View allAll Photos Tagged lithics
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Out of all the bears I saw in Finland, this female and her cubs were my favourites. On this night I saw them several times; always arriving when no other bears were around, always hyper aware of their safety. They were wild and spooky, she was wonderfully lithe and graceful, the cubs fizzy with energy, tough and unbelievably cute. What magnificent animals they are.
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The Toachi River Canyon was formed by the emission of pyroclastic flows, lithic fragments, bombs and pumice from the nearby Quilotoa volcano. In its interior with a fall of more than 100 meters the Toachi river flows towards the Ecuadorian coast. It is a great geographical feature in the form of a gigantic ravine that crosses part of the Illinizas reserve.
© Henri Leduc - All of my images are protected by copyright
Some of my images are for sale via Getty Images and 500px
Jama-Coaque, the name originally given to the prehistoric culture occupying northern Manabí Province, Ecuador, during the Regional-Developmental period, (500 bce–ce 500). More recent research has established that the Jama-Coaque tradition represents four phases of occupation beginning around 550 bce and continuing until the Spanish conquest in 1531. Although its territory may have fluctuated over time, it minimally extended along the northern Manabí coast from Bahía de Cojimíes in the north to Bahía de Caráquez in the south. To the east, limited archaeological evidence suggests that Jama-Coaque influence extended to the Andean foothills.
Both the costumes depicted on figurines and the evidence of numerous fabric impressions in clay suggest a well-developed textile industry. Feather-working is also depicted on some figurine costumes. Lithic industries included a sophisticated lapidary technology of carved and polished greenstone and jadeite. Obsidian was imported from highland sources near the Quito Basin, and a well-developed prismatic blade industry is present at several sites. Artifacts of cut and polished Spondylus shell were crafted into sumptuary ornaments and may have been traded to highlanders for obsidian. The abundance and standardization exhibited by many of these artifact categories suggest a well-developed craft specialization.
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Die frühen Chargen des Adox MCC sind lithfähig, die Chargen mit einem späteren Herstellungsdatum enthalten, wie auch schon zu den späten Agfa-Zeiten größere Mengen Phenidon und sind damit für Lithprints unbrauchbar. Die letzten Ziffern der Emulsionsnummer zeigen das Herstellungsdatum (hier 07-10).
SE5 Lith A+B+E+Wasser 30+30+5+900 ml 9 Minuten.
The early batches of Adox MCC are suitable for lith, while the later batches contain larger amounts of phenidone, as was also the case with Agfa, and are therefore unsuitable for lith prints. The last digits of the emulsion number indicate the date of manufacture (here 07-10).
Nature continues to surprise me almost daily. I happened to look out the window and saw these graceful, lithe clouds reflected in the pond. They seemed joyful, almost like dolphins at play.
Photo taken morning of April 2, 2021
Yet another encounter surrounded by mountains and amazement.
1930s Brovira "Kashmir" Paper - here in a very fat soup + D/E and some polysulphid/selenium toning
Thank you for reading the Story "The Doors" and enjoyong the photos and music. ღ
In the heart of a vibrant era, music surged through the corridors of time, a palpable force. The air vibrated with its melody, its waves reverberating off the shimmering walls of a vast labyrinth. Doors slowly open, revealing a vision of beauty and audacity.
Amidst the shadows, she emerged, her lithe form adorned in a soft darkness. Her movements mirrored the fluidity of the music, as if she danced upon its currents. With an ethereal grace, she caressed the cold metal of an electric guitar, her fingers tracing the strings in a hypnotic ballet.
As she played, the notes flowed from her fingertips, weaving a tapestry of sound both delicate and thunderous. They intertwined seamlessly, creating an orchestra of otherworldly harmony that enveloped the space. The stage erupted in a cascade of light, casting fragmented shadows across her captivating body.
At that moment, she found herself at the epicenter of a whirlwind of sound and illumination. It was a transformative encounter, one that would etch her into the annals of rock and roll history as a legend of the Story "The Doors."
For within the liminal space between the known and the unknown, she had become the embodiment of their enigmatic mantra: "There are things known and things unknown and in between are The Doors."
