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Bald erhältlich bei www.procar-bikestore.de
coming soon at www.procar-bikestore.de
Die Kollektion für die neue Saison zeigt zwei Ausprägungen, für die
BMW Motorrad bekannt ist. Einerseits die sportliche Ausrichtung, die ihren
vorläufi gen Höhepunkt in der erfolgreichen Teilnahme an der Superbike-
Weltmeisterschaft fi ndet und andererseits die stetigen Weiterentwicklungen in
den Bereichen Sicherheit, Komfort, Funktionalität, Qualität und Design.
Das Spektrum der Neuheiten reicht von der neuen sportlichen DoubleRKollektion
(Anzug, Helm, Stiefel und Handschuh) für den Supersportler
BMW S 1000 RR und der Hose Pant Cross mit dem passenden
Jersey Cross für den harten Offroad-Einsatz über neue Materialien
wie SuperFabric® und BeCool™ bis hin zu sowohl modischen wie auch
funktionellen Weiterentwicklungen bei bereits bewährten Produkten.
Während der neue Anzug Rallye 3 eine neue Membrankonstruktion mit
Comfort Mapping erhält, bestechen die Handschuhe Rallye 3 durch das
neue hochabriebfeste Material SuperFabric®. Beim Stiefel Rallye GS Pro
wurde unter anderem ein herausnehmbarer Innenschuh umgesetzt, der mehr
Komfort und gutes Fußklima bietet. Neues Material gibt es auch bei der Regenbekleidung
wie dem zweiteiligen Regenanzug RainLock 2 und dem Einteiler
ProRain 3: Das nun verwendete, innen beschichtete 2,5-Lagen-Laminat macht
das An- und Ausziehen noch einfacher und bequemer. Das Funktionswäschepaket
wurde nochmals weiterentwickelt; es passt den Temperaturhaushalt des
Körpers optimal dem jeweiligen Einsatzzweck an.
Mickey Leland intern Katherine Francissen and mentor Daniel Haynes working in the Materials Research Lab in B25 Room 205 at NETL in Morgantown, W. VA.
The “Smart Flexibility: Advanced Materials and Technologies” exhibition is the result of the ongoing technological surveillance task of Materfad, the Materials Centre of Barcelona. Materfad seeks to explore the current capabilities provided by certain structures and materials to raise awareness and adapt architecture to its environment.
These contemporary works and projects associated with materials, sensitive systems and articulated mediums allow us to imagine the functionalities that can be made available, from smart and flexible architecture to a reactive garment.
The harvesting of wind and solar power, electrical and thermal energy generation, perception and adaptation to climatic conditions, to acoustics and the lighting environment, user detection and modification of the space according to a person’s body, movements or even emotions are the challenges of tomorrow’s spaces and are thus the guidelines of this exhibition.
Title: James Monroe
Artist/Maker: Casimir Gregory Stapko (American, 1913-2006), after John Vanderlyn (American, 1775-1852)
Place Made: Unknown
Date Made: 1949
Medium: oil on canvas
Measurements: Overall: 34 in x 29 in; 86.36 cm x 73.66 cm
Credit Line: The Diplomatic Reception Rooms, U.S. Department of State, Washington, D.C.
Collection: The Diplomatic Reception Rooms, U.S. Department of State, Washington, D.C.
Accession No: RR-1961.0026
here im booring the class hour is 2 hours,. and the doc is talking without closing his mouth .... ufffffffff and this is the result
Material Circulante: CP 1557 + 21 His
Hora: 16:25
Data: 05-09-2011
Local: Porto da Lage (PK 119 - Linha do Norte)
Serviço: Comboio de Madeira n.º 68631 (Fontela --» Entroncamento)
Prey by MR. AND MRS. FERGUSON
artists are regulars at the "Burning man" art scene
ReImagine: The Art of Sustainable Thinking
exhibit and sale at the Randall Museum, San Francisco
2022
2018
US and Canadian pennies, nickels and dimes. Steel structure, base and claws, brass beak, glass eyes.
