Or, as some call this, an MTmini.

Materials (including camera) were provided by my lovely friends at CanTouch. It was built with some help from my sister, who's an extremely gifted crafter/maker and has a kick-ass workshop.

On my Mac, I can read this thing's output and process it using BBTouch. From there I make use of the Reactable team's TUIO library for Processing to prototype stuff.

Visual output is on my Mac's screen, so it's not a true multi-touch interface, but it's enough to experiment with things. Once I have something running I'd be able to simply load it on a proper table and really play with it.

Now, what shall I build…?

Central Park • NYC

SONY α7+Pentax Super-Multi-Coated Takumar 135mm F3.5

Over 70,000 Boys Scouts enjoy the final arena show of the 2010 National Scout Jamboree in Fort A.P. Hill, V.A. Saturday July 31, 2010. Photo by Tom Copeland Jr

**********Beginning of Shooting Data Section**********

Canon EOS-1D Mark IV iso - 1600 f/2.8 shutter - 1/640

file name - AX6C1896 date - 7/31/10 time - 3:44:10 PM

program - Shutter Priority white balance - Auto

meter - multi-segment tone comp - 0 exp. comp - 0.0

flash - no flash

Black jacket with multi-print dress, white bra, white lace knickers and glossy tan tights.

Borrowed M’s pants again.

Toalettutrymmet i Polar Multi 800 är rymligt och innehåller toalett och handfat.

Sainsbury's multi-tool.

Read my food blog: www.fatandplastered.com/

Diet blog: www.londonfoody.com/

Mongol Rally story! www.teamfiesta.com/

Vienna Concert House (2006)

The Wiener Konzerthaus was opened in 1913. It is on the 3rd Viennese district road (Lothringerstraße) at the edge of the Inner City between Schwarzenberg Square and City Park .

Architectural History

Ludwig Baumann planned Olympion Art Show 1908, the main building Concert Hall, detail

1890 for a planned house music festivals should be considered as multi-purpose building to address a broader public than the just 200 meters away traditional Viennese Musikverein. The design by architect Ludwig Baumann for a Olympion contained several concert halls except an ice rink and a Bicycleclub. In addition, an open-air arena should offer 40,000 visitors. The skating rink and its adjacent buildings were realized in 1899 by Baumann plans, the Art Nouveau ensemble but fell in 1960 to a construction of the InterContinental Hotels Group to the victim. The Vienna Ice Skating Club is located on the then reduced by about a third place today. The popular freestyle wrestling at the Haymarket took place here.

Organised by Gustav Klimt and his friends art exhibition Vienna 1908 was held in a temporary exhibition building on the undeveloped site of the later concert hall. The Wiener Konzerthaus was finally built 1911-1913 by the Europe-wide Viennese theater architects Ferdinand Fellner and Hermann Helmer Younger (Office Fellner & Helmer ) in collaboration with Ludwig Baumann.

The theme of the concert hall was:

A facility for the care of fine music, a collection of artistic aspirations, a home for music and a house for Vienna.

On 19 October 1913 the Concert Hall in the presence of Emperor Franz Joseph I with a gala concert of the Vienna Concert Society was opened (now the Vienna Symphony Orchestra ). Richard Strauss composed this be Festive Prelude Op 61. Was combined with this modern work Beethoven's 9th Symphony - the juxtaposition of tradition and modernity should be so much in the first concert of the house.

The disintegration of Austria-Hungary brought tremendous social upheaval and financial crises - and thus flexibility and versatility was also necessary for lack of money. In addition to classical repertoire, there were in the 1920s and 1930s, important world premieres (including Arnold Schoenberg and Erich Wolfgang Korngold ), concerts with jazz and pop songs, speeches from science to spiritualism and poetry readings (including Karl Kraus ). Dance and ballroom events, some large conferences and world championships for boxing and fencing completed the program.

After the annexation of Austria to the German Reich in 1938, the program for impoverished "non- degenerate entertainment operation ", to many artists remained only the emigration.

After 1945, the concert hall also had the secondary task , " prop up " the bruised Austrian self-confidence in a musical way. In addition to the standard repertoire of classical and romantic and the Viennese Waltz , there were still premieres (eg Schoenberg's oratorio The Jacob's Ladder 1961) and international jazz and pop concerts. From May 1946 spaces for recording studios and administration at the German and in Vienna living music producer Gerhard Mendelson were rented, who is considered one of the most important pop producers in Austria in the postwar period.

After several modifications that changed the original Art Nouveau decoration slightly , the house was restored from 1972 to 1975 to the only slightly altered original plans. From 1998 to 2001 the house was renovated by architect Hans Puchhammer and expanded to include a new concert hall (New Hall) .

