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These are freshly dug up roots from teak trees that were cut down many years ago. My vendor provides a service to local farmers by removing these roots, and then creates...
Mike the Life Guard, Kevin Feeney, and Daryl Overlock shim old beam that is to be removed from the drive-through tunnel at Rubel Castle.
This is one step in the process of replacing the rotting timber with all new beams and posts. This was an all-day project on November 17, 2012, which extended a few more hours into the next day. This was a successful Day of Service at Rubel Castle with plenty of willing volunteers.
With S925 silver plated chain material white gold, chain length: 45CM.Multi layer plating protection, but not allergic fade.Wild fashion personality models.Gift: send a friend, send a girlfriend, send his wife, send his mother.
Specification
Custom
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kseniashop.com/product/jamour-s925-silver-blue-crystal-si...
Photos of a paper cutting with different materials to create colour: cellophane, tracing paper, and coloured parchment paper.
Large size compressors and converters are shown at the Energy Research and Development Administration's Oak Ridge (Tenn.) Gaseous Diffusion Plant. Circa 1972.
For more information or additional images, please contact 202-586-5251.
Completion date: April 2009
Producing Technique: Method of subtracting from model wax was utilized. After casting 9mm Semi precious stone was placed in the setting.
Materials: Oxidized Sterling Silver, Smoky Quartz, Citrine, Green Amethyst, Topaz (Baby Blue), Granat, Amethyst, Tourmaline.
Description: The main inspiration of this ring was obligation of living for each day of a week. In daily life, everyone has some reasons to live unwittingly. Shape of the frame indicates the life and frame in whole illustrates the obligation of our life. The stone point out reasons of each day.
Dimensions: Height: 33.06mm
Width: 26.40mm
Length: 5.50mm
Size: 16 (EU) / 7.75 (US)
On Sale: www.etsy.com/view_listing.php?listing_id=26930308
Kalp Kafes Yüzük
Bitiş Tarihi: Nisan 2009
Yapım Tekniği: Kalp Kafes kalıp mumundan parça çıkarma yöntemi ile yapılmıştır. Daha sonra 9mm çapında yarı değerli taşlar yuvasına yerleştirilmiştir.
Malzemeler: Oksitli Gümüş, Dumanlı Kuvars, Citrin,Yeşil Amatist, Topaz (Baby Blue), Granat, Amatist, Turmalin.
Açıklama: Bu yüzüğün ana teması, hayatımız da her hafta yapmak zorunda olduğumuz şeyler olmasına rağmen herkezin kendince bir yaşama sebebinin olmasıdır. Kalp kafes hayatımızda istemeden yapmak zorunda olduğumuz şeyleri, taş ise her günün güzelliğini gösterir.
Ölçüler: Yükseklik: 33.06mm
Genişlik: 26.40mm
Uzunluk: 5.50mm
Parmak Ölçüsü: 16 (EU) / 7.75 (US)
Tombeau de Louis XII et d’Anne de Bretagne
Matériaux: émail
Datation XVIe siècle
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En 1516, François 1er commande le monument de Louis XII. L'exécution en revient à une famille d'artistes d'origine florentine, les frères Juste. On retrouve la tradition gothique du dais à arcades devenu un petit temple à l'antique, un tempietto. Le roi et la reine sont disposés en orants sur la terrasse supérieure ; la nudité des transis, dans le tempietto, traduit un réalisme macabre. Les transis sont réalisés d'après le moulage à la cire des deux cadavres pendant l'embaumement, dont on remarque le détail des points de suture. Les quatre vertus cardinales, la Justice, la Force, la Prudence et a Tempérance ornent les angles du mausolée ; avec une grande variété, les douze apôtres sont disposés sous les arcades.
Materials, cherry & leaf from my backyard.
Different from my usual pictures. Dark photos taken with plants found outside verus my usual light photos using household objects.
DSCN3306
cooked rice container
Lombok
woven bamboo strips
25 x 18 cm
FGY10
EDH010
Made from woven bamboo strips to allow air to circulate with lid and rigid bamboo base.
I asked for a model & my co-worker came thru for me. Although he was unsure of posing & whether to smile or not to smile, he made my job easy by going along with my vision.
I got lucky yesterday. My boyfriend found this "ring" and gave it to me. All I had to do was take a picture :-)
Limestone & shale in the Devonian of Ohio, USA.