79 x 130 x 78 inches
"We encourage interaction with our public art because it is approachable and provocative. The materials we use seem from a distance to be standard coatings like paint or steel, but it is on closer examination that the viewer becomes a participant, discovering that the art is covered in whimsical materials like pennies or marbles. These materials have nostalgic connections, they are delightful to touch, perhaps make a sound or pass light. We often hear participants exclaim in amazement their discovery and they further state in wonder how anyone could have made this art? We did and we love doing it.
We began creating art together in 2010 for Burning Man. We were encouraged that the festival’s DIY ethos gave us an immense outdoor gallery with which to flourish or fail. With Lisa’s background in television cinematography and Robert’s welding we thought to give it a try. Our early works brought us the tonic we needed to work with unique materials and techniques. With each project we build, we learn, we experiment.
Lisa is a freelance cinematographer with 35 years experience shooting and directing documentary, lifestyle and reality programs for network and cable television, film festivals and corporate clients.
Robert is the president of Ferguson Welding Service, a family business his father started. His company welds pipelines for water districts, infrastructure for Caltrans, Tesla and the new Chase Center in San Francisco. Robert has a unique background in theatre. He built sets and danced in productions for dozens of shows in the Bay Area. He has a degree in journalism and has been a radio news reporter and on air DJ.
We were married in 2011 at Burning Man under our second installation we created for the event. Lisa was originally from Calgary, Canada and moved to California to be with Robert."
20220419_192153
You are free to:
Share — copy and redistribute the material in any medium or format
Adapt — remix, transform, and build upon the material for any purpose, even commercially.
You must give appropriate credit and provide a link to the www.proflowers.com
MSMBAinUSA is an informative website which provides a guideline for students who desire to go to USA for higher education. Our idea behind this website is to help Indian students by giving complete information on higher education in USA through Profile Evaluation, Universities search, study materials and articles.
Students can find information on various USA Universities and look forward to get good guidance through forums and discussion with other students.
Aspiring students can download study material for various entrance exams like GRE, GMAT and TOEFL. Students can also find informative articles related to Exam Preparation, USA Universities, Visa, Budget management, Internships, American Culture etc. Students can participate in contests and can win exciting prizes and can share cartoons and pictures.
www.youtube.com/watch?v=C2lNDoxBMzM
Kelly Osbourne takes FashionTV behind the scenes for her exclusive photoshoot for the Material Girl clothing line.
[EN] MATERIAL WANT is the first collaboration of artist/researcher Matthew Plummer-Fernandez and net art pioneers JODI. Bringing together their respective practices, they explore hybridisations of algorithms, errors, Internet found objects and digital fabrication. The result of this joint effort? A series of 3D-printed sculptures, uncanny, yet familiar objects, between incongruous assemblages and distorted reality.
[FR] MATERIAL WANT est la première collaboration de l’artiste/chercheur Matthew Plummer-Fernandez et des pionniers du net art JODI. Conjuguant leurs pratiques respectives, ils explorent les hybridations que génèrent les algorithmes, les erreurs, les objets trouvés d'Internet et la fabrication numérique. Le résultat de cette recherche commune? Une série de sculptures imprimées en 3D, objects à la fois étranges et familiers, entre assemblages incongrus et réalité distordue.
[NL] MATERIAL WANT is de eerste samenwerking tussen kunstenaar/onderzoeker Matthew Plummer-Fernandez en JODI, pioniers van de netkunst. Ze brachten hun praktijken samen en onderzochten algoritmische hybridisaties, fouten, objecten geplukt van het internet en digitale machines. Het resultaat van deze gezamenlijke inspanning? Een reeks 3D-geprinte sculpturen, die zowel vreemd als vertrouwd lijken. Het zijn onlogische assemblages en vervormde weergaven van de werkelijkheid.
Material Circulante: CP 1413 + 3 Sorefame
Hora: 12:50
Data: 07-02-2011
Local: Estação de Marvão-Beirã (PK 238 - Ramal de Cáceres)
Serviço: PTG
Materials- raw emeralds, thread
2010
This ring is a foray away from alternative materials to work with some lovely rough, natural stones. I've been hoarding these emeralds for awhile. Love all the various shades of green.
