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The theme for this week's Snap Happy Theme 'Material' was chosen by Gary www.flickr.com/photos/gazman_au
FFF+ Snap Happy is a group Lisa (our wonderful FFF Leader) created for the FFF+ for images that reflect positivity, happiness, joy and beauty only. This must also be reflected in any titles, captions and comments.
- No mention of Coronavirus and no references to it either
- No negativity
- No references to the plight of the world or the situation we all find ourselves currently in
It would be appreciated if anyone commenting could also respect the group rules.
This week I opted for a literal, low key approach.
selfmade tools fantasy drawing with ink pen and..... and .... coffee and graphite bar ... in my moleskine everybody can do this.
Thanks for the visit have a nice week
Materiale storico in transito a Genova Quinto al Mare il 27 Agosto 2023.
Historic locomotives in transfer.
Historic
Material Circulante: CP 1422 + CP 1431 + 10 Rlps + 2 Rgs
Hora: 16:41
Data: 10-07-2013
Local: Aregos (PK 77 - Linha do Douro)
Serviço: Comboio Especial n.º 92206 (Pocinho --» Gaia)
Material Circulante: Takargo 6001
Hora: 15:52
Data: 17-04-2013
Local: Leandro
Serviço: 48844 (Tuy -> Gaia)
Material: plasticine
Painting: photoshop
The painting was done in photoshop to test the colors and how they will adapt when it is painted in the mold.
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© 2013 Anuj Nair. All rights reserved.
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Contact : www.anujnair.net
______________________________________________________________________
© 2013 Anuj Nair. All rights reserved.
All images are the property of Anuj Nair.
Using these images without permission is in violation of
international copyright laws (633/41 DPR19/78-Disg 154/97-L.248/2000)
All materials may not be copied, reproduced, distributed, republished,
downloaded, displayed, posted or transmitted in any forms or by
any means, including electronic, mechanical, photocopying, recording
without written permission of Anuj Nair.
Every violation will be pursued penally.
Here are some more images from this morning's observations of the activity. Nesting material being brought in, feasting on breakfast, and repositioning on a branch.
→ L150 for Event; Includes Material appliers for: Kahlene, Kupra, Maitreya, Maze, Mounds, Omega and Reborn. As well as optional BoM.
Not a 'quality' shot as he was backlit and on the other side of a large field, but this bull was patiently allowing the five jackdaws to pull hair off of his back to line their nests with! They would fly off with a beak full of hair and then quickly come back for more. I love discovering behaviours like this and it's even better when I can capture it :)
Material Circulante: UDD 0453
Hora: 14:16
Data: 24-10-2016
Local: Riachos (PK 103 - Linha do Norte)
Serviço: Comboio n.º 31300/1 (Faro --» Entroncamento)
1.26 was an installation by Janet Echelman at the Signal Festival in Prague. The festival as a whole was really impressive and a great way to see the city in a new light (pun intended...). With this picture there was a fairly boring foreground from where I had set up my camera, so I waited for a tram to pass and had a relatively long exposure in order to make the pic a bit more interesting. This is one of my favourite photos from 2015.
A description of the installation taken from the festival website is as follows:
This spectacular seven-meter installation by American artist Janet Echelman creates an expansive net that floats in an ethereal manner over the heads of the viewer. This combination of monumental forms with apparently light materials creates an unconventional conceptual canvas for a play of light created by variable waves of contrasting colours.
The concept of the work is inspired by the interconnectedness of terrestrial phenomena and systems. The artist used data from NASA laboratories (the National Aeronautics and Space Administration in the USA) and NOAA (the American National Oceanic and Atmospheric Administration) related to the effects of the 2010 earthquake in Chile, which caused the shortening of Earth days by 1.26 microseconds. The shape of the net is defined by the various heights of Tsunami waves across the ocean.
Visually and conceptually this engaging installation invites not only festival visitors but passing pedestrians to pause and contemplate.