Devoted to my Ronnie, a talented and amazing musician who touched my heart deeply ღ
Chapter 1 Maze Realm of Time and Space
Chapter 2 Theory of Everything or Power of Smile
Chapter 4 Far from the Shallow
Chapter 6 Back to Serenity Childhood
See the photo on FB Provocateur www.facebook.com/profile.php?id=100092560675714
The settlement of La Atalayita is an archaeological site, whose occupation dates back to the aboriginal period of Fuerteventura, the mahos (people of Berber origin from North Africa who lived on the island before the conquest in the fifteenth century) and has been reused, continuously, by the shepherds after the conquest and colonization of the island.
The site occupies an approximate area of 45,045 m2 and is made up of 115 structures of different typologies and complexity, which can be divided into: vaulted constructions, mixed constructions made up of vaulted enclosures with other larger ones, traditional construction, volcanic tube conditioning and other circular constructions whose functionality is still unknown.
The first studies carried out in the settlement began in the decade of the 50's and 60's with the Excavations Commissioner Sebastián Jiménez Sánchez, who called it El Saladillo. It is from 1974 when it will be known by the name of La Atalayita, starting in January of that same year the three campaigns of archaeological excavations developed between 1974 and 1977 in charge of Professor Demetrio Castro Alfín. During those years a large amount of archaeological material was collected on the surface, composed mainly of fragments of handmade ceramics with decorations, belonging, according to the researchers, to the aboriginal stage of the island; fragments of plain, popular and lathe-made ceramics, as well as malacological, lithic and bone material. In the cuts made, the same typology of material was extracted, except for some objects such as a metal fragment and a pin of the same material and also some pieces made of shells, polished and with holes, in the shape of a pendant.
The singularity of the constructions of the settlement, as well as its location between two protected areas of great natural and cultural value such as Malpaís Grande and Cuchillos de Vigán, make it one of the most relevant sites of the island's archaeological heritage.
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El Poblado de La Atalayita es un yacimiento arqueológico, cuya ocupación se remonta a la época aborigen de Fuerteventura, los mahos (pueblo de origen bereber procedente del norte de África que vivía en la Isla antes de la conquista en el siglo XV) y ha sido reutilizado, de forma continuada, por los pastores después de la conquista y colonización de la Isla.
El yacimiento ocupa una superficie aproximada de 45.045 m2 y está formada por 115 estructuras de diversa tipologías y complejidad, las cuales podemos dividir en: construcciones abovedadas, construcciones mixtas formadas por el adosamiento de recintos abovedados con otros de mayores dimensiones, construcción tradicional, tubo volcánico acondicionado y otras construcciones circulares cuya funcionalidad todavía se desconoce.
Los primeros estudios realizados en el poblado se iniciaron en la década de los años 50-60 con el Comisario de Excavaciones Sebastián Jiménez Sánchez, quien los denomina con el nombre de El Saladillo. Es a partir de 1974 cuando será conocido con el nombre de La Atalayita, iniciándose en enero de ese mismo año las tres campañas de excavaciones arqueológicas desarrolladas entre 1974 y 1977 a cargo del profesor Demetrio Castro Alfín. Durante esos años se recogió gran cantidad de material arqueológico en superficie, compuesto mayormente por fragmentos de cerámicas realizadas a mano y con decoraciones, pertenecientes, según los investigadores, a la etapa aborigen de la Isla; fragmentos de cerámica lisa, popular y a torno, así como material malacológico, lítico y óseos. En los cortes realizados se extrajo la misma tipología de material, exceptuando algunos objetos como un fragmento de metal y un alfiler del mismo material y también algunas piezas realizadas en conchas, pulidas y con orificios, con forma de colgante.
La singularidad de las construcciones del poblado así como su situación entre dos espacios protegidos de gran valor natural y cultural como es el Malpaís Grande y Cuchillos de Vigán, lo convierte en uno de los yacimientos más relevantes del patrimonio arqueológico insular.
