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A Civil Engineering Undergraduate determines sheer strength parameters of sand using direct sheer apparatus inside Professor Roman D. Hryciw's class in GG Brown Lab 1021 on North Campus in Ann Arbor, MI.
Photo by Robert Coelius/Michigan Engineering, Communications and Marketing
Material è la collezione dedicata ai pavimenti colorati.
E' disponibile unicamente su specie legnosa Rovere e presenta una finitura con vernice pigmentata e superficie leggermente spazzolata per evidenziare la trama e la matericità del legno.
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Material is the collection of stained floors.
It's exclusively available on Oak wood and it is realized with coloured varnishes on slightly brushed surfaces in order to exalt the texture and the consistence of the wood.
Title: Sauce Tureen and Cover
Artist/Maker: Unknown
Place Made: China
Date Made: ca. 1790-1810
Medium: ceramic; porcelain
Measurements: Overall: 7 1/4 in x 8 in; 18.415 cm x 20.32 cm
Credit Line: Gift of Robert Kogod Goldman in memory of Ruth Kogod Goldman
Collection: The Diplomatic Reception Rooms, U.S. Department of State, Washington, D.C.
Accession No: RR-1996.0003
Traslado de material entre Principe Pio y Fuencarral con la 269.023 tirando de una 251, un T2, un Bc10x 12750 y un YFT.
El Tejar, 21 de Agosto de 1992.
Autor: Jordi Caldes. Archivo Jose Silva.
Students create the mold for their clay mug as part of their ENGS 3: Materials: The Substance of Civilization lab.
Repost @dartmouthwsoccer
Another big public event for Bassbus...
The grand opening weekend of the St Patrick's Bridge, also a chilly and windy day on a very open bridge...
Counter top serves for placing of sheet printed matter on a horizontal surface. The given model is used for booklets, flyers, brochures and other information leaflets. At the expense of original and practical design, the support is well entered in interiors of various institutions (cafe, shops, clubs etc.)
Depth of section - 80 mm, width – 160 mm.
Materials: transparent, dairy, black acrylic glass 2 mm (PMMA)
Material: neoprene pintado a mão com tinta de tecido. Aceito encomendas: melissawestphal91@gmail.com
Greeting card from the Library A to Z project www.libraryatoz.org Original illustrations by Josh Filhol.
www.youtube.com/watch?v=3yYMqdR1neg
This is a fictional interview based on real interview material :
issuu.com/cesarharada/docs/2016_web_light
issuu.com/cesarharada/docs/2026_web
issuu.com/cesarharada/docs/2066_web
July, 2016
" I live in Cha Kwo Ling. I am getting older. I love being here. I have a lot
of friends, my neighbours look after me, we have shops and restaurants. My parents were born here so I came back to our home. It is very safe here, our doors are always open. Long time ago, we had fishermen, people working in the stone quarry, and later in the oil industry on the docks. All of this is gone now. We have a recycling centre, waste materials everywhere, trucks come and go all day long, it is a good business but some people are complaining about the noise and the dirt ; I don’t mind. I take the minibus everyday in and out. When there is heavy rain, some roofs are leaking. We have mosquitoes, rats running around at night, sometimes even snakes, but we are used to it. We love it here. I don’t have much hope for Cha Kwo ling, I live day by day, trying to live a happy life. We are proud of our beautiful temple and festivals that attract people from all around."
== Exhibitied at ==
Osage Gallery
觀塘興業街二十號
聯合興業工廠大廈四樓
4/F, Union Hing Yip Factory Building,
20 Hing Yip Street, Kwun Tong, Kowloon, Hong Kong
== Authors ==
Documentation: Selina XinYi Zhang William Wong
House 2016: Song Jia Rui, Hao Jia, Li Dai
House 2026: David Tam Bobo Ngai Orlando Chan Pearl Cao Janet Choi Wen Nian
House 2066: Venus Ng TingTing Ng Timothy Lam Ivan Chan Desmond Chang
Mentors: Susanne Trumpf, Georg Hoehne, Cesar Jung-Harada
Director of Program: Tobias Klein
== Brief ==
SUGAR is delicious. And Hong Kong exemplifies our global society’s addiction to the sweet life. Life in Hong Kong is fast-paced, convenient, delicious and glittery. In Hong Kong, you will find people shopping in both luxury goods stores and fast fashion giants, dining in Michelin-starred restaurants, traveling via one of the best public transportation systems in the world and living in beautiful homes in the sky.