American artist Janet Echelman excels in all categories and definitions. Her unique sculptures and installations on a monumental scale change depending on the effects of wind, water or light. Echelman became inspired in India by the lives of local fishermen, and she began using unusual materials for her installations, such as fishing nets. In her work, she combines traditional crafts with the latest technology, and she cooperates with experts from various fields, ranging from aviation engineering to rural architecture and light design.
She has been awarded several times for her work by the professional public. She earned the prestigious Guggenheim and Fulbright scholarship as well as several other important prizes and recognitions, in recent years, for example, from the Smithsonian Institute, the Society of Architects in Boston and the Aspen Institute.
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Tutto il materiale nella mia galleria NON PUO' essere riprodotto, copiato, modificato, pubblicato, trasmesso e inserito da nessuna parte senza la mia autorizzazione scritta.
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Grazie
LE FOTOGRAFIE SONO IN VENDITA
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All material in my gallery MAY NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.
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All my works are Protected by Copyright (©), please send me a mail if you wish to buy or use someone.
Thank you
THE PICTURES ARE FOR SALE
La XII edizione della regata del Conero
L’appuntamento velico più importante del medio adriatico per la XII edizione. Fu inaugurato nel 1999.
Hanno partecipato più di 200 imbarcazioni e 2000 sportivi a bordo. Uno scirocco che ha superato i 20 nodi d’intensità ha accompagnato la regata.
Il percorso costiero tra le boe di lunghezza variabile tra le 8 e le 12 miglia antistante la Riviera del Conero, dal Passetto sino a Portonovo.
Idrusa, l'imbarcazione salentina vince la regata del Conero, al 2° posto la velocissima Orlanda di Sammarini da Rimini, al 3° Calipso 4 di Civitanova.
Leftover wrapping material from past Christmases when I had places to go and gifts to wrap and fundraisers would send it free to decorate the closet.
USAF Material Command ESC/DIKL & M.I.T. Lincoln Labs G-II departing Oakland-Pontiac International Airport this morning. The last time I saw this Gulfstream was March 1996 @ YYZ. I had forgotten how absolutely ground trembling Rolls Royce Spey's are without hush kits. Definitely my american bizjet highlight of 2020!
For those who are interested in the history of this aircraft, please reference n105tb.wordpress.com/
MATERIALS: Polychrome brickwork in English bond, mainly brown brick with red brick bands. Stone window dressings. Gabled tiled roof with terracotta ridge tiles.
PLAN: Rectangular structure with three bay nave with aisles, two south-east porches either side of the one bay chancel and north-west bellcote. It is aligned south-east to north-west.
EXTERIOR: The south-east side has a central gable crowned by a metal cross-shaped saddlestone and large arched window with three trefoil-headed lights surmounted by a central cinquefoil light and two roundels. Recessed on either side are gabled porches with central arched openings flanked by sidelights and arched openings to side walls. Original arched wooden doors behind. The north-east and south-west sides have two small hipped dormers with wooden louvres and paired trefoil-headed windows. The north-west side has a gabled bellcote with trefoil-shaped bell opening, central window with quatrefoil above two trefoil-headed lights and similar single trefoil lights to the aisles.
