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My friend would like me to draw something on her converse shoes, and I prepared my sketch and pen, let's get start!
pen:
In primo piano, piastrella in pietra vulcanica di Volvic smaltata. La lava è un materiale molto resistente, adatto per essere smaltato ad altissime temperature. Il delicato effetto cracklè deriva dal raffreddamento.
step ladders, aluminium ladder, aluminium ladders, extension ladder, extension ladders, folding ladders,
industrial ladder platform ladders, step ladder, telescopic ladders, tower ladder, tower ladders-Patel Material
Handling Equipment,Ahmedabad,Gujarat,India
For more Details Please Visit Us at : www.patelequipments.com
Brake bridge with reinforcements,
internal brake wire set
front derailleur boss
New framebuilding project:
Columbus Zona Tubes
Lewellyn Mini6 (new. OS Compact) lugs
DT/ST/TT: 31.4/28.6/28.6
1" Head Tube
FOOD PRODUCTS & MATERIALS, SCHOOL & OFFICE SUPPLIES:
Website:
other site:
35% DOWNPAYMENT 1st for reservation/ 2 DAYS LEAD TIME / Minimum order: Php1,500 / We strictly implement no return, no exchange and cancellations of orders. To Deposit: (BPI / BDO / Western Union)
To avail FREE delivery within Metro Manila worth Php15,000 / We also accept provincial deliveries Luzon, Visaya & Mindanao.
We are selling FOOD PRODUCTS & MATERIALS SAMPLES:
Frozen Foods - Squidball, kikiam, siomai, siopao, patties, French Fries.
French Fries / Popcorn Powder: Cheese Powder, Sour & Cream Powder, BBQ Powder.
Instant Sauce / Fried noodles sauce: Teriyaki Powder Sauce, Oyster Powder Sauce, Gravy Powder Sauce, Peanut Powder Sauce, Sweet Chili Powder, Palabok Powder, Pancit Canton Powder, Spaghetti Powder, Champorado powder, Arrozcaldo powder, Ginataang Mais powder, Goto powder, Beef Bulalo Cream Soup Powder, Cream of Chicken Soup Powder, Kwek Kwek Powder, Litson Sarsa Gravy Powder.
Rice Mix: Beef Teriyaki Powder, Binagoongan Powder, Garlic Rice Mix Powder, Java Rice Powder, Smoked Fish Powder.
Hot Beverage, Vendo Coffee Machine Powder: 3 in 1 Coffee Powder, Chocolate Powder, White Coffee Powder.
Syrups & Shave Ice Syrup snow cone: Chocolate Syrup, Caramel Syrup, Strawberry Syrup, Choco Fondue Syrup, Apple Shave ice syrup, Bubblegum Shave ice syrup, Blue Hawaii Shave ice syrup, Grenadine Shave ice syrup, Honey Dew melon Shave ice syrup, Kiwi Fruit Shave ice syrup, Kola Shave ice syrup, Tangerine Shave ice syrup.
Soft Serve Ice Cream Premix Powder, Ice Scramble Premixes Powder, Shake Powder Premixes, Palamig Powder, Cotton Candy Powder, Gulaman Powder like Black Gulaman, Jelly Powder, Iced Teas Powder, Milk Teas Powder, Hot Beverage / Vendo Drinks Powder, Milk powder, Sugar Powder, Waffle, Food Coloring, DIP - Ice Coating, Cone Apa.
Toppings: Mallows, Sunflower Seeds, Cookies, Crushed Graham, Fun Frappe Whipped Cream, Mini Chocolate Droplets, Mini lentils (mini nips halo halo), Nata-de-Coco / Crystals, Rice crispies, sprinkles, Tapioca black pearl sago, Kisses.
Food Condiments: chili sauce, cooking oil, Hoisin Sauce, Hot sauce, Ketchup, margarine, mayonnaise, Patis - fish sauce, Shortening - Lard, Toyo - Soy Sauce, Toyomansi, Suka Vinegar.