DSC_3594
Material Circulante: Material de Obras da Somafel
Hora: 17:00 - 17:08
Data: 21-01-2010
Local: Estação do Entroncamento (PK 106 - Linha do Norte)
Serranía de Manacacías. / Feb. 02 al 05, 2022. (Fotografía Oficial Ministerio de Ambiente y Desarrollo Sostenible / Emilio Aparicio Rodríguez).
Esta fotografía oficial del Oficial Ministerio de Ambiente y Desarrollo Sostenible está disponible sólo para ser publicada por las organizaciones de noticias, medios nacionales e internacionales y/o para uso personal de impresión por el sujeto de la fotografía. La fotografía no puede ser alterada digitalmente o manipularse de ninguna manera, y tampoco puede usarse en materiales comerciales o políticos, anuncios, correos electrónicos, productos o promociones que de cualquier manera sugieran aprobación por parte del Ministerio de Ambiente y Desarrollo Sostenible.
Ministerio de Ambiente y Desarrollo Sostenible Página Web / Twitter Facebook / Youtube / Instagram
Urheberrecht / Copyright
Die erstellten Inhalte und Werke auf diesen Seiten unterliegen dem deutschen Urheberrecht. Die Vervielfältigung, Bearbeitung, Verbreitung und jede Art der Verwertung außerhalb der Grenzen des Urheberrechtes bedürfen der schriftlichen Zustimmung des jeweiligen Autors bzw. Erstellers. Es gelten die Regeln der Creative Commons Public Lizenzen für das von mir erstellte Material. Wenn die Lizenzierung anderer Eigentümer enger definiert ist, gilt deren Lizenzierung, auch wenn es von mir eingestellt wurde. Downloads und Kopien dieser Seiten sind also nur für den privaten, nicht kommerziellen Gebrauch gestattet. Weiterhin gilt, für die die Inhalte, die nicht vom Betreiber erstellt wurden, das die Urheberrechte Dritter beachtet werden müssen, insbesondere wenn Inhalte Dritter als solche gekennzeichnet sind.
Eine eventuelle Urheberverletzung ist unbeabsichtigt. Sollten Sie trotzdem auf eine Urheberrechtsverletzung aufmerksam werden, bitte ich um einen entsprechenden Hinweis. Bei Problemen mit der Lizenz bzw. dieses Dokument hier gespeichert zu haben, wenn also eine Person oder Institution die Berechtigung des Zeigens auf diesen Seiten bestreitet oder eingeschränkt haben möchte, möchten diese es bitte unter der Emailadresse wandern-bei-muenchehofe@freenet.de ohne Kostennote bekunden. Dennoch von Ihnen ohne vorherige Kontaktaufnahme ausgelöste Kosten werden vollumfänglich zurückgewiesen und gegebenenfalls Gegenklage wegen Verletzung vorgenannter Bestimmungen eingereicht. Bei Bekanntwerden von Rechtsverletzungen werden derartige Inhalte umgehend entfernen.
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El sabado 31 robaron a Juan S. Calventus y Elena las camaras de su coche, en la Playa de Percheles mientras hacian sus fotos de Boda.
Tambien robaron moviles y documentación.
Creemos que pueden venderse en algun mercado de segunda mano de la región.
Si alguien puede aportar información puede contactar conmigo o con el email de Juan o con cualquier otro fotografo de Mazarrón que pueda contactar con nosotros.
Muchas gracias a todos.
Materials used: Oncidium orchid, pheasant feathers, cat tails, cymbidium orchids, pincushion protea (Leucospermum), dahlia, rose, lotus pods, strawberry bush, peppers, eucalyptus seeds, reindeer moss, black-bearded wheat, snowball verbena leaves
Blogged here: godutchbaby.blogspot.com/2008/11/pheasant-feathers-and-or...
The Masonville Dredged Material Containment Facility (DMCF) is a project of the Maryland Port Administration that is operated by Maryland Environmental Service. MES is responsible for the environmental restoration of the cove and uplands adjacent to the DMCF, including remediation work and environmental monitoring.
