View allAll Photos Tagged manfrotto
Buy my gear:
Best Beginner Mirrorless Camera
Best Beginner DSLR Camera
Canon EOS Rebel SL2 DSLR Camera with EF-S 18-55mm STM Lens
Wide angle lens: Canon EF 16-35mm f/4L IS USM
Canon EF 24-70mm f/2.8L II USM
Astrophotography lens: Sigma 20mm F1.4 DG HSM Art
Macro lens: Canon EF 100mm f/2.8L IS USM Macro
35mm lens: Canon RF 35mm f/1.8 IS Macro STM
50mm lens: Sigma 50mm F1.4 DG HSM Art
85mm lens: Sigma 85mm f/1.4 DG HSM Art
70-200 zoom lens: Canon EF 70-200mm f/2.8L IS III USM
Canon Mount Ring Adapter EF - RF
My camera backpack: Lowepro ProTactic BP 450 AW II
My Tripod Manfrotto Befree GT XPRO Aluminum
DJI Ronin-SC Pro Camera Stabilizer Gimbal
128GB memory card: SanDisk 128GB Extreme PRO SDXC UHS-I
256GB memory card: SanDisk 256GB Extreme PRO SDXC UHS-I
Drone: DJI Mavic 2 PRO Drone with Fly More Kit
Adobe Photoshop Elements 2021 & Premiere Elements 2021 [PC Online code]
Adobe Lightroom | 12-month Sub
If you would like to see this in full size/no watermark. Contact me.
icemanphotos © 2020, All Rights Reserved. Do not use without a permission, please.
Photo posted with hidden watermark.
Thanks for all visits, comments & Favs!
Manfrotto School of Excellence
- Picture of the day - by JanLeonardo
Model: AnnaLeonardo
Cheers janleonardo :-)
#JanLeonardo #LedLenser #LightPainting #Light #Torch #lightart #lightartphotography #lightgraff #lightdraw #carlzeiss #manfrotto #Lenovo #LenovoIn #alphaddicted
>Week 2-52 Project 52-2016 by PhotoWalk, Dublin, Ireland - Theme - Selfie.
> Week 2/52/2016; 2016 Edition - Theme Dark. I have used a Selfie image. Changed my mind and decided to rejoin this Group for another year after seeing all the wonderful and inspirational images by others.
I had an idea of how I would do this Selfie. I never quite managed to get a good balance between light and dark. Did some post editing in Lightroom. I took the photo at night and turned off the lights in the room with just some light coming in. I mounted the camera on my Manfrotto 190 tripod and used my new Hahnel HRN280 wired shutter release. I used my Nikon 17-55mm f/2.8. I mounted my Nikon SB900 on an off camera Flash Tripod stand and fired flash on manual setting through a white umbrella. It was my first time to use the Flash Tripod stand since my SB900 Flash fell off it and broke a few months ago.
Bulb Time Photography with Canon 5D MK III, Carl Zeiss Distagon 35/2.0, Manfrotto Carbon Tripod, Led Lenser X21R.
On tour together with my friend and assistant Gustavo Mercerat:
The one-and-only torches for LightArt-Photography:
by Light Painting & LightArt-Photography Master JanLeonardo
Made with Sony A7, Carl Zeiss Otus 1.4/28, Manrotto Carbon 057 & Gearhead 405, LED LENSER P5R, P7QC, M5
Only photography in total darkness, painted with light. No layers or digital composing.
Cheers JanLeonardo
www.lightart-photography.de/gallery/photo/28/
#JanLeonardo #LedLenser #LightPainting #Light #Torch #lightart #lightartphotography #lightgraff #lightdraw #carlzeiss #manfrotto #Lenovo #LenovoIn #alphaddicted #LightPaintingMadeInGermany #NeverStandStill
Common Blue
Thanks to Roland Bogush for ID.
Nikon D7100 + Sigma 105 mm Macro + Manfrotto MT190XPRO3 + natural light
Press 'L' to view large or ZOOM IN to see the details.
D700 with SB700 attached to Westcott 43" umbrella with manfrotto clamp, in Manual mode 1/16 power. No other lights used.
See more about this here: www.jpschulman.com/blog/2013/9/alternative-uses-for-your-...