INTERIOR: The walls are of red brick with black brick bands with a three bay pointed arched arcade with stiff leaf stone capitals, granite columns and deep brick bases. There is a canted roof with tiebeams with quatrefoil mouldings to the spandrels. Most of the wooden pews survive with tiled flooring to the centre and aisles, metal floor grilles and a small octagonal stone font. The south-east window, has probably original glass depicting Christ as The Good Shepherd, flanked by scenes appropriate to a workhouse of a baker giving bread to a pauper and a woman visiting the sick. Other windows have probably been brought in. The north-east central window has two lights, one depicting St Vincent de Paul with two children in early C20 dress, the other St Luke. The north window of the south-west aisle depicts The Good Shepherd and was inserted after 1938 in memory of staff members and surgical staff of Pembury Hospital. The south-west aisle contains two windows considered by the hospital chaplain in 1956 to be by C E Kempe (1837-1907). These comprise The Virgin and Child, dedicated to Edith Mary Myles (1874-1957), the first President of the League of Friends and Headmistress of Tunbridge Wells County Grammar School and the adjoining quatrefoil with an inscription of 1957 in memory of Philip Stewart Browning, a former hospital chaplain. A further stained glass window in the north-east aisle depicting the Baptism of Christ is to the memory of Amelia Scott with an inscription of 1955. There are also a number of small wall plaques to people connected with the workhouse or hospital. These include plaques dedicated to Thomas R McGill, Master of Tonbridge Workhouse between 1866 and 1893, John Francis Carter Braine, surgeon to the radiotherapy department 1939-1953, Ivor Elwyn Joseph Thomas, obstetrician and gynaecologist 1939-1953 and Constantine Lambrinudi, orthopaedic surgeon 1890-1943. The pipe organ to the west end of the eastern aisle is probably original.
HISTORY: The earliest buildings on the Pembury Hospital site were the two buildings of Tonbridge Workhouse dating from 1836. The Poor Law Amendment Act of 1834 prescribed a Church of England chaplain should hold divine service at workhouses every Sunday but in the early days most boards did not set aside a dedicated room for use as a chapel but adapted a dining room for the purpose. From 1859 onwards the "Journal of the Workhouse Visiting Society" enjoined the erection of dedicated chapels which were not usually consecrated but always licenced.
On April 24th 1863 the Rev. Saint of Groombridge Place wrote to the Board of Guardians of the Tonbridge Workhouse asking whether they would consider granting a sum from the Rates for a separate room for Public Worship or a site for a building built by voluntary contributions. The Board agreed to this providing it was under the control of the Guardians and would be used only for divine service. In June, the Committee specified that the building should be detached from the existing buildings, that the site should be as near as possible to the north-western corner of the site, the building range should be parallel with the road, the number to be accomodated should be not less than 300, that the partition for the separation of the sexes should be not less than 6 feet high and be constructed so that the church was divided longitudinally, that the plans should show separate entrances fenced off from the surrounding ground for males and females and the elevation of the building should be as much in harmony as possible with the Fever Ward of the hospital. These resolutions were approved by the Poor Law Board on 14th July 1863 and on 22nd July Robert Wheeler (fl. 1856-1882) of Brenchley (the architect) wrote to say he had taken these alterations into account and re-drawn the plans. These plans were subsequently approved by the Poor Law Board.
A dedicated chapel was duly erected to the north-west of the Tonbridge Workhouse buildings, beside the workhouse laundry, and is shown on the First Edition OS map which was surveyed in 1868. The workhouse function of the chapel is demonstrated from the exterior by the provision of two entrance porches, one for male paupers and one for female paupers, but although the Board of Guardians stipulated an internal screen there is no evidence of this. By the 1860s screens to separate various categories of paupers had gone out of fashion and perhaps it was never built. The cost of the chapel was £650 with seating for 300. The workhouse capacity was 400 but Catholics and Non-conformists were permitted to attend their own place of worship if one was located nearby or to receive visits from their priest or minister.
On 10th September 1887, a contract was drawn up with Messrs. George and Frank Penn in the sum of £3161 12s., for the stripping, boarding, fitting and retiling the chapel and works connected therewith, as well as the taking down of the bell turret. The surveyor was William Oakley.
In 1938 Tonbridge Workhouse became Pembury Hospital and the workhouse chapel became the hospital chapel.
SUMMARY OF IMPORTANCE: A little altered Gothic style chapel constructed of good quality materials which is an unusually elaborate example (particularly for its interior) of a purpose-built workhouse chapel, a building type which is becoming increasingly rare. There is additional value for historical associations and memorials particular to its later hospital use.
