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“The object of art is not to reproduce reality, but to create a reality of the same intensity”
- Alberto Giacometti
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This shot was taken in San Diego Museum of Art, California
en.wikipedia.org/wiki/San_Diego_Museum_of_Art
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Сrystals of acetylsalicylic acid in polarization. Cнято с объективом ЛОМО ОКС1-40-1 F=40 f2.5 в реверсном положении. Масштаб съёмки 4:1
Weekly Theme Challenge ~ Household Objects
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Light coming from the outside plus an LED light from the inside; shot with the 7Artisans manual lens at F1.2 and as close as I could get (about 35cm).
I couldn't think of anything to draw.I should be ashamed of myself of course cause there's plenty to draw.Here are a few examples:-)
Number 2 in my theme for this week Isolated Object. In a previous 365 series I found this abandoned workman's boot on a grass verge in Peacehaven, East Sussex, UK.
I found this withered anemone branch last year while cleaning up the garden and thought it made a good subject for stacking. At that time I was very busy trying out different approaches to stacking. I have now arrived at a method that gives me the best results. This was one of my first pictures with it.
Camera control: qDSLR dash-board app
Software: Zerene stacker
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Wetland Reflections, Dawn. © Copyright 2022 G Dan Mitchell – all rights reserved.
Dawn clouds reflected in the surface of a wetland pond, Pacific Flyway, New Year’s Day 2022.
The dawn light is remarkably fleeting. The space between “too early” and “too late” can be extremely small, and on a morning like this one I might have only moments to see what is happening in the sky, find a foreground, create a composition, and make some photographs. When the light arrived and a small group of clouds appeared in the distance, I first worked handheld with a long lens in order to narrow the view and get some flexibility about positioning the tree. Then I grabbed another camera that had a wider angle lens attached, and I made a few photographs that included more sky and water than seen here.
I have photographed in some remarkable landscape, where particular objects demanded attention. But this landscape along the Pacific Flyway is not that sort of place. To be honest, often it can seem plain and even boring. Much of the area is agricultural country, and nearby there are large cattle operations — not the most scenic or pleasant of landscape subjects. But for a few months each winter the fields flood and migratory birds return, and when the conditions are just right magic may happen.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Le reflex en main.
L'objectif à l'assaut.
Le regard qui analyse.
La nature est ma muse.
La créativité qui m'amuse.
La spontanéité de l'émotion
L'action est derrière le viseur.
L'excitement de la prise de vue.
La passion pour la photographie.
La curiosité et la liberté en nature.
Le défi de la chasse photographique.
L'œil vif dans l'attente d'une inspiration.
La patience réside dans la persévérance.
Le silence et la concentration à son comble.
Le rythme cardiaque qui s'accélère d'un coup.
L'art du camouflage pour prévenir tout soupçon.
Le code d'éthique dans les limites de l'approche.
Le passionné immortalise l'action dans le temps.
L'émotion ne cherche pas de raison et d'explication.
La seule faculté d'agir avec rapidité, subtilité et agilité.
La faune nous fait découvrir tout l'art de la photographie.
La nature procure aux yeux attentifs les plus beaux spectacles du monde. La photographie ajoute au plaisir des yeux celui d'un divertissement sans fin.
De nature calme et paisible devant les obstacles.
L'esprit créatif cultivant des liens avec sa nature.
La liberté d'expression sans aucune prétention.
La photographie animalière d'une façon zen.
La sensibilisation par la photographie.
Pour le plaisir et la joie qu'elle me procure,
la passion des images.
Michel Villeneuve53
Objectif 100% Nature
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