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Set up for otter trawling, longline, crab pots and gillnet fishing. I'm guessing this boat doesn't spend many days in port.
Pentax 645N • Pentax FA 645 75mm f:2.8 ED
Kodak Portra 400 film
Scanned with Epson Perfection V500 at 2400dpi and Betterscanning MF Film Holder
Paris • France
COMMUNICATIONS COLLEGE -- Agents and specialists of the Cooperative Extension Service at a communications in-service at Little Rock on Aug. 7-8, 2013. Here they're learning about Zoom, a web conferencing utility. (U of Arkansas System Division of Agriculture photo by Mary Hightower)
Midland Red BMMO CM5T Coach - 1:76 scale model by Corgi. 807 HHA, fleet no 4807, on route to Birmingham - Motorway Express. Limited edition of 2900.
Rolling South on the dual gauge tracked Eastern mainline at Kilmore East, Victoria, Australia on 04-02-2019 this rake of loaded aggregate hoppers is heading towards Melbourne. Built by Clyde Engineering as a model JT26C-2SS in 1984, this Chicago Freight Car Leasing Australia diesel is on the broad gauge track making 55 kph across the bone dry countryside.
this is a dried up rain water drain/ditch near my house in Amman (Jordan), since it only fills up during winter i decided to make it my subject for the the multi-exposure trial. I was there 11:45pm , and it was almost pitch black. camera on tripod with the wireless photix camera trigger and cactus flash triggers.
anyhow, i was popping flashes when the first batch of neighbourhood kids arrived, probably hoping to see the stoboscopic alien that just landed in the ditch. After that, I had to pretend all cool infront of bunch of people who weren't sure whether to jump me, call the cops, or just throw stones at me.
72 exposures later (probably 20 were canned because the flash didn't fire), a lot of layer blending tests, ended up with this.
few things to note:
- low view point for camera was definitely better in terms of dramatic composition
- I was planning to scout the ditch earlier and mentally plan the lighting scheme, well that didn't happen. so i ended up trying different flash powers and zoom values hoping something will work eventually. an early visualization prior to the actual shoot definitely helps.
- the cactus and the phottix !!! range and reliability. to maximize the reach of the flash while staying close enough to trigger the camera, I had to assume certain positions that I am sure will be ashamed of for the rest of my life ( think one legged flamengo doing karate kid stance)
Strobist: 1 Nikon D300 on tripod (low view point ) connected to a phottix receiver and cactus transmitter , 1 sb800 handheld with cactus receiver, and finally yours truly holding the flash and a the phottix trigger. I also carried 3 gels (cto/ctb/green) to colorize the flash.
Sittgruppen i Polar Multi 800 är ombäddbar och ger två sovplatser. Uppe till höger i bild skymtar sovalkoven med två ytterligare sovplatser.
Another train town, Clifford sprang up around 1908 along the Union Pacific railroad. First called Mirage, it is not known when the town changed its name to Clifford. Clifford was also the site of the Coon Creek Swing Station. Little is known about Clifford otherwise. The post office was in operation from 1908 until 1918. All that remains at the site is the old, one-room schoolhouse and an abandoned house.
Controller number 2.
This one is an upgrade on my last one. I used the Picaxe 28x2 chip and powered the LED's from the 18M2 chip on the oled module which freed up 3 pins from the main 28x2. Now we have the use of sound/mic sensor, light sensor, photo gate, all on 5v, automated macro rail on 12v, solenoid valve on 12v allowing for a 3 drop sequence, Camera and Flash outputs. I can also power my diy macro lights from the solenoid socket, and turn them on or off via the program.
West Coast GRC Racial Harmony Day Celebration at West Coast Park. The dancers were performing a multi-racial dance movements.
120, 6:15, @64, Bilora Bella 66, E6, Expired, Kodak Ektachrome 64, MultiExp, Scan, no meter, temp:38C
Singing and drinking at the same time! Nice light on the day this was taken, can't wait till the weekend but it'll only count if the weathers good, which I bet it won't be, don't know about the composition in this one so any opinions?
Polymer clay cabochons made with my own floral canes of Kato clay .
Kato clear liquid clay as sealer.
Mamiya Six folding camera
Arista 100
Stand developed in Rodinal 1:100 1 hour
this roll was to test if the camera is working. I don't think the film advance is working, eh. And light leaks galore. But I enjoyed the results anyway!
Los Angeles is the opposite of our old metropolises. The sprawling multi-dimensionality is alien, and for many, gets on our nerves: the tangled network of highways and the constant driving around, the emphasized nonchalance and never ending optimism of everyone, the sunny weather, the ingenious modernist architecture, the film industry, the tourists and the shitty art museums ... perhaps, just perhaps everything about this city gets on our nerves. Despite, or maybe because of all of this, L.A. is a fucking awesome city, both in the Biblical sense and the slang sense. This staggering awesomeness is fucking undeniable!
The Slanted team wanted to meet Ed Ruscha to talk about his mysteriously seductive and motionless-looking reductive paintings. Unfortunately it didn’t work out, but his piece “Hollywood is a verb” inspired the three different titles/cover variations of this issue. They would also have liked to see David Hockney, who fled the austerity and gray oppression of England (an early Brexit) to Los Angeles to discover a sunny and hedonistic city. No dice there, either. But hey!, in a town like L.A. and on a production like Slanted’s, not everything has to work out. Often, the best things happen when they’re not planned, just as they did here.
They hung out with the wonderful actor Udo Kier and learned a lot about Hollywood and his life. They spent a superb evening with Sarah Lorenzen and her husband, photographer David Hartwell, who meticulously restored the Neutra VDL Studio and Residences, the home of architect Richard Neutra, and a number of other luminaries.
Illustrations, interviews, essays, and a huge appendix with many useful tips and the best Californian typefaces complement the issue thematically.
Slanted Magazine #35—L.A. comes along with contributions by Abstract Office, Another Human, Benjamin Critton Art Department, Caleb Boyles, Brand New School, BUCK, Burning Settlers Cabin, Kat Catmur, Counterspace, ELLA, Emigre, Raymundo T. Reynoso a.k.a. Eyeone, Ed Fella, Folder Studio, Forth + Back, Jens Gehlhaar, Shawn Ghassemitari, Ella Gold, Denise Gonzales Crisp, Green Dragon Office, Escher GuneWardena, Jamal Gunn Becker, Happening Studio, David Hartwell, Headline Records, Hennessey + Ingalls, Inventory Form & Content, Bijou Karman, David Karwan, Mr. Keedy, Udo Kier, Kevin Kim, Knowledge Design Lab, Lux Typographic + Design, LSD, Ian Lynam, MCKL, Maria Menshikova, National Forest, Kali Nikitas, nohawk, Hyu Oh, OH no Type Co., OOG Creative, Ara Oshagan, Hrant H. Papazian, Alex Pines, poly-mode, Robo, Zack Rosebrugh, Brian Roettinger, SEEN, Justin Hunt Sloane, Some All None, Still Room, Stink Studios, Studio BLDG, Daniel Sulzberg, Gail Swanlund, TOLO Architecture, Use All Five, Dameon Waggoner, Jiaqi Wang, and Yours Truly Creative.
Slanted Magazine #35—L.A.
Publisher: Slanted Publishers
Release: May 2020
Volume: 256 pages
Format: 16 × 24 × 2 cm
Language: English
Offset Printing: Stober
Silkscreen Printing: Seismografics
Paper: PERGRAPHICA® by Mondi Group