Plastic cups transparent, plastic cups with Dome Cover, Plastic cups with Flat Cover , paper cup, paper bowl, any kinds of straw , Spoon & Fork, Plastic bag - sando bag, trash bag, Baking Cups, plates, wrap, Holder, tray, panaling plastik - Plastic Twine, Tissue, Glassine, Coffee Stirrer, Toothpick, Chopstick, Palamig Container, DishWashing Liquid.
School & Office Supplies: ballpen, bond papers, brown envelope, Folder, cattleya filler, elmers glue, Highlighters Stabilo, Air Freshener, Liquid paper, marker, Notebook, packaging tape, Pencil, push pins, rubber bands, Rulers, scissors, scotch tape, stapler & staple, yellow pad, Intermediate Pad.
We are selling Frozen Foods, Syrups, different powders, sauces, condiments, household products & materials
For Inquiries Please Call or Text:
Ryan Hicaiji - (Globe) 0927-6833271 / (SUN) 0933-1821288
website:
other site:
Hong Kong Transport - Trucks
The Hong Kong Truck Culture
The number of Trucks, Vans* and Special Purpose Vehicles (Light, Medium & Heavy) registered + licenced in Hong Kong seems to fluctuate between 120,000 - 125,000 vehicles and presumably new trucks registered are offset by old trucks being retired or sold over the border in China.
*Vans are classified as Light Goods Vehicles and are not shown in this album
In Hong Kong Trucks are classified as GOODS VEHICLES By the Transport Department - see below
☛Light Goods Vehicles - Goods vehicles of permitted gross vehicle weight not exceeding 5.5 tonnes.
☛Medium Goods Vehicles - Goods vehicles of permitted gross vehicle weight exceeding 5.5 tonnes but not exceeding 24 tonnes.
☛Heavy Goods Vehicles - Goods vehicles of permitted gross vehicle weight exceeding 24 tonnes but not exceeding 38 tonnes.
The major truck types you tend to see in urban areas are trucks carrying construction materials or waste, dump trucks, concrete mixers and all sizes of delivery trucks... outside of the urban areas it is container trucks and large trucks carrying construction materials.
The following brands of Trucks can be seen on the streets of Hong Kong and include:-
Beiben ✚ Bell ✚ CAMC ✚ CNHTC ✚ DAF ✚ Dennis ✚ Dong Feng ✚ FAW ✚ Fuso ✚ Foton ✚ Ford ✚ Hino ✚ Howo ✚ Hyundai ✚ Isuzu ✚ Iveco ✚ JAC ✚ Kato ✚ KIA ✚ Liebherr ✚ MAN ✚ Mercedes Benz ✚ Mitsubishi ✚ Nissan ✚ Renault ✚ Scania ✚ Shacman ✚ Sinotruk ✚ Suzuki ✚ Toyota ✚ UD ✚ Volvo ✚ Zoomlion
Hong Kong is a brand conscious place even for trucks (!) hence the popularity of the European brands, Scania and Man are very popular and even the older trucks look the business and they are utterly reliable.
Isuzu is the market leader in terms of sale volume for all types of trucks.
(Source - The Transport Department, Hong Kong Government)
☛.... and if you want to read about my views on Hong Kong, then go to my blog, link below
✚ www.j3consultantshongkong.com/j3c-blog
☛ Photography is simply a hobby for me, I do NOT sell my images and all of my images can be FREELY downloaded from this site in the original upload image size or 5 other sizes, please note that you DO NOT have to ask for permission to download and use any of my images!
Equipment used at the Bridger Plant Materials Center that sorts seed samples by size. Bridger, MT. August 2017.
Old growth Maple ready for carving. First step is to remove all the rotten material. This was an old hollow maple tree cut down by a local golf course and I was lucky to get a lot of the wood.
Material de endomarketing criado para divulgação do evento de Paintball.
Confira todas as peças em:
www.behance.net/gallery/17551555/Evento-PaintBall-CK-Cons...
