View allAll Photos Tagged mediumformat
Shot with a new Iskra Russian medium format folder (1961 vintage). Needs some work but shows promise as a good shooter. Shot before lens cleaning. Surprising how well a lens like this can work even with mucho crud inside the lens.
Fairly small grain when shot at 250 and developed in Xtol.
Arista Edu.Ultra (Fomapan) 400 @ EI 250 in Xtol stock 7min 20C
Mamiya C220 TLR + Mamiya Sekor 105mm/f3.5 D (Heliar) + Kodak Aerolocor 125, Jobo CPE2 rotary development for 3.15min at 38C
Film: Velvia 100F
Camera: RZ67
Crop at 2:1 aspect ratio
At 10"x20" size, there is no grain at all. It's incredible how versatile medium format film allows for different types of cropping
Maple Leaves 无锡惠山红叶
Huishan,Wuxi,China;11/29/2013
Contax 645;Distagon T*3,5/35;Planar T*2/80
Fuji Provia 100F
Scan by Nikon Super COOLSCAN 9000ED
Graflex Century Graphic
Fujinon W 135mm f5.6
Cokin 007 Infrared Filter (89B)
ProS 6x7 120 Roll film back
Ilford SFX 200
Developed in Caffenol-C-L semi-stand
Epson V500
Photoshop CS
spent some time in the austrian alps
the entire valley is filled with contraptions for their hydroelectric system
rolleicord Va, kodak portra 400, diy development in tetenal
Selling Visionar 141mm f1.9 Hasseblad V mount.
Perfectly matches with Metabones 0.71x Hasselblad V - GFX or with bulky HV-GFX adapter. Covers 6x7.
Super sharp lens, classic planar-like picture.
Agfa Isolette III with not coupled rangefinder. Rangefinder and distance were stuck. I cleaned the camera and gave it a drop of oil and it's working fine. See www.flickr.com/photos/krokolonel/30106805348/in/dateposted/ .
To my Darkness and my Light,
I unfold myself; you, in turn, call to me with your warm and aching mouth— its tongue, a delicate command I will not long withstand.
Your lips spill sighs; I drink until your thirst is sated.
Trembling hands steady me beneath you. You guide me toward your deepest acceptance. I find a center in you; you grasp me and gasp.
(You shudder— hands bracing the afternoon light dying against such white walls. I see with the eye of god your ineffable Beauty. I fall and place this feeble kiss to caress the spine of your neck as I pass.)
With you I experience annihilations most will never know.
After I am restless; you know that what I want is what I will never manage alone— you coax from my every ending its next beginning.
We must map these new and nameless oblivions together.
2008
Silver gelatin print