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FinalProject :: Computers for the Rest of You (ROY)
FinalProject :: Materials Class
Scale model of the augmented massage table
Material de la exposiciones
La esperanza - La tierra prometida, una fantasía vegetal – La ternura del universo – Visiones de un nuevo mundo, primeras flores y otras hierbas, el frío, las estrellas
Óleo/ lienzo y óleo/ pared 2008 – 2009
Gómez Losada gomezlosada.blogspot.com/
Students create the mold for their clay mug as part of their ENGS 3: Materials: The Substance of Civilization lab.
Repost @dartmouthwsoccer
Counter top serves for placing of sheet printed matter on a horizontal surface. The given model is used for booklets, flyers, brochures and other information leaflets. At the expense of original and practical design, the support is well entered in interiors of various institutions (cafe, shops, clubs etc.)
Depth of section - 80 mm, width – 160 mm.
Materials: transparent, dairy, black acrylic glass 2 mm (PMMA)
Materials: Prismacolor pencils on Bristol XL (size A4) Canson
Category: beginner
Thank you Sally Robertson for this photo.
Greeting card from the Library A to Z project www.libraryatoz.org Original illustrations by Josh Filhol.
www.youtube.com/watch?v=3yYMqdR1neg
This is a fictional interview based on real interview material :
issuu.com/cesarharada/docs/2016_web_light
issuu.com/cesarharada/docs/2026_web
issuu.com/cesarharada/docs/2066_web
July, 2016
" I live in Cha Kwo Ling. I am getting older. I love being here. I have a lot
of friends, my neighbours look after me, we have shops and restaurants. My parents were born here so I came back to our home. It is very safe here, our doors are always open. Long time ago, we had fishermen, people working in the stone quarry, and later in the oil industry on the docks. All of this is gone now. We have a recycling centre, waste materials everywhere, trucks come and go all day long, it is a good business but some people are complaining about the noise and the dirt ; I don’t mind. I take the minibus everyday in and out. When there is heavy rain, some roofs are leaking. We have mosquitoes, rats running around at night, sometimes even snakes, but we are used to it. We love it here. I don’t have much hope for Cha Kwo ling, I live day by day, trying to live a happy life. We are proud of our beautiful temple and festivals that attract people from all around."
== Exhibitied at ==
Osage Gallery
觀塘興業街二十號
聯合興業工廠大廈四樓
4/F, Union Hing Yip Factory Building,
20 Hing Yip Street, Kwun Tong, Kowloon, Hong Kong
== Authors ==
Documentation: Selina XinYi Zhang William Wong
House 2016: Song Jia Rui, Hao Jia, Li Dai
House 2026: David Tam Bobo Ngai Orlando Chan Pearl Cao Janet Choi Wen Nian
House 2066: Venus Ng TingTing Ng Timothy Lam Ivan Chan Desmond Chang
Mentors: Susanne Trumpf, Georg Hoehne, Cesar Jung-Harada
Director of Program: Tobias Klein
== Brief ==
SUGAR is delicious. And Hong Kong exemplifies our global society’s addiction to the sweet life. Life in Hong Kong is fast-paced, convenient, delicious and glittery. In Hong Kong, you will find people shopping in both luxury goods stores and fast fashion giants, dining in Michelin-starred restaurants, traveling via one of the best public transportation systems in the world and living in beautiful homes in the sky.
As with the gaping cavities that result from over-consumption of sugar, Hong Kong also suffers negative consequences of its sugar addiction. The pursuit of the good life has led society to wilfully turn a blind eye to the cost and consequence of its consumption. Hong Kong is paying the toll of its addiction. Overflowing landfills, polluted air and waterways, hungry children and homeless seniors are the untold parts of Hong Kong’s story. The city that hosts the highest density of millionaires is also the home of caged home dwellers.
The concentration of wealth and power have reached such extent that the whole city landscape manifests how decisions are taken: top down. Big scale investments shape the urban life. The way of financing, the use of resources and targeted clientele for the majority of projects are decided based on the expected revenue. The lack of responsible involvement and intervention is not only an emerging factor in architectural profession. Hong Kong young generation see themselves with little perspective due to unaffordable property prices and question the inequality in the city's population. The aesthetic of the city is for most “business-friendly”, which really is sterile, technocentric, vacant of any form of spontaneity and life.
How can city dwellers move away from pure consumption and reclaim an active advocacy? How can the future population of Hong Kong deal more responsibly with the offer of sugar? Can life come back in the constructed environment? How can we break away from sugar addiction and build together a sustainable city?
Cesar Jung-Harada and Susanne Trumpf, with the support of Georg Hoehne.
My Pictures are © Copyrighted. to heath.h24
None of these images may be reproduced and or used for any form of publication, print or Internet use without my permission.
