View allAll Photos Tagged manfrotto
A couple of upgrades to my panorama setup.
- replaced the 40D with 10-22 with the 5D with 17-40
- replaced the 055xprob for a carbon fiber 190cxpro4
- replaced the 488rc2 ballhead with the 438 levelling base
- to get low to the ground, I replaced the stock center column for the shorter 190xccsb
Strobist info:
- 430EX through umbrella subject left for fill and background
- 430EX through umbrella subject right, front and above as main
Tripod: Manfrotto MT190XPRO3
Tripod head: Manfrotto MHXPRO-3W
Date: July 2018
Location: Novara
ph: Giovanni Riccioni
Strobe:
*Speedlight 580EX II Canon off camera at right of camera with octabox
*Speedlight 430EX II Canon off camera behind the subject
Trigger: Pixel King Wireless E-TTL Flash for Canon
3 awesome days in London with my amazing girlfriend.
We both had the idea if going her for a bit of photography.
FaceBook｜Blogger ｜Instagram ｜500PX
You can licence images through My Getty image
All of My Reviews｜心得文：
Olympus MZD 25mm f/1.2 PRO Review
A Five-Year Photographic Journey with the M4/3 Series.
Photo by Olympus E-M5II E-M5MarkII + 25mm f/1.2 PRO 2512pro
Praying mantis
Mantis religiosa
Linnaeus, 1758
ƒ/2.8, 1/500s, ISO 200 - stacked from 12 exposures; natural light
OLYMPUS OM-D E-M1 MARK II + Olympus M.Zuiko 60 mm F/2,8 Macro + Berlebach Mini Stativ + Manfrotto 410 Junior + Novoflex Castel XQ II
by Light Painting Photography and LightArt Master JanLeonardo
Done with Sony A7R, Carl Zeiss Distagon 2.8/21, Manrotto Carbon 057 & Gearhead 405,
Only photography in total darkness, painted with light. No layers or digital composing.
#JanLeonardo #LightPainting #Light #Torch #lightart #lightartphotography #lightgraff #lightdraw #carlzeiss #manfrotto #Lenovo #LenovoIn #LightPaintingMadeInGermany
#CarlZeiss #SonyA7RII
@Carl Zeiss Objektive, @Manfrotto School Of Xcellence, @Manfrotto, @Carl Zeiss Lenses, @Sony
Photo shooting @ Fontaine des Jacobins
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Model Ophélie
MUA Marion Alamercery
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Lighting/Strobist: Godox AD600pro in TTL mode in Broncolor beautybox with front diffuser and grid mounted on Manfrotto lightstand
I finally finished a project to photograph all of my cameras, so here you go.. TWS Cinematographer Project was the inspiration for this. +much more for example batteries, film, umbrellas, cables and everything else that can be found in my camera backpack.
- 2013 /March
Long Exposure
Travels with Juvy Patts-Reyes
*high-resolution versions can also be viewed in the following galleries:
Flickr: www.flickr.com/photos/josecarlo1129/
500px: 500px.com/josecarlo1129
Instagram: instagram.com/josecarloreyesphotography
Get nice and close
Another shot from the Vivid Sydney festival. A fairly cliche composition of the Sydney Opera House but none the less one of my favourites. I love how something as simple as a coloured pattern can change the look of something so dramatically, well at least I think it does!
I have a Samsung Galaxy S7 Edge on loan from the lovely folks at Samsung and Work.
This was taken with the phone mounted to my DSLR Tripod using the Manfrotto Universal Smartphone clamp (www.manfrotto.co.uk/products/for-phones-and-action-cams/s...)
6x10 second images of the sky and one of the house were used to create this single image.
I'm pretty impressed with the night shooting quality of the camera, for such a small sensor the noise levels are quite low.
CARRIÇA
WREN
Troglodytes troglodytes
Abrantes
Canon EOS 400D
Sigma 150-500mm APO DG OS
Cabo remoto Canon
Tripé Manfrotto
12.04.2009
by JanLeonardo
Made with light/ SOOC - Straight Out Of Camera
Worked with Canon 5D MK III, Carl Zeiss Distagon T* 2,8/21, Manfrotto Carbon 057 & Gearhead 405, Led Lenser M7, H7, P4
cheers janleonardo
#JanLeonardo #LedLenser #LightPainting #Light #Torch #lightart #lightartphotography #denissmith #lightgraff #lightdraw #longexposure #canon carlzeiss #manfrotto
Here he is!!!! Me and my trusty Mr Manfrotto, hes heavy, hes had a few injuries, but he is reliable as hell and him and I have had lots of fun together. He always needs carrying home, but doesnt even complain when I bungee tie him to my bike rack, or stand him in the river.
