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Lentamente muore chi diventa schiavo dell'abitudine, ripetendo ogni giorno gli stessi percorsi, chi non cambia la marcia,
chi non rischia e non cambia colore dei vestiti,
chi non parla a chi non conosce.
Muore lentamente chi evita una passione,
chi preferisce il nero su bianco e i puntini sulle "i" piuttosto che un insieme di emozioni,
proprio quelle che fanno brillare gli occhi,
quelle che fanno di uno sbadiglio un sorriso,
quelle che fanno battere il cuore davanti all'errore e ai sentimenti.
P.Neruda
MacGyver (me’gaiv3r) vb 1 to create a tool using materials in the immediate vicinity in order to prevent a life threatening situation reaching an unfortunate conclusion. 2 the art of inventing using improbably convinient objects. [C20: coined (c.1985) from MacGyver]
It's in there. Honest it really really is. They didn't think they'd have room for it but after they too out Gullible they found there was plenty of space. Go on have a look you'll see that Gullible isn't in there any more. I know I was as surprised as you that they took it out but I was pleasantly pleased that they stuck in this far more useful verb.
I've still not found myself in a situation where it would be appropriate to use it but fingerscrossed some mid 80s non-specific terrorists could invade the place providing me with the perfect opporchancity to save the day using a paper-clip and juice of half a lemon.
It could happen. Oh yes because we have...um we have. Erm what have we got? Well nothing really. Oh hell I'm going to have to move to somewhere with a nuclear reactor in every home or one of those town nondescript towns that looks rather ordinary but hold the great big secrets shhhhh! don't tell the bad guys piece of amazingness that everyone wants. You know, like Trumpton.
Superstudio Più - Art Garden - Via Tortona, 27 - Milano
Per l’edizione 2015 Materials Village, la piattaforma di eventi ideata da Material ConneXion Italia, si è spostata in Zona Tortona, nel giardino di SuperStudio, dove con un format innovativo, composto da container e case di varie dimensioni, è stato possibile scoprire nuovi materiali e processi di lavorazione per dare risposte e soluzioni per il futuro del mondo produttivo. Un concept inedito in grado di far dialogare nello stesso luogo aziende provenienti dai più disparati settori attorno ad un unico tema: l’innovazione e i materiali, tematiche al centro del Corso di Alta Formazione in Materiali per l’Architettura e l’Interior Design di POLI.design svolto in collaborazione con Material ConneXion Italia.
I watched as, way downriver, Ace snapped this stick from a tree -
then flew past me carrying it back to the nest as building/repairing material.
SeaDek Sheet Material is perfect for all types of DIY projects. Available in a variety of sizes and colors, these 5mm thick sheets feature our micro-dot embossed texture for maximum comfort underfoot and exceptional non-skid properties. Easily cut with a sharp razor knife, SeaDek sheet material is perfect for many different applications, including: seating, cooler tops, decking, and polling platforms, the possibilities are endless! SeaDek Sheet Material is backed with our 3M pressure sensitive adhesive to provide an easy peel-and-stick application.
I spotted this squirrel collecting nest material. Once it had a mouthful, it scampered up a tree and disappeared into a hole. I caught it again, just as it poked its head out of the nest site.
Tree squirrels build two general types of nests: tree cavity dens and leaf nests. Whether located in abandoned woodpecker holes or in natural cavities, tree dens offer better protection from wind, rain and snow. Studies have identified another advantage. Squirrels living in dens use less energy in maintaining their body temperature.
Mating season for squirrels occurs twice a year; December to January and June to July. They are most active in late winter, when the mating season begins. Both males and females prepare nests for winter.
This is the second time that I have captured a squirrel collecting nest material.