Material Circulante: CP 1943 + 3 Sorefames Renovadas IC
Hora: 14:09
Data: 15-03-2011
Local: Estação da Covilhã (PK 165 - Linha da Beira Baixa)
Sala Canal de Isabel II
13 septiembre – 23 octubre 2016
Comisaria: Esperanza García Claver
Fotos: Pedro Carrillo de Albornoz
Organiza: D.G. de Promoción Cultural. Comunidad de Madrid
Colabora: Fundación Jesús del Pozo
Visita virtual de la exposición: bit.ly/3ayYT3k
Web: bit.ly/2Jrux71
☆ Descárgate el folleto de la exposición ☆
www.comunidad.madrid/sites/default/files/aud/cultura/foll...
☆ Consigue el catálogo de la exposición ☆
www.comunidad.madrid/publicacion/ref/19339
__ __ __ _ __ __ __ __ __ __ __ __ __ __ __ __ __ __
☆ Conéctate ☆
Instagram: www.instagram.com/culturacmadrid
Twitter: twitter.com/CulturaCMadrid
Youtube: www.youtube.com/channel/UCrFRgXqNzqii3OWVOk8fbHw
Facebook: www.facebook.com/CulturaComunidadMadrid
__ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __
☆ Correo electrónico ☆
museosexposiciones@madrid.org
__ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __
☆ Inscríbete en nuestro BOLETÍN DIGITAL ☆
Esta exposición muestra, a través de 50 piezas originales, el proceso creativo de su autor, resultado de una síntesis y abstracción de formas, texturas y colores. Como consecuencia de esta combinación armónica entre formas y materiales se concibe el diseño como proceso creativo y la moda como una forma de expresión cultural más cuyo espacio para mostrarse debe ser la sala de exposiciones y el museo.
En este sentido, el acercamiento de Jesús del Pozo al arte es consecuencia de su trabajo, de la necesidad de enfrentarse a la materialización de una idea plástica o poética, utilizando los mismos planteamientos de concepto, de desarrollo de soluciones matéricas y de color que un artista. Con el uso de materiales externos al diseño y técnicas, en muchas ocasiones inventadas e inéditas, Jesús del Pozo consiguió crear un lenguaje propio a través de una nueva dimensión matérica y de color junto a unos estudiados volúmenes orgánicos.
La muestra, articulada en seis ámbitos expositivos, forma un todo al objeto de explicar las creaciones de Jesús del Pozo, que surgen de su necesidad dematerializar una idea con los mismos planteamientos de un artista en la búsqueda de soluciones plásticas, dando lugar a una amplia diversidad de propuestas. Desde las piezas más escenográficas o las que destacan por la experimentación cromática y textil, pasando por creaciones orgánicas que recuerdan vegetales o elementos marinos, hasta los guiños a la historia de la moda española, reflejados en la interpretación contemporánea del verdugado o el miriñaque, y en sus homenajes a diseñadores como Cristóbal Balenciaga o Mariano Fortuny, sitúan a Jesús del Pozo como un autor plenamente clásico.
Más de treinta y siete años dedicados a la moda avalan el legado de Jesús del Pozo(1946–2011) quien presentó sus colecciones en los centros de moda más importantes del mundo como el SEHM (Salon International de L'habillement Masculin en 1976 y 1980) de París, en la Fashion Foundation de Tokio en 1989 o en La Cour Carrée del Louvre, en la capital francesa en el año 1990. Además de dedicarse a la moda, Jesús del Pozo también se interesó por proyectos que le llegaron desde instituciones y centros de arte. Su pasión por las artes escénicas le llevó a involucrarse, personalmente, en la creación del vestuario para obras de teatro, ballet, cine y ópera, colaborando con directores de la talla de José Carlos Plaza, Bob Wilson, Emilio Sagi o Fernando Trueba.
Dirección:
Sala de Exposiciones Canal de Isabel II
C/ Santa Engracia, 125
28003 Madrid
Teléfono: 91 545 10 00 – Ext. 2505
Cómo llegar:
* Metro: Ríos Rosas (Línea 1) - Alonso Cano (Línea 7)
* EMT: Autobuses 3, 37 y 149
Horario:
De martes a sábados de 11.00 a 20.30 h.
Domingos y festivos de 11.00 a 14.00 h.
Cerrado: Lunes; 24, 25 y 31 de diciembre; 1 y 6 de enero; 1 de mayo.