Valle de Pozo Negro, Antigua, Fuerteventura, Islas Canarias
Tried some Fomaspeed Variant 313 with lith developer yesterday evening. The results really excited me: a nice slight sepia tone, lots of heavy grain and strong blacks. The paper has a nice finish too. It's fairly cheap and looks great in regular developer as well. Over all, very happy with it!
Fomaspeed Variant 313 with Moersch Easy Lith 1+20
Selenium toned in Moersch MT 1 1+20
10s @ f22
Intrepid 4x5 Mk5 + Schneider-Kreuznach Super Angulon 90mm f8 + Fomapan 100
Adox Rodinal (1+25; 4:00) at 20 °C
Expiry date: 2023-06
Exposure index: 64
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
At the moment this new batch is only available in 8x10 and 20x24 inch. Foma had already announced a few months ago that this batch would be lithable again. Fortunately, this is the case. Based on initial tests, it appears that this paper works completely flawlessly, even with highly diluted formulations and longer development times. For this print, I diluted Easy Lith FT Special 1+18 (25+25+900ml) and developed it for 8 minutes. I am slowly approaching longer development times, but no snowballs have appeared so far. The image colour is much less reddish than in previous years. Some users may regret this, but I myself find the more subtle colour pleasant.
Model: Skye McLeod Fairywren
Bento Mesh Head: CaTwA Lona
Bento Mesh Body: Maitreya Lara
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Neko Ear: Magika
Kitty Gag (Candy White) by Axix @ the Hentai event
Juniper Wedges (Island Paradise) by [BREATHE]
Lithe Eyelashes: [okbye]
Bayswater Bento Rings: Astralia
Almond compatible system rings: Astralia
Meow Stockings (with HUD): Astralia
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SIM: Hayabusa Design @ maps.secondlife.com/secondlife/Fighting%20Spirit/65/225/21
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EVO X bom tattoo
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ᛃ .:villena:. - Fishnet
Bei identischer Entwicklermischung (A+B+E+Wasser 40+40+10+800 ml) und 24 Sekunden Belichtungszeit liegt der Snatchpoint bei etwa drei Minuten (linkes Bild) mit kurzer Nachbehandlung (Lith B 1+100 30 Sekunden) für etwas mehr Farbe in den Lichtern.
Bild rechts 26 Sekunden Belichtungszeit, Lithentwickler zweieinhalb Minuten, gefolgt von Catechol (10 ml + 10 ml Lith B + 5 ml NH4Cl) 2 Minuten. Sobald ein Ammoniumsalz mit im Spiel ist, stellt sich (auch nach Lith E) wieder die bekannte Zweifarbigkeit ein.
With an identical developer mixture (A+B+E+water 40+40+10+800 ml) and an exposure time of 24 seconds, the snatch point is around three minutes (left image) with a short post-treatment (Lith B 1+100 30 seconds) for slightly more colour in the highlights.
Right image: 26 seconds exposure time, lith developer two and a half minutes, followed by catechol (10 ml + 10 ml lith B + 5 ml NH4Cl) 2 minutes. As soon as an ammonium salt is involved, the familiar two-tone effect reappears (even after lith E).
I want you to cry, cry for me
Just like I cried, Cry for me
Make your rain fall
Cry for me but
Again
✩ Head Akeruka – Soo-jin Head
✩ Hair MOON – Lithe
✩ Tears Fantasy World – Anisia's tears
✩ Dress + Gloves + Beret Aurun – Selena Set
✩ Eyes Avi-Glam – Trendie
The elusive otter is one of our top predators, feeding mainly on fish (particularly eels and salmonids), waterbirds, amphibians and crustaceans. Otters have their cubs in underground burrows, known as 'holts'. Excellent and lithe swimmers, the young are in the water by 10 weeks of age. Otters are well suited to a life on the water as they have webbed feet, dense fur to keep them warm, and can close their ears and nose when underwater. They require clean rivers, with an abundant source of food and plenty of vegetation to hide their secluded holts.
