View allAll Photos Tagged material
1.Product name:handcrafted clay teapot
2.Place of origin:Yixing China
3.Material: purple sands,clay,zisha,pottery,ceramic
4.Function:red/oolong tea drinking,handcrafted gift for teapot lovers/tea enthusiast/father/mother/friends,home decor accessories,collectible antique teapot
5.Features:no harmful metal element, completely handmade clay crafts
6.Volume: 190ml
7.Height:8.5cm,Dial:13.5cm
8.Color:red
9.Packing:gift box
10.5-10 days shipping by EMS,DHL or FEDEX,15-25 days shipping by China post
11.Wholesale or OEM is welcome
shopping store:
Materiales generados a través del trabajo en grupo de las Residencias Copylove: un lugar de encuentro para compartir y reflexionar sobre experiencias comunitarias donde tan importante es el trabajo afectivo y de cuidados como los recursos que se producen y comparten.
The main material of my work is crayon. Crayon relates to childhood memories. We held the crayons with our small hands to draw our family, home and dreams. Our innocent world was created through the crayons. However, with age and through getting older, we seem to no longer connect with crayons, they disappear from our lives. We never forget that we have imagination; it is only hidden in the depths of the heart. I began to remember myself as a child when I played with crayons, I added glue into the crayon liquid and put the crayons into the oven and so on. During the playing process, I was able to learn about the properties of the crayon.
Through the use of crayon, I developed a new product. I melted the crayons in different ways and so each crayon piece made distinct patterns. As the material was crayon, it was able to be drawn. Various colours and patterns created simple forms, which would appear in different shapes. The special feature of the crayon rings was that each ring had a word hidden inside it, so when the crayon was almost consumed, the word would be shown. The crayon ring collection is colourful, geometric and playful. The rings will generate more fun and are highly interactive when worn.
Old iron scrap from the blacksmiths' forge at Touchstone. I used a lot of this in the work that I made while as "artist in residence" there.
More of my stuff. The Chinese fabric is a gift from Evan. The fisherman has been in the house for years and years.
Apresento-vos o meu armazém de material... agora bem arrumadinho mas sem espaço para mais nada :o)
Estou proibida de comprar mais material!!!
;op
Materiale liberamente utilizzabile per uso stampa/tv/web purché venga citata la fonte “Nucleo Documentazione Anpas Toscana”
NW 52nd St
This Phinney Ridge home took advantage of zoning guidelines to construct a new home that fit w/in the existing home’s building envelope, resulting in a compact footprint on 3 levels. The site, on the west slope of Phinney Ridge, takes advantage of views towards Ballard & the Olympic Mountains beyond.
The entry provides shelter from the weather, & ample closet space, & leads you into the main level adjacent to the open stair. The centerpiece of the home, the steel staircase is open & inviting, w/ large windows to allow light in from the east. The main floor boasts an open living/dining/kitchen area w/ generous windows & balcony across the entire west façade. A guest room on this level doubles as an office, & a powder room is tucked away by the entry. The lower level is planned as a recreation area, w/ a home theater & room for game tables. There is an additional bedroom & full bathroom on the lower level, as well as utility spaces. The upper floor has a dramatic ceiling, pitched up to allow expansive views to west & clerestory windows to the east. The master suite has a full wall of custom casework, & a small secondary closet, as well as a generous 5pc bathroom. A rec room, additional bedroom, & bathroom complete the upper level.
Building materials week. Brick is HEAVILY used in Bogota, so it's not hard to find some interesting arrangements of it.
NAi debat met John Habraken en Sjoerd Soeters, 19.5.2011 in het Schieblock, Rotterdam. Foto: Carel van Hees
Demonstration of a viscoelastic material, made from common household cooking ingredients, generated lots of interests from members of the public. UNSW Open Day, 2014.
“The material basis of media technologies – and books are only one example – is changing, for which historical perspectives might give not only comforting back-up (‘nothing is as permanent as change’) but also ideas to push the change forward.” (Jussi Parikka, 2012)
We can certainly talk about change; our present landscape is a space where the digital and physical have become synonymous, which many believe to be signaling the coming of an ontology-less future, through the accelerated disruption of cultural value. In this light old standards show their age and obsolescence in the face of the new, and with each new wave of informational overload we are further alienated by the system, that revolves around an economy of monetary circulation. All these factors come together to push a re-evaluation of identity and the human value. This brings to mind the genealogy of currency, articulated by Joseph Beuys during the discussion entitled What is money? : “Of course ‘Geld’ [‘money’] comes from ‘Gold’, same etymology. But it comes equally from ‘Geltung’ [‘validity’], meaning the value people fix based on their perception of a natural right. The word ‘Geltung’ is rooted in representations of a natural right, while the word ‘Gold’ is rooted in the economy of barter!” (Joseph Beuys, 2012).