Cazado el Costa Brava en Viladecans nos fuimos a Vilanova a recoger a Arcadi y tras un breve almuerzo en Cubelles pusimos rumbo a una curva ya conocida por mà pero en la que tenÃa ganas de pillar un tren de material convencional. El segundo y último paso St. Andreu Comtal – Mora la Nova vino puntual y lo hizo con la 252.058 y 13 coches, siendo 6 de ellos los que habÃa traÃdo el Costa Brava aquella misma mañana y los otros 7 los del último PÃo Baroja.
After photographing the Estrella Costa Brava in Viladecans we moved to Vilanova to pick up Arcadi and then, after having breackfast in Cubelles, we went to Capçanes, to a well-known curve where I wanted to photograph a conventional train for a long time. Second transfer of out of service carriages to Mora la Nova came on time formed by the 252.058 and 13 carriages, being six of them the ones which had brought the Estrella Costa Brava that same morning and the other seven those of the last PÃo Baroja.
E402 165 e quattro carrozze di ritorno dopo aver portato le E444 013 e 028 a San Giuseppe di Cairo per la demolizione. A Genova Cornigliano l'11 Giugno 2020.
Material Circulante: Medway 5621 + 22 Kbs + 2 Ealos + 5 Us
Hora: 11:06
Data: 18-05-2017
Local: Salreu (PK 285 - Linha do Norte)
Serviço: Comboio de Madeira n.º 52162 (Terminal de Mercadorias de Tadim --» Louriçal)
iPad drawing 9th June 2017
THE PACE OF NATURE
www.blurb.co.uk/b/4613946-pace-of-nature-hardback
LOOKING OUT
www.blurb.co.uk/b/7144518-looking-out
IPSDEN IN WINTER
www.blurb.co.uk/b/4693698-ipsden-in-winter-rev-ed
LANDSCAPES OF IPSDEN
www.blurb.co.uk/b/4693349-landscapes-of-ipsden-rev-ed
RECENT PORTRAITS
www.blurb.co.uk/b/2931284-recent-portraits
DRAWING AND PAINTING by Kate Wilson
www.amazon.co.uk/Drawing-Painting-Materials-Techniques-Co...
PORTRAIT REVOLUTION
www.amazon.co.uk/Portrait-Revolution-Julia-Kays-Party/dp/...
A lot of interesting textures in this square, which if I recall is part of a community building at a church in Irvine, California.
Cuz we are living in a material world and Madge is a material girl!
A fashion royalty doll was repainted and restyled by artist Cruz for www.myfarrah.com. Photo taken by Noel Cruz.
Visit Madonna's official web site at: www.madonna.com
Read all about the material girl at IMDB en.wikipedia.org/wiki/Madonna_(entertainer)
Graphic Layout & web sites ncruz.com & myfarrah.com by www.stevemckinnis.com.
Material Circulante: Medway 1907 + 12 Sgs
Hora: 19:09
Data: 12-04-2017
Local: Agualva de Cima (PK 4 - Concordância de Poceirão)
Serviço: Comboio Siderúrgico n.º 68083/2 (Setúbal-Mar --» Triagem da Siderurgia Nacional)
Jueves 14 -10 - 2021 con actividad Ovni " sobre la capital de Argentina. Entre las 05:10 y las 05:30 el cielo capitalino se vio afectado por la intrusion o aparición de varias anomalÃas luminosas de gran magnitud , sobre los asteriscos de Aries, Tauro y Geminis , se hiso sumamente visible esta actividad , algunos con arrumbamiento Sur y otras hacia el Este , la de la foto infrarroja ( Dcr Trv 310 x fire ware ) que les expongo fue sumamente visible pasando bajo las Tres Marias y emitiendo fuertes descargas a veces random otras flashes ultrarapidos y otras como sinusoide , se la observo y registro durante minutos . Habra una digitalización de este video material en futuras exposiciones . saludos amigas/os y compitas. Foto de Orion y Tres Marias de hace pocos dias . Les comparto material de Agosto y Septiembre www.youtube.com/watch?v=VXyRuAJ2RVY