Horario especial: Jueves Santo, Viernes Santo; 2 y 15 de mayo de 11.00 a 20.30 h.
Entrada gratuita
material girl magazine- Girl in a cornish garden
Valeria Markulin Photography
Model: Peyton Knight IMG Models London
Styling: Josefina Vidal
Clothing: Lulú Martins
FinalProject :: Computers for the Rest of You (ROY)
FinalProject :: Materials Class
Scale model of the augmented massage table
I have changed my philosophy about cutting up photographs, now that I am thinking about making collages. I am buying photos, cheap throw away photos, specifically for a face, or a group of faces. Here, the face that interests me is that of the figure on the left. He looks like a spiffy example of the prototypical John Steinbeck The Grapes of Wrath figure. Too dressed up, obviously.
Material para a Semana da Licenciatura, do IME-USP.
As cores foram escolhidas pela comissão organizadora. Opta-se pelos sinais gráficos por ser a representação mais simbólica da matemática do ensino fundamental e médio.
O material não foi produzido.
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Graphic material 2 in 1 designed for a math event: poster.
Mar del Plata, 15 de mayo de 2014 - En el marco del Mercado de Industrias Culturales del Sur (MIC SUR) se llevó a cabo la mesa "Jornadas de coedición. GESTION DE MATERIAL EN LA PREVIA A LA MESA. Capacitación a cargo de los editores de la Alianza Internacional de Editores Guido Indij y Constanza Brunet.
Fotos: Silvina Frydlewsky / Ministerio de Cultura de la Nación.
At Pevensey Castle
Pevensey Castle: a Saxon Shore fort, Norman defences, a medieval enclosure castle, and later associated remains
The monument includes Anderita Saxon Shore fort, traces of later, Norman defences, an enclosure castle, a 16th century gun emplacement and World War II defences situated on a low spur of sand and clay which now lies around 2km north west of the present East Sussex coastline at Pevensey. During the Roman and medieval periods the spur formed a peninsula projecting into a tidal lagoon and marshland, but coastal deposition and land reclamation have gradually built up the ground around it so that it is now completely land-locked. The roughly oval, north east-south west aligned Roman fort is the earliest of the structures which make up the monument and has been dated to the first half of the fourth century AD. Covering almost 4ha, the fort survives in the form of substantial ruins and buried remains. It is enclosed by a massive defensive wall with a flint and sandstone rubble core faced by coursed greensand and ironstone blocks, interspersed with red tile bonding courses. The whole is up to 3.7m thick and survives to a height of up to 8.1m. The wall was originally topped by a wall walk and parapet. Part excavation in 1906-8 showed that the wall was constructed on footings of rammed chalk and flints underpinned by oak piles and held together by a framework of wooden beams. Investigation of the internal face indicated that this was stepped upwards from a wide base so as to provide extra strength and support. Despite these precautions, a landslip on the south eastern side of the fort has resulted in the destruction of a c.180m length of the perimeter walls and, although fragments of the fallen masonry do survive, most have been removed over the years. Smaller sections of wall have also collapsed along the north western and eastern stretches. The defensive strength provided by the perimeter wall was enhanced by irregularly-spaced, externally projecting semicircular bastions with diameters of around 5m. There were originally at least 15 of these, of which 10 survive today. The fort was entered from its south western, landward approach by way of the main gateway. In front of this a protective ditch 5.5m wide was dug, and, although this became infilled over the years, a 40m stretch located towards its south eastern end has been recut and exposed. The ditch would have been spanned originally by a wooden bridge, although this no longer survives. The main gateway takes the form of a rectangular gatehouse set back between two solid semicircular bastions 8m apart. The 2.7m wide, originally arched entrance is flanked by two oblong guardrooms and the whole gateway structure projects beyond the inner face of the perimeter wall into the fort and is thought to have been originally two or even three storeys high. On the eastern side of the fort is a more simply designed subsidiary gateway, originally a 3m wide archway entrance, giving access to part of the adjacent Roman harbour, now overlain by Pevensey village. The extant archway is a modern reconstruction of the Norman rebuilding of the original entrance. Traces of a wooden causeway which led from it into the fort have been found during partial excavation. Midway along the north western stretch of perimeter wall is a now ruined postern