Hardy Falls Regional Park
Peachland, BC
Material Systems: Digital Design and Fabrication
Exhibition dates: January 31 - March 11, 2022
Harvard University Graduate School of Design
in collaboration with the Ceramics Program, Office for the Arts at Harvard
This exhibit showcases the results of the Fall 2021 course Material Systems: Digital Design and Fabrication offered at the Harvard Graduate School of Design (GSD). For over a decade, faculty from the GSD have collaborated with the Harvard Ceramics Program to offer an experiential learning opportunity for design students that links research and experimentation in emerging digital technologies with the context of ceramic material systems. The course combines technological developments relating to the way in which things are designed (digital modeling, simulation, generative design, etc.) and the way things are made (automation, computer-controlled equipment including robotics, advanced materials, etc.) in search of new opportunities. Each object exhibited here is the result of prototyping and experimentation during the pursuit of a research question – it represents a step in a process of exploration, rather than a finished product.
Course led by Professors Nathan King and Zach Seibold, assisted by Gabby Perry, Teaching Assistant
In consultation with Kathy King, Director, Geoff Booras, Operations Coordinator and Casey Zeng, Ceramics Program Staff
Featuring work by Harvard Graduate School of Design Students:
Saad Boujane, Trent Bullion, Shant Charoian, Danny Clarke, Amelia Gan, George Guida, Sarah Hopper, Dongyun Kim, Annabelle Li, Yang Sun Lim, Elsa Mendoza, Elissa Palmer, Devashree Shah, Wei Wu, Zhenyu Yang, Hye Jun Youn, and Ivan Zhang
Materials Park is the headquarters of ASM International, a professional organization for Material Scientists, engineers and metallurgists, among others. This is the largest open air geodesic dome in the world and the site has it's own unique zip code. They hosted the annual ASM International Leadership Days Awards dinner on site, which is why there is a tent set up in the foreground.
(Materials Park, Ohio, August 2008)
Lady Gaga
ARTRAVE "THE ARTPOP BALL"
Madison Square Garden
May 13th, 2014
© 2014 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
materials courtesy of Raveen and Supriya Panday..
decided to make little effigies in appreciation..before starting my surgery on them.
thank you both =)
Lodge Gallery at Allied Works
1532 SW Morrison
Portland, OR
Fiber, plaster, wood
Tally Locke : Amy Conway
Leica M3
Summicron DR 2/50
Delta 400 Pro
D76 8min@75º
Many new materials types have been added to PhotoWorks 2007 including Moldtech like textures, translucent, frosted and white hi-gloss plastic, brush metal, sandblasted metal, frosted and sandblasted glass, finished and unfinished woods, wood end-grains, and water just to name a few.
Pen and ink. For Philip Pullman's His Dark Materials. Part of the Dalek Game: tanaudel.wordpress.com/2011/05/07/the-dalek-game/
In light of us being about 6 months away from having a 'baby Olive' in the house, I've been organizing like crazy to transform my 'craft room' into the 'nursery'. The first step was to organize the many different projects/materials I have and store them accordingly in a closet in Justin's office. (Justin calls me the 'Project Starter' because I start so many different hobbies and then move onto a new one. Looking at this wide array of materials, I think he's right!)
It's september and people buys new alarm clocks for waking up to go to school, to work... Shops selling electronik material show their offer in the shopwindow. It's alarm clock time!
Bloomberg employees help sort a variety of donated materials in their warehouse that will be used by artists, teachers, and students.
Material y aparatos en el laboratorio del Departamento de Química Física, de la Universidad de La Laguna, en el segundo quinquenio de los años 60, S. XX
Autor: Agustín Arévalo Medina
Archivo: Asociación de Antiguos Alumnos y Amigos de la Universidad de La Laguna
Material Handling is the movement, storage, control and protection of materials, goods and products throughout the process of manufacturing, distribution, consumption and disposal.
Title: Caroline Le Roy Webster
Artist/Maker: George Peter Alexander Healy (American, 1813-1894)
Place Made: Unknown
Date Made: ca. 1840-1850
Medium: oil on canvas
Measurements: Overall: 41 3/4 in x 36 3/4 in; 106.045 cm x 93.345 cm
Credit Line: Funds donated by Betty Rhoads Wright (Mrs. Frank L. Wright)
Collection: The Diplomatic Reception Rooms, U.S. Department of State, Washington, D.C.