From 1989 to 2002 the Vienna Kathreintanz also took place in the concert hall .

Building

Saw the concert at the House of Lorraine Street (Lothringerstraße), the Schwarzenbergplatz

The floor plan approximately 70 x 40 meters large concert hall with the main entrance at the Lothringerstraße and other inputs in the Lisztstraße includes Haymarket (Heumarkt) since the opening three concert halls:

Large hall with 1865 seats

Mozart Hall with 704 seats

Schubert Hall with 366 seats

The new hall (with 400 seats) was not established until the general renovation of 1998 to 2002. The new hall was renamed at the start of the 2009/2010 season in Berio-Saal.

On the home front, the right and left of the entrance, is the inscription

Honor your German Masters, then you are storing good spirits.

Here is a quote from the final chorus for the opera Die Meistersinger von Nürnberg by Richard Wagner.

In all rooms the same time can take place, since they do not affect each other acoustically different concerts.

Inside stands in the foyer of the original model created in 1878 by Kaspar von Zumbusch Beethoven Monument, which is situated opposite the Concert Hall at the Beethoven place. At the staircase there is a relief homage to Emperor Franz Joseph (1913 ) by Edmund Hellmer . Furthermore, a bust of Franz Liszt by Max Klinger to mention in 1904.

The complex of the concert hall and the building is part of the K. K Academy of Music and Dramatic Art (now the University of Music and Dramatic Art). Adjoining rooms for academic teaching purposes this part of the building also contains the Academy theater with 521 seats, which is used as a secondary stage of the Burgtheater world premieres among other modern plays.

Great Hall and Organ

The Great Hall has a capacity of 1116 visitors (ground floor) and additional 361 balconies and boxes, and 388 in the gallery. The auditorium is 750 m2 and 170 m2 of the podium. In the 1960s the hall was optimized by Heinrich Keilholz.

The organ was built in 1913 in the Great Hall of the Rieger organ (Rieger-Orgel) (Jägerndorf, Silesia) built. The instrument is located on the end wall of the big room, but has no visible Prospectus. The organ is located behind a grid and is thus hidden from the visitors. The cone-chest-116 instrument has five registers on manual and pedal works and is the largest organ in Austria. The special features of the organ counts, firstly, that the four manual divisions are swellable. In addition, the organ comprises a (swellable ) remote work with separate pedal. Stylistically, the organ is "Alsatian Organ reform " aimed at the so-called ideal of where along the lines of major instruments of Aristide Cavaillé -Coll, the strong voices are divided into two manuals. The tracker action is electro-pneumatic. For the inauguration of the instrument Strauss had the " Festive Prelude " for organ and orchestra composed. In 1982 the instrument was restored.

I Hauptwerk C

Principal 16 '

16 drone '

Principal 8 '

Gedackt 8 '

Flute hollow 8 '

Harmonique Flûte 8 '

Fugara 8 '

Gemshorn 8 '

Dulciana 8 '

Nasatquinte 51/3 '

Octave 4 '

Reed flute 4 '

Viola 4 '

Superoctave 2 '

Noise Quinte II 22 /3 '

Cornet III-V 8 '

Mixture V 22 /3 '

III cymbals 2 '

Trumpet 16 '

Trumpet 8 '

Clarino 4 '

Manual II ( swellable ) C-

Viola 16 '

Quintatön 16 '

Principal 8 '

Bourdon 8 '

Flauto Traverso 8 '

Clara Bella 8 '

Viola da Gamba 8 '

Salicional 8 '

Unda Maris 8 '

Octave 4 '

Octaviante Flûte 4 '

Gemshorn 4 '

Quintatön 4 '

Waldflöte 2 '

Sesquialtera II 22 /3 '

Progress . harm. III - V 22 /3 '

Mixture IV 22/3 '

8 'Clarinet

Krummhorn 8 '

Glockenspiel

tremulant

III . Manual ( swellable ) C-

Lovely - Gedackt 16 '

Violin Principal 8 '

Reed flute 8 '

Still Covered 8 '

Vienna Flute 8 '

Quintatön 8 '

Echo Gamba 8 '

Aeoline 8 '

Vox coelestis 8 '

Octave 4 '

Octaviante Flûte 4 '

Delicate flute 4 '

Aeolsharfe 4 '

Gemsquinte 22/3 '

Flautino 2 '

Third, 13/5 '

Larigotquinte 11/3 '

Seventh 11/7 '

Piccolo 1 '

Harmonia aetherea IV 22/3 '

Basson 16 '