c.2m wide, approached by a curved passage set within the wall. Part excavation between 1906-1908 indicated that the internal buildings which housed the garrison of up to 1,000 men, along with their livestock and supplies, were constructed of timber infilled with wattle and daub. A c.1m sq timber-lined Roman well was found in the south western sector of the fort, at the bottom of which were the remains of the wooden bucket with rope still attached. The well was found to have been filled with rubbish in Roman times and the presence of the bones of cattle, sheep, red deer, wild boar, wild birds, domestic dogs and cats, along with sea shells, gives some indication of the diet and lifestyle of the fort's original inhabitants. Anderita is thought to have been abandoned by its garrison by the latter half of the 4th century AD, and although little is known of its subsequent history until the 11th century, the Anglo-Saxon Chronicle records a massacre of Britons by the invading Saxons at the fort in AD 491. The Bayeux Tapestry states that William the Conquerer landed at Pevensey in 1066, and the Norman army are believed to have made use of the Roman fort as one of their first armed camps. The defences at Pevensey and the surrounding land were granted to King William's half-brother Robert, Count of Mortain. The medieval defences then went through at least 300 years of development, culminating in the construction of a stone built enclosure castle within the largely intact walls of the earlier Roman fort. It is thought that the first Norman defences took the form of a wooden palisade surrounded by a bank and ditch, and a c.40m length of partially infilled ditch up to 9m wide which survives across the north eastern sector of the earlier fort may indicate their original extent. Limited excavations in 1993-94 showed that the ground surface in the south eastern sector of the fort, in the vicinity of the later stone-built keep, was artificially raised some time before 1200, suggesting that a motte may also have been constructed. The original Roman gateways were rebuilt and a new ditch dug in front of the south western gate. Most of the Norman defences and interior wooden buildings will now survive in buried form beneath the later medieval castle, although herringbone-pattern repairs to the Roman masonry, by then serving as the outer bailey of the medieval defences, also date from this time. Around 1100 the defences were strengthened and the accommodation improved by the addition of a masonry keep in the south eastern sector of the earlier fort. The subject of a complex history of alteration, collapse and repair, the keep utilises part of the earlier, Roman perimeter wall and bastions. It takes the form of a rectangular block measuring c.16.8m by c.9m internally, reinforced by apsidal projections on all sides. Now surviving in ruined form up to first floor level, the keep originally took the form of a tall tower with an entrance on the first floor. A rectangular building measuring 7.6m by 6m was later constructed in the south eastern angle between the keep and the Roman wall. At around 1200 work began on the construction of a smaller, stone-built inner bailey in the south eastern sector of the earlier fort. An L-shaped ditch around 20m wide was dug to define the new enclosure, and this retains water in its northern arm. The material excavated from the ditch and from the destruction of the earlier bank was spread over much of the outer bailey to a depth of up to 1.5m. The ditch was recut during extensive renovations carried out during the early 20th century. The first structure to be built in this phase was the gatehouse to the south west which has an arched entrance between twin, semicircular external towers, now ruined. The basement chambers beneath each tower have ashlar-faced walls and barrel-vaulted ceilings, the southern chamber being entered by way of a newel staircase, the northern by a trapdoor. Both were used to house prisoners. Many subsequent alterations included the replacement, during the 15th century, of the wooden bridge over the outer ditch by a stone causeway. The originally embattled curtain wall enclosing the inner bailey was built within the ditch and inner berm around 1250. This survives almost to its full original height and is faced with coursed Greensand ashlar. Three semicircular external towers provided flanking cover from the narrow embrasures which pierce their walls. Each has a narrow staircase to a basement, a branch staircase off it into the ditch and a room and garderobe, or latrine, at ground floor level. Upper rooms were entered by way of the wall walk and were heated by fireplaces. The basement of the northernmost tower has two rib-vaulted bays, the keeled ribs resting on stiff-leaf corbels. The interior castle buildings continued to be built mainly of