©2013 JPSchulman.com
See more at www.JPSchulman.com
Or follow me on Facebook
Дрво, камен и вода.
“Siwan” connotes equilibrium.
The arrangement of elements in a composition to achieve visual equilibrium.
A perfect balance of physical forces such that when two or more forces act upon a body, the body remains at rest.
In geology, a balance between form and process, e.g., between the resistance of rocks along a river and the erosional force of the water.
“Like a sufi poetry and Christian mysticism of dark ages and burning inquisitions, a Sherpa across mountains of history”.
“Siwan is a musical imagination. The word Siwan is connected to the number three, triangular or equilibrium in various living and nonliving languages”.
One of ECM’s finest releases. Ever.
Emma Louise
Fashion model
Instagram instagram.com/emmalouuiisee
MUA Manuela
instagram.com/makeup.bymanuela
My post on www.instagram.com
Strobist: Godox AD400pro in TTL mode installed in a broncolor beautybox with a front diffuser and a grid mounted on a Manfrotto lightstand. The light is placed 2 meters away from her slightly above her head and on her left.
Many thanks to the employee of Le Boston in Cannes to let us do the shooting in their restaurant, bar.
Brachytron pratense
Hairy dragonfly
ƒ/11, 1/200 s, ISO 400; natural light
Nikon D7100 + Sigma 105 mm Macro + Manfrotto MT190XPRO3 + Velbon Mag Slider
Last stage of metamorphosis of the dragonfly is pumping hemolymph into the wings. By the way, now I know why this hawker is called hairy.
by Light Painting & Light Art Photography Master JanLeonardo
(New Motus Series Part 6)
Done with Sony A7R, Carl-Zeiss Vario-Tessar T* FE 24-70mm f/4 ZA OSS, Manrotto Carbon 057 & Gearhead 405, 2 x LED LENSER P5R.2, LED LENSER P7QC
Only photography in total darkness, painted with light. No layers or digital composing.
Cheers JanLeonardo
#JanLeonardo #LedLenser #LightPainting #Light #Torch #lightart #lightartphotography #lightgraff #lightdraw #Sony #SonyA7R #carlzeiss #manfrotto #Lenovo #LenovoIn #alphaddicted #LightPaintingMadeInGermany
Follow Me: Facebook | Twitter | Louish·com (Photography Tutorials & More)
**UPDATE** - 2011-MAY-13
Since this photo I posted a few months ago, I've already added a few more gems to my bag. I now have 4x Alienbees B800's instead of 2 shown in the photo. I have a Canon 24-70mm 2.8L, Canon 85mm f/1.2, two more spider holsters (so 4 total now), and 2x new carbon fiber manfrotto tripods.
The best way to list everything in this photo would be to use notes. So make sure (on flickr) you run your mouse over the photo to see the notes tagged in the image.
You can download the original, un-resized version here, its 26MB, and 18045x13255 pixels:
www.louish.com/tutorials/052_download.jpg
Strobist Info: 300w with shoot through umbrella on left and right. each item shot separately on white floor then merged in photoshop.
My Favorite "Must Have" accessories from above:
1. Manfrotto 244RC Variable Friction Magic Arm
2. Manfrotto 122B & 003 Backlight stand (mini foldable lightstand)
3. Manfrotto Superclamps
4. Photoflex Telescopic Litedisc Holder (For Lights), at least 1, you don't need 4. I bought 4 cause I loved it so much and I have only used maybe 2 at a time.
5. RadioPopper JrX
6. Tamrac 5788 Evolution 8 Backpack (This is the brown backpack in the upper left corner, I took this on a vacation and was able to fit 2 DSLRs, 9 lenses including the 70-200, 1 Macbook Air, 2 iPads, Batteries and chargers, GoPros, Memory card readers and cards, RadioPoppers, 2x Speedlites, and more. That backpack fits a BUNCH of stuff)
7. Spider Holsters, especially if you ever use 2 cameras at the same time, in that case, get 2.
8. Eneloop Batteries
This favorites list of course does not included lenses, lights or cameras. If I had to only choose a couple lenses, I would choose the 100mm f/2.8L IS USM Macro and the 16-35mm, (The 15mm Fisheye is great too). If I had to only keep a couple lights, I'd keep the speedlites cause they are portable. If I had to choose 1 camera, it would be the 5D Mark II.