Thanks for viewing my photos and for any favourites and comments, it’s much appreciated 👍
2018 05 23
- Outfit -
☑ Lucky chair
Magadama: CURELESS[+] Magatama Jewel
☑ Fifty Linden Fridays
Eyes: CURELESS[+] Amore Circle Lens
☑ The Chapter Four＠Gacha
Head Accessory: *LODE* Head Accessory - Clover Wreath [white]
Hair: [^.^Ayashi^.^] September 2017 V.I.P. Groupgift
Tops: {vincue} Galie+Top
Collar: Mato, // bird's nest collar_gold
Ring: {vincue} & Kibitz - Harty+Rings Bento Vista - gold
Bangle: OXIDE Arlet Bangle
- Makeup -
Eye shadow: [okkbye] Sonder Eyeshadow (CATWA & OMEGA)
Eyelashes: [okkbye] Lithe Eyelashes (CATWA)
Blush: violetta. - catwa applier kawaii blush(5colors)
Lip: Wednesday[+] ~ First Kiss Lip Gloss
‐ Decoration -
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Blog...~ le soleil ~
For more information have to blog <33
Thanks so much for your time !!
Thank you for always having lots of Fav ♥
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love it ♥
Surfin' USA (Beach Boys): www.youtube.com/watch?v=Byt9FO329pw
Model: Skye McLeod Fairywren
Bento Mesh Head: Lona by CaTwA
Bento Mesh Body: Lara by Maitreya
Skin Applier: Le Forme
Hair/Headscarf/Headchain: Spellbound (The Enchantment)
Lips: Jello Lips by Mudskin
Eye Shadow: Tilia by Zibska
Lithe Eyelashes: [okbye]
Body Tatt: Chocolat by White~Widow
Ensemble: Akasha by LuLu (Silver- includes bra, panties, necklace, arm circlets, & anklets) -The Enchantment
Amira Rings by Real Evil
Elisa Nails: Absolut Vendetta
Magic Carpet - Purple: Redd Columbia (RC Cluster - The Enchantment)
Pose Surfing, unisex pose by LW (Luanes World)
The poor duckling then decided to run away.
He crossed fields and meadows, swam on the water for a long time, but because of his ugliness he was neglected from all animals. One evening a flock of large, beautiful birds emerged from the bushes; never had the duckling seen such beautiful birds. They were swans, dazzlingly white, with long, lithe necks and large white wings. I want to go to those royal birds! – And he flew into the water heading towards them. But what did he ever see in the clear water? He saw the image of him beneath him, and it was no longer the ugly bird he once was, grey and awkward, he too was a magnificent swan with white wings and as he rustled his feathers of his beautiful wings and held his slender neck high, he cried out with a full heart: "I never dreamed there could be so much happiness, when I was the ugly duckling."
(Hans Cristian Andersen – The Ugly Duckling)
Hasselblad 501CM with Planar 80mm,
Efke IR820, filter dark red, Tanol.
Foma Retrobrom, Easy Lith FT Special 1+10 with 3m Lith E (for less reddish colour) 9 minutes.
A lith print ode to my Oregon friend Travis Doane.
Dear Travis,
It's now been 4 years since you sent me this treasure of old lithable papers from big USA to small Sweden. This kind act of yours sends a message to all the world - we belong together and should not fight. And for me it's a treasure of old lithable papers I would never get hold of otherwise. This day I have gone through the remaining papers and - as to my ability - have made prints that are supposed to be as streamlined as possible from a given negative. But of course there's always the influence of "human variability" when it comes to snatch point and so forth...
Anyways, I hope you understand my gratitude for this possibility. Have a great rest of the year 2023, Travis and may we have lith contact for many years to come.
Best/Johan
Scanned lith print.
Mamiya 645 ProTL w/ M-S 45 mm/f2,8. Early morning of April 22, 2023.
Fomapan 200 @ iso 100, dev in Rodinal 1+100, semistand 1 h.
Lith printed and developed in Moersch SE5 (25A+25B+some OB+700H2O).
Untoned.
