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LE FOTOGRAFIE SONO IN VENDITA
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THE PICTURES ARE FOR SALE
UN GIORNO DI FESTA PER LA COMUNITA’ SENEGALESE MURID
300 senegalesi in marcia per la pace, con le due bandiere, italiana e senegalese per una netta condanna al terrorismo. La marcia è un ponte tra persone unite dalla ricerca di un convivenza possibile.
L’arrivo in piazza Cavour è caratterizzato dai tanti colori dei vestiti della festa, i senegalesi sanno cosa vuol dire “entrare” in un paese diverso dal proprio. Ci sono anche i loro figli e nipoti, quelli che crescono nella nostra scuola.
Sotto i portici di piazza Cavour, sono seduti accanto, il capo religioso della dottrina Murad, Serigne Mame Mor Mbacke e il vicario generale della Diocesi, Don Maurizio Fabbri, il responsabile della Comunità senegalese, il console del Senegal a Milano e il presidente del Consiglio Comunale di Rimini, Sara Donati e altri….e insieme alla ricerca della pace.
Nell’incontro viene sottolineato quali sono i principi della dottrina Murad: valore del lavoro, educazione, non violenza, educazione dei giovani. Inoltre viene ricordato che chi rispetta le leggi del Paese ospitante non può avere problemi.
Per la gente di PACE camminare insieme non è difficile e con questo spirito nell’incontro si afferma che non è possibile lasciare spazio a strumentalizzare le religioni per fini criminali…tutti devono denunciare gli atti terroristici.
Il mondo ha bisogno di costruttori di pace e non di armi.
22-06-2017 h. 00.14
Material Circulante: UTD 592.034
Hora: 12:13
Data: 09-05-2022
Local: Estação das Caldas da Rainha (PK 105 - Linha do Oeste)
a owlet is discharging a 'pellet' consisting of undigested material from his last meal.....these pellets will often be studied to determine a raptors diet since it will consist of bone, fur, feather, etc....
warning, kind of gives you a 'hairball' feeling in your throat..
CA: La 447.173R retorna a Portbou com a material buit després d'haver realitzat el primer regional del dia de Barcelona-Sants a Cervera de la Marenda. Avui, aquests passos de material ja es comercialitzen i poden ser utilitzats per viatgers. A la dreta, el canviador d'ample de Talgo està a l'espera de les darreres rames que hi passarien, ja que aquell va ser l'últim dia que hi van passar trens en servei comercial.
Male Reed Bunting making it's way up the stem of the now blown Bulrush to collect nesting material for the upcoming breeding season.
Taken early morning at RSPB Old Moor on the path heading towards the Bittern Hide.
Material Circulante: Takargo 6001
Hora: 15:52
Data: 17-04-2013
Local: Leandro
Serviço: 48844 (Tuy -> Gaia)
Material Circulante: Medway 4720 + 14 Fas (Ermewa)
Hora: 16:39
Data: 25-01-2023
Local: Praia do Ribatejo (PK 118 - Linha da Beira Baixa)
Serviço: Comboio Siderúrgico n.º 47894/5 (Vilar Formoso --» Leandro Siderurgia)
I produce a lot of extra tiny pieces of colorful material as a side effect from my costume and make up design preparation. I hate throwing away such tiny beauty. With the help of a human landscape I try to give these throw away pieces life.
Featuring Mylee Batista
© ALL RIGHTS RESERVED
None of my images may be downloaded, copied, reproduced, manipulated or used on websites, blogs or other media without my explicit written permission.
no flickriver badge-, no tumbnails of You`r photos- and no begging for visits or comments, please (my photo...would you please...would You consider...please consider...I need...). I perceive this rude and unwelcome.
In my opinion comments or awards should honour striking good photography and should be given by choice.
Comments or awards given only for courtesy, -in return or on demand are quite worthless.
President Barack Obama smiles while talking with Russian President Dmitry Medvedev on the phone in the Oval Office, Saturday, Dec. 12, 2009. (Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
Leftover wrapping material from past Christmases when I had places to go and gifts to wrap and fundraisers would send it free to decorate the closet.
Material: plasticine
Painting: photoshop
The painting was done in photoshop to test the colors and how they will adapt when it is painted in the mold.