Harmonique Trompette 8 '

Oboe 8 '

Vox Humana 8 '

Harmonique Clairon 4 '

tremulant

IV solo work C

16 drone '

Clarinophon 8 '

Double - Gedackt 8 '

Concert Flute 8 '

Solo Gamba 8 '

Fifth tube 51/3 '

Octave 4 '

Solo Flute 4 '

Quinte 22/3 '

Superoctave 2 '

Wholesale Cornett III - V 22 /3 '

Tuba mirabilis 8 '

Ophicleide 8 '

Harmonique Clairon 4 '

V Fernwerk ( swellable ) C-

Delicately Gedackt 16 '

Horn 8 'Principal

Lovely - Gedackt 8 '

Reed flute 8 '

Viola d' amore 8 '

Vox Angelica 8 '

Gemshorn 4 '

Flute 4 '

Piccolo 2 '

Mixture IV 22/3 '

Shawm 8 '

Vox Humana 8 '

tremulant

C- pedal

Principalbaß 32 '

Principalbaß 16 '

Violon 16 '

Subbass 16 '

Echobaß 16 '

Salicetbaß 16 '

Quintbaß 102/3 '

Octavbass 8 '

Gedacktbaß 8 '

Bass flute 8 '

Cello 8 '

Dulcianbaß 8 '

Octave 4 '

Flauto 4 '

Campana III 102/3 '

Mixture IV 51/3 '

Bombard 32 '

Trombone 16 '

Bassoon 16 '

Trumpet 8 '

Basset 8 '

Clarino 4 '

C- pedal distance

Subbass 16 '

Octavbass 8 '

Pairing :

Normal coupling : II / I, III / I , IV / I , V / I, P / I , III / II , IV / II , V / II, I / II , IV / III , V / P, I / P, II / P III / P IV / P

Superoktavkoppeln : II / I, III / I , IV / I , V / I , III / I , IV / I , III / II , IV / II , IV , V, I / P , IV / P.

Suboktavkoppeln : III / II .

Game Help: Free combinations (5 banks by 1000 = 5000 general memories ), storage rack (roll on, Pair of roller coupling to IV of roller, Manual 16 ' down, Reeds off (as buttons ), the main pedal off, remote pedal off (as flip switches ), Einzelzungenabsteller ), Tutti (push button), principal pedal down, Fernwerk pedal from, sills V in expression pedal II coupled (toggle button), kicks, interact with flip switches (switching I-IV of P, normal couplers II-IV to I, roll off ) Registercrescendo (roller for the organist, coupled with a second roller for the registrant ) .

Program

The concert hall is the main venue of the Vienna Symphony , the Vienna Chamber Orchestra and the Vienna Sound Forum. Since 1913 the Vienna Academy of Music has its permanent home of the Konzerthaus. In separate events at the Wiener Konzerthaus other international orchestras, soloists and chamber ensembles in addition to the Vienna Philharmonic regular guest. In addition, there are also numerous other events organizer at the Konzerthaus. So for example the Bonbon Ball, but also concerts in jazz and world music.

The program of the Vienna Konzerthaus also includes some festivals , such as

the Early Music Festival in January resonances

the Vienna Spring Festival

the International Music Festival

Wien Modern in autumn

Between 2003 and 2006, gave the series with the latest music generator .

From 2008, a year early in the season with a festival held focus " on a particular region or cultural community " [2 ] . The first event in September 2008, the two-day festival Spot On : Yiddishkeit , in which a cross section is presented by the diversity of Jewish music creation.

de.wikipedia.org/wiki/Wiener_Konzerthaus

Stagecoach Plaxton Premiere coach - 1:76 scale model bus by Corgi. R119 OPS, fleet no119 on route X36 to Glasgow.

She looks like a brick but can twist and turn faster than a politician at election time!

From a design by Barbara Case - hers used lapis lazuli....mine is Fimo!

Today Jackie and I needed to visit the town to do some shopping so walked Ruby through our wood where I made both images and then up to town and walk behind the coop and then shopping and back.

MAC Engraved powerpoint

MAC Amber Lights e/s

MAC Pink Bronze pigment

MAC Violet pigment

MAC Shroom e/s

MAC Blacktrack fluidline

Pentax Asahi Super-Multi-Coated TAKUMAR 35mm F3.5 (->1971)

Multi Color Flowers are available on Chennai Online Florist

Metaphys Locus 3Way Multi Pen - Pencil

VH-VCJ, Airbus A319-132LR (1880), Skytraders Pty Ltd, 19 November 2015 - Auckland

"A chartered flight dubbed Con Air by opposition with criminals onboard has arrived at Auckland Airport.