wood and these will survive in buried form, although the stone foundations of a chapel were exposed during partial excavation of the northern sector of the inner bailey. Around 20m south east of the chapel is a large stone-lined well at least 15.5m deep, and near this is a pile of medieval stone missile-balls, a selection of those recovered from the ditch. These were thrown from trebuchets during the four sieges of the castle. William, Count of Mortain forfeited Pevensey after an unsuccessful rebellion against Henry I in 1101 and the castle, which remained in the royal gift until the later Middle Ages, passed into the hands of the de Aquila family. The most famous siege took place in 1264-65 when the supporters of Henry III, fleeing from their defeat by the Barons at Lewes, took refuge in the castle. In 1372 the castle was given to John of Gaunt, and during his period of office was used to imprison James I, King of Scotland, who had been seized in 1406, and Joan, Queen of Navarre, accused of witchcraft by her stepson, Henry V. By 1300, the sea had gradually begun to recede from around the castle and its military importance declined as a result. Contemporary records show that the castle walls were constantly in need of expensive repair and by the end of the 14th century were not being properly maintained, although the roof leads were kept intact until the middle of the 15th century. By 1500 the castle had ceased to be inhabited and fell rapidly into decay. The threat of the Spanish Armada led to some renewed interest in the defensive value of the site, and a survey of 1587 records that the castle housed two demi-culverins, or heavy guns. These were sited on the contemporary, south east orientated, M-shaped earthen gun emplacement situated in the outer bailey around 90m north east of the main Roman gateway. This takes the form of a raised level platform c.20m long bounded on the seaward side by a slight bank c.0.4m high and around 3m wide. One of the cast iron guns, manufactured in the East Sussex Weald, is now housed within the inner bailey on a modern replica carriage. From the 17th century the castle passed through the hands of various private owners. Valued as a picturesque ruin during the 18th and 19th centuries, it features in many contemporary engravings and illustrations. In 1925 the Duke of Devonshire presented the monument to the state, and extensive repairs began with a view to opening the monument to the public. These were interrupted by the outbreak of World War II, when the castle resumed its original military purpose of protecting the south coast. The castle was refortified in May 1940 as an observation and command post. It was continuously occupied by regular troops, including Canadian forces and the United States Army Air Corps, who used it as a radio direction centre, and by the Home Guard until 1944. The World War II defences include two pillboxes and three machine gun posts of concrete faced with rubble and flints, carefully concealed and camouflaged within the earlier Roman and medieval fabric. An internal tower was built just to the south of the Roman east gateway and a blockhouse housing anti-tank weapons was built in front of the main Roman gateway. The blockhouse no longer survives. Modifications carried out to the medieval mural towers included lining the interiors with brick and inserting wooden floors. In 1945 the monument was returned to peaceful use and is now in the guardianship of the Secretary of State and open to the public.
[Historic England]
Sustainable Materials for Net Zero Asphalt Pavements – at the Estonian Embassy in Stockholm
A gathering of innovators, scientists, and infrastructure leaders at the Embassy of Estonia in Stockholm explored how biomaterials can decarbonize road construction. Hosted with Estonian cleantech innovator Fibenol, the event showcased lignin-based solutions and cross-sector collaboration to accelerate Net Zero asphalt pavements and climate-smart cities.
CleanTech Region was advising and mentoring Fibenol through the senior advisory program by Tehnopol.
Fibenol: fibenol.com/
Photos and videos courtesy of Lars Ling. linktr.ee/larsling
© 2025 Lars Ling / CleanTech Region Group. All rights reserved.
Quality beautiful Leather Material, Genuine Leather Fabric, Upholstery Leather Fabric, Leather Pieces and Leather Hides, leather full hide in mossy green color. This leather skin is soft and very easy to work with. The leather hide is light weight yet has a lot of body and would be great for any craft or DIY project. Learn more to visit at Leather Material
Continuamos con el tuto. Para quitar las pestañas y los chips necesitaresmos una pinza de depilar, un mechero y una barra de silicona para pistolas térmicas (en cualquier ferretería la encontraréis baratita). Las flores son opcionales, pero siempre quedan bonitas.