Sitting in a cafe. The warm autumn sun on some wooden chairs. The seats formed in a smooth shape were somehow in interaction with the sunlight. the Illumination of the seats emphasizes their surface, form, design and material.
Materiale storico in transito a Genova Quinto al Mare il 27 Agosto 2023.
Historic locomotives in transfer.
Historic
L'època geològica més important per als Cingles de Bertí és la terciària, quan van originar-se i la podem dividir en dues estapes. A l'inici d'aquest període (paleocè, eocè) el mar va tornar a inundar la nostra terra, pujant des les terres de l'Ebre fins a la Catalunya interior, el que va originar noves sedimentacions marines. Un nou plegament alpí, en una primera etapa en la qual les forces laterals de l'escorça es contraposaven i causaren la ruptura del sòcol granític per la zona de Bigues, va enlairar aquests nous materials fins a les posicions que coneixem actualment, formant els Cingles de Bertí. Així, doncs, es tracten de capes calcàries, conglomerats, margues i altres materials descompostos. En una segona etapa, unes forces de distensió (pressió del centre cap a les vores) van ocasionar l'ensorrament del granit al fons d'actual depressió del Vallès.
Els materials de l'eocè inferior són conglomerats rojos, que són els que provoquen les tonalitats roges de la part baixa. El color blanc de la part alta ve donat pels estrats marins de l'eocè mitjà gràcies a les capes calcàries que contenen nummulites. Aquests sectors són rics en fòssils marins, on cal destacar mol.luscs, corals i algun crustaci. Les roques calcàries són poc favorables a la vegetació i a l'agricultura, pels seus components i perquè l'erosió afavoreix la formació de cingleres verticals. Al fons de les valls, quan es descomponen amb el contacte amb l'aigua, formen la terra vermella, com pot veure's clarament a la vall de Riells. Cap al Serrat de la Codina i el castell de Centelles, els materials són margues sorrenques i gresos de l'eocè superior.
Just sota el Séc dels Ducs, després del canvi geològic, hi trobem la Cova del Moro, que potser no és la cova més espectacular de Vallderrós, però sí la que té més anomenada.
El parque natural del Delta del Ebro (Parc natural del Delta de l'Ebre, en catalán) se localiza en la desembocadura del río Ebro, en la provincia de Tarragona (España), entre las comarcas del Bajo Ebro y del Montsiá, en la parte más meridional de Cataluña. Fue declarado parque natural en agosto de 1983, y ampliado en 1986.
El río Ebro, el más caudaloso de la península ibérica, es el principal responsable de este entorno, aportando los materiales arrancados de su cabecera para depositarlos aquí, en la conjunción con el Mediterráneo. Los sedimentos son por lo tanto, materiales provenientes de los Pirineos, el sistema Ibérico y la cordillera Cantábrica, lugares de donde nace el río. La cantidad de materiales sedimentados han creado una superficie de más de 320 km², en la que se han formado numerosos hábitats. La actual forma del Delta es una "flecha" perfectamente dibujada que penetra cerca de 22 km en el mar, creando así el tercer mayor delta del Mediterráneo tras el delta del Nilo con 24.000 km² y el del Ródano, que abarca una superficie de 500 km².
El delta del Ebro es la zona húmeda más grande de Cataluña y una de las más importantes de Europa occidental detrás del parque regional de la Camarga en Francia y del parque nacional de Doñana en el sur de España.
Mural inspired on the masterpiece of Vautier Ben... " L' art est inutile rentrez chez vous."
Questioning the validity of art....This mural was made in a very poor neighborhood in Brazil. In front of drug dealers spot. I wrote the sentence in english so people got very curious what does it mean. As most of people has a smartphone these days no matter how poor they are. People started to searched on internet what does it mean the sentence.
Interesting fact the Drug dealers liked the mural and bought me painting material.
Art is always useful to someone. It can take the form of instrumental spin or commodity-object. Art can provide a platform for narcissistic expression or fuel the introspective turn of passive nihilism. Through the postures of mannerist radicalism in the gallery, art can act as a pressure valve to reinforce a conservative orthodoxy.