Existe o joguinho de agulhas e as linhas podem ser bem fininhas como as de rolinho ou mais grossa. Realmente é muito delicado. E pensar que foi inventado em 1662. Nessa época era feito com "Navetes" assim chamado, inclusive "DE OURO" (JÁ PENSARAM ????) Que Luxo !!!!!!! As minhas são de alumínio mesmo ahahahahahaha-------------------------------------
Materials needed
There is a set of needles and lines can be very thin such as a roller or thicker. Actually it is very delicate. And to think that was invented in 1662. At that time it was done with "tugboat" so called, including "GOLD" (Ever wonder what ????) Luxury !!!!!!! Mine are aluminum even ahahahahahaha
An open day was held at the National Track Materials Recycling Cente - Whitemoor (NTMRC) on Sunday 14th August 2011
GBRF 66730 is named "Whitemoor" by Councillor Bernard Keane, Mayor of the March, Martin Elwood, Director NDS (Network Rail) and John Smith MD of GBRF
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The “Smart Flexibility: Advanced Materials and Technologies” exhibition is the result of the ongoing technological surveillance task of Materfad, the Materials Centre of Barcelona. Materfad seeks to explore the current capabilities provided by certain structures and materials to raise awareness and adapt architecture to its environment.
These contemporary works and projects associated with materials, sensitive systems and articulated mediums allow us to imagine the functionalities that can be made available, from smart and flexible architecture to a reactive garment.
The harvesting of wind and solar power, electrical and thermal energy generation, perception and adaptation to climatic conditions, to acoustics and the lighting environment, user detection and modification of the space according to a person’s body, movements or even emotions are the challenges of tomorrow’s spaces and are thus the guidelines of this exhibition.
Title: James Monroe
Artist/Maker: Casimir Gregory Stapko (American, 1913-2006), after John Vanderlyn (American, 1775-1852)
Place Made: Unknown
Date Made: 1949
Medium: oil on canvas
Measurements: Overall: 34 in x 29 in; 86.36 cm x 73.66 cm
Credit Line: The Diplomatic Reception Rooms, U.S. Department of State, Washington, D.C.
Collection: The Diplomatic Reception Rooms, U.S. Department of State, Washington, D.C.
Accession No: RR-1961.0026
here im booring the class hour is 2 hours,. and the doc is talking without closing his mouth .... ufffffffff and this is the result
Material Circulante: CP 1557 + 21 His
Hora: 16:25
Data: 05-09-2011
Local: Porto da Lage (PK 119 - Linha do Norte)
Serviço: Comboio de Madeira n.º 68631 (Fontela --» Entroncamento)
www.youtube.com/watch?v=C2lNDoxBMzM
Kelly Osbourne takes FashionTV behind the scenes for her exclusive photoshoot for the Material Girl clothing line.
[EN] MATERIAL WANT is the first collaboration of artist/researcher Matthew Plummer-Fernandez and net art pioneers JODI. Bringing together their respective practices, they explore hybridisations of algorithms, errors, Internet found objects and digital fabrication. The result of this joint effort? A series of 3D-printed sculptures, uncanny, yet familiar objects, between incongruous assemblages and distorted reality.
[FR] MATERIAL WANT est la première collaboration de l’artiste/chercheur Matthew Plummer-Fernandez et des pionniers du net art JODI. Conjuguant leurs pratiques respectives, ils explorent les hybridations que génèrent les algorithmes, les erreurs, les objets trouvés d'Internet et la fabrication numérique. Le résultat de cette recherche commune? Une série de sculptures imprimées en 3D, objects à la fois étranges et familiers, entre assemblages incongrus et réalité distordue.
[NL] MATERIAL WANT is de eerste samenwerking tussen kunstenaar/onderzoeker Matthew Plummer-Fernandez en JODI, pioniers van de netkunst. Ze brachten hun praktijken samen en onderzochten algoritmische hybridisaties, fouten, objecten geplukt van het internet en digitale machines. Het resultaat van deze gezamenlijke inspanning? Een reeks 3D-geprinte sculpturen, die zowel vreemd als vertrouwd lijken. Het zijn onlogische assemblages en vervormde weergaven van de werkelijkheid.
Material Circulante: Material de Obras da Somafel
Hora: 17:00 - 17:08
Data: 21-01-2010
Local: Estação do Entroncamento (PK 106 - Linha do Norte)
El sabado 31 robaron a Juan S. Calventus y Elena las camaras de su coche, en la Playa de Percheles mientras hacian sus fotos de Boda.
Tambien robaron moviles y documentación.
Creemos que pueden venderse en algun mercado de segunda mano de la región.
Si alguien puede aportar información puede contactar conmigo o con el email de Juan o con cualquier otro fotografo de Mazarrón que pueda contactar con nosotros.
Muchas gracias a todos.
Material : colored kraft
This pattern shows 2 types of pleats crossings : The double-pleat + 3 single-pleats and the old triangular twist.
Linear designs are not frequently folded by people here, I feel rather alone.
They seem to be considered "un art mineur" (lesser art ?), in comparison with hexagonal symmetry.
I'm wondering why.