Accession No: RR-2009.0001
www.youtube.com/watch?v=3yYMqdR1neg
This is a fictional interview based on real interview material :
issuu.com/cesarharada/docs/2016_web_light
issuu.com/cesarharada/docs/2026_web
issuu.com/cesarharada/docs/2066_web
July, 2016
" I live in Cha Kwo Ling. I am getting older. I love being here. I have a lot
of friends, my neighbours look after me, we have shops and restaurants. My parents were born here so I came back to our home. It is very safe here, our doors are always open. Long time ago, we had fishermen, people working in the stone quarry, and later in the oil industry on the docks. All of this is gone now. We have a recycling centre, waste materials everywhere, trucks come and go all day long, it is a good business but some people are complaining about the noise and the dirt ; I don’t mind. I take the minibus everyday in and out. When there is heavy rain, some roofs are leaking. We have mosquitoes, rats running around at night, sometimes even snakes, but we are used to it. We love it here. I don’t have much hope for Cha Kwo ling, I live day by day, trying to live a happy life. We are proud of our beautiful temple and festivals that attract people from all around."
== Exhibitied at ==
Osage Gallery
觀塘興業街二十號
聯合興業工廠大廈四樓
4/F, Union Hing Yip Factory Building,
20 Hing Yip Street, Kwun Tong, Kowloon, Hong Kong
== Authors ==
Documentation: Selina XinYi Zhang William Wong
House 2016: Song Jia Rui, Hao Jia, Li Dai
House 2026: David Tam Bobo Ngai Orlando Chan Pearl Cao Janet Choi Wen Nian
House 2066: Venus Ng TingTing Ng Timothy Lam Ivan Chan Desmond Chang
Mentors: Susanne Trumpf, Georg Hoehne, Cesar Jung-Harada
Director of Program: Tobias Klein
== Brief ==
SUGAR is delicious. And Hong Kong exemplifies our global society’s addiction to the sweet life. Life in Hong Kong is fast-paced, convenient, delicious and glittery. In Hong Kong, you will find people shopping in both luxury goods stores and fast fashion giants, dining in Michelin-starred restaurants, traveling via one of the best public transportation systems in the world and living in beautiful homes in the sky.
As with the gaping cavities that result from over-consumption of sugar, Hong Kong also suffers negative consequences of its sugar addiction. The pursuit of the good life has led society to wilfully turn a blind eye to the cost and consequence of its consumption. Hong Kong is paying the toll of its addiction. Overflowing landfills, polluted air and waterways, hungry children and homeless seniors are the untold parts of Hong Kong’s story. The city that hosts the highest density of millionaires is also the home of caged home dwellers.
The concentration of wealth and power have reached such extent that the whole city landscape manifests how decisions are taken: top down. Big scale investments shape the urban life. The way of financing, the use of resources and targeted clientele for the majority of projects are decided based on the expected revenue. The lack of responsible involvement and intervention is not only an emerging factor in architectural profession. Hong Kong young generation see themselves with little perspective due to unaffordable property prices and question the inequality in the city's population. The aesthetic of the city is for most “business-friendly”, which really is sterile, technocentric, vacant of any form of spontaneity and life.
How can city dwellers move away from pure consumption and reclaim an active advocacy? How can the future population of Hong Kong deal more responsibly with the offer of sugar? Can life come back in the constructed environment? How can we break away from sugar addiction and build together a sustainable city?
Cesar Jung-Harada and Susanne Trumpf, with the support of Georg Hoehne.
#38 Material
The material used in this colorful sculpture of moving squares include metal framing and fasteners, some plastic PVC tubing and the amazing multi-dimensional plexiglass with dichroic coating that yields the changing luminescence as defined by light and angle. This square reflects just one of many in the public art installation called Cambier's Quilt by Mark Fuller 4th Ave N & Gulf of Mexico, Naples, FL