As with the gaping cavities that result from over-consumption of sugar, Hong Kong also suffers negative consequences of its sugar addiction. The pursuit of the good life has led society to wilfully turn a blind eye to the cost and consequence of its consumption. Hong Kong is paying the toll of its addiction. Overflowing landfills, polluted air and waterways, hungry children and homeless seniors are the untold parts of Hong Kong’s story. The city that hosts the highest density of millionaires is also the home of caged home dwellers.
The concentration of wealth and power have reached such extent that the whole city landscape manifests how decisions are taken: top down. Big scale investments shape the urban life. The way of financing, the use of resources and targeted clientele for the majority of projects are decided based on the expected revenue. The lack of responsible involvement and intervention is not only an emerging factor in architectural profession. Hong Kong young generation see themselves with little perspective due to unaffordable property prices and question the inequality in the city's population. The aesthetic of the city is for most “business-friendly”, which really is sterile, technocentric, vacant of any form of spontaneity and life.
How can city dwellers move away from pure consumption and reclaim an active advocacy? How can the future population of Hong Kong deal more responsibly with the offer of sugar? Can life come back in the constructed environment? How can we break away from sugar addiction and build together a sustainable city?
Cesar Jung-Harada and Susanne Trumpf, with the support of Georg Hoehne.
Mickey Leland intern Katherine Francissen and mentor Daniel Haynes working in the Materials Research Lab in B25 Room 205 at NETL in Morgantown, W. VA.
Bicicleta Monty-221 TI 2007 a la venta en Bicimarket.es
www.itxaspe.com/IbanMayo/Productos_Interesantes_Tiendas/1...
R$47,00
Material: resina e vidro;
Tipo de enfeite: arabesco;
Pose horizontal e vertical;
Para fotos 20 x 25
Material Circulante: CP 1964 + 4 Uacs (Transfesa)
Hora: 16:14
Data: 16-09-2011
Local: Estação de Senhora das Dores (PK 20 - Linha do Minho)
Serviço: Comboio Distribuição n.º 57313 (Gaia --» Darque)
Public Domain Book: Historic design in printing
reproductions of book covers, borders, initials, decorations, printers' marks and devices comprising reference material for the designer, printer, advertiser and publisher
with introduction and notations, by Henry Lewis Johnson.
Published 1923 by The Graphic arts company in Boston .
openlibrary.org/books/OL13441438M/Historic_design_in_prin...
1915 postmarked postcard view of a man standing beside his delivery truck. The sign on the side of the truck advertised F. E. ROHR LUMBER AND BUILDING MATERIAL, UNION CITY, IND. The truck had ATTERBURY painted on the side, indicating it was manufactured in Buffalo, New York, by the Atterbury Motor Car Company.
This truck belonged to the Frank E. Rohr Company, a lumber and millwork business. The 1911 Sanborn™ fire insurance map set for Union City shows the company located west of North Howard Street on the south side of Pearl Street (407 Pearl Street). That building didn’t exist when the 1901 map set was being prepared , but was still there when the 1920 map set was published. The following announcement appeared in the January issue of a 1922 building trade journal,¹ indicating new owners for the company.
“INDIANA, Union City—The Union City Lumber Co., Inc. Lumber. Capital $30,000. Incorporators: C. J. Herr, G. H. Worch and G. H. Rehmert. Successors to F. E. Rohr.”
1. Building Supply News, Vol. 11, No. 1 (Chicago, IL: Industrial Publications, Inc., 1922), page 202. Available on line at books.google.com/books?id=JyFbAAAAYAAJ&printsec=front....
From a private collection.
The full postcard image can be seen here.
www.flickr.com/photos/hoosier_recollections/5650986463/in...
Copyright 2010-2018 Hoosier Recollections. All rights reserved. This creative JPG file package is an original compilation of materials and data. The package is unique, consisting of a wide variety of related and integrated components. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections..
Material: marble
Location: Wellington Square, Minehead, Somerset.
Photos taken: 18/09/2011
Notes: This statue was commissioned by Sir Jacob Bancks, MP for Minehead, after Bancks had seen Bird's finished statue of Anne outside the West front of St. Paul's Cathedral. The statue was originally placed in St. Michael's Church, Minehead, before it was moved to its current position in the late 19th century, when it was placed within a Victorian temple structure.
Roscoe link:
217.204.55.158/henrymoore/works/browserecord.php?-action=...
The “Smart Flexibility: Advanced Materials and Technologies” exhibition is the result of the ongoing technological surveillance task of Materfad, the Materials Centre of Barcelona. Materfad seeks to explore the current capabilities provided by certain structures and materials to raise awareness and adapt architecture to its environment.
These contemporary works and projects associated with materials, sensitive systems and articulated mediums allow us to imagine the functionalities that can be made available, from smart and flexible architecture to a reactive garment.