Canon EOS 50D
Canon EF-S 17-55mm f/2.8 IS USM
Focal Length: 23 mm
F-Number: F/8
Exposure Time: 27 Sec
ISO Speed: ISO-100
Manfrotto 055XDB + 804RC2 Tripod
Happy Macro Monday everyone, anyone who has ever adjusted their Manfrotto tripod should recognise this star!
Amazed by the details you can see in a macro image, the machining marks on the bottom of the tool are hardly noticeable to the naked eye (mine anyway).
Beelitz Heilstätten Tour 2015
by JanLeonardo with help fro my friend Sven Gerard
and my ever love AnnaLeonarda.
Sony A7R, Carl Zeiss Distagon *T 2.8/15, Manfrotto Carbon 057 & Gearhead 405, Led Lenser X21R, Led Lenser P5R.2, Led Lenser M1, M5
Only photography in total darkness, painted with light. No post processing and digital composing. SOOC.
Cheers JanLeonardo
#JanLeonardo #LedLenser #LightPainting #Light #Torch #lightart
#lightartphotography #lightgraff #lightdraw #Sony #SonyA7R #carlzeiss #manfrotto #Lenovo #LenovoIn #alphaddicted
99% of my images as handheld. In fact, the only shot I took with my tripod was a image of a mango.
I like to take too many macros for me to be handholding the camera, so I finally took out my tripod today
(dust included) and set it up outside to take some pictures of the garden. Before I could put the camera on the tripod, this yellow moth decided to use the tripod first. I could not leave the yard for equipment so I did my best to shoot this without him flying off before I captured him.
Next on my wishlist - macro lens.
Boloria selene
Small pearl-bordered fritillary
Denis & Schiffermüller, 1775
Can you spot a mysterious guest?
ƒ/8, 1/20 s, ISO 100 - stacked from 8 exposures; natural light
Nikon D7100 + Sigma 105 mm Macro + Manfrotto MT190XPRO3 + Manfrotto 410 Junior + Novoflex Castel XQ II
I love this place. Dungeness. I'm not too sure what these rails are or were used for but they are very rusty and ratty now. Loving the leading lines and the old rope and nets on the beach. I'd love to know how long this boat has been here.
Canon 5Dmkll
Canon 17-40 F4L
Polariser
Manfrotto 190XPROB
Manfrotto 804RC2
3 image HDR
By JanLeonardo
Made with Led Lenser X21R, Canon 5D MK III,
Carl Zeiss Distagon *T 2,8/15, Manfrotto 057 Carbon & Gearhead 405
Collaboration with Susanne Weisbach
Model/ moving Performance by: Susanne Weisbach
Light Performance by: JanLeonardo
Idea and Location by: JanLeonardo
Clothing Design: Gerd Scholze aus der Kollektion "11en", 2012
More:
Only Photography / No Level Work / Only One Expsure
by Light Painting & LightArt- Photography Master JanLeonardo
Worked with Canon 5D MK III, Carl Zeiss Distagon T* 2.8/15, Manfrotto Carbon 057 & Gearhead 405, Led Lenser X21R.2
Picture Control with Lenovo X1 Carbon.
#JanLeonardo #LedLenser #LightPainting #Light #Torch #lightart #lightartphotography #denissmith #lightgraff #lightdraw #canon #carlzeiss #manfrotto #Lenovo #LenovoIn
L for best view & F for faved! Click here to read more!
Canon EOS 600D + Canon EF-S 10-22mm + Reverse GND8 + ND8 Pro Glass
Do not use or reproduce this image without my explicit permission. © All rights reserved.
Previously restricted to friends, as I reshot this from a new angle, I used it in my current exhibition, and I want to make sure I keep some photos back as new "unseen" work.
Basically the night started out nicely, just above 10degrees, and the sky was crystal clear.
I called up my ever keen photo companion, and we quickly decided that we'd make the (seemingly never-ending) trek up the hill to the fort. By the time we got to the top, I was sucking air as quickly as I could, and we realised very quickly what we were facing...