The artist often occupies a position of weakness but by performing this weakness, art can reveal inconsistencies in the narrative.
What is the social function of art?
Peggy's Cove, Nova Scotia is widely known as a "must visit" destination for photographers. Any time we visit the province we always set aside a day or two to explore the area, regardless of the weather. Our time is generally split between photographing the "iconic" subject material that most visitors are familiar with, and getting pics of other less "touristy" stuff that we come across. Here I was getting photos of a boat at a dock on the other side of the harbor. In moving around to get a variety of different compositions, I spotted this can jammed onto a protruding bolt on new dock timbers. I grabbed several images from a few different viewpoints, this one being the pic I liked best. Suspecting that this had not been deliberately placed for those photographers that might have had a "Peggy's Cove Coke can" on their Nova Scotia image "bucket list", I removed it and tossed it in a trash can on the way back to my van.
Taken with my new (at the time) Kodak DX6490 camera, a handy pocket-sized point & shoot that always gave me great pix. Anything bad that it produced was due to "operator error".
100-5630
Hilary Duff
Imperfect Beauty
Omar Rodriguez V.
Slave4Britney
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Hi everybody! =DD que tal todos? espero que todo muy bien!
Bueno pes les dejo esta imagen que hice el dia de ayer, generalmente dejo pasar mas tiempo antes de subir algun diseño que recien termino, pero eh recibido algunos MP's preguntandome si haría algo nuevo de esta chica, y aqui está...
Espero que les guste ;)
Les pido le den Zoom, el diseño es de 574 x 674, algo grande, gracias)
Subo uno de M.F. muy pronto ;)
Saludos y abrazos :DD!
Thank u all of u!
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Cazado el Costa Brava en Viladecans nos fuimos a Vilanova a recoger a Arcadi y tras un breve almuerzo en Cubelles pusimos rumbo a una curva ya conocida por mí pero en la que tenía ganas de pillar un tren de material convencional. El segundo y último paso St. Andreu Comtal – Mora la Nova vino puntual y lo hizo con la 252.058 y 13 coches, siendo 6 de ellos los que había traído el Costa Brava aquella misma mañana y los otros 7 los del último Pío Baroja.
After photographing the Estrella Costa Brava in Viladecans we moved to Vilanova to pick up Arcadi and then, after having breackfast in Cubelles, we went to Capçanes, to a well-known curve where I wanted to photograph a conventional train for a long time. Second transfer of out of service carriages to Mora la Nova came on time formed by the 252.058 and 13 carriages, being six of them the ones which had brought the Estrella Costa Brava that same morning and the other seven those of the last Pío Baroja.
MATERIALS: Polychrome brickwork in English bond, mainly brown brick with red brick bands. Stone window dressings. Gabled tiled roof with terracotta ridge tiles.
PLAN: Rectangular structure with three bay nave with aisles, two south-east porches either side of the one bay chancel and north-west bellcote. It is aligned south-east to north-west.
EXTERIOR: The south-east side has a central gable crowned by a metal cross-shaped saddlestone and large arched window with three trefoil-headed lights surmounted by a central cinquefoil light and two roundels. Recessed on either side are gabled porches with central arched openings flanked by sidelights and arched openings to side walls. Original arched wooden doors behind. The north-east and south-west sides have two small hipped dormers with wooden louvres and paired trefoil-headed windows. The north-west side has a gabled bellcote with trefoil-shaped bell opening, central window with quatrefoil above two trefoil-headed lights and similar single trefoil lights to the aisles.