In this light, Geltung [validity]: perception of a natural right brings together four artistic investigations that re-evaluate established methods of financial exchange bestowing new material values and identities to their subjects. In a landscape where monetary currency is pinnacle, the artists interrogate notions of personal and individual history, locality and its impact in identity and the framework that contains our cultural objects.
Diogo da Cruz’s work, WORDCOIN (2016 – Current), proposes the implementation of a new currency, that will give a literal value to each one’s speech. By creating The Bank for Argumentation, the costumer-museum-goer will have the opportunity to trust his or hers arguments to an institution that can save and trade them, giving the deserved and objective exposure to their ideas. Max Dovey presents Breath (BRH) (2017), a digital currency that is mined through human respiration. The installation combines breathing and micro-computers to mine, store and trade human breath as a virtual currency on the crypto-market(s). The market value of BRH is determined by the inflation created by respiratory miners who participate in the physical installation. Felicity Hammond’s artworks draws upon images from her own archive, using documents of the landscape and found images online; those of both existing and imagined future spaces. Hammond utilises particular motifs and structures that respond specifically to the digital representations found online of Dundee’s vast regeneration programme. For I keep forgetting I’ve been to Tokyo: GAIDEN (2017), Petra Szemán follows the virtual self through parallel and intersecting realities, along the departure-initiation-return structure of a hero’s journey. Drawing upon personal and/or constructed experiences, the work explores the idea of a non-localised identity that’s an archive of accumulated personal mythologies acquired from a multitude of realities.
An offline/online exhibition curated by Alejandro Ball and Inês Costa
Opening night: 27 October 2017, 7pm – 9pm
Performance part of NEoN Festival: 9 November 2017, 7pm – 8pm
Supported by Creative Scotland, University of Dundee and Leisure and Culture Dundee
Tijdens de Mash Up Material Night werden de grenzen van hout onderzocht. Hout is het enige bouwmateriaal dat klimaatneutraal is. Is het daarmee ook het materiaal van de toekomst? Experimenten met hout leiden tot zowel vernieuwende als omstreden toepassingen. Ontwerpers Marjan van Aubel, Lex Pott en Chris Kabel vertelden over hun eigen experimenten met dit veelzijdige materiaal. Moderator was ontwerper en onderzoeker Sophie Krier.
LEX POTT
Lex Pott heeft een grote interesse voor natuurlijke materialen, waaronder hout. In zijn ontwerpen gaat hij vaak uit van het materiaal zelf en maakt hij doelbewust de verschillende fasen in de bewerking van een materiaal ook zichtbaar in het eindproduct.
CHRIS KABEL
Chris Kabel ontwerpt gebruiksvoorwerpen, vaak door bestaande objecten en materialen vanuit een onverwacht perspectief te vervormen. Door een expliciete scheiding van functie, materiaal en vorm verwarren zijn ontwerpen: ze beschikken over eigenschappen die op grond van hun uiterlijk niet worden verwacht. Voor zijn innovatief materiaalgebruik won hij in 2009 de DOEN Materiaalprijs.
MARJAN VAN AUBEL
Marjan van Aubel komt uit een familie van scheikundigen, een achtergrond die bepalend is geweest voor haar werkwijze. Ze ontwikkelde ‘foaming wood’ door restmateriaal van hout met water en biologische hars te vermengen. Dat brengt een chemisch proces op gang dat vervolgens weer leidt tot pulp. Eenmaal uitgehard, past zij het materiaal toe in een serie meubelen.
TENTOONSTELLING HOUT
De Mash Up Material Night was onderdeel van het parallelprogramma georganiseerd in het kader van de tentoonstelling HOUT. De cyclische natuur van materialen, plekken en ideeën, te zien van 16 mei tot 10 augustus in Het Nieuwe Instituut.
Foto's: Matthijs Immink
Larger: -EDIT-
Alta Buden
Packer Schopf
942 W. Lake.
July 11 - August 16
312-226-8984
1900kinzie.blogspot.com/2007/09/alta-buden-visiting-artis...
material-exchange.org/home.html
See also:
Fairy Tales
paintings by Stephen Warde Anderson
on display @ Packer Schopf
A designer friend makes some great things from recycled materials. This is one of a project of 100 robots.