The wind was absolutely howling. A couple of gusts really had me staggering, so the only way I could get a shot was to splay the legs of the tripod as close to the ground as I could, leave the arm of the tripod out horizontally, and counterweight the end of the arm by hanging my bag (straps tied together) for stability. Then it was just a case of finding somewhere to shelter for the next 45 minutes as this was exposing. The shelter came curtesy of another part of the forts outer wall which was still standing.
So we hunkered down, cracked a beer, laid back and shot the breeze.
Photographed circa. 1991 / LUBITEL 166 B TLR with LOMO T-22, 75mm/4.5 lens. Film was ILFORD HP5 metered ASA 400 developed in Jessops Econotol (no details available). The negative was laid flat on a light box and photographed with a PENTAX k3 DSLR fitted with a EL NIKKOR 63mm/2.8 enlarging lens on a 25mm extension tube.A PENTAX K mount to PENTAX M42 adaptor and a 39mm/42mm ring were used to connect the NIKKOR lens and extension tube to the DSLR. The camera and lens system were supported on a sturdy copy stand via a Manfrotto 454 micro metric sliding plate and the shutter was released remotely to minimise camera shake due to vibration. The image was uploaded to an iPad mini and was edited using Snap Seed application on the iPad : the 'curves' facility in the Snap Seed app was used to reverse the image from negative to positive as shown here.
Old & new, combined, ... I love this stuff
All my microscope objective focus stacks (mostly above 5x) were taken with this gear & setup.
Checkout this image on how specimens are placed under the lens:
ESPAÑOL: Las últimas luces del atardecer se mezclan con las primeras estrellas en este colorido atardecer sobre las tranquilas aguas del Río Samborombón (Provincia de Buenos Aires, Argentina).
ENGLISH: "The Moon and the Rriver" The last remaining lights of the sunset mixes with the first appearing stars over the calm waters of the Samborombón River (Buenos AIres Province, Argentina).
Canon EOS 6D (5 sec @ ƒ11 @ ISO 3200) + Rokinon 14mm f 2.8 ED AS UMC + Trípode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2 + Adobe Lightroom.
Mis fotos/My pictures: Facebook / Flickr / 500px / Instagram
© Todos los Derechos Reservados, No usar sin mi consentimiento.
© All Rights Reserved, Don't use without permission.
Twitter | Facebook | Blogger | Flickr
ISO 200 f/11 1/200s. 1 SB-26 @ 1/8th power inside mini softbox camera left and reflector camera right with a bare rel gelled sb-26 @ 20mm 1/16th power. Triggered with pocket wizard plus IIs.
For a long time I didn't understand the need for a high quality tripod and head.
until tomorrow,
enjoy
Stanier Black 5 44767 'George Stephenson' stands in the rain at Weybourne station on a 92 Squadron Charter Freight.
Not the kind of weather we had hoped for but you have to embrace the conditions and for this I loaded a roll of Agfa 32 asa Dia Direct Black and white reversal (slide) film. Very seldom I used it in film days but it had a very warm look to it with excellent tonal gradation.
This was taken at a low angle utilising my Manfrotto 055 PRO tripod and has I think produced a pleasing image.
This is my preferred "old school" tripod.
I have tried an expensive carbon fiber tripod with a ball head and others. A tripod is an essential photographic accessory for any photographer who takes their photography seriously, especially for one who uses telephoto or macro lenses. It stabilizes the camera, replaces a wobbly photographer, and frees the photographer’s hands. But, I never found one tripod that was sturdy enough and was compatible with any task. There are many photographers who think a Vibration Reduction lens replaces a tripod, but a VR lens cannot be used for every situation that a tripod can be, except where prohibited by local rules and regulations. Until I bought this tripod, I was never satisfied.
Many years ago, I bought a pre-owned basic Manfrotto 190D tripod, with its #029 MK2 head, as I was walking past and I saw it in the window of a used camping and hiking gear store, in downtown Hobart. I paid $99 for it and there was no room for negotiating. I have never regretted buying this tripod. The head was frozen in place, but I disassembled it, cleaned it up, polished the internal surfaces with 000 grit sand paper and fine steel wool and applied a light lubricant, then reassembled it. It looks and works like new. I would not trade it for any other tripod on the market. “You get what you pay for” does not always apply.