This quarry near Toledo, Ohio targeted limestone for cement-making purposes. An interbedded limestone and shale unit of Middle Devonian age called the Silica Formation (also known as the Silica Shale) is the overburden at this site. The Silica Formation is richly fossiliferous with typical mid-Paleozoic marine invertebrates such as brachiopods, bryozoans, corals, crinoids, and trilobites.
Locality: Benchmark Materials-France Stone Company Sylvania Quarry (= Hanson Aggregates Midwest Incorporated Sylvania West Quarry; = Medusa South Quarry & Medusa South-South Quarry), north of Sylvania Avenue & south of Brint Road & west of Centennial Road, town of Sylvania, northwestern Lucas County, northwestern Ohio, USA (41° 41' 27.04" North latitude, 83° 44' 47.40" West longitude)
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Locality info. at:
Material: Knitting
Color:Pink
Size: Free Size
Clothes Length:86CM
www.buytrends.com/Products/vogue-womens-v-neck-long-sleev...
Important Note:
1. The size refers to clothing dimensions, NOT your body measurements.
2. Please check the measurement chart carefully. Because of different producing batches, there may be deviation of 2~3 cm.
3. Due to limitations in photography and the inevitable differences in monitor settings, the colors shown in the photograph may not correspond 100% to those in the items themselves.
Professor Ulrike Wegst set up a materials discovery lab for Thayer School’s annual Engineering Open House.
Photo by Mayellen Matson
Museum was all about the Seige, when we wanted more daily life/material culture stuff. Still, pretty amazing.
Checkout : www.voonit.com/shop-online/ethnic-wear/dress-materials/
Fabric: Pure cotton
Type: Unstitched dress materials
Work: Printed
Top Fabric: Approx 2.00 Meters
Bottom Fabric: Approx 2.50 Meters
Dupatta Fabric: Approx 2.25 Meters
Occasions: Casual, festival, workwear
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
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I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 45.900+ Million visitors to my FLICKR site.
***** Selected for sale in the GETTY IMAGES COLLECTION on Thursday 13th July 2023
CREATIVE RF gty.im/1536269576 MOMENT ROYALTY FREE COLLECTION**
This photograph became my 6,156th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
©DESPITE STRAIGHT LINES (Paul Williams)
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Photograph taken at an altitude of Five metres at 16:28pm on Tuesday 16th May 2023 off Grice Bay Road, looking inwards from the shoreline at Grice Bay in Tofino, British Columbia.
Nikon D850 Single-lens reflex digital camera F Mount with FX CMOS 35.9mm x 23.9mm Image sensor 46.89 Million total pixels Focal length: 50mm Shutter speed: 1/50s (Mechanical shutter) Aperture f/13.0 iso1000 Handheld with Nikkor VR Vibration reduction enabled Image area Full Frame FX (36 x 24) NEF RAW L 45.4Million pixels (8256 x 5504) 14 Bit uncompressed AF-C Priority Selection: Release Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual mode Metering mode: Matrix metering White balance on: Auto1, A1.00, M0.25 (4870k) Colour space: Adobe RGB Picture control: (A) Auto (Sharpening +1.00/Clarity +1.00)
Nikkor AF-S 24-120mm f/4G ED VR. Nikon GP-1 GPS module. Hoodman HEYENRG round eyepiece oversized eyecup. Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag. Nikon EN-EL15a battery.
LATITUDE: N 49d 6m 35.20s
LONGITUDE: W 125d 47m 6.80s
ALTITUDE: 5.0m
RAW (TIFF) FILE: 130.00MB NEF: 94.0MB
PROCESSED (JPeg) FILE: 39.50MB
PROCESSING POWER:
Nikon D850 Firmware versions C 1.21 (8/12/2022) LD Distortion Data 2.018 (16/01/20) LF 1.00 Nikon Codec Full version 1.31.2 (09/11/2021)
HP 110-352na Desktop PC with Windows 10 Home edition AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. My Passport USB 3.0 2TB portable desktop hard drive. Nikon NX STUDIO 64bit Version 1.2.2 (08/12/2022). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.16.0 (08/12/2022). Adobe photoshop Elements 8 Version 8.0 64bit.
Yves Klein (1928-1962)
ANT 88, 1960
Albertina - Sammlung Batliner
Expansion of painterly means and media
The 1960s are characterized by an expansion of painterly means and media even raising the issue of the very materiality of depiction. For example, nails are used for painting: the orientation of the nails driven into the panel and the play of light and shade make a three-dimensional object emerge. Yves Klein falls back on the first and most pristine pictorial form of human history, direct impression, by painting bodies with his patented signature color, Yves Klein Blue, and pressing them on the substrate. Yves Klein called those pieces Anthropometries (ANT). Lucio Fontana ripped up the canvas to open the pictorial space in actual reality, not just through illusionism.
