Polaroid 600SE

Mamiya Sekor 127mm f4.7

ProS 6x7 120 Roll film back

Ilford HP5+ @ 200

Developed in Caffenol-C-L semi-stand

Epson V500

Photoshop CS

A ghost-image of “Shying Horse” appeared when the sculpture was removed for conservation in 2019. The artwork by David McFall was originally installed in 1968.

pinhole box camera (blind wino), overlapping exposures

My new camera

Graflex Century Graphic

Fujinon W 135mm f5.6

Cokin 007 Infrared Filter (89B)

ProS 6x7 120 Roll film back

Ilford SFX 200

Developed in Caffenol-C-L semi-stand

Epson V500

Photoshop CS

Bronica ETRsi

www.instagram.com/magnuspunktw/

i don't care about anything

Hillclimb Special at Prescott Historique

Mamiya 645 1000s, AE Finder, 80mm f/2.8 Sekor C

From a set I did a while ago. Still another roll to scan.

This guy is amazing. Those little diamonds are used to join cracks in the walls of a cello he was repairing. There are about a hundred of them, and despite the fact that no one will ever see them, he was painstakingly hand shaping each one. Because if he didn't, he'd know he could have done it better. Now that's craftsmanship!

Here's his site, just in case you're in the market for a new guitar: www.stephenstrings.co.nz/

River in her Elf hat

My sister's pregnant.

Mamiya C220 with 135 f/4.5 on Kodak Portra 400

radiator in the kitchen

rolleicord Va, kodak portra 400, diy development in rollei digibase

Never forget that part of our humanity

Agfa Isolette III with not coupled rangefinder. Rangefinder and distance were stuck. I cleaned the camera and gave it a drop of oil and it's working fine. See www.flickr.com/photos/krokolonel/30106805348/in/dateposted/ .

Monterey Bay, CA

Kodak Ektar 100

Fuji 160S

To my Darkness and my Light,

I unfold myself; you, in turn, call to me with your warm and aching mouth— its tongue, a delicate command I will not long withstand.

Your lips spill sighs; I drink until your thirst is sated.

Trembling hands steady me beneath you. You guide me toward your deepest acceptance. I find a center in you; you grasp me and gasp.

(You shudder— hands bracing the afternoon light dying against such white walls. I see with the eye of god your ineffable Beauty. I fall and place this feeble kiss to caress the spine of your neck as I pass.)

With you I experience annihilations most will never know.

After I am restless; you know that what I want is what I will never manage alone— you coax from my every ending its next beginning.

We must map these new and nameless oblivions together.

2008

Silver gelatin print

cargocollective

Hasselblad 503 CW + Planar 100 CFi

Portra 400

V600

porta 400 / mamiya rz67

Shot with my Franka Solida II L all-my-cameras.com/2016/10/03/the-franka-solida-ii-l/

Gap of Dunloe/ Black Valley/ Killarney walk 060915

Fuji Instax 210 camera

ISO 800 film

Mamiya 645 1000s, AE Finder, 80mm f/2.8 Sekor C

Mamiya 6, Portra 400NC

Seagull 6x6 TLR

Kodak Vericolor

Mamiya RB67 pro S;

Fujichrome Velvia 50;

Epson V500

medium format, mamiya c330