The harvesting of wind and solar power, electrical and thermal energy generation, perception and adaptation to climatic conditions, to acoustics and the lighting environment, user detection and modification of the space according to a person’s body, movements or even emotions are the challenges of tomorrow’s spaces and are thus the guidelines of this exhibition.
here im booring the class hour is 2 hours,. and the doc is talking without closing his mouth .... ufffffffff and this is the result
Title: James Monroe
Artist/Maker: Casimir Gregory Stapko (American, 1913-2006), after John Vanderlyn (American, 1775-1852)
Place Made: Unknown
Date Made: 1949
Medium: oil on canvas
Measurements: Overall: 34 in x 29 in; 86.36 cm x 73.66 cm
Credit Line: The Diplomatic Reception Rooms, U.S. Department of State, Washington, D.C.
Collection: The Diplomatic Reception Rooms, U.S. Department of State, Washington, D.C.
Accession No: RR-1961.0026
If you find material you would like to have photocopied, digitized or photographed, please do not remove the item from the folder or box. Ask a staff member for a copy request form and slip to mark the location of the item(s) to be copied. Due to fragile physical condition some items cannot be copied, but for those that can, staff will complete the copies requested. Patrons wishing to use a digital camera will need to complete a form upon entering the Reading Room.
GRACE,Exhibitions,Current
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Current Exhibition
WINTER FOCUS EXHIBITIONS
January 7 - February 18, 2011
OPENING: January 8, Gallery Talk 5 - 5:30pm, Reception 5:30 - 7:00pm
TRAVIS CHILDERS (UN)NATURAL
Staplerscape, stapler, model material, foam, glue, 3" x 7" x 2", 2010
(UN) NATURAL, Travis
Childers' exhibition of sculpture and installation examines the
meaning of "nature" and how humans manipulate the natural world to
create fabricated environments. In Staplerscape, the artist
covers a stapler with a miniature landscape and examines the idea of
nature taking something back from man. He questions what would happen
if people disappeared from the earth, how soon would nature take
over? As in all of Childers' work, Staplerscape illuminates
an important, current issue through a clever re-purposing of
materials: Pressing on the stapler would destroy a fragile landscape
while posing a larger question: How do everyday actions impact the
global environment?
See a brief video of Travis Childers at GRACE
See the DCist review
ELLEN CORNETT MENAGERIE
The Happy Marriage, pastel on paper, 34" x 26" , 2010
MENAGERIE, Ellen Cornett's series of pastel paintings, explores
contemporary social dilemmas through the world of fairy tales and
animals. Using her impressive drawing facility, the artist
juxtaposes vivid pastel paintings with unsettling content. One of
ten works on exhibit, The Happy Marriage, features two
chickens in a reversal of the usual barnyard pecking order. With
her claws extended, a hen stands on a rooster's back while he
appears bewildered. Cornett is deliberately vague about the meaning
of this work: Is the rooster a hen-pecked husband or is the hen-wife
hanging on for dear life? Either way, it's a wry commentary on
the modern marriage as a complicated balancing act.
Brief video of Ellen Cornett at GRACE
MATT RAVENSTAHL GUILT
Slave Block (stills), digital video, 5 minutes, 2010
Matt Raventstahl's GUILT uses video and sculpture to expose
the internal experience of racism and blaming others. Slave
Block documents the artist wielding a sledgehammer as he attempts
to smash a marble replica of a slave auction block. The video
addresses both the punishing burden of slave labor and the artist's
attempt to free himself from white guilt. In a related installation,
Untitled, the remnants of the marble block have been gathered
into a pile.
Ravenstahl used the same stones in his second video, Throwing
Stones, which explores how guilt often leads to victimization.
The video documents the artist casting stones directly at the viewer.
As the video progresses, a Plexiglas wall separating the artist from
the viewer gradually scars, taking the focus of the camera from
the perpetrator to the wounds.
Brief video of Matt Ravenstahl at GRACE
An interesting article about Matt in the Reston Patch
Education Programs
Adult Programs (Appetite for Art & the hub theatre)
T.G.I.F and InterAct Story Theatre (Families)
Super Studio (Children 6-10)
Weekend Workshops (Children must be accompanied by an adult.)
Press:
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a fibre reinforced hybrid material produced of approx. 60% rice husks, approx. 22% common salt and approx. 18% mineral oil. available in a range of extruded profiles suitable for exterior facade or interior wall-cladding, flooring and decking applications.
Please contact ogm for further information on Resysta:
t. +44 (0) 1246 592014
e. info@ogm-group.com