Instead of having a brush mediate between artist and canvas, Arnulf Rainer, who ranks among the most important Austrian artists of the 20th century, uses his hands as a much more immediate painting tool. At this stage of art history, painting leaves any claim to representation behind, and the picture becomes an object in its own right. This is particularly evident, for example, in Gotthard Graubner's "pillow-pictures." Another indication of this is the practice of not using frames. The picture no longer depicts but is what it is. However, this is by no means tantamount to a renunciation of meaning; on the contrary, it entails the sacralization of art.
Expansion der Medien und Malmittel
Die 1960er-Jahre sind gekennzeichnet von einer Expansion der Medien und der Malmittel bis hin zur Frage der Materialität der Darstellung. Es wird beispielsweise mit Nägeln gemalt. Die Ausrichtung der in die Bildtafel geschlagenen Nägel und das Wechselspiel von Licht und Schatten lassen ein dreidimensionales Objekt entstehen. Yves Klein greift auf die erste und unrsprünglichste Form der Menschheitsgeschichte zurück, den Abklatsch, indem er Körper mit dem zum Patent angemeldeten Yves-Klein-Blau bemalt und dann auf den Malgrund drückt. Diese Werke nennt Yves Klein Anthropometrien (ANT). Lucio Fontana schlitzt die Leinwand auf, um den Bildraum real, nicht nur illusionistisch, zu öffnen.
Arnulf Rainer, der zu den bedeutendsten österreichischen Künstlern des 20. Jahrhunderts zählt, benutzt statt des Pinsels, der sich zwischen Künstler und Leinwand stellt, die Hände als viel unmittelbareres Malwerkzeug. In dieser Phase der Kunstgeschichte lässt die Malerei dem Anspruch des Abbildes hinter sich, und das Bild selbst wird zum Objekt. Besonders deutlich wird das bei den "Kissenbildern" von Gotthard Graubner. Auch der vielfache Verzicht auf Rahmen ist ein Hinweis darauf. Das Bild stellt nichts mehr dar, sondern es ist, was es ist. Das bedeutet freilich nicht den Verzicht auf Bedeutung, im Gegenteil: Es kommt zu einer Sakralisierung der Kunst.
The focus of Albertina Contemporary Art is on the art of the second half of the 20th century. Both the stars and the diversity of post-1945 art will be on display: works by Anselm Kiefer, Gerhard Richter, Arnulf Rainer, Georg Baselitz, Alex Katz and Maria Lassnig, among others, form the centerpiece of this year's presentation of contemporary positions from the ALBERTINA.
Around 80 masterpieces illustrate the multi-faceted artistic production, ranging from hyperrealism to abstraction, from facets of aesthetics of color to political topics, and illustrate the complex parallel currents of the past decades.
Der Fokus von Albertina Contemporary Art liegt auf der Kunst der zweiten Hälfte des 20. Jahrhunderts. Gezeigt werden sowohl die Stars als auch die Vielfalt der Kunst nach 1945: Werke von Anselm Kiefer, Gerhard Richter, Arnulf Rainer, Georg Baselitz, Alex Katz und Maria Lassnig bilden neben anderen das Zentrum der diesjährigen Präsentation zeitgenössischer Positionen aus der ALBERTINA.
Rund 80 Meisterwerke illustrieren die facettenreiche künstlerische Produktion, die von Hyperrealismus bis Abstraktion, von farbästhetischen bis zu politischen Themen reicht, und veranschaulichen die komplexen parallelen Strömungen der vergangenen Jahrzehnte.
Trevor Tahiem Smith, Jr. (a.k.a. Busta Rhymes)
Secret Solstice Festival
June, 2015
Reykjavik, Iceland
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The booths of ECT (Extrusion for Ceramic Technology) and Fraunhofer Institute for Ceramic Technologies and Systems, IKTS on the Innovation Materials and Technologies Exhibition
The Optoelectronic Component and Materials Laboratories (or OCM Labs) is a collection of graduate students, post doctoral fellows, visiting scientists and research staff who are engaged in investigating an enormous variety of phenomena and devices related to electronic materials and optics. Some of the work involves the basic physics of new semiconductor and organic materials, some focuses on devices using these materials, and yet other work looks at the system impact of optical devices and structures. The unifying goal of our work is the realization of practical optoelectronic devices.
Photo by James M Rotz for the College of Engineering Office of Communications and Marketing