Can I get a HELL YEAH!!! For making it to the half way point!!! Its been fun so far and I have lots more ideas, days that I thought I just couldnt do anything turn out to be days that you love the photos, you never know!!
God love Mr Manfrotto!
I only saw this when I had finished for the day and was heading back to the car.
I wish I had cleared some of the foliage away from the door and removed some of the larger elements from the foreground.
I wanted it to look at though it was in regular use.
I'll revisit with lessons learned another day.
Image taken in a large meter square light box with glass as the base for the crystal wine glasses. Canon 5D used for this image mounted on a sturdy Manfrotto 055 CB tripod. Image lit by two Canon 580EX flashes fired (camera mounted Canon Speedlite wireless remote transmitter ST-E2 was used) contre-jour and just under the line of the subject.
This image was taken as part of a major photographic study we are currently doing during the winter months looking at experimental images of glassware, contre-jour lighting, translucence and fluids of different types.
Copyright © 2008 f2 Photography
Please Note: This image may not be used for any purpose without written permission from F-2 Photography. You are NOT allowed to download, blog, print, broadcast, publish, use in a mosaic, use on a forum, distribute, change and/or manipulate this image for commercial, private or non-commercial reasons.
This is my simple(ish) solution to connecting the new Orbis (fantastic bit of kit) to your camera. I generally like to use a monopod anyway for steadying my shots, so I have combined it with the Orbis to give what I think is a fairly professional result.
The items used are a Manfrotto monopod (but could be any) an adjustable quick release head, a light stand to portable flash connector and a manfrotto super-clamp. The beauty of it is that it all fits together without any modifications. The above setup can also be used on a tripod.
Blue hour descends on San Francisco's Bay Bridge. I loved spending time down here in the Bay Area. Such an inspiring place!
James
Zutaten : Manfrotto 055XPro, Nikon 7100, Metz-Blitz, Olympus 40-150 Pro,Olympus Battery Grip, Hama Gurt
Camera: Canon EOS 7D
Lens: Canon EF-S 60mm f/2.8 Macro USM
Exif: ƒ8 | ISO 200 | 1/125 sec
Filter: -
Tripod: Manfrotto 055XPROB + Triopo B-3 Ballhead
Flash: Canon Speedlite 430EX II through white umbrella
How can you use this tripod without a head? sigh, no more money to buy ball head already...whew!!!
Nov. 2008
IMG_7034-2
Lots of gear complicates things. So, to carry only one tripod on an outing with various lenses and subjects, I modified several items for one, do-it-all, tripod arrangement. The whole issue is around the concept of a 'gimble' and versatility. Gimbles are used basically for large, heavy lenses but I wanted this to be for 'everything'! This setup is a Promaster gimble mount to which I've added several things. The gimble allows 3 dimensional steady shooting and is good for heavy lenses, and I think it will be good for movies, too, as well as a general tripod. I modified a Manfrotto long lens cradle, and then attached a promaster ball camera mount to the platform of the Manfrotto item which I then attached to the gimble. Quick release mounts were used for the interface between gimble and mount and between mount and camera. I can get vertical and horizontal positions and everything in between. The Manfrotto modification was/is necessary to get the left-side camera body away from the upright portion of the gimble' upright. A separate piece could have been made but I converted The Manfrotto piece I already had. Elevating the camera allows the camera to turn on either on the ball head to which it is mounted, or, alternately, from the gimble control--2 ways depending on what you get used to or perhaps what you are shooting. My Nikon D810 will do movies. If I had an opportunity to capture movement in a smooth and professional fashion while taking stills, why not??? I do shoot one heavy telephoto, one about 7 lbs [old Questar 700], and everything in between down to 14-24mm wide angle and up to about 1200 mm telephoto. For me, and I'm still getting used to it, the smoothness of the gimble is pleasant, and it can be 'locked' into position, or loosened for a more steady flow on moving objects, again for longer lenses and movies. The Promaster gimble is very smooth in movement and is significantly less expensive than the name brands. Mine cost about $140 in Topeka, Kansas. Others are well above $500.
Hasselblad 501 C
Carl Zeiss Sonnar CF 4/150 T*
Ilford Pan F+
Sekonic 758 D
Manfrotto 055 CLB
Tetenal Ultrafin Plus
Lightroom 2.1
Barcelona - Spain
March - 2010
© Jordi Esteban 2010
All the materials contained in my gallery may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission. My images do not belong to the public domain.
[66-2009]