A gentle reminder about copyright and intellectual property-
Ⓒ Cassidy Photography (All images in this Flickr portfolio)
Nikon D300 + 17-55mm f/2.8 Nikkor
Tripode Manfrotto 190CXPro4 + rotule joystick Manfrotto 324RC2
Lee foundation kit + filtre GND Lee 0.9xSE
1 RAW
Capture NX 2, PhotoshopElements
35 layer flash composition. Walked around the building firing my N Flash battery powered strobe to light the building. Positioned about 10ft in the air on a manfrotto super stand.
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Dati Tecnici
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a) Nikon D2x + Ottica Sigma DG 50mm F1,4 EX HSM (Hipers Sonic Motor);
b) Filtro B+W XS-Pro Digital Filters Professional Giallo 93mm per Hasselblad Distagon FLE 40mm + anello adattatore 77/85
c) Esposizione Tempo 1/45s con apertura a f.5,6 utilizzando il monopiede n°134 Manfrotto;
d) Lettura Esposimetrica Angolo 1° con Sekonic DualSpot F-L-778 (effettuate 7 misurazioni con metodo del Sistema Zonale di Ansel Adams) a luce riflessa;
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- Esposizioni:
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1) …la prima sulla parte più luminosa dell’anta dell’infisso deteriorato a destra della ragazza (in corrispondenza della seconda scaletta a scendere);
2) …la seconda sulle piegature della maglia in corrispondenza della sua spalla destra Vicino il collo);
3) …la terza sullo zigomo sinistro della ragazza (quello in ombra dietro la persiana);
4) …la quarta effettuata fra la ciocca dei capelli dietro l’orecchio destro e l’orecchio stesso;
5) …la quinta sul dorso della mano destra (questa lettura è stata sfalsata aumentando l’esposizione di n+2 per compensare la luminanza delle altre aree della scena);
6) …la sesta sul fondo della scena in corrispondenza della zona leggermente più chiara posta proprio subito la spalla destra della ragazza;
7) ...la lettura media ottenuta (sovraesposta di n+2) è stata confrontata con la settima lettura effettuata sulla luminanza del riflesso sullo stipite del telaio in legno della persiana (la luminanza è stata posta sulla zona V del Grigio Medio al 18% abbassato volutamente alla zona IV e 1/2 per attutire i grigi che risultavano di 2,5 valori superiore alla media ponderata della luminosità generale. Ciò ha permesso di equiparare i grigi e alzare la scala tonale generale di una zona. Vista la prevalenza delle zone basse il valore totale è stato sovraesposto di n+2/3 per evitare che l’esposizione finale impostata non penalizzasse le alte luci (la luce che si proiettava “nonostante il cielo nuvoloso era molto corposa “temperatura cromatica 6500°k”) o le basse luci (le luci interne erano troppo basse stimate in 2550°K/2900°K) nel calcolo della tecnica dell’Esposizione a Destra. Questa tecnica rappresenta un importante metodo di lavoro nella fotografia digitale, che permette al fotografo di ottenere foto meno rumorose e qualitativamente migliori;
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e) Prima Leggera Post-Produzione effettuata con Nikon Capture NX 2 (effettuando mascherature localizzate, riduzione di luminanza delle zone “zona VI-VII e VII” e aumentando la struttura della zone “zona II-III e IV”)
f) Seconda Post-Produzione Leggerissima effettuata con Corel Photo-Paint X5 e Adobe Photoshop CS3 per il miglioramento globale dell’immagine riducendo il divario zonale delle aree (ovvero effettuando una compressione delle zone);
g) Ultima Post-Produzione di completamento con Nikon Capture NX 2;
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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:
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Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord
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Tutti i diritti riservati ©2018/2025 da ArchiMlFotoWord/Luigi Mirto/Photography
Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.
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All rights reserved ©2018/2025 by ArchiMlFotoWord/Luigi Mirto/Photography
No images or part thereof may be reproduced or transmitted in any form or by any means
Without prior permission.