HAIR- Moon. Hair // - FatPack - Lithe
SWEATER- SEKA's Cozy Winter Track
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Lith E verwende ich selten. Es wurde ursprünglich gemacht um die Farbigkeit von Lithprints zu reduzieren oder das Korn akzentuierter darzustellen. Die Papiere, für die es vorgesehen war, werden heute nicht mehr hergestellt.
Was dieses Additiv bewirkt und welche Rolle dabei die Papier-Emulsionen spielen, sei an den Beispielen von zwei Paieren gezeigt, die unterschiedlicher kaum sein können.
Zunächst das Ilford Art 300. Dieses Papier ist für den Lithprozeß eigentlich nicht geeignet, weil bei den normalerweise verwendeten Entwicklermischungen kein Lithschwarz entsteht, auch nicht bei sehr langen Entwicklungszeiten, wenig erstaunlich, denn die Emulsion ist der des MGWT zumindest sehr ähnlich.
Bei einem Entwickleransatz von 40 ml A + 40 ml B auf 800 ml Wasser sorgt der Zusatz von 10 ml E (1+4 verdünnt) für eine rasch einsetzende Schwärzung der Schatten nach relativ kurzer Entwicklungszeit (2-4 Minuten).
Die hierbei entstehende Körnigkeit hat nichts mit der Kornstruktur des Negativs zu tun. Die Kornzusammenballungen werden umso intensiver, je höher die Dosierung und je länger belichtet wird. Die Zunahme der Farbigkeit bei längeren Belichtungszeiten fällt hier deutlich geringer aus. Ist mehr Farbe erwünscht, kann natürlich getont werden.
I rarely use Lith E. It was originally designed to reduce the colourfulness of lith prints or to accentuate the grain. The papers for which it was intended are no longer manufactured today.
The effect of this additive and the role played by the paper emulsions can be demonstrated using two examples of papers that could hardly be more different.
First, Ilford Art 300. This paper is not really suitable for the lith process because the developer mixtures normally used do not produce lith black, even with very long development times, which is not surprising because the emulsion is very similar to that of MGWT.
With a developer mixture of 40 ml A + 40 ml B to 800 ml water, the addition of 10 ml E (diluted 1+4) ensures rapid blackening of the shadows after a relatively short development time (2-4 minutes).
The graininess that results has nothing to do with the grain structure of the negative. The grain clusters become more intense the higher the dosage and the longer the exposure time. The increase in colourfulness with longer exposure times is significantly lower here. If more colour is desired, toning can of course be used.
Left 12 seconds exposure, right 18 seconds exposure.
Remembrance - Poem by Waldo Williams (translated by Alan Llwyd)
One fleeting moment as the sun is setting,
One gentle moment as the night falls fast,
To bring to mind the things that are forgotten,
Now scattered in the dust of ages past.
Like white-foamed waves that break on lonely beaches,
Like the wind’s song where no one hears the wind,
They beckon us, I know, but to no purpose –
The old forgotten things of humankind.
The artistry and skills of early peoples,
Small dwelling-places and enormous halls,
Old well-told tales that have been lost for ages,
The gods that now no mortal could recall.
And little words of languages long-vanished,
Lithe words once lively on the lips of men,
And pretty in the prattle of small children,
No tongue will ever utter them again.
Oh, earth’s innumerable generations,
Their sacred dreams and fragile sanctity,
Is the heart silent that was once acquainted
With sadness and with gladness and with glee ?
Often at close of day, when I am lonely,
I long to know you all, bring all to mind;
Is there a heart or memory still to cherish
The old forgotten things of humankind?