Portrait of Elizabeth Holm, the new chair of the Materials Science and Engineering Department in the Robert H. Lurie Engineering Center on the North Campus of the University of Michigan in Ann Arbor on Wednesday, November 23,
2022. Holm will begin her duties in January 2023.
Holm received her dual PhD in materials science and engineering and scientific computing in 1992. She is a fellow of The Minerals, Metals & Materials Society as well as a fellow of ASM International.
Photo: Brenda Ahearn/University of Michigan, College of Engineering, Communications and Marketing
Materials: Madelinetosh Tosh Sock in Jade
Needle Size: US3/3.25mm
Pattern: My own
Recipient: Me
Completed: 28 December 2012
Statue created by Charles Arthur Bourgeois in 1868.
In the background you can see the Panthéon, which was built as a church and is now a mausoleum containing the remains of distinguished French citizens.
Tampinhas de garrafa.......
Forradinhas com fuxico, viram....
PORTA COPOS para a Feira de Empreendedorismo da sobrinha!
i read somewhere online that these acrylicks were a favorite of a french painter, and when i found them at clas olsson (store and postorder/website), i thought i'd give it a try beside system 3 from downey &rowens.
i can easy change the colors as clas olsson has a large store downtown. just have to try them out first, don't i?
the set had another purpose, too, as it looks like i might be away from home after all in july. no trips preplanned, and both man and son working all summer trough, so the class was my summerholiday trip this year. now it looks like one of them get a week of vacation and do not want to spend the days at home (?) as every year before this.... well, i am prepeared! bring it on :-)
Bertine Block, 136th Street, Mott Haven, Bronx
The Bertine Block Historic District consists of thirty-one residential buildings lining both sides of East 136th Street between Willis Avenue and Brown Place in the Mott Haven section of the Bronx.
Within the boundaries of the district are four groups of rowhouses and two groups of tenements. Erected between 1877 and 1899, the buildings reflect the history of real estate development in the southwestern portion of the Bronx. The buildings in the historic district comprise fine examples of neo-Grec, Queen Anne, Romanesque Revival, and Renaissance Revival design, illustrating the stylistic trends in residential architecture in New York City in the final three decades of the nineteenth century.
The buildings of the historic district retain their architectural integrity to a high degree and survive today as a reflection of the character of Bronx architecture in the late nineteenth and early twentieth centuries, when the Mott Haven area was beingú developed, and as a physical manifestation of the variety of people, from varied ethnic and national backgrounds, who have lived, and continue to live, in this neighborhood.
Among the earliest new residences was the trio of rowhouses in the neo-Grec style at 408 to 412 East 136th Street of 1877-78, the first buildings erected within the Bertine Block Historic District. Although designed and built as an ensemble. each of these three houses was commissioned by a separate individual, two of whom moved their families into the completed homes; It was rare for a row of houses to be erected for individual owners, rather ~ for a speculative builder. Perhaps developers were still not willing to risk investing money in this neighborhood, with its poor mass transit facilities and its location far to the north of New York City's business, shopping, and social centers. The three houses were designed by the firm of Rogers & Browne whosepartners were the architects John Rogers and Edward H. Browne. Although the firm had its office on Nassau Street in Manhattan, both architects lived in Morrisania. Early in the 1880s,John Rogers would design several additional rowhouses nearby in what is now the Mott Haven Historic District.
The three rowhouses on East 136th Street are identical two-story-and-basement dwellings designed in the neo-Grec style which was at the height of its popularity in the late 1870s. Neo-Grec rowhouses share the rectilinear form, rhythmic bay arrangement, three-dimensional carved window and doorway enframements, and heavy projecting bracketed cornices popular on the Italianate rowhouses of the 1850s and 18605, but the character of their ornamental detail. sets these neo-Grec buildings apart from their predecessors. Rather than the sculptural relief ornament of Italianate rowhouse facades. the detail on neoGrec facades has a stylized, angular form, evident 00: the East 136th Street row at the brackets that support the entrance pediments and at the massive galvanized-iron cornices. Original plans show that each of these houses had the kitchen and dining room in the basement, front and rear parlors on the first story. and three rooms on the second story.
