clay & cast them in plaster. They were burnt black in the studio fire in 2019, so I left them outside in the rain which has cleaned them up nicely.
A few years ago, I bought this ceramic object in El Rastro and I don´t know its function. I thought it was a salt shaker but it can´t be opened. It´s pretty!
Hace unos años, compré este objeto de cerámica en El Rastro pensando que era un salero, pero no tiene aperturas por ningún lado por lo que no sé cuál es su función. ¡Pero es bonito!
Fuji X-E2 plus Helios 44M-7 at F11. I tend to think that I learn best (most thorough, that is) when I have to struggle with the matter. If the matter in hand does not put up resistance to understanding, there is nothing to learn. Can this relationship be transferred to photography? If it can, are those photos best where the photographer had to struggle with the resistance of the subject matter? Would this then exclude the "snapshot" - something that (quite unintentionally) might turn out as pretty good. It is at this stage that the issue of objectification pops up. Turning something or someone into a camera object means that photographers force their will upon a subject - breaking its resistance. Photography then becomes a oneway street and there is no communication or dialogue between photographer and subject. The result could be sentimental, even Kitsch, the proliferation of cliches and the like. Should we then apply a golden rule to photography, namely to treat our subject the same way we ourselves would like to be treated?