Translation by Alan Llwyd
Credits: bluemoodstyle.blogspot.com/2024/03/hrry-p.html
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✿✿Inithium Kupra
✿✿SP Peach
෴✿෴ ෴✿෴෴✿෴ ෴✿෴
▶ ⲊⲢⲞⲚⲊⲞⲄ: KAOS TATTOO.:: > BABY TATOO< ::. KAOS TATTOO
✿✿BOM
✿✿EVOX
෴✿෴ ෴✿෴෴✿෴ ෴✿෴
✿Moon. Hair // Lithe
✿LELUTKA HEAD
✿EBODY REBORN
♥*♫Marilyn Manson - Raise The Red Flag "♫*♥
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⤞Sponsors⤝
✤TREVOR✤
✤TANAKA✤
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✤Dress ≒ = = Domus = Wet Dress @LEVEL Event **NEW**
✤Pistol ≒ [TANAKA x TREVOR] - STAR PISTOL @TREVOR MainStore @TANAKA MainStore **NEW**
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✤Hair ≒ Moon. Hair // Lithe
✤Bangs ≒ NO.MATCH_NO_CHAT bangs
✤Hat ≒ -ONEDAYs - HAT NUM
✤Fishnet Bodysuit ≒ Tatiko - Fishnet Bodysuit
✤Gloves ≒ ::Static:: Scorched Gloves
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⤞Visit This Place⤝
When you are looking at art, your appreciation of the image you see is governed by the way your brain is wired. I think I want a brain like Gary's. He saw lithe naked female buttocks. Amongst the grains of light and dark sand granules I saw something more like the Spirit of Ecstasy (with its wings amputated). But that's the great thing about looking at sand patterns on the beach. What you see is unique to you, unless it is obviously like a frog or a Sputnik, don't you think? Fascadale beach yields such fun!
Skara Brae on Orkney is prehistoric gem. Semi-Subterranean houses and workshops make up the site as it stands today. It is an impressive site much visited and intricately studied as it offers to reveal how prehistoric people lived. The site is said to be built into the community midden, or rubbish dump. The soft midden can be shaped and moulded with stones fitting in the voids to make a very safe stable environment for living and working in. Skara Brae is vaunted as the most complete Neolithic Village in Europe. House 5 as labelled in this picture has had a drain and still shows stone furnishings looking like lithic versions of kitchen dressers, a central hearth and a window too. This once inland village is now perilously close to the sea and needs sea defences to maintain the structure from destruction by wind and sea. It was rediscovered in 1850 after a storm uncovered part of the structure.
The companion pieces to this picture are here this is the first of three,
Skaill House previously pictured from House 5 Skara Brae and here I am wishing that I a had a tripod for few seconds to make a better picture 1 of 3
© PHH Sykes 2024
phhsykes@gmail.com
Skara Brae, Sandwick, Orkney, KW16 3LR, 01856 841 815
“Long before Stonehenge or even the Egyptian pyramids were built, Skara Brae was a thriving village. Step back 5,000 years in time to explore the best-preserved Neolithic settlement in Western Europe.”
www.historicenvironment.scot/visit-a-place/places/skara-b...
Skara Brae: view of house 5
canmore.org.uk/collection/337194
Skara Brae – the houses
www.nessofbrodgar.co.uk/skarabrae-houses/
Skara Brae Evening Tours
Selected dates from Monday 9 June 2025 to Thursday 28 August 2025
www.historicenvironment.scot/visit-a-place/whats-on/event...
Orkney Digital Guide
stor.scot/products/orkney-digital-guide
Skaill House
“Overlooking the spectacular Bay of Skaill, Skaill House is the finest 17th Century mansion in Orkney. Covering thousands of years of history, Skaill House is renowned for its contribution to Orkney’s diverse and exciting past. Today, after careful restoration work, the house is open to the public.”
Pose - OMY Ashlee
-Sorumin- Academia SET -Crop Tee
-Sorumin- Cordelia Pants
Moon. Hair // - Lithe
[Glam Affair] Haley Skin [Lelutka EvoX]
LeLUTKA Avalon Head
eBODY - REBORN
"Be wary of any treasures you find too easily. Nature usually preys upon the naive..."
A monstrous amphibian that lurks in caves along island coasts. It hunts by luring prey in with the glowing Kanohi on it's forehead.
Been kicking the idea for this one around for about a year now. Figured I would take advantage of MOC League to get the motivation to build it actually. Inspired by Anglerfish. Was originally intending to make something more lithe with a lure on it's head, but committed to the chunkier look to accommodate the large maw I ended up going with.
Built for the MOC League 2022
Preliminary Round
Theme - Hunters