In the 1890s, three rows were erected on East 136th Street between Willis Avenue and Brown Place. These three rows, comprising a total of twenty houses, were built by developer Edward D. Bertine who spent $63,500 amassing property on 136th Street in 1891. Little is known about Edward Bertine. Listings in New York City directories indicate that he had been a Manhattan milk dealer in the 1870s and early 1880., branching into groceries by 1883. In 1889-90, Bertine first appears in the directory as a builder. All of the buildings that Bertine is known to have erected are in the Bronx, and, following the completion of his first row on East 136th Street, he moved into a house on the block.
In 1891 Bertine began construction on a row often houses on the south side of East 136thStreet. Designed by architect George Keister, this is one of the finest rows erected in New York City in the late nineteenth century. The row was illustrated in The Great North Side or Borough of the Bronx in 1897 and was given the appellation, "Bertine Block," in the first edition of the A1A Guide to New York only in 1967. The row, at 414 to 432 East 136th Street, is designed in the Queen Anne style. Each house is faced with tawny brick above a rock-faced stone base, and ornamented with trim in brick, stone, stained glass, and slate. A Queen Anne aesthetic is especially evident in the variety of design elements, including those of Romanesque, Gothic, and Flemish origin, combined within the unified row; in the picturesque rooftop silhouette, consisting of flat roofs, mansards, and pedimented, stepped, and scrolled gables; in the dynamic texture created by the flat brickwork contrasting with patterned brick and other materials; in the juxtaposition of a variety of fenestration patterns; and in the use of tall chimneys, a favorite Queen Anne design conceit employed to lend the houses an air of comfortable domesticity.
Responsibility for the creation of this unusual row lies with architect George Keister, one of the most talented architects active in New York City at the end of the nineteenth century, but a man about whom relatively little is known. It In the 1890s Keister designed several exceptional buildings with the same unusual massing and innovative use of form seen on the Bertine row. Surviving examples of these are the First Baptist Church (1891) on Broadway and West79th Street, an eccentric Romanesque Revival work: with asymmetrical towers and large expanses of stained glass, and The Gerard (1893-94) at 123 West 44th Street, an apartment hotel that combines Romanesque Revival and Northern Renaissance features and has a striking silhouette of projecting dormers and gables. Through much of his career, Keister appears to have specialized in the design of theaters.
The ten houses of the so-called "Bertine Block" are each fifteen feet wide and three stories tall with basements that extend slightly below ground level. Six of the houses were built with two-story feat extensions that were ten-and-one-half feet wide and fourteen feet deep. A low stoop (each is extant) leads to each entrance and. at the first story. each house was planned with a front parlor and rear dining room (six houses have small rooms to the rear) and a central' stair hall." This plan, with a sizable stair ball (often with a fireplace) between the front and rear rooms, became popular in the 18805 and is a characteristic feature of Queen Anne style houses. At the second story. each house had two rooms with closets and at the third story were a large front room, a: small central room, and two small rear rooms.
There were two rooms (including a kitchen) and a central stair hall the basement. The original location of the toilets is not known.
With the completion of the ten houses on the south side of the street, Bertine began construction in 1892 of a row of six single-family houses at 415 to 425 East 136th Street. These were not designed by Keister. Rather, Bertine commissioned John Hauser, a local architect with an office at 1441 Third Avenue, to complete the row. Hauser is first listed as Ian architect in city directories in 1892 and was active at least until 1922.14 In the 18908 and the first decade of the twentieth century, Hauser was a prolific designer of rowhouses and apartment buildings, primarily in the Bronx and in northern Manhattan. The row that Hauser designed for Bertine must have been among his earliest works. The six brick-faced houses are articulated with the round arches common to the Romanesque Revival style, and all have molded-brick and stone trim and high stoops lined with wrought-iron railings.
Bertine's third and final row in the historic district comprises the four Renaissance Revival style houses at 434 to 440 East 136th Street, designed in 1895by Adolph Balschun, Jr., an architect whose office was located around the comer on East 135th Street. In 1895, an Adolph Balschun (without the "Jr. ") is listed in the New York: City directory as a carpenter located on East 135th Street; in the following year Balschun is listed as a builder.
- From the 1994 NYCLPC Historic District Designation Report