Counties Manukau Superintendent John Tims said 12 people arrived back from Australia.

There had been a multi-agency approach to the return, he said.

""It's been a really smooth operation today.""

Reporter Andrea Vance tweeted that deportees were in handcuffs and wearing shorts and T-shirts. She said they had left the plane and were on buses.

Eight of the offenders have supervision orders. All of the offenders will have DNA samples and fingerprinting done today.

Corrections northern commissioner Jeanette Burns said the offenders would be monitored very closely today. Police and the Ministry of Social Development would help them settle into the community, she said.

Corrections have provided transport for the offenders and some housing.

Some offenders will be staying with family members.

The offenders arrived just after 10am.

None of them are in custody.

Ms Burns would not comment on the offenders criminal pasts, saying it was a ""privacy matter"".

The offenders will be ""processed"" for the next hour. Police would make the call how they would be moved through the airport.

Tims confirmed all 12 detainees were from Christmas Island. The detainees were seen wearing handcuffs as they left the plane. Tims would not comment on if it was necessary to cuff the detainees but said police were committed to ensuring the safety of the detainees and the safety of the public.

Parliament passed legislation under urgency this week to ensure offenders deported back to New Zealand could be put under similar supervision conditions as parole for New Zealand prisoners.

Police assistant commissioner Malcolm Burgess said the priority was community safety. Although Australia had provided information about each offender under the information sharing agreement, at the airport they would be required to provide identity information and fingerprints, as well as a DNA sample. If that was not taken at the airport, they would be issued a compulsion notice to provide it at a later date. Police will also individually interview them to assess the best management regime.

Corrections was responsible for the supervision regime and would set out the offenders' obligations at the airport as well as arrange transport and accommodation if it was required alongside prisoner rehabilitation service PARS. Other government agencies, including the Ministry of Health and Social Development, would also be called on if required. Corrections was also responsible for ongoing monitoring of the offenders and responding if there were issues.

Ms Burns said government agencies were working together to ensure a ""smooth arrival."" ""While there has been some focus on the group arriving this week it is important that this is viewed in the context of up to around 12,000 releases from the New Zealand prison system each year.""

Labour has slammed the Government for being much too slow to react to an Australian law change made a year ago, which saw non-Australians who were sentenced to a year or more in prison automatically lose the right to live in Australia.

The new law also gives the Australian Immigration Minister the right to deport someone deemed to have failed the ""good character"" test.

One of those being held, Ngati Kanohi Te Eke Haapu, also known as Ko, a former New Zealand soldier who guarded Prime Minister John Key in Afghanistan, has been ordered out of the country on ""character"" grounds even though he has committed no crime. www.nzherald.co.nz/nz/news/article.cfm?c_id=1&objecti...;

I love this one. A very multi purposed and great for all environments.

Tampa, Fl.

Here's something a little different for you! I like to play around sometimes and see what happens. I used 6 colors but left the tips light.

14"

Plastic fantastic.

Blog Post: susanvg2009.blogspot.com/2009/05/day-127-multi-tasking.html

multi racial

Testing the Sigma 70mm - 200mm at F2.8

Nikon D700 + Nikkor 35-70mm, Handheld @6400ISO.

This was a moving projection from ceiling to floor, shot onto a light flooded wall through a kind of fine vertically corded screen, through which a wind machine was blowing. So the composition is me and the camera, choosing one moment, one boundary and one bit of the available sequence.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Shame on me. I had never been to Trieste nor had I heard of Magris or any of his writing.

He succeeded in his aim to make me address both in the future.

An accidental discovery, ventured into after emerging from the photography exhibition by Gervasio Sanchez.. Magris has (with his curators) put together a perfect antidote to that incredibly powerful exhibition, but without undermining either of them. No mean achievement. This was a wonderful, over the top, at times whimsical, often eccentric exhibition, but it didn't shy away from some of the more darker aspects of the history of Trieste.

Whilst I've learned something about a city and a writer that I didn't know much about, I've also experienced an exhibition that was truly multi-layered. Using moving images, projections, light boxes, audio material, installations in entire rooms (the River Danube for instance!), wind machines, photography, scrapbook style information and so on, Magris illustrates beautifully why it helps to not always get stuffy about gallery exhibitions, but to make them engaging, quirky and somewhat disarming through a variety of media.

Russ “Cosmic Critters”

Multi-Armed Hornflotz

© 1993 Funmaker Company

As a volunteer for GOPIO and an American/Kiwi I was invited to Multi-Ethnic Day. The food was excellent, and the entertainment was spectacular.