INTERIOR: The walls are of red brick with black brick bands with a three bay pointed arched arcade with stiff leaf stone capitals, granite columns and deep brick bases. There is a canted roof with tiebeams with quatrefoil mouldings to the spandrels. Most of the wooden pews survive with tiled flooring to the centre and aisles, metal floor grilles and a small octagonal stone font. The south-east window, has probably original glass depicting Christ as The Good Shepherd, flanked by scenes appropriate to a workhouse of a baker giving bread to a pauper and a woman visiting the sick. Other windows have probably been brought in. The north-east central window has two lights, one depicting St Vincent de Paul with two children in early C20 dress, the other St Luke. The north window of the south-west aisle depicts The Good Shepherd and was inserted after 1938 in memory of staff members and surgical staff of Pembury Hospital. The south-west aisle contains two windows considered by the hospital chaplain in 1956 to be by C E Kempe (1837-1907). These comprise The Virgin and Child, dedicated to Edith Mary Myles (1874-1957), the first President of the League of Friends and Headmistress of Tunbridge Wells County Grammar School and the adjoining quatrefoil with an inscription of 1957 in memory of Philip Stewart Browning, a former hospital chaplain. A further stained glass window in the north-east aisle depicting the Baptism of Christ is to the memory of Amelia Scott with an inscription of 1955. There are also a number of small wall plaques to people connected with the workhouse or hospital. These include plaques dedicated to Thomas R McGill, Master of Tonbridge Workhouse between 1866 and 1893, John Francis Carter Braine, surgeon to the radiotherapy department 1939-1953, Ivor Elwyn Joseph Thomas, obstetrician and gynaecologist 1939-1953 and Constantine Lambrinudi, orthopaedic surgeon 1890-1943. The pipe organ to the west end of the eastern aisle is probably original.
HISTORY: The earliest buildings on the Pembury Hospital site were the two buildings of Tonbridge Workhouse dating from 1836. The Poor Law Amendment Act of 1834 prescribed a Church of England chaplain should hold divine service at workhouses every Sunday but in the early days most boards did not set aside a dedicated room for use as a chapel but adapted a dining room for the purpose. From 1859 onwards the "Journal of the Workhouse Visiting Society" enjoined the erection of dedicated chapels which were not usually consecrated but always licenced.
On April 24th 1863 the Rev. Saint of Groombridge Place wrote to the Board of Guardians of the Tonbridge Workhouse asking whether they would consider granting a sum from the Rates for a separate room for Public Worship or a site for a building built by voluntary contributions. The Board agreed to this providing it was under the control of the Guardians and would be used only for divine service. In June, the Committee specified that the building should be detached from the existing buildings, that the site should be as near as possible to the north-western corner of the site, the building range should be parallel with the road, the number to be accomodated should be not less than 300, that the partition for the separation of the sexes should be not less than 6 feet high and be constructed so that the church was divided longitudinally, that the plans should show separate entrances fenced off from the surrounding ground for males and females and the elevation of the building should be as much in harmony as possible with the Fever Ward of the hospital. These resolutions were approved by the Poor Law Board on 14th July 1863 and on 22nd July Robert Wheeler (fl. 1856-1882) of Brenchley (the architect) wrote to say he had taken these alterations into account and re-drawn the plans. These plans were subsequently approved by the Poor Law Board.
A dedicated chapel was duly erected to the north-west of the Tonbridge Workhouse buildings, beside the workhouse laundry, and is shown on the First Edition OS map which was surveyed in 1868. The workhouse function of the chapel is demonstrated from the exterior by the provision of two entrance porches, one for male paupers and one for female paupers, but although the Board of Guardians stipulated an internal screen there is no evidence of this. By the 1860s screens to separate various categories of paupers had gone out of fashion and perhaps it was never built. The cost of the chapel was £650 with seating for 300. The workhouse capacity was 400 but Catholics and Non-conformists were permitted to attend their own place of worship if one was located nearby or to receive visits from their priest or minister.
On 10th September 1887, a contract was drawn up with Messrs. George and Frank Penn in the sum of £3161 12s., for the stripping, boarding, fitting and retiling the chapel and works connected therewith, as well as the taking down of the bell turret. The surveyor was William Oakley.
In 1938 Tonbridge Workhouse became Pembury Hospital and the workhouse chapel became the hospital chapel.
SUMMARY OF IMPORTANCE: A little altered Gothic style chapel constructed of good quality materials which is an unusually elaborate example (particularly for its interior) of a purpose-built workhouse chapel, a building type which is becoming increasingly rare. There is additional value for historical associations and memorials particular to its later hospital use.
Materials: oil on canvas. Dimensions: 46.7 x 76.8 cm. Sold by Sotheny’s, in New York, on February 1, 2018. Source: gazette-eu-west2.azureedge.net/media/24709/canaletto-veni....