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Suggerisco di guardare l’immagine su fondo scuro e ascoltare questo brano
I suggest you look at the image on a dark background and listen to this song
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….promessa infranta
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Dimmi il suo nome, voglio saperlo
il modo in cui ti guarda….dove vai!!.
Ho bisogno di conoscere il suo viso,
……..devo capire,
Perché io e te siamo giunti alla…..fine.
Dimmelo ancora, voglio sentirlo dire da te,
chi ha infranto la mia speranza…. in tutti questi anni.
Chi giace con te……nella notte,
mentre io me ne sto qui….da solo,
ricordando, quando ero……. tuo
Ti lascio andare, ti lascio volare, ma
perché,….. continuo a chiedermi,….. una spiegazione
Ti lascerò andare, adesso…. che ho trovato….,
il modo di gestire in qualche modo,…..
qualcosa di più di una…… promessa infranta.
Dimmi le parole che mai ho pronunciato,
mostrami le lacrime che non versasti,
dammi la possibilita!!!.......
Quello che promettesti…… essere mia
o,…. è svanito per sempre
Ti lascio andare, ti lascio volare, ma
perché,….. continuo a chiedermi,….. una spiegazione
Ti lascerò andare, adesso…. che ho trovato….,
il modo di gestire in qualche modo,…..
qualcosa di più di una…… promessa infranta.
Chiudo i miei occhi e sogno di te e me,
e,..... mi rendo conto,……
che c’è molto di più da amare che amarezza e bugie
Chiudo i miei occhi.
Darei la mia anima
per…. poterti stringere ancora una volta,
e non far finire quei momenti.
Ti lascio andare, ti lascio volare, ma
perché,….. continuo a chiedermi,….. una spiegazione
Ti lascerò andare, adesso…. che ho trovato….,
il modo di gestire in qualche modo,…..
qualcosa di più di una…… promessa infranta.
…………….....................… Testo e Musica Walter Afanasieff & Lara Fabian
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….broken vow
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Tell me his name, I want to know
The way he looks and where you go
I need to see his face
I need to understand
Why you and I came to an end.
Tell me again, I want to hear
Who broke my faith in all these years
Who lays with you at night
While I'm here all alone
Remembering when I was your own
I let you go, I let you fly
Why do I keep on asking why
I'll let you go now that I've found
A way to keep somehow
More than a broken vow
Tell me the words I never said
Show me the tears you never shed
Give me the touch
The one you promised to be mine
Or has it vanished for all time
I let you go, I let you fly
Why do I keep on asking why
I'll let you go now that I've found
A way to keep somehow
More than a broken vow
I close my eyes and dream of you and I
And then I realize
There's more to love than only bitterness and lies
I close my eyes
I'd give away my soul
To hold you once again
{And never let those moments end
I let you go, I let you fly
Now that I know, I’m asking why
I’ll let you go now that I've found
A way to keep somehow
More than a broken vow
…………….....................… Testo e Musica Walter Afanasieff & Lara Fabian
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Remember When It Rained - Josh Groban.
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Italiano
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Questa immagine è tratta da un reportage in continua evoluzione che sto effettuando nella ricerca di particolari volti che esprimano particolari sensazioni, scene di particolare enfasi ambientale, espressioni e sentimenti profondi trasmessi attraverso semplici sguardi, di particolari posture del corpo o anche dai semplici abiti e decorazioni fisiche.
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Tali immagini verranno raccolte in un “Manuale Artistico Tecnico Fotografico” nella quale saranno descritte le particolari tecniche di ripresa, i materiali impiegati, l’attrezzatura fotografica, i luoghi e le condizioni sceniche ambientali.
Grazie
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English
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This image is from a report in continuous evolution that I am making in the search for specific faces expressing particular feelings, scenes of environmental emphasis, expressions and deep feelings conveyed through simple look, a particular posture of the body or even from simple clothes and decorations individuals.
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These images will be collected in a "Artistic Photography Technical Manual" which will describe the special filming techniques, materials, photographic equipment, sites and scenic environmental conditions.
Thanks
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Luigi Mirto/ArchiMlFotoWord's most interesting photos on Flickriver
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Dedicata alla carissima amica Fiammetta Segatori (Sand Creation)
Dedicated to dear friend Fiammetta Segatori (Sand Creation)
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